#Berlin #Berlin and the Lady with an Ermine #Pedro Alonso #Michelle Jenner #Tristán Ulloa #Álex Pina #Esther Martínez Lobato
#Comedy #Drama #Thriller #Movie #FilmWorld #Season #Korean #Hindi Dubbed #k-Drama
# Film Story :
Berlin reunites his crew in Seville for an elaborate con targeting a powerful duke and his wife who’ve made the mistake of trying to blackmail him. Their plan involves faking the theft of a priceless painting as cover.
#Comedy #Drama #Thriller #Movie #FilmWorld #Season #Korean #Hindi Dubbed #k-Drama
# Film Story :
Berlin reunites his crew in Seville for an elaborate con targeting a powerful duke and his wife who’ve made the mistake of trying to blackmail him. Their plan involves faking the theft of a priceless painting as cover.
Category
😹
FunTranscript
00:13Life is grand, enjoy the ride
00:22Until it's time to go, let's go in style
00:28Live it up, take my advice
00:35Langar, get out of here
00:37And when it's time to go, let's go in style
00:47Now it's been set
00:49Just thinking about the same thing about the same thing
00:53Let's be together
00:55I have a big plan
00:57Which has been in my mind
01:00What's your story?
01:01Why not do we have to do something without a problem?
01:05Let's go to a bank of a locker
01:06The country's most of the bank
01:097,624 locker
01:11In the bank, people have locked up with lockers
01:14But it's a special thing that the bank never asks what it is
01:18They believe that it's a mess or it will be a mess
01:21But what do you know?
01:23People are hiding their lives.
01:25So you're telling us that without leaving us,
01:28we'll steal them.
01:29Is this a jury or a lottery?
01:32This is not a lottery.
01:34I'm talking about Marbella's bank.
01:35They've built their own locker.
01:38And you know why?
01:39Because Marbella is a city of money,
01:41where the Arab people remain in Russia.
01:43One side is an Arab king,
01:44and the other side is the world's mafia.
01:46Lebanese mafia, Italian mafia, Moroccan mafia.
01:49What will happen in their locker?
01:50No, they will be the same.
01:54They will be the same.
01:56They will be the same.
01:57But baby, let's go in style.
02:10We can do this on Christmas.
02:13This year, Christmas Eve Friday
02:15and Christmas Saturday.
02:16I'll see you later on Christmas.
02:17We'll have a cadaver on Sunday and we'll have
02:18a lot of dia on which we'll clean our locker.
02:20I'll wait for three days on Christmas.
02:21Let's leave the Christmas tree,
02:23and make it wrong.
02:25It's it doesn't know that people don't know what it's inside.
02:28So Mark know that there's a long note rating on the belt.
02:30But it's also the worthless.
02:31I believe.
02:32I'll be sure.
02:49shikar karna hai
02:50rai sara patiyo ke bich uhtna bẹt na hi
02:52hame hamarai maksad tak pa chae gah
02:54ap apun dho shabda par ghor ki je rai s
02:57aur arab pati kabhi in dho shabda ki
02:58taakad samjhi yaat ho? yeh vo log hai
03:00jinki saath kushti baethe bete khaati
03:02agar arab patiyo ke bich uhtna bẹt na hai
03:03toh munokokun hi chalte hai amun
03:04si sapitne purane khayalo wale muhudbani
03:07hi haa humare saamne arab patiyo ka
03:09reela hai johanne shandar jahaz
03:10in the world's world.
03:12And that's what it means.
03:14And why do they know?
03:15Because they think that they're like us.
03:17They see themselves straight and straight.
03:19They wear t-shirts where they're wearing a t-shirt.
03:20And they're just like Facebook.
03:23It's a good idea.
03:26Hubs and Sebastian are the new Monaco.
03:46I want to break free.
03:51I want to break free.
03:55Oh, thank you.
03:56Welcome.
03:57And how are we going to tell this?
03:58Is there anyone who wants to go?
03:59This part is our favorite part.
04:02It's beautiful.
04:04And I don't know,
04:05a man who doesn't want to pick up a man.
04:07No, it's not enough.
04:08After that, they have to win.
