A powerful full drama movie filled with love, secrets, and unexpected twists.
Follow a powerful story where relationships are tested, hidden truths are revealed, and lives change forever. From romantic moments to shocking surprises, this drama keeps you engaged from beginning to end.
Featuring stories about CEO, billionaire lifestyles, family connections, and life-changing decisions, this movie delivers strong emotions and unforgettable scenes.
Watch the full movie and discover what happens in the end.
New full drama movies uploaded regularly. Stay tuned for more captivating and trending stories.
#drama #fullmovie #lovestory #dramatic #billionaire #ceo #family #relationships #movie #story
Follow a powerful story where relationships are tested, hidden truths are revealed, and lives change forever. From romantic moments to shocking surprises, this drama keeps you engaged from beginning to end.
Featuring stories about CEO, billionaire lifestyles, family connections, and life-changing decisions, this movie delivers strong emotions and unforgettable scenes.
Watch the full movie and discover what happens in the end.
New full drama movies uploaded regularly. Stay tuned for more captivating and trending stories.
#drama #fullmovie #lovestory #dramatic #billionaire #ceo #family #relationships #movie #story
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AmusantTranscription
00:00:01Sous-titrage Société Radio-Canada
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00:10:16Thank you.
00:10:19Who needs that entitled brat anyway?
00:10:22Sir, you called the cab.
00:10:24Why not just give Miss Keaton a lift?
00:10:31Why not just give Miss Keaton a lift?
00:10:33And have the whole school go crazy.
00:10:35She's new. Everybody's already talking.
00:10:39So you're worried about her?
00:10:40You're overthinking.
00:10:42I just don't like drama.
00:10:50Asshole.
00:10:51Who?
00:10:53Morning, Klaus.
00:10:55Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:11:04Mr. Kenwood.
00:11:06Care to share what you found so amusing?
00:11:08Not particularly.
00:11:10Oh, I insist.
00:11:12You seem very entertained by Golding.
00:11:14I'm not entertained by Golding, sir.
00:11:17On the contrary.
00:11:18I think his ending is...
00:11:21Weak.
00:11:23Wait, wait. You actually read it?
00:11:25Quiet.
00:11:27That's an interesting take.
00:11:29Explain.
00:11:32He had the set up for something brutal.
00:11:35Something honest.
00:11:36But in the end, he backed out.
00:11:38He could have left the boys on the island.
00:11:40Forced them to confront the collapsible morality.
00:11:43Let them choose survival.
00:11:44Or death.
00:11:46But instead, he gave them a rescue boat.
00:11:48He slapped a happily ever after on a book about savagery.
00:11:55It's a waste.
00:11:57Don't you think?
00:11:58I'm delightfully surprised, Charles.
00:12:00Didn't think you had such strong literary opinions.
00:12:03I'm always a model student, sir.
00:12:05Let's not get ahead of ourselves.
00:12:08So, a critique of Golding's mercy.
00:12:12Anyone disagree?
00:12:28I think Golding knew exactly what he was doing by ending the book that way.
00:12:32It's not mercy, it's irony.
00:12:35How so?
00:12:38The rescue isn't a happy ending.
00:12:40You don't just walk back into society and forget you're a monster.
00:12:44Golding didn't save them, he left us with the discomfort of pretending they could be saved.
00:12:48That's an interesting take, Miss Keaton.
00:12:50You still think it's a harsh critique?
00:12:53In some ways, but not harsh enough.
00:12:57Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:13:02And the civilized world? Toxic, violent, he didn't call that out nearly as much.
00:13:07So yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.
00:13:16Thank you, Miss Keaton.
00:13:18Well said.
00:13:19Anyone else?
00:13:22Both opinions are valid.
00:13:24Okay, that's kind of epic.
00:13:26And let's not forget, Golding faced major backlash when he first published the book.
00:13:30Good literature will always divide opinion.
00:13:35What's happening to me?
00:13:42Okay, what is going on? Why is everyone staring at me?
00:13:46Well, you're new, and apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle of the most epic feud as you've seen in years.
00:13:55We're not even fighting.
00:13:56Well, according to everyone, you confessed your love on day one, got rejected, begged to sit next to him, got
00:14:03rejected again.
00:14:04And today in class, you broke down crying about not believing in happy endings, and stormed out in tears.
00:14:12You were there, Sherry, that is not what happened.
00:14:16Doesn't matter.
00:14:17People believe what they want to believe.
00:14:19And they want Charles to be flawless, untouchable.
00:14:23Wow.
00:14:24Is massage only like a rich kid thing, or just a British specialty?
00:14:27Honestly, both.
00:14:30But seriously, Alice, some people already see you as a threat.
00:14:40Okay, noted.
00:14:44Looks like the new girl's in for a rough first semester.
00:15:01Hello?
00:15:03Hello?
00:15:05Is somebody out there?
00:15:08Oh, come on!
00:15:22Fine.
00:15:38Seriously?
