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  • 28 minutes ago
The Brokenwood Mysteries S12E04
Transcript
00:00:05Excuse me! Excuse me! You're on!
00:00:14Welcome, everyone, to this inaugural excursion of the Brokenwood Flyer.
00:00:21The culmination of years of hard work and planning by the many dedicated pharaoh equinologists of Brokenwood.
00:00:31That's a fancy talk for Iron Horse enthusiasts, and I'm sure you all know that already.
00:00:38I'm sure you also know that we wouldn't be here today without the sheer grit, determination and fundraising stamina of
00:00:46two of the Brokenwood Vintage Railway Society's leading lights, Rosalie Barnes and Shane Griffin.
00:00:54They have committed years to this exciting project, and today is the day when it all comes to fruition.
00:01:01Oh, my God!
00:01:04What'd you do that for?
00:01:05You know what blooms like, he'll prattle on all day if you let him.
00:01:08Mrs. Baker's already in a flap about getting away on schedule.
00:01:12Always thought there was a touch of Mussolini about that woman.
00:01:14Eh?
00:01:15Makes the trains run on time.
00:01:17No, I think Rosalie's the one who's putting the strings.
00:01:19As usual.
00:01:20Sound bitter?
00:01:21I'm not bitter.
00:01:22No, you've spent three years pretending to have an all-consuming interest in vintage trains, hoping to catch Rosalie's glad
00:01:30eye, only to find out that the woman of your dreams has taken up with a sap of a man
00:01:36half your age.
00:01:37Shane's not half.
00:01:38Anyway, you can talk.
00:01:39You French...
00:01:40All aboard!
00:01:42When this day is a rover in the hills of smoke
00:01:50Meet me right back here
00:01:56I had a dream last night
00:02:00We were riding on a silver train
00:02:05Suck it
00:02:08Oh!
00:02:11Well, congratulations, you did it.
00:02:13With a lot of help.
00:02:15If Regan's father hadn't come to the party, when he did, he'd still be back at the cake stall and
00:02:20raffle stage.
00:02:24How are we doing for time?
00:02:25Oh, relax.
00:02:26We're all on track.
00:02:27Oh, on track!
00:02:34Oh, right, so it should be me driving, you know that, don't you?
00:02:36How did you work that out?
00:02:37It's in the blood.
00:02:39Dad was a rail woman for 50 years.
00:02:41Candy with a shovel, was he?
00:02:42The only reason it's you and not me...
00:02:46You haven't got the upper body strength, not for any hard yet.
00:02:51Hey.
00:02:57There's nothing quite like it, is there?
00:02:59Hmm?
00:02:59The romance of train travel.
00:03:01You're not in a hurry.
00:03:03It's only 20 minutes to Little Lake by car.
00:03:06This will take twice as long.
00:03:08Wait, yeah, but that's not really the point though, is it?
00:03:10It's why they closed the line in the first place.
00:03:13It wasn't needed.
00:03:15Devil on horseback?
00:03:16No, thanks.
00:03:18Oh, no, thank you.
00:03:21Oh, no, thank you.
00:03:33What the hell's that?
00:03:35Huh?
00:03:35There's something on the track.
00:03:36Just look.
00:03:39Oh, jeez!
00:03:40That's not some thing.
00:03:41That's some body.
00:03:42Stop the bloody train!
00:03:52What?
00:03:54Why have we stopped?
00:04:06What the hell do you think you're doing?
00:04:08You could've got yourself killed.
00:04:10Oh, like you care.
00:04:11Just go ahead and kill the planet instead.
00:04:13Give me strength.
00:04:14Unbelievable.
00:04:15Billy McKelvey!
00:04:17What silly game are you playing now?
00:04:19It's not a game.
00:04:20This is a wake-up call.
00:04:21What's wrong?
00:04:22It's the middle of the afternoon.
00:04:23We're already awake.
00:04:24Cole is killing the planet.
00:04:27Cole is killing the planet!
00:04:29What's all this?
00:04:29Cole is killing the planet!
00:04:31Somebody call the cops!
00:04:32Cole is killing the planet!
00:04:34I will not have her ruin Rosalie and Shane's.
00:04:36I mean, everyone's big day.
00:04:38I'll deal with you up at the lake.
00:04:40I'll deal with you up at the lake.
00:04:40Come on!
00:04:41On the train!
00:04:41No!
00:04:42You can't make me!
00:04:43You'll do as you're told,
00:04:44or you'll make things worse for yourself.
00:04:46Come on!
00:04:47Come on!
00:04:48Don't touch me!
00:04:52Poor thing!
00:04:53Are you okay to keep going?
00:04:55We can swap places if you're feeling a bit fragile.
00:04:57Joe?
00:04:57No!
00:04:58No!
00:04:58I'm fine!
00:05:01Come on!
00:05:02Pick up the train!
00:05:30It's just a hobby for you lot!
00:05:32You're not thinking!
00:05:33Oh, you don't want to know what I'm thinking, young lady.
00:05:35Cole is killing the planet!
00:05:38Cole is killing the planet!
00:05:40If you think the biggest threat to the planet is a quaint little train in Broken Wood,
00:05:44your head's on wrong.
00:05:45Now you just don't care, because you'll be dead soon.
00:05:47No, no, no.
00:05:47All right, Chatty Cathy, wrap it up.
00:05:50We're almost at the stop for a little late.