04:10They have to be in their friends.
04:13Then they have to be in their lives.
04:14And they have to understand how they can manage their rights,
04:17where they can keep their rights,
04:19and what they can do.
04:19They have to steal them from the house.
04:22We have to find a tree like that.
04:26So why are we here, in this party?
04:28For your desire?
04:30So, start with me.
04:33Good evening.
04:34Good evening.
04:34Excuse me.
04:35But my friends,
04:36I really liked your address.
04:38And they were very appreciative of you.
04:40Thank you very much.
04:41My name is Margarita.
04:43And you?
04:44Ricardo Perez and Fontaine.
04:46She is a shipping company in North Africa.
04:48Now, please talk to me.
04:50And we will see you with me.
04:53I am also a shipping company.
05:08I'm going to take a look at you.
05:09My heart!
05:09My heart!
05:10It is ok,
05:12How do I want to...
05:15What do I want to do?
05:17You better know.
05:19What do I want to do?
05:20You're going to take a look.
05:21Take a look.
05:32Thank you very much.
06:01Thank you very much.
06:34Thank you very much.
14:19Why did you say that?
14:21Because we are going to teach them a lesson.
14:23As he has been wrong with us, we will be wrong with him.
14:26Andres, what kind of wrong with you are you thinking?
14:39You have heard that the house is going to steal the house?
14:43You have to steal the house?
14:46We were going to steal the house.
14:48That house is right for us because he is a big burden.
14:52He will not do our job.
14:54Andres, you are not thinking about it.
14:55No, he knows us.
14:58He will also know you.
15:00And if we don't make it, we will be stealing his money.
15:02So, we will say yes, then we will steal it.
15:05We will steal it.
15:05And we will steal it.
15:07What do you say?
15:12Ha, ha, ha, ha.
15:14He will get a gang.
15:23I'm here.
15:28Give yourself a call for a man.
15:32You have another one!
15:32Give yourself a sign to help.
15:33Give yourself a sign!
15:35Do not show the veil!
15:36Kandila, your face is bad.
15:37My face is bad, I won't show you now.
15:39I'll show you now.
15:40I'll get back.
15:45I've got the food right now.
15:46It's not a shame.
15:47Kandela, please tell me, I've done what I've done.
15:50You're with your cousin.
15:51Kandela, just do it.
15:53There's nothing between us.
15:55Come on, come on.
15:56Do you want to get out of here?
16:06Do you want to get out of here?
16:10No.
16:26What do you want to get out of here?
16:27How do you want to get out of here?
16:29The water is very warm.
16:31The water is very warm.
16:32The water is very warm.
16:33And when the water is warm in one city,
16:33the water is warm,
16:35the water is warm.
16:38Yes, and you...
16:40Do you think you want to go to a cold place?
16:42Like Switzerland or somewhere else?
16:44Switzerland.
16:45Of course.
16:46Okay.
16:47This is for me.
16:48I like to see you.
16:49I like music.
16:50I'll tell you,
16:51there are other things to watch.
16:53Like...
16:54Flamenco,
16:55there are trees,
16:57there are trees,
16:57there are trees.
16:58And here,
16:59there are more Saviian Virgins.
17:01And Junoon.
17:02Yes, Junoon.
17:07Because,
17:08what you have given us,
17:09is that it was a little bit of a doubt.
17:11But,
17:11there are so many people
17:13in their lives.
17:15Look,
17:15it's not like this.
17:16It's not like this.
17:17It's not like this.
17:17It's not like this.
17:18It's not like this.
17:18It's like this.
17:20It's too apparent.
17:22I have heard.
17:23No,
17:24I have heard.
17:26It's like this.
17:28Let's just leave this house and listen to me,
17:30and I'm happy to hear that.
17:30When you listen to me,
17:32then I'll remember you.
17:35And one more thing,
17:36I was telling you to say,
17:37that if you're not going to this city
17:39to make a suit wear,
17:42give me this suit.
17:43That's right.
18:12Can we help us?
18:14He has put our hands on both sides and put it on the floor and put it on the floor
18:19and put it on the floor.
18:21It's amazing.
