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00:00:02The End
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00:03:12That's enough boys
00:03:16Fellow citizens of Santa Maria
00:03:19Today is a big day in the history of our thriving community
00:03:23For we have persuaded that noted disciple of law and order
00:03:27The greatest man hunter in the southwest
00:03:30To make his headquarters here
00:03:32United States Marshal
00:03:34The end
00:03:50What do you see about making a bank loan?
00:03:57Customers see a banker.
00:03:58That's not a bad idea.
00:03:59Where is he?
00:04:00Right here.
00:04:01Banker's the name.
00:04:02I know you.
00:04:03Davis is my name.
00:04:04Uh-huh.
00:04:04Well, just watch it.
00:04:07Too much noise out here.
00:04:08Come on.
00:04:14That celebration's for Pat Garrett.
00:04:16He's the fellow that gave Billy the kid what was coming to him.
00:04:19Yeah.
00:04:21Now then, Davis, what can I do for you?
00:04:24I'd like to borrow a little money.
00:04:25That's what we're here for.
00:04:27How much do you need?
00:04:29Oh, about $2,000.
00:04:31$2,000?
00:04:33I say that was a lot more than a little money.
00:04:37Yes, I guess it is.
00:04:39Uh, stranger around here, aren't you?
00:04:43Yes, you might say that.
00:04:44A loan of that size, the bank demands pretty good collateral.
00:04:48Oh, I got the best collateral in the world.
00:04:51Right here.
00:04:55I don't like jokes, Davis.
00:04:57That's fine.
00:04:58This is no joke.
00:05:00So, that's it.
00:05:02That's it.
00:05:03You'll never get away with this.
00:05:06I'm not trying to get away with anything, Pranger.
00:05:08It's just going to be an ordinary bank loan, legal and friendly-like.
00:05:12You're going to give me the money, and I'll give you an I.O.U.
00:05:37Keep your hands on the desk.
00:05:40You're kind of careless, aren't you, Pranger?
00:05:42Pranger, give me $200 too much.
00:05:45People get hurt when they get too careless.
00:05:49You and I are going for a little ride.
00:05:51Better lock that safe.
00:05:53A lot of dishonest people in this world.
00:05:57I guess it's true that I have some reputation.
00:06:00But I'm not claiming any credit for that.
00:06:03Because I'm backed by a force that can't be beaten.
00:06:06Law and order, and justice.
00:06:12Get for that buckskin horse.
00:06:19Look a little happier.
00:06:20Talk to me.
00:06:21What do I say?
00:06:22Might try saying your prayers.
00:06:26Well, smile.
00:06:27Well, folks, I guess I've been up here talking long enough.
00:06:31Anytime any of you have any complaints, you can always find me in my office.
00:06:43Hold it.
00:06:47Get down.
00:06:51Take your boots off.
00:06:52Now, see you here, James.
00:06:53Take them off.
00:06:54Take them off.
00:07:01Hand them here.
00:07:08Thanks for the loan.
00:07:10Adios.
00:07:11And then, if I found all of us, yes, yes, no Knife.
00:07:39Adios.
00:07:46The End
00:08:27Howdy, Fringer.
00:08:28What's the matter, Fringer? Can't you afford boots?
00:08:31Today, while you were shouting about law and order, my bank was held up by a vicious, cold-blooded killer.
00:08:36Made me walk all the way back from Coyote Canyon.
00:08:39I suppose you calmed down. Tell me what happened. What'd he look like?
00:08:42Well, he was tall, wore, wore, looked like any other cowboy.
00:08:49I demand a posse. I'm offering a reward of $3,000 for the man who brings them in, dead or
00:08:54alive.
00:08:55Wait a minute, man. I'd like to acquaint you with the way I work.
00:09:00Sometimes these dead or alive rewards are inclined to make a man too eager.
00:09:04I won't stand for any unnecessary shooting. I want to warn every one of you.
00:09:09To bring this man in dead, I don't want to find any holes in his back.
00:09:14That's all.
00:09:15Oh, it's all.
00:09:32Yes, sir.
00:09:37Oh, my God.
00:10:27Pleasure to have known you, Sonny.
00:10:35Come on.
00:11:05Come on.
00:11:11Come on.
00:11:18Come on.
00:11:24Come on.
00:11:25Come on.
00:11:25Come on.
00:11:26Come on.
00:11:27Come on.
00:11:30Come on.
00:11:31Come on.
00:11:34Come on.
00:11:37Come on.
00:11:38Come on.
00:11:40Come on.
00:11:55Come on.
00:11:58Come on.
00:12:07Come on.
00:12:09Come on.
00:12:27Come on.
00:12:28Come on.
00:12:33Come on.
00:12:35I didn't get your ticket, did I?
00:12:38What's the matter with your own?
00:12:39Come on.
00:12:39I cut myself.
00:12:41Say, there's a railroad nurse aboard.
00:12:43I'll get her.
00:12:43Oh, never mind.
00:13:11Oh, never mind.
00:13:13Don't get me.
00:13:13I had to bleed it myself.
00:13:14You should have seen the doctor immediately.
00:13:17Well, all a doctor would do is bleed it.
00:13:18Perhaps.
00:13:20How long ago did this happen?
00:13:21Not long.
00:13:24I'll have to clean this.
00:13:26This may hurt.
00:13:32Do you feel nauseated?
00:13:33No.
00:13:35Oh, don't do that.
00:13:36Well, it has to be bandaged.
00:13:38Yes.
00:13:38Or something clean.
00:13:40Would you hold this, please?