00:15:41Oh, shit.
00:15:47What the hell?
00:15:49Anne!
00:15:50I thought you were having dinner with Alice?
00:15:52She hasn't come home.
00:15:53Her phone is off.
00:15:54Maybe you've seen her this evening?
00:15:59Yikes.
00:16:00Looks like the new girl's in for a rough first semester.
00:16:08Shit.
00:16:14Alice!
00:16:15Alice!
00:16:16Alice!
00:16:16Mr Pelton, Charles Kenwood here.
00:16:18I was wondering if I could get the timetable for Alice Keaton.
00:16:21She hasn't come home.
00:16:22I'll have it sent over.
00:16:24Check the common room in the library.
00:16:26I'll take the rest.
00:16:28Alice!
00:16:30Alice!
00:16:33Alice!
00:16:43Come on, Alice.
00:16:46Close your eyes and jump.
00:16:48It's fine.
00:16:49You're fine.
00:16:52I'm fine.
00:17:54Wow, you should try falling out of a window into someone's arms and getting insulted for it
00:17:59Wouldn't recommend it, you're heavier than you look
00:18:03I hope you pull your shoulder
00:18:10Are you okay?
00:18:12No, but I will be
00:18:16Someone did this on purpose
00:18:17What do you think, golden boy?
00:18:20Don't worry, I can handle it
00:18:21You shouldn't have to
00:18:26I'm sorry
00:18:34Sorry
00:18:39Did you just apologize to me?
00:18:42Don't get used to it
00:18:43I wouldn't dream of it
00:18:46Alice?
00:18:48Over here
00:18:52You okay?
00:18:55Why are you drenched?
00:18:56Yeah, I just took a weird shower
00:18:59Top exploded
00:19:02Come on, let's get you home
00:19:14Alice's cheater, right?
00:19:17I heard you staged the whole thing for attention
00:19:43I know how this place works
00:19:45If you don't do anything about it
00:19:47It's only going to get worse
00:19:49I'll look into it
00:19:52Charles
00:19:54Good on you
00:19:56How many of you would speak up?
00:20:01I can't believe someone actually locked you in
00:20:04That's insane
00:20:05Where the hell was the school when this was happening?
00:20:07Busy protecting their golden boys and trust funds
00:20:10Well, for what it's worth
00:20:12I heard Charles looked pretty freaked out when he ran out last night
00:20:16Please, he just didn't want a lawsuit
00:20:35Being a scholarship student has its perks
00:20:38Like saving a fortune on tuition
00:20:41And getting into schools that normally wouldn't even let you pass the gates
00:20:46Hey, we miss you in Paris
00:20:48Though there are enough Americans to remind us of you
00:20:51But sometimes, being here means staying behind
00:20:55And watching Ashford Elites go on a two-week enrichment program
00:20:58You can never afford
00:21:01Have fun
00:21:03Bring me something overpriced
00:21:06And unnecessary
00:21:10The trip cost 20 grand in pounds
00:21:13Which translates to
00:21:14Mom's salary for half a year
00:21:16So yeah, I didn't go
00:21:40What are you doing here?
00:21:42Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:45It's comfortable
00:21:46You look like a rejected Ewok
00:21:49This is not even your kitchen
00:21:50And this is not even your house
00:21:52And yet, you're here
00:21:53Dressed like this
00:21:55Just don't look
00:21:56Go away
00:21:57Hard not to
00:21:58And you're walking around dressed like that
00:22:00What do you guys call it?
00:22:02Um, buzzkill?
00:22:05Cockblock
00:22:06You're insufferable
00:22:07You're the one cosplaying at breakfast
00:22:09You know what?
00:22:10I don't get it
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people live for that kind of thing
00:22:14Why do you think?
00:22:21How would I go?
00:22:23I could practically recite the itinerary in my sleep
00:22:26Florence
00:22:27Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian
00:22:32Or Titian
00:22:33If you want to sound extra pretentious
00:22:36Then Venice
00:22:37Because everybody loves a good canal
00:22:39And getting lost in the most confusing city on earth
00:22:42Next stop
00:22:43Napoli
00:22:44Marvel at Pompeii
00:22:45Pretend you're shocked
00:22:47Ancient people had plumbing
00:22:48The final stop
00:22:49Paris
00:22:51The ultimate city of romance
00:22:54And naturally
00:22:55Woody Allen's favourite city
00:22:58Outside of New York
00:23:01That's word for word
00:23:03I told you
00:23:04I've done this tour so many times
00:23:06I could run it
00:23:07Okay, but still, it's Europe
00:23:09Most people would kill for that chance
00:23:11Most people haven't had their phones stolen in Paris
00:23:14Twice
00:23:16Also, I hate the accommodations
00:23:17Aren't they all five-star hotels?
00:23:20Standard rooms in five-star hotels
00:23:22No thank you
00:23:25Wow
00:23:25Some were born in Rome, huh?