18:23And how much money is it?
18:25It's not something else. It's about 600-700 euros.
18:29Why are you looking at it?
18:31To make it so much better, it's a problem.
18:33That's it.
18:34And it's not a problem.
18:36Of course.
18:36Why not?
18:38Yeah.
18:38It's possible to go back to your bed.
18:44Let's go.
18:54After the Paris girl, Bruce's heart brought Kayla.
18:58That's enough.
19:07She was a 34-year-old woman who was just a woman.
19:10But this time, she was different.
19:11She felt different.
19:12She wanted him to complete her, she did not forget to do anything.
19:16Like, sit in the室 of room.
19:21Or sit in the room.
19:22Without her name of the film, sit in a room.
19:25And sit to a hotel at the cinema.
19:26And from Christmas, she was sitting in a house,
19:29she was talking to her and told her that she was doing on the right time.
19:32Little girl to come with her?
19:42After two weeks, he understood that he was waiting for his own desire.
19:47It was the first time when Bruce's heart was in love.
19:52Bruce had died in his heart.
19:54And he decided to do a party.
20:11He called his friends, his family and the people of the city.
20:16In that party, there were more than 1500 people.
20:20In that party, Bruce said to Alvida,
20:27he said to Alvida and his family,
20:33he said to Alvida,
20:37he said to Alvida,
20:40he said to Alvida,
20:41the food, the horse,
20:44And with the cake,
20:45with the bride,
20:46he took his hand and took his hand to his hand.
20:49He went to the balcony to the world,
20:51and he told the world this,
20:52that he said to me.
20:53Tell me where we are, that you're afraid, it's all for why we are.
21:16But when Bruce closed his door of his old life,
21:19he closed his door, at that time,
21:21Kela, anjani, he was opening the door.
21:34Sometimes, a little stranger has reached you.
21:59And on the other hand,
22:01Rorynny was also in love.
22:05But Bruce and Kela,
22:07his story was the most important part of his story.
22:15I'll not give a message Tone about his son New England.
22:16Verse 3
22:16he couldn't wait for him over the world,
22:17and Jo Σ.
22:19I feltidades out there as her account on his own.
22:19One of the two vilas.
22:27Sometimes long ago,
22:29they made their moneyии at night,
22:30To watch them Unders and their wedding signs were destroyed.
22:58Thank you very much.
23:06No one will talk to each other.
23:24It was all someone's love.
23:27And it was our story.
23:29But our story was a true love.
23:33It's time for us to be able to cross.
23:34And we didn't have to let the country know.
23:39It's time for us to be able to do that.
23:42That's it.
23:43It's time for us to be able to do that.
23:44We were able to do that.
23:45That's it.
23:49It's time for us to be able to do that.
23:54But we'll take the time as we go.
23:56And then for us,
23:57we'll take college and get away.
24:00We'll take a break.
24:00I bought a ticket for Singapore and a suitcase.
24:05But there was someone who would stay at our house every day.
24:10And when they came, they would sit and sit there.
24:13And as they walk around, they would sit down.
24:18Hey, Andres, what a deal.
24:21Nothing. It was just going to the supermarket.
24:23That's the university guy, right?
24:25Do you have a beer?
24:27Or do you watch a film?
24:29They go to the Korean place.
24:30Then we understood that our friend
24:32wants to go on a journey.
24:35To say something about your heart.
24:36And he told us about it.
24:39He told us about it.
24:42He told us about it.
24:43In Arizona.
24:45In Tulum.
24:47He told us about it.
24:49He told us about it.
24:51He told us about it.
24:54He told us about it.
24:55He told us about it.
24:55Even when we did not reach the floor.
25:01And, oh God...
25:03We saw it in Vedicmand...
25:04...up after we saw through the forest,
25:07...iert us through the land.
25:09And we realized about it.
25:10That's how we left the house for the village.
25:12Do me again?
25:42Okay, let's go.
26:06Okay, let's go.
26:36Okay, let's go.
26:54Okay, let's go.
27:13Okay.
27:14Okay.
27:16Okay.
27:18Okay.
27:21Okay.
27:26Okay.
27:27Okay.