00:06:01Everyone else and follow the path, you can't miss it!
00:06:05It's going really well, I think.
00:06:09Where's Rosalie?
00:06:09Oh!
00:06:10She'll be somewhere tattooing with your frog.
00:06:11I'm gonna sneak a cigarette in my life.
00:06:13No, no, no.
00:06:13You go with the others.
00:06:15She wants to make a big entrance.
00:06:16I'll find her!
00:06:22Rosalie?
00:06:23You there?
00:06:25Rosalie?
00:06:33Rosalie?
00:06:48Mrs Baker?
00:06:57Oh.
00:06:59Mike?
00:07:00I don't want to be rude, but now's not a good time.
00:07:02I'm trying to find a runaway bride.
00:07:04Uh, I might be able to help you with that.
00:07:15What's all this carry-on, is someone getting married?
00:07:18That was the plan, yes.
00:07:21Did you know anything about this?
00:07:23All I know is I was supposed to get fed.
00:07:25It's hungry business shoveling, Cole.
00:07:27Oi!
00:07:28Don't touch.
00:07:29You reckon the bride's done a runner?
00:07:30I sure wish I'd done a runner on my wedding day.
00:07:35I don't know.
00:07:37She's a fine figure of a woman, Miss Trudy.
00:07:46Thanks for keeping everybody here.
00:07:48It wasn't hard.
00:07:49They were expecting a picnic.
00:07:51I haven't said anything about Rosalie.
00:07:54I wouldn't know how.
00:07:55Uh, we'll handle that.
00:07:56Next of kin.
00:07:58Oh, um...
00:08:00Regan.
00:08:01Rosalie's daughter and...
00:08:04Shane.
00:08:05The groom.
00:08:08Excuse me.
00:08:10Thank you, Mrs. Baker.
00:08:11You've done a good job.
00:08:13Well, what's her story?
00:08:14Uh, we just need to interview everyone about a recent incident.
00:08:19Oh, right, that jumped up little madam on the tracks.
00:08:21You think she'd be old enough to know better.
00:08:24Right.
00:08:25Just told that thought.
00:08:31We're treating your mother's death as suspicious.
00:08:34She may have simply just fallen from the train, but we need to be sure about it.
00:08:39Okay.
00:08:40And we need someone to give us a formal ID.
00:08:43That should be me.
00:08:45If you don't feel up to it, we can ask Rosalie's fiancee.
00:08:49The what?
00:08:50The wedding was going to be a surprise.
00:08:53Rosalie's idea.
00:08:53I feel I would have been happy with the registry office.
00:08:57When was the last time you saw Rosalie?
00:08:59When the train had stopped.
00:09:01She'd gone up the front to get changed into her wedding dress.
00:09:03I thought she might need a hand with the fiddly bits.
00:09:06Everything all right in there?
00:09:07Go away!
00:09:08You're not supposed to see me.
00:09:09It's bad luck.
00:09:10So you didn't actually see Rosalie, you just spoke with her through the door?
00:09:16Yeah.
00:09:17Did anyone witness the exchange?
00:09:19No, I doubted everyone else had left the carriage by then, trying to work out why the train had stopped.
00:09:24We must have stopped just in time, and then everyone got off to see what was happening.
00:09:28Including Rosalie?
00:09:30I really can't remember.
00:09:32There was a lot going on.
00:09:35More than you realised.
00:09:38What?
00:09:38The surprise wedding.
00:09:40You had no idea?
00:09:42None.
00:09:43But you knew that your mother and Shane Griffin were in a relationship?
00:09:47Everybody knew.
00:09:48Mum had been raving about it for months.
00:09:51But Shane made her happy.
00:09:53For the first time in her life, I think.
00:09:58So neither Regan Barnes nor Shane Griffin remember seeing the victim after the train stopped?
00:10:03Well, Shane said he'd talked to Rosalie through the toilet door and then got off the train with the others.
00:10:09And Doug and Ron were busy letting rip at Lily.
00:10:12I talked to Doug.
00:10:14Pinko Greeny.
00:10:15And she was lying on the tracks like some sort of damsel in distress.
00:10:19And she gets up with a placard and starts waving it around, going on about coal and the planet.
00:10:25God knows what she was trying to achieve.
00:10:26So, what did the Pinko Greeny have to say for herself?
00:10:30Huh.
00:10:31Not much.
00:10:33Lily McKelvey, 145 Old Creek Road, date of birth 27 March 2008.
00:10:37And that's all you're getting.
00:10:40She seems very well trained for an 18 year old.
00:10:43Are we sure she was acting alone?
00:10:47I'm afraid Mrs. Bake is in a bit of a state.
00:10:49Any idea when we might get the all clear?
00:10:51As long as they've given their initial statement, everyone's free to go.
00:10:54Oh, lovely.
00:10:55Just not on the broken wood flyer.
00:10:57We still need to unspeak the carriages.
00:10:59Ah, I see, I see.
00:11:00I'll see what I can do.
00:11:02What's the point in being mayor if I can't rustle up a council coach when we need one?
00:11:05And, uh, Lily McKelvey.
00:11:07Don't worry about her, she's coming with us.
00:11:09Okay.
00:11:14Oh, here.
00:11:16Let me give you a hand with that.
00:11:17Oh.
00:11:19Thank you, Ron.
00:11:20Got it?
00:11:24See, Doug, that's what a gentleman looks like.