00:23:27That's unfortunate
00:23:28It's a very chaotic city
00:23:30One word of advice?
00:23:31Shut up
00:23:32It's two words
00:23:35You're weird
00:23:36You're loud
00:23:37You're annoying
00:23:37You're in my kitchen
00:23:38You have three other kitchens
00:23:40And I prefer this one
00:23:42Just for today
00:23:43Come back when you've got a shirt on
00:23:44Come back with normal clothes on
00:23:46You didn't have to come
00:23:47Don't tell me what I have to do
00:23:58Master Charles
00:23:58Rows are flooded
00:23:59Staff won't make it tonight
00:24:01Will you be alright sorting dinner?
00:24:06I've got it sorted
00:24:19Jesus, what are you doing?
00:24:20Relax
00:24:23I'm here to make a deal
00:24:24What deal?
00:24:26You nearly gave me a heart attack
00:24:31You'll survive
00:24:33I'm not selling my body
00:24:39I'm not selling my body
00:24:45Wow
00:24:45I am deeply offended
00:24:49That thought disgusts me
00:24:51Then what are you doing?
00:24:52Staff's off tonight
00:24:53I'm buying dinner
00:24:58Did you seriously think
00:24:59I'd spend a hundred pounds on
00:25:00No, I'm
00:25:01Jesus
00:25:03Wait
00:25:04You think I'm not worth
00:25:06One hundred pounds?
00:25:08I'm not spending
00:25:09One hundred pounds
00:25:10To snort you back up
00:25:11You know what?
00:25:12Dinner's cancelled
00:25:16Are you sure about that?
00:25:19I present to you
00:25:20Meatball spaghetti
00:25:22Stir fried veggies
00:25:23And french fries
00:25:24You're welcome
00:25:25Interesting combo
00:25:26Well, I know we're not
00:25:28In Italy or France
00:25:29But this will do
00:25:30It's
00:25:32Good
00:25:39Was that a compliment?
00:25:40Although
00:25:41I am obliged to inform you
00:25:44Meatball spaghetti isn't Italian
00:25:46It's American
00:25:47And french fries
00:25:48Likely born in South America
00:25:50You should read more
00:25:53Put it down
00:25:55I paid for it
00:25:56You really just have to win
00:25:57Every argument, don't you?
00:25:58To be fair
00:26:00You make it very easy
00:26:02It's only easy
00:26:03Because it costs you
00:26:04A hundred pounds
00:26:06You know, if you'd ask for more
00:26:07I probably would have given it to you
00:26:08I'm gonna try the next time
00:26:23Okay, Alice
00:26:24It's fine
00:26:26You're fine
00:26:349-1-1
00:26:34What's with your emergency?
00:26:409-1-1
00:26:41What's with your emergency?
00:26:42It's my dad
00:26:43He needs help
00:26:44He just had a stroke
00:26:45Okay, Miss
00:26:46Hurricane constant traffic
00:26:47Shut down
00:26:48We'll get to you
00:26:48As soon as we can
00:26:49Please, he's not well
00:26:50I understand
00:26:51Can you confirm your address?
00:26:55Dad
00:26:56Yes, I'm right here
00:26:57Hi
00:26:59My daughter
00:27:00Please stay with me, Dad
00:27:02Please
00:27:06No
00:27:08Please, wake up
00:27:14Dad, please
00:27:15Please don't leave me
00:27:17I don't leave me
00:27:46I don't leave me
00:27:48Qu'est-ce que tu fais ici ?
00:27:55Vous étiez pleins.
00:27:58Lourdement.
00:28:00C'est un peu difficile à ignorer.
00:28:02Right.
00:28:03Sorry pour l'annoye.
00:28:05Wait, est-ce qu'il n'y a pas encore ?
00:28:07Pas aujourd'hui, je suis trop fatigué.
00:28:10Si tu es là, tu es là, tu es là.
00:28:14Si tu es là, tu es là, tu es là.
00:28:16Tu es là, tu es là.
00:28:17La hurricane hit New York.
00:28:20Power went down.
00:28:21Traffic froze.
00:28:24Dad had a stroke.
00:28:25But he couldn't get help in time.
00:28:29I sat there with a candle.
00:28:33While he layed there.
00:28:36Peaceful.
00:28:38Like he was asleep.
00:28:40But he wasn't.
00:28:45So that's why you and your mum moved here.
00:28:48This used to be our hometown.
00:28:51After Dad left,
00:28:54we had nowhere else to go.
00:29:00What are you doing ?
00:29:05Come on.
00:29:22Wait, I thought the peril was out.
00:29:25It is.
00:29:26We have our own generator.
00:29:28Wow.
00:29:29Rich people houses her.
00:29:30Just for tonight,
00:29:32I'll allow it.
00:29:35Allow what ?
00:29:36You can call this place your house.
00:29:38So enjoy it.
00:29:39Stephen King's first edition.
00:29:41Alan Gisberg's handwritten letters.
00:29:43Jane Austen's notes.