00:13:45You may feel quite ill in a little while, but that's a natural reaction.
00:13:49Don't be alarmed.
00:13:50I'll be right here.
00:13:52Yes, ma'am.
00:13:56There you are, Mr.
00:14:00McEwen.
00:14:00Ross McEwen.
00:14:03Try to be as quiet as possible.
00:14:05If you need anything, have the conductor call me.
00:14:08I hope you'll feel better now.
00:14:09I'm sure I will.
00:14:10Come on.
00:14:23That's his saddle.
00:14:24I remember the markings.
00:14:26Looks like he didn't swap horses or he wouldn't have cast his saddle.
00:14:29We know one thing.
00:14:30He's still around here holding up someplace.
00:14:33Yes, he wouldn't be fool enough to get on a train where people might see him.
00:14:36That's right.
00:14:37Unless he's smart enough to figure that we wouldn't think he'd do a fool thing like that.
00:14:42How long?
00:14:43Get the horses, Clint.
00:14:45I can show us where you found it.
00:15:17You'll have to hold the train a few minutes.
00:15:19We've got orders to search you.
00:15:20Why?
00:15:21What's up?
00:15:21Looking for someone.
00:15:23Who?
00:15:23That's our business.
00:15:25Oh, all right.
00:15:26Go right ahead, then.
00:15:28You should let him cut in on a reward you two-way for the end car.
00:15:31All right.
00:15:39Now, let's go.
00:15:43You should pick him?
00:15:45You should pick him up nobody.
00:15:47Come on.
00:15:48Hum,ø.
00:15:53Come on, 41.
00:15:55How long did we get here before you went to sleep?
00:15:58Come on.
00:16:00Come on.
00:16:01Take it.
00:16:01We made Violence for a year's time.
00:16:10Nothing in the other cars.
00:16:22Well, I didn't think he'd be on a train coming this way.
00:16:25He wouldn't get on any train with a $3,000 reward on his head.
00:16:57Here we go.
00:17:04Yes, that's his horse, all right.
00:17:06Sure is a peculiar brand.
00:17:10Yep.
00:17:25The Indians are coming.
00:17:27You're going to be scalped.
00:17:30I'm going to scalp you. I'm going to scalp you.
00:17:32Shh, go ahead.
00:17:33Junior!
00:17:34You sick.
00:17:35Where have you been? For goodness sakes.
00:17:38I thought you fell off the train.
00:17:40I'm sorry he bothered you.
00:17:42He's had too much train, I guess.
00:17:45Keep tight in front of yourself.
00:17:49Well, I think you'll live, Mr. McKeown.
00:17:51It kind of looks that way, ma'am.
00:17:53Going all the way through to El Paso?
00:17:55No.
00:17:57Why, is that where you're going?
00:17:58No, I'll be stationed at the new Railroad Hospital in Alamogordo.
00:18:02Well, I asked for it.
00:18:04Back home, it all sounded so exciting.
00:18:07Nurse for the railroad, New Frontiers, the romantic West.
00:18:13The romantic West.
00:18:15Look at it.
00:18:16I got a sneaking suspicion you like your East better than the West.
00:18:19Like it?
00:18:20But there's no comparison.
00:18:22All you've got here is miles of rocks and desert and hills with no trees.
00:18:27We've got a lot of wonderful...
00:18:28Rattles, snakes.
00:18:31Buenos dias, senorita.
00:18:32Senor.
00:18:33Good morning.
00:18:34I hope the news of the washout have not interfered with your plans, senor.
00:18:37Washout?
00:18:38Oh, perhaps you have not heard yet.
00:18:40Very big rain ahead.
00:18:42The tracks have gone out.
00:18:43We will all have to leave the train.
00:18:45Galbukirchen.
00:19:06Albuquerque Palace Hotel rigged this way.
00:19:09This way for the rigged of the Palace Hotel.
00:19:13Well, folks?
00:19:15Looks like there won't be any trains out of here for maybe a week.
00:19:18Oh, hold on.
00:19:20Hold on now.
00:19:21The agent here has fixed things up for you so you can stay at the hotel.
00:19:25The railroad will pay the bills and take care of the baggage.
00:19:28Now, if there's any of you who can't wait for repairs on the road,
00:19:31there's a mail hack that will take you to Gallup on the other side of the washout.
00:19:35More than likely save you a day or two.
00:19:37What time the hack leave?
00:19:39Five o'clock tomorrow morning.
00:19:40Five o'clock, senorita.
00:19:42Mr. and Mrs. Winston and Junior.
00:19:45Trotter, how about the hand package?
00:19:47You'll take care of everything, Mr. Trotter.
00:19:48Boy.
00:19:50Put me down for a seat.
00:19:52Monte Marquez.
00:19:53How about you, senorita?
00:19:55Five o'clock in the morning?
00:19:56No, thanks.
00:20:03One for McEwen.
00:20:05Well, Miss Hollister, I guess I won't be seeing you again.
00:20:08Thanks for everything.
00:20:18Put me down for a seat.
00:20:20Good day, Hollister.
00:20:25Junior!
00:20:26Where are you, junior?
00:20:28Junior!
00:20:41Junior!
00:20:42Where's junior?
00:20:44Where's junior?
00:20:44On my hat?
00:20:45Junior!
00:20:47Oh, I'm so worried.
00:20:48Now, Ma, will you stop worrying?
00:20:49Everything's going to be all right.
00:20:51I can't help it.
00:20:53Oh, Mr. McEwen, have you heard the news?
00:20:55There's a killer loose.