00:11:31Oh, hello there.
00:11:33You sound relaxed.
00:11:34Not at all.
00:11:35Slogging it out, you know how it is.
00:11:37Well, I need you to find what you can on a Lily McKelvey.
00:11:41You want to know if she has any kind of regular involvement in climate, process, that sort of thing?
00:11:47Well, you, I will clear my desk.
00:11:49Give the board a wipe while you're at it.
00:11:51We're going to need it.
00:11:58So, Doug and Ron are in the engine cab with no access to the carriage.
00:12:04And everyone else is in here.
00:12:07Black roses.
00:12:09Bold choice.
00:12:10And then at a certain point, Rosalie moves to the front of the carriage.
00:12:16To change.
00:12:19But ended up down there.
00:12:27Before falling or being pushed onto the tracks while everyone else was preoccupied by Lily's protest.
00:12:34Or so they want us to believe.
00:12:43What if the offender wasn't one of our travelers?
00:12:48Someone else got on board the train before it left Brokenwood and waited for their chance to attack.
00:12:53Risky.
00:12:54Risky.
00:12:54With nowhere to hide.
00:12:56There's only this one cubicle.
00:12:58Yeah.
00:12:59And a black rose for a corsage.
00:13:02Slightly weird.
00:13:11Or are.
00:13:14You know what this means.
00:13:20Next step.
00:13:21Hand riding samples from everyone on the train.
00:13:25What did you find on Lily McKelvey?
00:13:28Yeah.
00:13:29Brokenwood's answer to Greta Thunberg.
00:13:31Her socials are dedicated to protest content.
00:13:34Nothing about today's protest?
00:13:36If you're going to go to all that trouble to stop a train, you'd want the world to know about
00:13:40it, right?
00:13:40You'd be live streaming or at least making sure someone was there to record it.
00:13:45Well, perhaps somebody did.
00:13:47Maybe the protest was just a diversion.
00:13:49Well, whatever happened, it went down fast.
00:13:53The Crimestoppers report about the body on the tracks came through at 2.47.
00:13:58Not long after the train moved off again.
00:14:00Who did that report come from?
00:14:02Well, someone who saw something but didn't want to get involved.
00:14:05Called it in anonymously.
00:14:07Well, Lily might be more forthcoming now that she knows that somebody has died.
00:14:13Oh, um, Gina's gonna be expecting one of us soon, so fight amongst yourselves.
00:14:17Heartbreaker.
00:14:19Was that you volunteering?
00:14:20Nice one.
00:14:29I'm assuming you weren't actually tied to the tracks.
00:14:33I'm not an idiot.
00:14:34Did you have any help getting into position?
00:14:36Lying down isn't hard.
00:14:39At my age, anyway.
00:14:40Hmm.
00:14:42Uh, no one to cheer you on?
00:14:44No.
00:14:47Thanks for your phone, Lily.
00:14:50Who's Noah?
00:14:53At 2.45pm you got a text.
00:14:56Just two words.
00:14:58You okay?
00:14:59From someone called Noah.
00:15:01He's my boyfriend.
00:15:04Did he know about your protest?
00:15:05No.
00:15:06Then why the text?
00:15:08Why those words?
00:15:09You okay?
00:15:10He was just tricking in.
00:15:11I guess.
00:15:13Just, it's the kind of guy he is.
00:15:15Tell me a bit more about him.
00:15:19I cannot be precise about the time of death.
00:15:21No, I get it, Jenna.
00:15:22Usual terms and conditions apply.
00:15:24But when I arrived at the scene, what we call the tracking of the eyes had not begun.
00:15:28Impalo Mortis was not complete.
00:15:30It can only have been a matter of minutes.
00:15:3215 or 20.
00:15:33That's pretty precise.
00:15:35What do you mean?
00:15:36I am very precise.
00:15:37Yeah, of course, but you just...
00:15:39Do you think my job is easy?
00:15:42No, but you just...
00:15:43You want me to hand you the bone saw?
00:15:45Knock yourself out.
00:15:47No.
00:15:48I'm good.
00:15:49Good.
00:15:50Now, cause of death.
00:15:52See here?
00:15:54One significant impact wound and the number of small scrapes and bruises along her right side.
00:16:01She died when she hit the rail track?
00:16:03Not necessarily.
00:16:05What does this tell us?
00:16:09She bounced.
00:16:13Mike would understand.
00:16:14Well, Mike's not here, so...
00:16:16Perhaps she was fatally hit on one side of the head and then...
00:16:20Thrown from the train and landed on the other side.
00:16:24Very good.
00:16:25Now, we have a guest.
00:16:32Come through.
00:16:42That's her.
00:16:44That's my mum, Rosalie.
00:16:48Was it quick?
00:16:49Very.
00:16:50If you'd like, we can keep you up.
00:16:52Has anyone told Dad?
00:16:55Hayden Barnes.
00:16:57As in Barnes Farming Supplies.
00:16:59Regan's father and Rosalie's ex-husband.
00:17:02Simms is with him now.
00:17:04Excuse me.
00:17:06I'm here for my daughter.
00:17:07You must be Mr. McCulvey.
00:17:10Troy.
00:17:11Could you get Miss McCulvey, please?
00:17:13Of course.
00:17:16Come on through.
00:17:20I'm Bridget, Lily's grandmother.
00:17:22Where is she?
00:17:23She'll be here soon.