00:29:45All yours.
00:29:50This is your home.
00:29:53Alice Keaton.
00:29:59Careful.
00:30:00Almost sounded sweet.
00:30:02Don't push it.
00:30:03Okay then.
00:30:08I have...
00:30:09One request.
00:30:13What is it ?
00:30:21Are you ever going to make a move ?
00:30:23Wait.
00:30:23Give me a second.
00:30:25I'm thinking.
00:30:26You had one wish.
00:30:28Anything in the world.
00:30:29And in the middle of a thunderstorm.
00:30:31Inside a literal mansion.
00:30:34You chose chess.
00:30:36Yeah.
00:30:37Got a problem ?
00:30:38It's just so cool.
00:30:39Like, spies or genius villains in movies.
00:30:42It's literally a board game.
00:30:44Says the guy who owns a custom set.
00:30:47Wait.
00:30:48Does the knight go diagonally ?
00:30:50For the tenth time, it moves in an L shape.
00:30:54One.
00:30:55Two.
00:30:56Then turn.
00:30:58There.
00:30:59Happy ?
00:31:00Ecstatic.
00:31:03You know.
00:31:04A suicide.
00:31:05Or a brilliant long term sacrifice.
00:31:07You are playing checkers at a chess board.
00:31:09Still beating you in sarcasm.
00:31:11You literally haven't won any past arguments.
00:31:13Golding disagrees.
00:31:14It's going to be a long night.
00:31:16Oh my.
00:31:17No.
00:31:18Why?
00:31:18What's going on with that ?
00:31:18You can't do that.
00:31:20Can I do that as well ?
00:31:21Can I not do that ?
00:31:42Maybe he's not so awful after all.
00:31:52What are you doing here ?
00:32:01Well, your parents said you were still at home.
00:32:03Thank God you skipped that boring grand tour.
00:32:05Who needs Italy and France again, right ?
00:32:08When did you get back ?
00:32:09Last night.
00:32:10From Zurich.
00:32:11You didn't answer my messages.
00:32:14I missed you.
00:32:15Anyway, I thought I'd come surprise you
00:32:18Apparently, I'm transferring to Ashford
00:32:21Your parents were so thrilled
00:32:23They didn't tell me about this
00:32:24I wanted to deliver the happy news myself
00:32:26They said it'd be lovely for us to reconnect
00:32:29You know, considering the engagement and all
00:32:33Engagement?
00:32:35Oh, did no one tell you?
00:32:38He's promised
00:32:39Old money stuff, very retro
00:32:42I didn't agree to that
00:32:43You didn't have to, it's never up to us
00:32:47How did you find this little toy?
00:32:50Serena
00:32:51Oh, an American
00:32:54How refreshing
00:33:00Goodbye
00:33:00Wait
00:33:18Where are you going?
00:33:19You still owe me breakfast
00:33:21You only paid for dinner
00:33:23I have homework
00:33:25Goodbye
00:33:28Your little toy has quite the temper
00:33:30Serena, can you please just stop?
00:33:32What?
00:33:33Teasing the help
00:33:40That's her
00:33:41That's the one from Kenwood's house
00:33:44Was she, like, the maid or something?
00:34:01Oh my god
00:34:02What's wrong with people?
00:34:04They're saying you live with Charles
00:34:05Oh, and Serena
00:34:07What about her?
00:34:08Well, apparently she told everyone you were caught sneaking into his room
00:34:12Of course she did
00:34:26Careful, Alice
00:34:27You're starting to look desperate
00:34:41Come to the music room
00:34:45Urgent
00:34:46I just remembered
00:34:48I need to check something
00:34:49You guys go ahead
00:34:50Yeah, okay
00:34:57Hello
00:34:57Is someone there?
00:34:59Seriously
00:35:01This is getting old
00:35:13Wait
00:35:15Music room, what?
00:35:18James
00:35:19Is anybody in here earlier?
00:35:22Just Miss Serena
00:35:22Said she was waiting for you
00:35:25Sir?
00:35:27Sir, it's raining
00:35:39Come on, Alice, you're fine
00:35:43You're not that girl again
00:35:51Wait, can you remind me one more time?
00:35:53Okay
00:35:54Rooks moving straight lines
00:35:57Yeah
00:35:57Bishops move diagonally
00:35:59And knights
00:36:00The knights is a weird one
00:36:07Rooks
00:36:09Straight lines
00:36:10Bishops
00:36:13Diagonally
00:36:14Hello?
00:36:16Hello?
00:36:34The text
00:36:35Are you okay?
00:36:38Are you hurt?