00:20:56Is that so?
00:20:57Who'd he kill?
00:20:58Ma, there you go again.
00:20:59Nobody's been killed.
00:21:01Shears and talk about a fellow who held up a bank.
00:21:03You don't say.
00:21:04Have they picked up his trail yet?
00:21:05If they have not, they will soon.
00:21:07There's a very big reward for him.
00:21:09All right, let's get on, folks.
00:21:20Junior, get back here where you belong.
00:21:23Hurry up.
00:21:33Get up!
00:21:34Get up!
00:21:35Get up!
00:21:56Is it much farther to gallop?
00:21:58No, we'll make it a couple of days easy.
00:22:01You mean we'll be doing this all day long?
00:22:04Except when they stop to order the horses at Anderson.
00:22:08You're going to wear yourself out if you keep fighting every bump, Miss Hollister.
00:22:12Just lean back and relax.
00:22:13Relax?
00:22:14On this bouncy bandwagon?
00:22:17Sure you can if you try.
00:22:19Just sit limp and roll with it.
00:22:21Oh, I'm sorry.
00:22:23My pleasure, miss.
00:22:26Here.
00:22:27Lena gets me.
00:22:31Uh-uh.
00:22:32I said relax.
00:22:48There's our stop up ahead, right by Inscription Rock.
00:23:09Howdy, Al.
00:23:11Where'd you get all the customers?
00:23:12Watch out on the line.
00:23:14Think you can feed us?
00:23:15It'd be a pleasure.
00:23:16Might take a little time.
00:23:18Say, why don't you folks look around a little?
00:23:21You might find it interesting.
00:23:22All right, folks, get down.
00:23:23Don't want her off too far.
00:23:25We'll be eating soon.
00:23:46Pass-o por aquí.
00:23:49What does that mean in English?
00:23:52Uh, pass-o por aquí.
00:23:54It means, uh, pass this way.
00:23:57He passed this way.
00:23:59And they stopped to carve their names in the rock?
00:24:02Oh, Miss Hollister.
00:24:03This you must know about Almorro.
00:24:05This rock.
00:24:07Very long ago, many people are unhappy in their own land.
00:24:11So they come here to start a new life, in this so wonderful country of yours.
00:24:16They reach here.
00:24:18But out there is wilderness.
00:24:20And maybe they never return.
00:24:24Then they look up at Almorro, standing here, so strong.
00:24:28And it give them strength.
00:24:30For here they find water, shade, and shelter.
00:24:35And so people will know that they have been here, that they passed this way.
00:24:38They carve into the stone with daggers, a record.
00:24:41Maybe a gravestone.
00:24:43Pass-o por aquí.
00:24:45And the ear of it.
00:24:48Adventurers, scoundrels, but brave men, all of them.
00:24:51Who have lived their, um, how do you say it, impression, imprenta?
00:24:56Imprint?
00:24:57That is it.
00:24:58Imprint.
00:25:00Brave men who leave their imprint on Almorro for us to read.
00:25:06Oh, I'm sorry.
00:25:07The rocket make me forget myself.
00:25:08I hope I have not talked too much.
00:25:10No, I was just thinking, isn't it strange how everything worthwhile in life is made possible only by sacrifice?
00:25:17Si, senorita.
00:25:21Come, son, come and get it!
00:25:30It's good.
00:25:32Oh, yeah.
00:25:33Doctor, we have no pie.
00:25:38Well, nothing to be rational, you folks.
00:25:40We will be rolling soon.
00:25:45More coffee?
00:25:46No, thanks.
00:25:48More boys.
00:25:50What brings you this way?
00:25:52I'm trying to catch up with the mail hack.
00:25:53Got some reward posters on that Santa Maria bank bandit.
00:25:56I want you to drop them off at the sheriff's office at Gallup.
00:25:58Sure.
00:26:00Bandit?
00:26:00Where's Junior?
00:26:01Where's Junior?
00:26:02Junior!
00:26:03Junior!
00:26:04Junior, where are you?
00:26:06Come here.
00:26:06Oh, Junior, it's just like I told you, Pop.
00:26:09We'll all be killed.
00:26:10There ain't nothing to get jumpy about, man.
00:26:13No.
00:26:14We figure he ain't nowhere around here.
00:26:16Yeah, tack these up someplace, will you, Anderson?
00:26:18Bank bandit?
00:26:19What's this all about?
00:26:20Well, a fellow walked into the Santa Maria bank, don't fire a shot, and walks out with $2,000.
00:26:26He even give the banker an I.O.U. for it, signed Jefferson Davis.
00:26:30Jefferson Davis?
00:26:31Yeah, and that ain't all.
00:26:33While he's robbing the bank, guess who's down the street making a speech about the law?
00:26:37Pat Garrett!
00:26:39That ain't so funny to the banker.
00:26:40He's put up a $3,000 reward for him.
00:26:44Dead or alive.
00:26:45Dead or alive?
00:26:47What kind of laws do you have out here?
00:26:49He only stole $2,000.
00:26:51What?
00:26:52Doesn't make sense.
00:26:53I think maybe perhaps the banker means to prove it is more profitable to catch a bandit than to be
00:26:58one.
00:26:58Well, of course, crime must be punished, but to kill a man for stealing, I...
00:27:03You're in the West now, Miss Hollister.
00:27:05Seems everybody gets law-abiding when there's a reward at stake.
00:27:09Time to be rolling, folks.
00:27:11Come, Junior.
00:27:19I don't suppose any of you saw a tall hombre riding a buckskin with a rafter wine glass brand?