00:17:24You do realise she's only 18?
00:17:26Yeah, old enough to be charged with breach of the police.
00:17:29Not today, however.
00:17:30We're letting her off with a warning.
00:17:32You just thought you'd scare her by keeping her here all afternoon.
00:17:35Hey, kiddo.
00:17:36You alright, love?
00:17:37Can we go, please?
00:17:40Your granddaughter has been helping us with our inquiries into a suspicious death.
00:17:46A woman died on the train that was stopped by her protest.
00:17:49She didn't say anything about that when she rang.
00:17:52Does the name Rosalie Barnes mean anything to you?
00:17:58You were close?
00:18:00Used to be.
00:18:01Old school friends.
00:18:02We travelled overseas together.
00:18:03It was a long time ago.
00:18:04How...
00:18:06How did it?
00:18:07What happened?
00:18:07We'll be releasing a statement in due course.
00:18:10Right.
00:18:11I should go.
00:18:13Uh, Lily told us that she was in a relationship with one of your farmhands?
00:18:18Noah.
00:18:19Noah Dunphy.
00:18:20If you see him, could you tell him to get in touch?
00:18:23Why do you want to talk to Noah?
00:18:24We'll explain that when we see him.
00:18:27Alright, I'll pass that on.
00:18:29Thanks, love.
00:18:32It's hard to believe, uh...
00:18:34She had a big train launch this afternoon.
00:18:36I thought...
00:18:37I thought she'd be swilling champagne all day.
00:18:39I have to ask you this.
00:18:41Where were you around 2.45pm?
00:18:44Quarter to three, uh...
00:18:46I was here.
00:18:47Yeah, you can ask Dan.
00:18:50And when was the last time you saw Rosalie?
00:18:52A few weeks ago.
00:18:53We met to sign the divorce papers.
00:18:55It was all very amicable, if you're wondering.
00:18:58My daughter, does she know?
00:18:59Yeah, she identified the body, so she may need some support.
00:19:02Alright, Bob.
00:19:03Thank you, I'm here.
00:19:04I'm here.
00:19:05It's gonna be okay.
00:19:12I did some research on the McAlvys, found this.
00:19:17Bridget and her best friend, Rosalie, protestant the closure of the Brokewood Railway Line, way back in the 80s.
00:19:23The line was closed anyway, but the track was never pulled up.
00:19:25And then, 40 years later, Rosalie's the driving force behind the Brokewood Flyer.
00:19:30Mm-hmm.
00:19:30Which was bitterly opposed by Bridget's son, Troy.
00:19:33He was pushing his own plan to turn the track into a cycle trail.
00:19:43Well, it was either restore the rails or pull them up.
00:19:46Council had been shunting that decision down the track for about 30 years.
00:19:50Excuse the pun.
00:19:52I would have done the same if I'd not know what a kerfuffle it would turn into.
00:19:55Well, it swung it in favour of the Vintage Railway.
00:19:57Only word. Rosalie.
00:20:00She was a bit of a steam engine herself, if you get my drift.
00:20:02A hard woman to say no to.
00:20:04Helped that she had Hayden Barnes's money behind her.
00:20:06Before the divorce, I mean.
00:20:08Though I imagine she, uh, took a good chunk of it with her when they split.
00:20:12He bought the engine and carriages, paid for the restoration.
00:20:15Troy McKelvey must have found it hard to compete.
00:20:17He just couldn't promise the investment we were looking for.
00:20:20Whatever he had himself, he sank into buying up land along the tracks.
00:20:24Had some grand scheme for accommodation and a café.
00:20:27Actually, I've got it here somewhere.
00:20:31Um...
00:20:32Yeah.
00:20:34How are you expected to pay for it?
00:20:35I have no idea.
00:20:38This is the McCovey Farm here, eh?
00:20:40Yeah, what's left of it.
00:20:42Troy's been selling bits off trying to claw back his investment.
00:20:46Do you mind if I get a copy of this?
00:20:48It would be a pleasure.
00:20:51Follow me, young man.
00:20:55Brand new photocopier.
00:20:57Very flanch.
00:20:59Voice activated.
00:21:02And copy.
00:21:06Got it. Yeah, you have to say it right.
00:21:08And copy.
00:21:14Annoying.
00:21:15Might just, uh, use the old digit there.
00:21:27Trudy.
00:21:28There's a Noah Dunphy drink here.
00:21:31Friend of yours, is he?
00:21:32It's a professional inquiry.
00:21:34Thought so.
00:21:36Don't make me say it.
00:21:37It's not knocking if he hasn't done anything wrong.
00:21:40Sure.
00:21:42Lena.
00:21:45On my tab.
00:21:47What was that you just did?
00:21:48Well, you know what a tab is, don't you?
00:21:50No, the nose tab you think.
00:21:52What's that all about?
00:21:53Trudy nose.
00:21:55That's all that matters.
00:21:57Okay, so, Noah comes in with his mates every now and then, and...
00:22:01You know.
00:22:02Well, he's always hitting on me.
00:22:04I mean, I got there, and it was just nothing.
00:22:07Nothing more.
00:22:07Two pails.
00:22:09And a hazy.
00:22:10Thanks very much, appreciate it.
00:22:16Thanks again.
00:22:17Do you like cats?
00:22:20Yeah, cats are, uh, cats are cool.
00:22:22Cool.
00:22:23I have a cat suit at home.