00:36:39I'm okay
00:36:40I saw the text
00:36:42And I thought
00:36:43I didn't see the message
00:36:45Serena took my phone
00:36:46I didn't know
00:36:47I'm sorry
00:36:48I'm okay
00:36:51You're gonna catch a cold
00:36:52You're freezing
00:36:53You didn't have to come
00:36:56Don't tell me
00:36:58What I have to do
00:36:59Give me hope
00:37:01That feels like hope
00:37:21That wasn't a mistake
00:37:23If that's what you're about to say
00:37:26I
00:37:28Wasn't going to
00:37:40I'm really bad at this, you know
00:37:42You are kissing
00:37:44Hiding feelings
00:37:46Oh, I
00:38:07Dump those Ewok pyjamas
00:38:10Oh, you wish
00:38:12Seriously
00:38:14It's a cock block
00:38:15You kissed me
00:38:18That's basically
00:38:20Consent to everything
00:38:26Dangerous words, Keaton
00:38:28I might hold you to that
00:38:40You'll be working in pairs
00:38:41On your comparative essays
00:38:42The list is on the board
00:38:46One, two, three, four
00:38:49Are you okay?
00:38:52Fly me to outer space
00:38:56That's where I'll see your face
00:39:01And have you with me
00:39:06It may seem dark
00:39:10But you always light my spark
00:39:21You're welcome
00:39:26They're either enemies
00:39:27Or secretly married
00:39:29Honestly
00:39:30Right
00:39:31I was sure I'd never find someone
00:39:36To make my head spin around
00:39:38No one's ever gonna be the thing I need
00:39:41They all just let me down
00:39:42But baby
00:39:43You saved me
00:39:51So
00:39:52The night goes in an L shape, right?
00:39:56Why is that the only one you remember?
00:39:58Because it's weird
00:39:59And I like weird
00:40:09Check
00:40:15You're cheating
00:40:16I'm winning
00:40:18There's a difference
00:40:19You are very distracting
00:40:21And you like it
00:40:31Charles
00:40:34We need to talk
00:40:44I expected poor judgment
00:40:46But this in my house
00:40:48It isn't what it looks like
00:40:49No
00:40:51Kissing a servant's daughter
00:40:53In the family library
00:40:54Enlighten me then, Charles
00:40:56We came back tonight
00:40:57After speaking with Serena
00:40:59Imagine our surprise
00:41:00Walking in on this
00:41:03She isn't just
00:41:03You have no right
00:41:06To barge in
00:41:06On my property
00:41:10I care about her
00:41:12I'm not ashamed
00:41:13That's enough
00:41:17Why do you care?
00:41:18We're protecting our son's future
00:41:21And our name
00:41:23You think this protects me?
00:41:25We think
00:41:25She does not belong
00:41:27In your world
00:41:31Then maybe I don't either
00:41:35You're ready to give up everything
00:41:36For a girl you barely know
00:41:41Yes
00:41:42Then
00:41:43Are you sure
00:41:46She's ready?
00:41:52I'm asking you
00:41:53Do you think she's ready
00:41:55To lose everything
00:41:56Regardless of how little
00:41:57That is
00:41:58Just to be with you?
00:42:00What are you talking about?
00:42:02You left us no choice, son
00:42:03You shouldn't disobey your father
00:42:08Pelton
00:42:08It's Frederick Kenwood
00:42:10Ah, Mr. Kenwood
00:42:12How can I help?
00:42:13If a scholarship student
00:42:15Were to violate our behavioral code
00:42:18In a public setting
00:42:19With photographic evidence
00:42:21Would that warrant a review?
00:42:23Yes, sir
00:42:27So
00:42:28Answer me again
00:42:29Do you think she's ready
00:42:32To lose everything
00:42:33Just to be with you?
00:42:45Charles
00:42:46What happened?
00:42:47Did your parents say something?
00:42:48Are they mad?
00:42:48Is everything okay?
00:42:50Pack your things
00:42:53You can't stay here anymore
00:42:55What?
00:42:57My parents fired your mother
00:42:59She's leaving
00:43:00So are you
00:43:01Wait, what, why?
00:43:03Is it because of us?
00:43:04We can fix this
00:43:05I'll get a job
00:43:06Stop, stop it
00:43:06You don't get it
00:43:08If I don't walk away from this
00:43:10They'll cut me off
00:43:12Okay?
00:43:13No card
00:43:14No trust
00:43:15No trust
00:43:15No support
00:43:17Nothing
00:43:17Then
00:43:19Then we'll figure it out
00:43:20We don't need all that
00:43:21We can
00:43:23Do you really think
00:43:24I'm going to live like that?
00:43:28So that's what this was
00:43:29Just fun
00:43:31Until it got inconvenient
00:43:34What did they promise you?
00:43:38Nothing
00:43:41They just reminded me
00:43:43Of what's real
00:43:47Charles, I'm not stupid
00:43:49You don't just turn into a cold stranger
00:43:52Because of one conversation
00:43:53What did they threaten you with?
00:44:00What did they threaten you with?
00:44:02This is the difference between me and you
00:44:04What?