27:37Okay.
27:39Okay.
27:43Okay.
27:43Okay.
27:46Okay.
27:48Okay.
27:48Okay.
27:48Okay.
27:50Okay.
27:52Okay.
28:04Okay.
28:12Okay.
28:19Okay.
28:20Okay.
28:22Okay.
28:23Okay.
28:33Okay.
28:35Okay.
28:35Okay.
28:37Okay.
28:41Okay.
28:43Okay.
28:44Okay.
28:51Okay.
28:53Okay.
29:04Okay.
29:06Okay.
29:18Okay.
29:19Okay.
29:19Okay.
29:19Okay.
29:22Okay.
29:50Okay.
29:50Okay.
29:51Okay.
29:52Okay.
29:53I'll be right back.
29:56Then we'll go to the bank's locker room.
30:00Let's see what the story is going to happen.
30:10Wow.
30:13This city is very nice.
30:15Especially when there's no room,
30:16when there's no room,
30:18it's a little cold.
30:19It's a little cold.
30:20It's a little cold.
30:23I'm feeling this cold.
30:27Are you feeling it?
30:29Yes, I'm feeling it.
30:32But we're going to go.
30:34For your hands to be careful.
30:36You don't have to say anything about this.
30:38Open the brigade.
30:41Open it.
30:51I'm feeling it.
30:52What's your problem?
31:01Now this one.
31:05You have to take it from the bank's locker.
31:08Which one is the bank's locker?
31:11Raja Sahib.
31:12Okay.
31:13Whatever you've said,
31:14just do it.
31:15Okay.
31:15Let's go.
31:31What a deal.
31:34Now we'll take care of here.
31:35It's better if you have your friends on board.
31:37Maybe they'll be at the charge.
31:38I'm looking for you.
40:00Oh, mira, pasa mi da gana.
40:29De par en parte abro, las puertas abiertas.
40:34Ya sé, aquí va, Simona.
40:59¡Esta ciudad impidia!
41:02¡Pobre aprendizaje brujo!
41:04¡Que cuida el firmamento!
41:07¡Desde un hotel de lujo!
41:09¿Con dos?
41:10¡Con dos con el desilio!
41:42Pues ayuda a todos.
41:50Esta es la marcha.
41:51¿Maldita es un hotel?
41:52¡Para, Carece, Cion!
41:52¿No? ¿Para, Carece, O, Kan deela?
41:52Y a todos, ¡Esta, la a la urea!
41:54¡Sumos todos após!
42:02Where are my money, Kamine?
42:04There's no other place inside.
42:06What are you sleeping?
42:10No matter what I'm doing, I'm waiting for your sleep.
42:17When will you sleep?
42:22My love, I'll sleep a lot.
42:38What are you sleeping in?
42:40I'm sleeping in bed.
42:45How are you sleeping in bed?
42:57No, no, no, no!
42:58I'm leaving!
42:59I'm leaving!
43:02First you will see the dog.
43:04Take it away from my house.
43:06You've never done anything.
43:07Oh, you've never done anything.
43:09You won't do anything with your cousin.
43:11What?
43:12Let me leave!
43:13I've never done anything with my cousin.
43:15Ok, turn on the door first.
43:30Hey!
43:32Don't tell me about it.
43:32I'll open the door.
43:33In the meantime, you're my fault.
43:35And you come here.
43:37Put your arm in there and I'll touch you.
43:41I've touched. I didn't do anything.
43:44I know you're saying something.
43:46I've never seen you.
43:47Who's watching you?
43:49And you're saying something like that.
43:51My son is like a baby,
43:52Hey, we've grown up together.
43:54Then why are they sitting on a bike and sitting on you?
43:57What happened in the swimming pool?
43:58They were sitting on your hands and sitting on your hands.
44:02What are you doing now? Tell me!
44:04Tell me!
44:06I'm going to run away, please open the door.
44:08Don't do that. Don't run away from me.
44:09And tell me, why don't you forget to give a wedding dress?
44:13You couldn't go anywhere.
44:14Your mother, your daughter, your friend, your friend.
44:17Your cousin, I don't know.