00:22:25You know, I mean, like, for special occasions.
00:22:30Okay.
00:22:31Uh, that's, that's, um, that's interesting.
00:22:34Yeah?
00:22:35Thanks.
00:22:37Lena.
00:22:45I thought you said he hit on you.
00:22:48He did.
00:22:49He said I was interesting.
00:22:51And he's cute.
00:22:52I mean, not...
00:22:53Not as cute as Chad.
00:22:54Oh!
00:22:55You think so too?
00:22:56No, I just...
00:22:57But then, no one is.
00:22:58But he is a little bit bad boy.
00:23:00Which is nice sometimes.
00:23:02Right?
00:23:03Thanks, Lena.
00:23:04Yeah.
00:23:05Oh.
00:23:07Hello.
00:23:07You're here for that pizza for Shane.
00:23:09Well, normally I would have cooked him something, but...
00:23:11I don't know, I can't seem to settle.
00:23:13I'm all a quiver.
00:23:14It's all good.
00:23:16Mrs Baker?
00:23:18How's Mr Griffin holding up?
00:23:19Do you really need to ask?
00:23:21Oh, I'm sorry.
00:23:23I know you're only doing your job, and that's how the police mind works, isn't it?
00:23:28The nearest and dearest are the biggest suspects, but I am telling you, Shane is one of nature's
00:23:33gentlemen.
00:23:34He wouldn't hurt a fly.
00:23:36And, uh, Hayden Barnes, would you say the same about him?
00:23:42Well, that's a different story.
00:23:52Thanks.
00:23:54So, it's hard to say if it's intel or just gossip, but according to Mrs Baker, Hayden and
00:24:00Rosalie's split wasn't as amicable as he tried to make out.
00:24:08I am not a bloody ATM for your pet project!
00:24:11Oh!
00:24:12Grow up!
00:24:13This is bigger than us!
00:24:15Us?
00:24:15What us?
00:24:16You've already got yourself a new toy boy?
00:24:18Is everything alright?
00:24:18You're welcome to the gold-dicking cow.
00:24:21Good luck to you.
00:24:25Obviously, Rosalie liked her men younger.
00:24:27She had 10 years on Hayden as well.
00:24:30Did Hayden know about Rosalie and Shane's wedding yesterday?
00:24:34He didn't say, but Mrs Baker insisted that no one knew about it.
00:24:37Not even her own daughter, Regan.
00:24:39Check in with Shane.
00:24:40Find out if he or Rosalie got any more aggro from Hayden.
00:24:44Or the McKelvies for that matter.
00:24:47Oh?
00:24:48Well, Lily clearly isn't a fan.
00:24:50And Rosalie and Troy were practically feuding over rival schemes.
00:24:54Ahem.
00:24:58This is the McKelvie farm, and this is the additional land that Troy bought for the tourist development.
00:25:06Right next to where Lily stopped the train.
00:25:08And Bridget's old friend Rosalie was killed.
00:25:19What do you got?
00:25:20Noah Dunphy is still not responding to my calls.
00:25:23But that could be because he has a history of prior arrests, disorderly behaviour, assault.
00:25:28Assault on who?
00:25:29It was related to a protest action.
00:25:32Bit of pushing and shoving on the front line of a march.
00:25:35Climate protest.
00:25:36Coal, mining, oil.
00:25:38Anything that messes with the environment, he's against it.
00:25:40So his text to Lily, moments after his stunt, was in no way a coincidence.
00:25:45Gotta go.
00:25:47Uh, Lily, I was hoping you could help us.
00:25:50I've already told you everything.
00:25:51We've been trying to track down Noah, but we can't...
00:25:53Yeah, me too.
00:25:54So if you see him first, let him know from me that we're done.
00:25:56Okay?
00:26:03I think the kids call it ghosting.
00:26:06Huh.
00:26:08Is there something else you wanted?
00:26:10Yes, actually.
00:26:13Why are you so interested in Noah?
00:26:16Well, he's Lily's boyfriend.
00:26:18Uh, for now.
00:26:20It's reasonable to assume that he knew about a protest.
00:26:24Maybe he filmed it.
00:26:26I mean, after all, you know, what's a protest these days if it isn't all over the internet?
00:26:31Well, it's a bit of a stretch to go from being a protester to a murderer, isn't it?
00:26:37Uh, we had an anonymous tip-off about Rosalie's body.
00:26:41Whoever made that report may have seen more than they initially shared.
00:26:45Right.
00:26:46The incident happened very close to your land.
00:26:49Did either of you see anything out of the ordinary?
00:26:51I was here, making jam, head down over the kitchen bench.
00:26:56I was up in, uh, Old Creek Paddock.
00:26:58Fixing some fences.
00:27:00Nowhere near.
00:27:01Meanwhile, your daughter was tying herself to railway tracks.
00:27:04Mm-hmm.
00:27:05Did you know about that?
00:27:08Uh, she's always up to something.
00:27:11Thought she was just going to wave a sign.
00:27:12We've always encouraged Lily to think for herself.
00:27:16She's so compassionate and engaged.
00:27:18And that's something to be admired, isn't it?
00:27:20Uh, chip off the old block, perhaps.
00:27:25Do you think, uh, Lily's protest was inspired by this?
00:27:32Well, you'd have to ask her.
00:27:34You had your own reasons to oppose the Vintage Railway.
00:27:38Your failed development plans.