00:44:05You think you know me
00:44:07Or what I have
00:44:08You don't
00:44:10Alice
00:44:11You're still lying
00:44:12I'm not
00:44:12Alice
00:44:13Look around you
00:44:15This mansion
00:44:16You thought was a museum
00:44:17It's my house
00:44:20My world
00:44:21I was bored into this
00:44:23I am not choosing
00:44:25Between this
00:44:28And something I picked up
00:44:30For a moment
00:44:31Of fun
00:44:34Don't do this Charles
00:44:35You don't mean it
00:44:37It was fun
00:44:38But you
00:44:41You don't compare to
00:44:42What I own
00:44:45I'll survive the loss
00:44:48Right
00:44:51I should have known
00:44:54Guys like you
00:44:55Don't end up with girls like me
00:44:59You play with them
00:45:00Then you throw them away
00:45:03Go to sleep Alice
00:45:15This fall is a little more
00:45:18Than I expected
00:45:21In so deep
00:45:23I can barely see myself
00:45:28Yeah around me
00:45:29Feels so heavy
00:45:30But depleted
00:45:34But I find
00:45:35That's the place
00:45:36To test myself
00:45:37And so
00:45:45Oops
00:45:47Oops
00:46:03Oh sorry
00:46:05Didn't see that
00:46:06Then again
00:46:07Nobody does
00:46:09Move please
00:46:10Try begging
00:46:18You know what
00:46:19Keep it
00:46:24Poor thing
00:46:26So dramatic
00:46:27Don't
00:46:29Excuse me
00:46:31I warned you
00:46:32Walk away
00:46:34Serena
00:46:54Last week's group assignments were
00:46:57Mostly forgettable
00:46:58But one pair surprised me
00:47:01In a good way
00:47:02Charles Kenwood
00:47:03And Alice Keaton
00:47:05Would you mind giving us
00:47:06A short summary
00:47:07She loves the sound
00:47:09Of her own voice
00:47:10Better have it
00:47:11I couldn't stay
00:47:12I couldn't wait
00:47:13I thought they used to know
00:47:16That I would have
00:47:17Can hang around
00:47:19Our essay
00:47:19Explored what happens
00:47:21When two fundamentally
00:47:22Different voices meet
00:47:23Like logic and chaos
00:47:25Or silence and noise
00:47:28Different worlds
00:47:29Different rules
00:47:32At first glance
00:47:33They clash
00:47:35But what makes
00:47:36The story interesting
00:47:37Is what happens next
00:47:38Confusion
00:47:39Curiosity
00:47:41But in the end
00:47:42Some stories
00:47:42Aren't about staying
00:47:44And yes
00:47:45There is no such thing
00:47:46As a happy ending
00:47:57And yes
00:47:57There is no such thing
00:47:59As a happy ending
00:48:01Is she still talking
00:48:02About the essay
00:48:05Miss Keaton
00:48:08Dramatic as always
00:48:09Alright
00:48:10Thank you Alice
00:48:11That was
00:48:13Later
00:48:16Are you okay
00:48:16A reminder
00:48:17That good literature
00:48:19Always stirs something
00:48:24Hello
00:48:24Hi
00:48:25This is Alice Keaton
00:48:26This is Whitmore Press
00:48:27We've been following your work
00:48:28We'd like to offer you
00:48:29A long term publishing contract
00:48:30Name your price
00:48:31We'll
00:48:32We'll make it work
00:48:33Sorry what
00:48:44That's kind of insane
00:48:46Who's behind this
00:48:48Your sponsor wishes to remain anonymous
00:48:50Can
00:48:51Can I meet them
00:48:55I want to
00:48:56Please
00:48:57Or at least
00:48:58Tell me a name
00:49:03Sorry
00:49:03They wish to stay in office
00:49:05So their only interest in words
00:49:06Not the person
00:49:07I'd really like to meet them
00:49:08I see
00:49:15Congratulations again
00:49:21You got the interview
00:49:22It's just an interview
00:49:23I haven't gotten it yet
00:49:24Still
00:49:25Alice Keaton
00:49:26At Oxford
00:49:27That's iconic
00:49:35You okay?
00:49:38Yeah
00:49:39I'm so excited
00:49:54It's done Mr. Kenwood
00:49:55Miss Keaton signed the contract
00:49:58Good
00:49:59It's a generous deal
00:50:00You sure you don't want it to know?
00:50:03No
00:50:05No it's better if I stay out of her life
00:50:17Congratulations Alice Keaton
00:50:19Go live the life
00:50:21You were always meant to
00:50:28Your engagement announcement
00:50:29Should align perfectly
00:50:31With the Foundation Gala
00:50:32And the Browns already offered
00:50:35To host the London reception
00:50:38It's all coming together
00:50:40Beautifully
00:50:43I've lost my appetite
00:50:48I'll go check on him
00:50:54What's your problem Charles?
00:50:59This engagement
00:51:01Is not happening
00:51:02It's not up to you
00:51:03You know that
00:51:04Serena we're not doing this
00:51:07You've changed
00:51:12Or maybe I finally just stopped
00:51:14Pretending
00:51:14Oh yeah
00:51:20No
00:51:22I think you can do it
00:51:41You're the Lord
00:51:43You're the Spoonman
00:51:44Vous avez été fondée à Alice Keaton toute l'année dernière !