00:27:26I'd figure him to stay out of sight of trains or mail hacks.
00:27:29I just thought you might have seen him before you got on the train, if you happened to come from
00:27:33Santa Maria way.
00:27:35Well, I, uh, I just...
00:27:37Senor, you will excuse me, please.
00:27:40Perhaps you have overlooked one thing.
00:27:42If your Mr. Jefferson Davis have the cunning to rob a bank under the nose of the very great Pat
00:27:47Garrett and escape,
00:27:48then I think he would not long remain on a buckskin horse.
00:27:52If I were this man, I would be on my way to Mexico muy pronto, ¿yes no?
00:27:56I suppose so.
00:27:58Anderson, how about some food?
00:28:03Mister, you aren't wearing a leather jacket.
00:28:06No, go on.
00:28:06Your mother wants you.
00:28:09Ma, that man there was...
00:28:20Junior, you've been mad.
00:28:23Now stop crying or I'll give you good with me.
00:28:27Miss Alistair, if we do not hurry the driver, he will go off with others.
00:28:31I suppose leather jackets and checkered bandanas are rather common out here, aren't they?
00:28:36Can't stop, senorita.
00:28:37But I think soon that eight or nine innocent men who wear them will be in jail.
00:28:41Or maybe shot or hanged.
00:28:42Oh, we gotta go.
00:28:43Senorita, the hack.
00:28:44I'm back.
00:28:52Oh, my God.
00:29:21Oh, my God.
00:29:51Well, he cut himself, and I got a railroad nurse to fix him up.
00:29:55Yes, sir.
00:29:55That was the same night some deputy searched the train.
00:29:58Didn't find nothing, though.
00:30:00That railroad nurse.
00:30:01What's her name?
00:30:02A Miss Hollister.
00:30:03You know where she was going?
00:30:04Yes, to that new hospital at Alamogordo.
00:30:23Mayor, how's that?
00:30:24Fine.
00:30:27We'll be getting into Alamogordo soon.
00:30:30That's where I get off.
00:30:32I know.
00:30:32What's that?
00:30:33I'll take two.
00:30:35Three.
00:30:37I take four.
00:30:38How about one white ship?
00:30:40Oh, uh...
00:30:41Paul.
00:30:43I'm being very foolish.
00:30:44I will raise the bed.
00:30:46I guess I'll have to call you.
00:30:47Ooh, oh, harsh!
00:30:49Oh, I guess I won't.
00:30:50Neither will I.
00:30:51That's good enough for me.
00:30:56Alamogordo, 15 minutes.
00:30:59Sorry, boys, I gotta leave.
00:31:02Lovely night, isn't it?
00:31:04Yes.
00:31:07Yes, it is.
00:31:11Miss Hollister.
00:31:12Yes.
00:31:16Do you mind if I smoke?
00:31:17Not at all.
00:31:22Night always changes things somehow.
00:31:26Everything seems soft, gentle.
00:31:31Shuts out other things.
00:31:34Troubles.
00:31:37Miss Hollister.
00:31:38Miss Hollister.
00:31:41You'll be getting off soon, huh?
00:31:44Well, there's...
00:31:45There's something I want you to know about me.
00:31:49That day I got on the train.
00:31:51The day you fixed my arm.
00:31:53I was grateful.
00:31:55But...
00:31:55Well, I never intended.
00:31:58You see, when I got on the train, I was...
00:32:01I was...
00:32:02Alamogordo, next.
00:32:03Ten minutes.
00:32:03Yes.
00:32:12You were saying?
00:32:15Boy, it wasn't important.
00:32:23I suppose I'd better get my things.
00:32:30I hope everything turns out well for you.
00:32:33Goodbye.
00:32:35Goodbye.
00:32:40Mr. McKeown.
00:32:41I know I shouldn't be talking like this, but I just can't help it.
00:32:45Well, if you're in some kind of trouble, it doesn't matter.
00:32:50I'd like to help.
00:32:57Now, now.
00:32:59Everything's gonna be all right.
00:33:02We'll be pulling into the station soon.
00:33:06You wanna look pretty when you get off, don't you?
00:33:08Mm-hmm.
00:33:11There.
00:33:12That's better.
00:33:14You better get your things.
00:33:17Now, who knows?
00:33:18One of these days, we might be taking a buggy ride together.
00:33:36What?
00:33:49Here's the line.
00:33:49Come on, come on.
00:33:49All right.
00:33:53You are ready for the big Erfahr.
00:33:53All right.
00:33:55There's nothing to be.
00:34:07Let's go.
00:34:50Board!
00:34:51Board!
00:34:55Board!
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00:39:05THE END
00:39:08WHY?
00:39:11I'D JUST LIKE to
00:39:11KNOW WHO'S AROUND
00:39:28IF YOU DON'T MIND
00:39:29STOPPING IN THE SHADE
00:39:30OF THIS WEAKING WILLOW TREE
00:39:31I'D LIKE TO FIX MY HURNESS
00:39:38Ross, I don't want to ask you what you've done or why, but if you have made a mistake, wouldn't
00:39:44it be better to...
00:39:45Give myself up?
00:39:47I didn't want to say it, but surely it would be better than to spend your life running away.
00:39:53I've always felt it isn't what a man has done in the past that matters, it's what he does in
00:39:59the present, now.
00:40:06Do you mean that?
00:40:07Of course I do.
00:40:10Faye, there's a lot of things I wanted to tell you this afternoon.
00:40:14I guess it'll have to wait.
00:40:16What are you going to do?