00:27:40Oh, come on.
00:27:42Must have been very frustrating.
00:27:43Well, not to mention expensive.
00:27:45We lost that fight ages ago and accepted it ages ago.
00:27:50Why are you giving me and my mum the third degree?
00:27:52We weren't even on the train.
00:27:55Shouldn't you be chasing the people who were?
00:27:57All lines of inquiry are being explored.
00:28:00Which is why I'm going to need a handwriting sample from each of you.
00:28:10Here you go.
00:28:12I'm not going to win any awards for calligraphy with that.
00:28:16Sorry to disturb you.
00:28:17It was fine.
00:28:19Anything to help find whoever hurt Rosie?
00:28:22Can you think of anyone who might want to do that?
00:28:24No.
00:28:25No, she was wonderful.
00:28:27She was very caring, very passionate.
00:28:29Although, her passion could rub some people up the wrong way.
00:28:32Like Hayden?
00:28:33If Rosie had done me, I'd be devastated too.
00:28:37How did you and Rosie get together?
00:28:39Well, there was no overlap if that's what you're getting at.
00:28:41Understood.
00:28:42We were both on the committee for the train project.
00:28:45Lots of long nights and weekends.
00:28:51I keep thinking she's going to come out of the bedroom or bring me a glass of wine.
00:28:57You and Rosie weren't the only ones who gave a lot to the rail project.
00:29:01Hayden Barnes made a huge commitment too, didn't he?
00:29:04It was his money that-
00:29:05It was Rosalie's money as well.
00:29:06That's what marriage means, sharing everything.
00:29:12I wonder how much Hayden shared with Rosalie in the divorce.
00:29:16Hmm, and who's in line for it now?
00:29:18Yeah, I'll chase out the will, but...
00:29:20Regan, you'd think, and probably Shane.
00:29:24And they were both on the train.
00:29:25Shane may have been the last person to talk to Rosalie.
00:29:28Hmm, the romantic political door exchange.
00:29:30But what did he do after that?
00:29:35Mrs Baker?
00:29:38I was wondering if I could get my things from the train, my clipboard and whatnot.
00:29:42I've got another wedding this weekend.
00:29:44I can only hope that that couple hasn't caught wind of my involvement with this debacle.
00:29:50RIP Rosalie, obviously.
00:29:52Your timing is immaculate, Mrs Baker.
00:29:55We're in need of your insight.
00:29:59Police, come on through.
00:30:01Oh!
00:30:04Sort of a thing, isn't it?
00:30:08Actually being part of a murder investigation.
00:30:11Could you talk us through what happened?
00:30:13Starting at the beginning.
00:30:17Well, um, Ron and Doug were at the front.
00:30:20Anyway, I should drive. I have seniority.
00:30:23Seniority?
00:30:24What you have is being scared of hard work.
00:30:28Um, we're not so worried about them.
00:30:31Uh, can you remember where everyone was on the train?
00:30:35Um, well, the catering was in this one.
00:30:38And then we were all in the back.
00:30:41There was, um, general mingling.
00:30:48Do you recall where Shane Griffin was?
00:30:50Oh, um, he was mainly talking to a friend.
00:30:55Fellow train geek.
00:30:57They're a special breed to those ferreniquinologists.
00:31:00Uh, Shane told us he went to speak to Rosalie through the cubicle door when the train stopped.
00:31:06Oh, yeah, that sounds about right.
00:31:08He was the only other person on the train who knew what she was really doing, I tell you what.
00:31:12It wasn't easy keeping that a secret.
00:31:14Sorry.
00:31:15So, was Shane with you when you got off the train, or was he still back with Rosalie?
00:31:21I remember him turning up at the tracks.
00:31:23It's not a game! This is a wake-up call!
00:31:26What for?
00:31:27It's the middle of the afternoon, we're already awake!
00:31:29Cole is killing the planet!
00:31:31Cole is killing the planet!
00:31:33What's all this?
00:31:35I can't be certain how long he was on the train before he joined us. Lily was very distracting.
00:31:40And he...
00:31:43No, no, no, no, not Shane Griffin. He would never. He was such an integral part of the planning.
00:31:50There was a theme. I had it all worked out.
00:31:53Champagne flutes. Tick. Doilies. Tick. Flower.
00:31:58What in the blazes are those?
00:32:00I was very clear with that florist what I wanted. I'll be having strong words with Jenny Monroe.
00:32:03I don't quite like them actually.
00:32:05Really?
00:32:05Hmm.
00:32:09No, they were not from me. Definitely not part of my catalogue.
00:32:13Besides, black roses are a terrible omen for a wedding.
00:32:18They symbolise death.
00:32:20Would Rosalie have known that?
00:32:28That note could have been attached to the flowers.
00:32:30And I know where else I've seen black roses recently.
00:32:40I'm not much of a flowers man, but I imagine these are pretty rare.
00:32:44Yeah, I suppose.
00:32:46So if a bunch of black roses were to show up in the vicinity, chances are they would have come
00:32:51from your garden?
00:32:52There are florists here on your note.
00:32:53Sure, but I'm talking about a hand-picked bunch. Tied with a ribbon, delivered with a note.
00:33:01Is this your writing?
00:33:03Yes.
00:33:04It's an interesting message, given that black flowers symbolise death.
00:33:08Is there anything you want to share, Hayden?
00:33:11Look, black roses don't just symbolise death.