00:51:50So ?
00:51:51Vous l'aisez à tous, including elle !
00:51:54Je l'ai protéctée.
00:51:58Vous l'avez aimé !
00:51:59Je l'ai aimé !
00:52:00Je l'ai aimé !
00:52:02Je ne sais pas, Serena !
00:52:05Il n'y a pas de point.
00:52:15Je l'ai aimé !
00:52:17Je ne sais pas, si on a l'interview de Oxford !
00:52:20Et je ne sais pas, Alice Keaton ne se débris pas.
00:52:28...
00:52:37...
00:52:37...
00:52:38...
00:52:38...
00:52:38...
00:52:38...
00:52:38...
00:52:38...
00:52:38...
00:52:38...
00:52:38...
00:52:39...
00:52:39...
00:52:41...
00:52:41...
00:52:41...
00:52:41...
00:52:41...
00:52:41...
00:52:42...
00:52:42...
00:52:42...
00:52:42J'ai juste prépare tout l'avril.
00:52:47James, t'arrête quelqu'un pour moi.
00:52:51Wait, où est-ce qu'on va ?
00:53:00Chut, ok ?
00:53:01Je ne veux pas vous faire de l'interview.
00:53:03Oui, nous devons juste garder l'air de l'interview, c'est ça.
00:53:14Chut !
00:53:15Chut !
00:53:15Come back !
00:53:44Je me souviens comment on a l'air de l'interview.
00:53:47Je ne veux pas un second de l'interview.
00:53:54Hey, hey, hey, Alice, Alice.
00:53:57Alice, hey, hey, hey, stay with me, stay with me, Alice.
00:54:00Alice !
00:54:07You're awake ?
00:54:08Where, where am I ?
00:54:11A local clinic.
00:54:12Passer-by brought you in.
00:54:14Passer-by ?
00:54:16He found you on the side of the road.
00:54:18He had to leave, he didn't leave a name.
00:54:21Oh.
00:54:24The interview, what time is it ?
00:54:26Easy.
00:54:27It's okay.
00:54:28Someone already contacted the university.
00:54:30And sent in your writing samples.
00:54:32They've rescheduled your interview for tomorrow.
00:54:34Wait, what, who ?
00:54:35No idea, but it's all taken care of.
00:54:41What did you say ?
00:54:43Nothing.
00:54:44I just...
00:54:46had a dream.
00:54:58I got him !
00:55:02Oh, I knew it !
00:55:05Oh, too bad Charles isn't here to watch you crush it.
00:55:08He's not here.
00:55:10Oh, you didn't know ?
00:55:12Know what ?
00:55:13He...
00:55:14He left.
00:55:15A few days ago, yeah, everyone doesn't really know where he went.
00:55:19Honestly, Asher has been quieter without him.
00:55:21It's probably for the best.
00:55:22Come on.
00:55:22If you don't feel , he talks like a driver you just didn't want someone to stay.
00:55:29Thomas !
00:55:32The summer I met Charles Kenwood was loud.
00:55:37Chaotic.
00:55:38Unaxpected.
00:55:41And with his absence ...
00:55:43Come on !
00:55:45It ended quietly, like summer's always do.
00:56:03And joining us today, the dacé's most unexpected literary phenomenon, Alice Keaton.
00:56:10Thank you for having me.
00:56:11Now, your words moved millions. They say your stories feel real, especially the ones about love.
00:56:19Thank you.
00:56:20Which brings us to the most obvious question. How's your dating life like these days?
00:56:24No comment.
00:56:26A little bird told me that the past four years has been just writing and working, not even a single
00:56:32date.
00:56:32Let me guess, a bird named Sherry.
00:56:34She caught me.
00:56:35Still no comment.
00:56:36All right, all right. No matter what you say, you write love like someone who's lived it. If you're so
00:56:44real.
00:56:44Because once, I did.
00:56:46That's why today we're here sharing the story behind Alice Keaton.
00:56:50And no one ever quite matched the light after that.
00:56:53And let's give it up for Alice Keaton one more time.
00:57:07Congratulations, Alice. The numbers just came in. You broke your own record.
00:57:13That's incredible.
00:57:14We're thinking celebration? Press? Photos? Maybe tonight?
00:57:18Actually, there's something I'd rather do. I'd like to meet with the person who believed in me first. My sponsor.
00:57:28You're sure?
00:57:29Yeah. Just once.
00:57:32Tonight, 7pm.
00:57:43Good evening.
00:57:49Good evening.
00:57:53May I sit?
00:57:58Hey, Mr. Nonchalant.
00:58:03Hi.
00:58:04Hi.
00:58:07You look well.
00:58:10And you look like you just stepped out of a GQ cover.
00:58:14You always did.
00:58:16You were expecting someone else.