00:40:21I don't know yet.
00:40:26You recall a group that came through here last week?
00:40:29Was there a tall young fellow among them?
00:40:32I'm afraid I can't help you much.
00:40:33A lot of folks came past the rock that week, called them a washout.
00:40:37And one of them was a pretty girl.
00:40:39Oh, come to think of it, there was a tall young fellow.
00:40:43Seemed sort of interested in her.
00:40:44Remember what he was wearing?
00:40:46Can't recall.
00:40:48Well, he's crossed the border by now, Pat.
00:40:52Maybe.
00:40:54Deal a good hand to someone else besides your friend McCune, will you, Marty?
00:40:58My friend has one also on your deal.
00:41:01Jim.
00:41:02On the house.
00:41:03Pass.
00:41:04No blue.
00:41:05Pass.
00:41:07Two blues better.
00:41:09Are you in?
00:41:11What's the bet?
00:41:12Three blues.
00:41:14Cards.
00:41:15Two.
00:41:19One.
00:41:22How about you?
00:41:22Is that a pat hand you're holding?
00:41:24Better take a look.
00:41:28I'll take four cards.
00:41:34Three, darling.
00:41:36I'm not afraid of you, Luke.
00:41:38Two blues.
00:41:39I guess I have to sweeten a pot for myself.
00:41:41Ten blues better.
00:41:43It'll cost you just ten more to see what I've got.
00:41:46I'm not that curious.
00:41:47I'm not either.
00:41:50Okay.
00:41:51Okay.
00:42:04You ought to be careful with the loaded gun.
00:42:06You might shoot someone.
00:42:07You question my dealing, senor?
00:42:13No, I got enough.
00:42:15Cash me in.
00:42:16Come on.
00:42:17I'm quitting.
00:42:17That suits me.
00:42:18I should have quit before I started.
00:42:23McEwen.
00:42:24Now I don't recall the name.
00:42:27Seen anybody who answers the description?
00:42:29No.
00:42:32Should I come to think of it as a new hired hand at the Circle M?
00:42:35That might be him.
00:42:36Want to ride out and take a look?
00:42:38Yeah.
00:42:39Yeah, I'll get the bus.
00:42:40Sheriff.
00:42:41Huh?
00:42:42You know anybody named Monty Marquez?
00:42:44Oh, sure.
00:42:45He and his cousin run in the Longhorn Saloon down the street.
00:42:48Pick us up there.
00:42:48All right.
00:42:53I'd like you to do me a favor, Monty.
00:42:55Seguro que si.
00:42:56You have all the toys.
00:42:58A friend of mine borrowed some money from a bank in Santa Maria.
00:43:02I'd like to pay some of it back on account.
00:43:04Indirectly.
00:43:06You think you could mail this from somewhere outside Alamogordo?
00:43:08I think it could be done.
00:43:12But how will the bank know who's sending it?
00:43:15I just signed the letter, uh, Jefferson Davis.
00:43:18He'll know.
00:43:19Would you drink a little toast with me?
00:43:20Seguro que si.
00:43:38I'm looking for Monty Marquez.
00:43:40Just a minute.
00:43:49Someone ask for me?
00:43:50Over there.
00:43:52You wish to see me, senor?
00:43:53Yes.
00:43:53My name's Garrett.
00:43:55Not Pat Garrett, the most famous marcher in the Old West.
00:43:58Well, I'm Garrett, anyway.
00:43:59Drinks for Senor Garrett and his friend.
00:44:00This is on the house.
00:44:01Whiskey.
00:44:02Well, that's mighty nice of you, but my deputy's in kind of a hurry.
00:44:07I'd like to ask you a few questions.
00:44:09Oh, si, senor.
00:44:10If I can have.
00:44:11I'm looking for a fellow who calls himself Ross McEwan.
00:44:14I understand you, madam.
00:44:15Ross McEwan.
00:44:17Oh, si, senor.
00:44:19He was on the train with me.
00:44:20Very nice fellow.
00:44:22He's working at the Circulum Rancho.
00:44:24It is only eight, nine miles for him.
00:44:26Thanks.
00:44:27I might have that drink with you on the way back.
00:44:29Be a pleasure, senor.
00:44:41Thanks, Marty.
00:44:43I will miss, shall we go?
00:44:47If you will permit me, senor, you will need provisions on the horse.
00:44:52They will be in the bag when you're ready.
00:45:21Ross.
00:45:22I was hoping I'd find you off duty.
00:45:24I have to leave for a while, but I wanted to see you.
00:45:28I have a little present for you.
00:45:39Oh, it's beautiful.
00:45:46Oh, no.
00:45:47Oh, no.
00:46:01What is it?
00:46:02Something's the matter.
00:46:03I haven't time to explain now, but I'd like for you to wear that.
00:46:06Oh, no.
00:46:07Oh, no.
00:46:18Oh, no.
00:46:25Oh, no.
00:46:33Oh, no, no.
00:46:42The End
00:47:13The End
00:47:44The End
00:47:49The End
00:47:51The End
00:48:06Hey!
00:48:06House, what's happened? You're running away again.
00:48:09I'm an outlaw. I'm the one that robbed the San Marino Bank.
00:48:12At Garrett's in Alamogordo. I'm wanted dead or alive.
00:48:15You've got to stay away from me.
00:48:36You're running away from me.
00:49:07Marshal, Miss Hollister's not here.
00:49:09Her bed hasn't been slept in.
00:49:10When did you see her last?
00:49:11Why, late yesterday afternoon, just before she went off duty.