00:33:13Okay? They're transformation, new beginnings, endings, farewells.
00:33:20Yeah, I know, I'm not exactly the type, but Rosalie planted this bush.
00:33:24She told me all about it.
00:33:25She would have known what I was saying.
00:33:27Mum was wearing one of the roses on her dress.
00:33:29She wouldn't have done that if she thought Dad was being threatening.
00:33:32You told us you weren't at the launch, and that you haven't seen Rosalie for weeks.
00:33:36Dad couldn't handle actually being there, and seeing her with shame.
00:33:39Can you blame him?
00:33:41So I said, I'll drop the flowers off.
00:33:44Right.
00:33:46Excuse me.
00:33:48Gina.
00:33:50You'll be okay? I've got to take my car to the garage.
00:33:53See you soon.
00:33:53Everything alright with?
00:33:54Yeah, just a service.
00:33:56It should only take a few hours.
00:34:02For me, nothing can beat the appeal of a steam train.
00:34:04The Trans-Siberian Railway, it's on my bugger list.
00:34:08Your what?
00:34:10My bugger list.
00:34:11You know when you say,
00:34:12bugger it, let's just do it?
00:34:15It's a very common expression, Mike.
00:34:16I'm surprised you don't know it.
00:34:18I think you mean bucket list.
00:34:20Well, the things you want to do before you kick the bucket.
00:34:22But what has the bucket done to you?
00:34:24Well, it's a saying.
00:34:25Well, anyway.
00:34:26The broken-out flyer, it's not of the same league, of course.
00:34:29But one day, I hope for a ride.
00:34:32Now, I have something I think you'll like.
00:34:35Fire away.
00:34:36When I looked closer at the two head wounds,
00:34:40I found something interesting.
00:34:42Metallic fragments in both of them.
00:34:44So the murder weapon was metal?
00:34:47Same as the railway tracks.
00:34:48Same age.
00:34:49Same wear.
00:34:51Same rust pattern.
00:34:53Rosalie was hit with the length of rail line.
00:34:56A small length.
00:34:57Unless the offender was very strong.
00:35:03Mrs Baker can vouch that everyone got off the train at the same time as she did.
00:35:07Except for Shane Griffin.
00:35:10Oi!
00:35:10You lot.
00:35:12Anyone home?
00:35:17Hello?
00:35:19You want to talk to this guy?
00:35:21Noah, you are a hard man to find.
00:35:24Not really.
00:35:34Get in.
00:35:35That was beautiful.
00:35:36Not for me, you idiot.
00:35:38You have to talk to the police or they'll think you killed her.
00:35:41Look, he knows his rights, so don't try anything dodgy, okay?
00:35:45Wouldn't dream of it.
00:35:45Just because he has priors doesn't mean he's done anything wrong.
00:35:49Ghosting your girlfriend isn't technically a crime.
00:35:55It was one text.
00:35:56The timing was freaky.
00:35:57It doesn't mean anything.
00:35:58You weren't exactly in a hurry to talk to us though.
00:36:01So you're saying, despite your prior history of protest action, you had no idea what your girlfriend was planning to
00:36:07do?
00:36:08Look, the real target should be the freight trains carrying the coal from the mines.
00:36:10And she's out here trying to shut down a vintage train.
00:36:14It was pathetic.
00:36:15I was almost embarrassed to be involved.
00:36:16So you were involved?
00:36:19No comment.
00:36:20It is weird that there's nothing on the socials about it.
00:36:23So if we checked your phone, there wouldn't be any footage of Lily's protest.
00:36:29Lo and behold.
00:36:32He obviously was in one of the trees by the line.
00:36:35There's Doug and Ron exiting the engine cab first.
00:36:39Everyone else piling out of the carriage.
00:36:42Mrs. Baker, Mayor Bloom, all the others.
00:36:46Alibis confirmed, that's something.
00:36:48There's Regan, but where's Shane?
00:36:51He said he was checking in with Rosalie.
00:36:54Yep, wait for it.
00:36:56So, Regan gets back on briefly, presumably to alert her mum.
00:37:02And there she is stepping back off, followed by Shane.
00:37:06Which means he's getting off the train a good minute after everyone else.
00:37:11Enough time?
00:37:12If he worked fast.
00:37:13You can't see the back of the train from this angle.
00:37:15Why would he want to kill someone he's supposed to be marrying?
00:37:19Well, I followed up with Rosalie's lawyer.
00:37:22Shane is a main beneficiary in the will, as is Regan.
00:37:26Is this all the footage?
00:37:28According to Noah...
00:37:29I stopped recording when Lily got taken onto the train.
00:37:32And did you see anything else, or anyone else?
00:37:35No.
00:37:36We'll need your phone.
00:37:37And there was nothing unusual in his call log.
00:37:39Ditto his search history.
00:37:41So if Noah is to be believed, he wasn't the person who called Crime Stoppers.
00:37:45Well, he said he took off once Lily was on board the train.
00:37:49Where did you go?
00:37:50Back home.
00:37:52Well, Lily told us you were ghosting her, so presumably she couldn't find you there.
00:37:56I didn't stick around for long.
00:37:58I went to a mate's place.
00:37:59Well, we will need to speak to that mate.
00:38:01Oh, we can't. He's in Sydney.
00:38:03I needed some space to myself, so I crashed out there instead.
00:38:06Why did you need some space?