00:58:20I was...
00:58:21hoping.
00:58:23But I guess I always knew.
00:58:25I didn't come here to confuse you.
00:58:28Or to reopen anything.
00:58:31I just wanted to say congratulations.
00:58:35Oh.
00:58:36Thank you.
00:58:39Didn't know you're still reading.
00:58:41You're rich enough not to do so.
00:58:44Always.
00:58:46Either way, your sponsorship started my career, so...
00:58:50No.
00:58:51No.
00:58:52No, you've...
00:58:52You earned everything.
00:58:56Every word.
00:58:58Every page.
00:59:00Every reader.
00:59:02That's what I came to say.
00:59:07It was good to see you again.
00:59:09I hope.
00:59:10Charles.
00:59:12Can you just...
00:59:15Wait a little longer?
00:59:23I think I knew it was you.
00:59:26There was one email.
00:59:28You said something.
00:59:30It felt familiar.
00:59:31Really?
00:59:32Kinda had that...
00:59:33rich asshole with a conscience energy.
00:59:36Very on brand.
00:59:38I should have anonymized my grammar.
00:59:40Too late.
00:59:41Your semicolon usage gave you away.
00:59:44Still the only girl I know who flirts through punctuation.
00:59:46Still the only guy I know who uses whilst unironically.
00:59:52You've changed.
00:59:55But...
00:59:56Not really.
00:59:58You haven't changed.
01:00:01But maybe you've grown into who you really were.
01:00:06Anyway.
01:00:07I wanted to say...
01:00:09Thank you.
01:00:12And...
01:00:13Thanks for being here tonight.
01:00:15You didn't have to come.
01:00:17Don't tell me what I have to do.
01:00:22You didn't have to come.
01:00:24Don't tell me what I have to do.
01:00:46If you could go back, if you had the chance to do it all again, would you do anything differently?
01:00:57No.
01:01:03No.
01:01:04No.
01:01:07No.
01:01:08I see.
01:01:12I know my answer now.
01:01:13I didn't have the power back then.
01:01:15Not enough to protect you.
01:01:17I couldn't watch you get crushed because of me.
01:01:21Because of my name.
01:01:22My family.
01:01:25I didn't want to be the reason you lost everything.
01:01:28So you just disappeared.
01:01:30Without a word.
01:01:34If you had the chance to see the world.
01:01:36Without me weighing you down.
01:01:38If you still chose me after that.
01:01:44You keep saying you wanted to give me a choice.
01:01:48But you made a choice for me.
01:01:51Did it ever cross your mind that maybe.
01:01:56I would have chosen you anyway.
01:02:03I didn't think I was the smart choice.
01:02:06You weren't.
01:02:09But I never claimed to be that smart.
01:02:20This is me.
01:02:22Right.
01:02:30I'm still mad at you, you know.
01:02:34I'm still in love with you, you know.
01:02:43Do you want to come in for a bit?
01:02:48You're asking your ex, who you haven't seen in four years.
01:02:52To come into your hotel.
01:02:54At approximately 11pm.
01:02:57You were right.
01:02:59You never were that smart.
01:03:01You don't have to come.
01:03:02Don't tell me what I have to do.
01:03:05It's almost like you say.
01:03:08The last thing is better to go.
01:03:19Stop quoting yourself.
01:03:20I recycle.
01:03:21It saves energy.
01:03:23This feels wildly irresponsible.
01:03:26You sound like a disclaimer.
01:03:27You're the one who wants called romance a distraction.
01:03:30I said that.
01:03:31Yeah.
01:03:32Before calling Wuthering Heights overrated.
01:03:34Still is.
01:03:36You're lucky you're a good kid too.
01:03:41That is cute to me.
01:03:43Don't you dare quote poetry.
01:03:45I wasn't going to.
01:03:46I forgot all of it the day you left.
01:03:49Then shut up.
01:03:51And prove it.
01:03:58I still can't believe this is happening.
01:04:00I told you.
01:04:01They're either worst enemies.
01:04:02Or secretly married.
01:04:03And I told you.
01:04:04They're both.
01:04:09It's more than a night to night to night to night.
01:04:14Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
01:04:21oh, oh, oh.
01:04:31I vow to always tell you the truth.
01:04:35Except for when you ask how your cooking was.
01:04:37Then I lie.
01:04:39Respectfully.
01:04:41I vow to keep choosing you.
01:04:44Loudly.
01:04:46Quietly.
01:04:47Always.
01:04:49Even when you forget to do the laundry.
01:05:01I vow to argue with you at least twice a week.
01:05:04Especially over Shakespeare.
01:05:06I vow to write you into every story.
01:05:09Even when I say I didn't.
01:05:11You will always be part of my life.
01:05:14If she quotes Austin in this toast, I'm out.
01:05:17No, you're not.
01:05:17You're going to cry harder.
01:05:18For the rest of my life.
01:05:23For the rest of my life.
01:05:27Thank you so much.
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