00:49:15What do you think happened?
00:49:16Did she have any visitors?
00:49:17No, no, I didn't see anybody.
00:49:19Do you think she's all right?
00:49:21Nothing for you to worry about, Doctor.
00:49:22Yeah, don't worry.
00:49:24Get your man, Egan.
00:49:25Want her before they start shooting?
00:49:26McEwen has a woman with him.
00:49:27Pick me up at the telegraph office.
00:49:57I want that bandit brought in.
00:49:59And if he's dead, there'll be some extra money in it for you.
00:50:15Here they come.
00:50:16Right into our lap.
00:50:32Look what's coming.
00:50:37It's a posse.
00:50:38Probably from Alamogordo.
00:51:08Follow me.
00:51:34Keep going. I'll catch up with you.
00:52:06I'll catch up with you.
00:52:37I'll catch up with you.
00:52:49I'll catch up with you.
00:52:52I'll catch up with you.
00:52:53I'll catch up with you.
00:53:10I'll catch up with you.
00:53:12I'll catch up with you.
00:53:50Come on.
00:53:56Come on.
00:54:03That way's block two.
00:54:04Garrett's forcing us right back to Alamogordo.
00:54:06You can't go up.
00:54:07The longer you keep running, the worse it'll get.
00:54:09That's the chance I've got to take.
00:54:10You said you paid back part of the money.
00:54:12Go to Garrett and tell him.
00:54:13It's too late.
00:54:14You sound as though you're afraid.
00:54:17Ross, you're not a coward.
00:54:19You better head back to town.
00:54:21They won't bother you if you're alone.
00:54:23You can't run away from yourself.
00:54:25You're not a criminal, but if you don't stop now, you will be.
00:54:27You'll go on and on.
00:54:28You'll have to steal to live.
00:54:29And then one of these days, you'll have to shoot your way out.
00:54:32And then it will be too late.
00:54:33You'll be just another outlaw.
00:54:35A killer.
00:54:36Maybe I'm a coward.
00:54:38Depends on how you look at it.
00:54:39There's only one way to look at a coward.
00:54:44Goodbye, Ross.
00:55:20Looking around!
00:55:21What are you looking around?
00:55:21I rave it сл kam!
00:55:27I have to steal my face.
00:55:45It's the girl.
00:55:46Come on.
00:55:58Well, if it ain't the pretty little nurse.
00:55:59Better come along with us, Mrs. Garby.
00:56:01Glad to see you.
00:56:01Not so fast, Ben.
00:56:02This little lady's worth money.
00:56:04Maybe she'd like to talk to us with her.
00:56:06I have nothing to say to you.
00:56:07Help the little lady from her horse.
00:56:38Where'd you leave Ross McEwan?
00:56:40Where is he?
00:56:41Where is he?
00:56:42Let me go.
00:56:43You're hurting.
00:56:47I get touchy when it comes to manhandling women.
00:56:50What'd you expect us to do?
00:56:51Treat her like a lady?
00:56:53Egan, get him out of here.
00:56:55Why lose my temper?
00:56:57Fisher, Grover.
00:56:59You all right, miss?
00:57:01Sorry this had to happen.
00:57:04Might give you an idea of what McEwan's up against.
00:57:07These men are only interested in that reward.
00:57:10Alive or dead.
00:57:13You care to tell me where you left him?
00:57:15While he's still alive?
00:57:18Perhaps you don't understand the seriousness of helping a criminal to escape.
00:57:22Unless he forced you to go with it.
00:57:24He didn't force me and he's not a criminal.
00:57:27Why can't you leave him alone?
00:57:28Solisley, you don't understand.
00:57:29I'm trying to help this man.
00:57:32If I capture him, he'll do in walking.
00:57:34If the others get to him first, you can't tell what might happen.
00:57:38I can't tell you where I left him.
00:57:41Well...
00:57:41Mr. Garrett.
00:57:43I don't know much about your western justice, but I do know this man wants to do the right thing.
00:57:47He's paid back part of the money already.
00:57:49It's true.
00:57:52Oh, it must be clear even to you that he's not a criminal to be locked in a cell or
00:57:55shot at like a wild animal.
00:57:58McEwan's broken the law.
00:57:59It's my job to bring him in.
00:58:01And sooner or later, I will.
00:58:04Sheriff Egan, see that Miss Hollister gets safely back to Alamogordo.
00:58:11What did you find out, Pat?
00:58:12Something mighty peculiar.
00:58:14Seems we're chasing a fellow who robbed a bank and then gave the money back to the banker.
00:58:18Oh.
00:58:51Never mind.
00:58:52I won't make the money back to the banker.
00:59:09I won't make the money back to you.
00:59:10No.
00:59:11No!
00:59:11No!
00:59:12Let's go.
00:59:42Let's go.
01:00:26Let's go.
01:00:45Let's go.
01:01:20Thanks, fellow.
01:01:24Let's go.
01:01:54Let's go.
01:01:54Let's go.
01:01:55Let's go.
01:02:00Let's go.
01:02:01Let's go.
01:02:20Let's go.
01:02:22Let's go.
01:02:24Let's go.
01:02:25Let's go.
01:02:26Let's go.
01:02:26Let's go.
01:02:29Let's go.
01:02:29Let's go.
01:02:30Let's go.
01:02:31Let's go.
01:02:32Let's go.
01:02:34Let's go.
01:02:35Let's go.
01:02:35Let's go.
01:02:38Let's go.
01:02:52Let's go.
01:03:05Let's go.
01:03:08Let's go.