44:19Where are you going?
44:21I'm going to run away from you, my friend.
44:23Candela, are you crazy?
44:25I'm crazy?
44:25Yes, I'm crazy.
44:26You're so crazy.
44:27I? I don't have any problem.
44:29Candela.
44:30Hey, come here.
44:31The door.
44:32Okay, listen.
44:34Listen to me.
44:35Or you don't have any trouble.
44:36Everyone, calm down.
44:38Everything will happen right now.
44:39And you go back to your back.
44:41And you.
44:42Now tell me.
44:43Did you have fun with her in the black beds?
44:46You don't have to show you.
44:48Candela, don't do that.
44:50Don't do that.
44:50Do you have fun with her?
44:53I'm hungry?
44:57Tell me.
44:58Say, do you have fun with him.
44:59Do you have fun with him or not?
45:00I tell.
45:02Yes.
45:04But just on the same day, Candela.
45:07I love you to do nothing with you.
45:09Seriously, please forgive me.
45:14I forgive you.
45:16I'll forgive you.
45:19Now you forgive me.
45:23Kandela!
45:25Kandela!
45:27I'll kill you.
45:31Kandela!
46:05Kandela!
46:07You're alright.
46:09Yes, except for happy.
46:11It's a good thing.
46:14You're thinking about me.
46:15I'm a son.
46:17We're trying to kill a car in the corner
46:19or a caravan.
46:22I like to kill a car in the corner.
46:23I like to kill a car in the corner.
46:24But now I like the pomelo.
46:26I don't know if I've seen petrol.
46:28I'm not afraid of it.
46:29We are very afraid.
46:33I'm sorry.
46:35I feel the courage to go out and go out.
46:49I have a son.
46:51I'm sorry.
46:51I don't know.
46:52I'm sorry.
46:55I'm sorry, I'm sorry.
47:07and then one day, three years later,
47:10I'm proud to say this,
47:11that the bus has lost a lot.
47:13And then,
47:14to keep them in the box,
47:16it's not the same thing.
47:18I don't really like that.
47:19You've seen it,
47:20I'm throwing the bus with the bus.
47:22If someone has the ability to enter into their life,
47:24then they also have the ability to enter into their life.
47:31There's also a lot.
47:36You won't wear that t-shirt.
47:41Stop, help me.
47:42Wow, wow, wow.
48:01Good evening, officer.
48:02Good evening.
48:03Where are you all?
48:04We both are meeting with a friend of San Roque.
48:11There's a patrol with the car.
48:14Yes, because now the tank is full.
48:27Stop the engine.
48:33There's a patrol with the car,
48:34and the driving license.
48:36Yes, why not?
48:36I'll show you right now.
48:37Simon, you'll get the patrol with the car.
48:38There's a patrol with the car, baby.
48:39Look at that.
48:39Hmm.
48:52Do you need your driving license?
48:55Yes, I don't see the car in the back,
48:57because it's a little bit of information, right?
49:00I'm looking at it,
49:01but if you're going where you'll be,
49:04you'll keep it.
49:04Why don't you keep it?
49:06I'm looking at it a little bit.
49:10Don't leave the car outside.
49:11Don't leave the car outside.
49:19All the problems were coming from here.
49:20Everything was coming from here.
49:21Everything was coming from here.
49:25I'm looking at it,
49:25I'm looking at it a blue color.
49:26I'm looking at it.
49:27A C.
49:28We're looking at it.
49:30You're looking at it.
49:32This is your one.
49:33What are you looking at?
49:33Why are you looking at it?
49:33In the bag, you're not the same.
49:36I'm not sure.
49:36I'm looking at it,
49:36because you can ask an ID.
49:39You'll even ask.
49:39I mean, they'll ask.
49:40And does it feel like they'll ask us?
49:43I don't have a license.
49:44and this car is also my license.
50:14Hmm?
50:15What are you doing?
50:21Where are you?
50:22What are you doing?
50:48What are you doing?
50:49What are you doing?
50:50I'm doing a good job.
50:51I'm doing a good job.
50:54I'm doing a good job.
50:56Don't stop.
51:28You want me to get you on my list?
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