01:03:14Let's go.
01:03:16Let's go.
01:03:18Let's go.
01:03:21Let's go.
01:03:24Let's go.
01:03:25Let's go.
01:03:28Let's go.
01:03:30Let's go.
01:03:41Let's go.
01:03:43Let's go.
01:03:44Let's go.
01:03:48Let's go.
01:03:49Let's go.
01:03:55Let's go.
01:04:35Let's go.
01:04:38Señor.
01:05:00Senor, el barrotillo, the strength, the bacteria.
01:05:14That's far enough.
01:05:16I'm buying your horse.
01:05:17Tell me, can a man get through that pass?
01:05:21Senor, por favor.
01:05:24Just tell me, can a man get through?
01:05:28Si.
01:05:29A night's ride, you turn at a rock.
01:05:38Senor, por Dios.
01:05:41Por Dios, senor.
01:05:54Por Dios.
01:05:55Yes.
01:05:56Yit's your tail.
01:06:02Yit's your tail.
01:06:03L
01:06:03And and, but, oh.
01:06:04Oh, my God.
01:06:44Oh, my God.
01:07:06I'm here to help you.
01:07:10Oh, gracias, amigo. Gracias.
01:07:14Oh, gracias.
01:07:16Oh, gracias.
01:07:41Oh, gracias.
01:07:44Oh, gracias.
01:08:07Oh, gracias.
01:08:10Oh, gracias.
01:08:11Oh, gracias.
01:08:12Oh, gracias.
01:08:13Oh, gracias.
01:08:19Easy now.
01:08:20Oh, gracias.
01:08:35Oh, gracias.
01:08:38Oh, gracias.
01:08:40Oh, gracias.
01:08:48Oh, gracias.
01:09:07Oh, gracias.
01:09:25Oh, gracias.
01:09:32Oh, gracias.
01:09:34Oh, gracias.
01:09:39Oh, gracias.
01:09:41Oh, gracias.
01:10:06Oh, gracias.
01:10:12how are they now oh i don't know must be something more we can do for them
01:10:18no man could have done more you haven't any sulfur have you do them good to breathe the fumes
01:10:26oh no senor
01:10:32there's sulfur and gunpowder take some out of my cartridges and let it down let it dry
01:10:38make a smudge out of it that might help
01:11:15i want you to breathe deep just like he did
01:11:24breathe deep son
01:11:30that's fine medicine helps his cough and gives me one
01:11:38the man can't just disappear it's got to be around here someplace sounds reasonable
01:11:43but where that's what's got me worried
01:12:08my son
01:12:11why do you not rest
01:12:15don francio we need a doctor in medicine
01:12:18it can't be far to the nearest town
01:12:21i'll take the horse
01:12:22my son if you go
01:12:24some will surely die before you get back
01:12:28the nearest town is aramogordo
01:12:31to go there and return is two days
01:12:35they will need someone
01:12:37and i will be helpless
01:12:40maybe i can rig up some kind of a signal
01:12:44must be someone just fool enough to come and see what it's all about
01:13:00clint that's smoke
01:13:03looks like somebody's trying to attract attention
01:13:06say it does at that
01:13:08how far do you figure it is to that signal
01:13:10i don't know
01:13:11looks like a pretty long ride
01:13:13maybe for nothing
01:13:15well there's one thing clear
01:13:18somebody's asking for help
01:13:19reckon that's us clint
01:13:33and there's something you have to do
01:13:35and you can see i can tell that
01:13:35and you're not sure
01:13:35but that will take a little bit
01:13:37and you can see
01:13:37but this is taking place
01:13:38and the whole day
01:13:38on the time
01:13:40here
01:13:41if you want to go
01:13:49in
01:14:09All right, son.
01:14:11I'm coming.
01:14:29Clipper's people dying in there.
01:14:31Looks like diphtheria.
01:14:33There's a man caring for them that's almost as bad off as they are.
01:14:36You get to Alamogordo as fast as you can, bring back a doctor.
01:14:40That's fine.
01:14:43That's fine.
01:15:03I saw you smoke, boy.
01:15:08Guess you could use a little help.
01:15:11Yeah.
01:15:13I guess I could.
01:15:21I guess I could.
01:15:55I guess I could.
01:15:55They are better?
01:15:57Yes, they seem more comfortable anyway.
01:15:59But no more when the doctor gets here.
01:16:07Still asleep?
01:16:08A week of sleep is what he needs.
01:16:11The very bullets from his gun he used to make sulfur to burn.
01:16:17This boy, Senor Garrett, there never was one like him.
01:16:29He's the reason we are alive.
01:16:36It is the doctor.
01:16:39You're a welcome sight, doctor.
01:16:43See to my doctor and Los Ninos first.
01:16:53What's your interest here, Mr. Marquez?
01:16:55I came to see if I could help, Senor Garrett.
01:16:57You see, Don Florencio, he's the only one who's not my cousin.
01:16:59He's my uncle.
01:17:01That's mighty nice of you.
01:17:02Don Florencio.
01:17:13I'm coming.
01:17:14I'm coming.
01:17:32I'm coming.
01:17:35My name's Slim. Who are you?
01:17:38I'm Montemarquez.
01:17:39Senor Garrett sent word there was a sickness here.
01:17:42I suppose you met the marshal.
01:17:45Yes, but we didn't get to talk much.
01:17:48I think he will be out soon. He's in there with the doctor and the nurse.
01:17:56And Senor Garrett's deputy is out there taking care of the horses.
01:18:01Mr. Marquez, your cousins are coming along fine.
01:18:04The doctor wants lots of hot water.
01:18:05Then we'll need some firework.
01:18:06I'll get it.
01:18:17Muslim, this is Miss Hollister, the nurse.
01:18:23How do you do?
01:18:31I, uh, I better get the firework.
01:18:38Slim, there's a razor in my saddlebag.
01:18:40You're welcome to use it.
01:18:42Thanks.
01:18:47Thanks.
01:18:59I, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh,
01:19:10uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh,
01:19:25uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh,
01:19:27uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh,
01:19:27uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh,
01:19:27uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh
01:19:40who is it senor garrett where's he going kinsabe but i think the way is open for you
01:19:52if you were garrett where would you look for this no account bank bandit
01:19:56south the border that's just what i figured i think i'll head north i could bring a surprise
01:20:03that inscription rocks
01:20:25give me time to get back to him
01:20:28no i'll play this out alone
01:20:39leaving yeah good luck
01:20:43thanks adios amigo playa con dios adios
01:20:53yes
01:21:05THE END
01:21:27Well, Doctor, what do you think?
01:21:29Barring relapse, we should save everyone.
01:21:32Good.
01:21:33You look pretty healthy to me, muchachos.
01:21:39But it was a narrow squeak.
01:21:42That young man who nursed them through.
01:21:45Why, Monty?
01:21:46No one on Earth could have done a better job,
01:21:49considering what he had to work with.
01:21:51Nothing practically but his own two hands.
01:21:53You're all right, Doctor.
01:21:54This fellow is a man complete.
01:21:57He have the courage to gamble with life.
01:22:27I think it is with no pleasure that we see this fellow,
01:22:29all right out of our lives and our hearts.
01:22:35But me, I will see him again.
01:22:43If I could deliver a message.
01:23:09I could deliver a message.
01:23:10I can hear you.
01:23:10I can hear you.
01:23:25Hello, Slim.
01:23:32I'm not wearing a gun, boy.
01:23:36Mind if I ride a ways with you?
01:23:39Why?
01:23:40I'd like to have a little talk with you.
01:23:44Suit yourself.
01:23:58That nurse, Miss Hollister, she's a nice girl.
01:24:01She's all right.
01:24:02Just all right?
01:24:04Keep her out of this.
01:24:05That'll be hard to do now.
01:24:06Well, I'd figure you're too busy a man to waste time riding with me.
01:24:12I have plenty of time for you.
01:24:14It's a mighty fine thing you did for that Mexican family.
01:24:17Don't warn any other man to do?
01:24:18Not any man.
01:24:20Especially a man who's running away from the law.
01:24:23Mr. Ross McEwan.
01:24:28Would you stop and prove one thing?
01:24:31You've got backbone from your neck way down to the seat of your pants.
01:24:34Listen, get this straight.
01:24:36I paid back some of the money I stole and I'm going to pay the rest of it.
01:24:39I don't plan to spend the next ten years of my life rotting in a cell.
01:24:42Don't blame him.
01:24:52What are you going to do about it?
01:24:54That's up to you.
01:24:55Listen, Garrett.
01:24:56Never been in Tula Rosa?
01:24:58What's Tula Rosa got to do with it?
01:24:59We're heading that way.
01:25:01If I was to ride in with you and put you on a train, nobody would think a thing about
01:25:04it.
01:25:05Just Pat Garrett waving goodbye to a friend.
01:25:08Be free.
01:25:09Don't tell me the law is getting soft.
01:25:11But on the other hand,
01:25:13if I was to tell a judge and jury that you're paying back the money,
01:25:18that you stopped to help a sick family,
01:25:21that you gave yourself up voluntarily,
01:25:26well, I'm inclined to believe that a judge and jury might be very lenient.
01:25:32Garrett, there's someone I have to see at Inscription Rock.
01:25:35Go ahead.
01:25:37What's holding you?
01:25:41I'll meet you at Amnesty's.
01:25:44Let's go.
01:26:15Amigo, I got the provisions.
01:26:31I guess I've been blind.
01:26:35Look, I realized I might never see you again.
01:26:40And then Monty told me he was going to meet you and I had to go.
01:26:45It'll be easier now that you're here.
01:26:49I'm giving myself up.
01:26:55Garrett?
01:26:55Garrett.
01:26:57He's waiting for me now.
01:27:02That's funny.
01:27:04On the way here, I'd made up my mind to go with you.
01:27:07If you want.
01:27:11Faye.
01:27:13It means we won't be together for a while.
01:27:17If we can forget what's happened, I think it's worth it.
01:27:19Let's go.
01:27:22Come on.
01:27:34Come on.
01:28:01Everything all right, boy?
01:28:03Yeah, Pat.
01:28:08Miss Hollister, I would not push my smallness upon this large world.
01:28:13I did not tell you this before.
01:28:15But one of these who passed here, not of the first, not of the very great,
01:28:20but one who was also brave, he was of mine.
01:28:26My very great, great Papa.
01:28:29I hear this by the firelight when I was small, Papa.
01:28:33And this Ross McHugh, he passed by here and do good deed.
01:28:38His name, too, belongs on El Morro.
01:28:43Un caballero valiente.
01:28:45Ross McHugh.
01:28:48Passó por aquí.
01:28:52Pass this way.
01:28:57Ross McHugh.
01:29:00Very gentle.
01:29:03No, no, no.
01:29:08A chile.
01:29:13Niño.
01:29:14No, no.
01:29:19No.
01:29:20No, no.
01:29:28No, no.
01:29:33THE END
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