00:38:09To work out what I was gonna do.
00:38:11Dump Lily.
00:38:12And leave town.
00:38:14To make it sound worse than it was.
00:38:17Look, I was over it.
00:38:19This train thing was the last straw, and I just wanted to bail without more of Lily's drama.
00:38:24Yeah, I'm not sure I'm buying that.
00:38:27Agreed.
00:38:27Where is he now?
00:38:28At the McAlvey's, but we told him to stick around.
00:38:31Good.
00:38:43About here, you reckon?
00:38:46Yep.
00:38:46Clear line of sight to the tracks.
00:38:51The train would have obscured whatever was happening to Rosalie at the back of it.
00:38:55Once it moves off, though.
00:38:58Thanks, guys.
00:39:01Hi.
00:39:01What?
00:39:02Am I not allowed a turn?
00:39:03Not on my train.
00:39:04Protocol.
00:39:05Hardly the worst thing that's happened on your train, is it?
00:39:10If Noah was still close by after the train moved off, he would have been able to see Rosalie's body.
00:39:16But he claims he didn't make the Crimestoppers report.
00:39:19But he might have seen who did.
00:39:21Or he committed the crime himself.
00:39:24Could the phone have been on a tripod?
00:39:27He left it here while he boarded the train?
00:39:30Hmm.
00:39:31The footage was pretty shaky.
00:39:32Had to be handheld.
00:39:33Or he was working with someone else.
00:39:35He gave them the camera while he went to the train.
00:39:38If he is hiding something, what's his motive?
00:39:47Sorry, I don't know what else I can tell you.
00:39:49Well, what I can tell you is that we've got footage that confirms your story about being last off the
00:39:53train.
00:39:54Okay.
00:39:55Good.
00:39:56What I'm interested in is what you were doing before that point.
00:40:00I told you I was talking to Rosalie.
00:40:02She was changing and I thought after that she'd probably have a cigarette, so I left her to it.
00:40:08Here you are.
00:40:08You have to help.
00:40:09With what?
00:40:10Mrs Baker's yelling at someone.
00:40:11I don't know what's going on.
00:40:12Okay.
00:40:13Everything on Mrs Baker's schedule was timed to the minute, so I knew she'd be in a flat, happy delay.
00:40:18So, what schedule?
00:40:20Yeah, nothing left to chance.
00:40:24It's like holding on to a little piece of her, which is silly, I know.
00:40:30But I can tell you that when I spoke to Rosalie it was around 2.35pm, changing time.
00:40:36Can I take that?
00:40:38You'll get it back.
00:40:41Sure.
00:40:43I can email you a copy of that too if you like.
00:40:45Thanks.
00:40:46Why is it so important to know when I got off the train?
00:40:52Mrs Baker said you might go down that route.
00:40:55We're following all lines of inquiry.
00:40:57You've got this so wrong.
00:41:01That's another branch of the old rail line.
00:41:03That's right.
00:41:04It was never part of the restoration plan though, so most of the tracks were pulled up years ago.
00:41:08How were they disposed of?
00:41:10I don't have an idea.
00:41:11I suppose they would have been taken off for scrap.
00:41:14Hmm. Thank you.
00:41:15Hmm.
00:41:18What's that?
00:41:19Regan Barnes?
00:41:20Yes, on bereavement leave of course, poor thing.
00:41:22Just popped in to get a few things.
00:41:25Did you take it.
00:41:47Is there anyone
00:41:47This has to be a no.
00:41:47I'll ask you like.
00:41:47Yeah, it's better than you.
00:41:53To be cambiating,
00:41:57Hello?
00:41:58Hi there.
00:41:59You alright?
00:42:00Yeah, just taking a walk.
00:42:03Helps me think.
00:42:05Am I right in thinking that this used to be the old Johnson sawmill line?
00:42:09It's going back a bit, but yeah.
00:42:12Is Troy around by any chance?
00:42:14Well, he's out just now, but he shouldn't be too long.
00:42:18I'm happy to wait.
00:42:30You better come up to the house then.
00:42:32Oh, well, if you insist.
00:42:38And this is where you tell me I haven't changed a bit.
00:42:41Apologies, they caught my eye.
00:42:43That's okay.
00:42:44I took a long stroll down memory lane last night.
00:42:46This is you and Rosalie?
00:42:48Hmm.
00:42:50You obviously had some adventures.
00:42:52Oh, Rosalie, she was the adventurous one.
00:42:55She taught me into all sorts of things.
00:42:56There's one that I saw on a roller coaster somewhere.
00:42:58The look on my face.
00:42:59Is this Troy?
00:43:01Hmm.
00:43:03He was born overseas?
00:43:05Poland.
00:43:06And I hope you're not going to ask me about the father.
00:43:09No.
00:43:10Well, that was the end of the adventures.
00:43:13Well, it started a new one, I suppose.
00:43:15Parenthood.
00:43:18Solo parenthood.
00:43:19I moved home when Troy was a few months old.
00:43:23We'd be back in here with mum and dad.
00:43:25And they were remarkably non-judgmental, given the circumstances.
00:43:31And Rosalie?
00:43:34Three years in New York, two in Paris.
00:43:39And God knows where after that we lost touch.
00:43:42Our lives were so different.
00:43:52Shane mentioned he went up to the cubicle, just after the train stop.
00:43:56I guess so.
00:43:58What, you didn't see him go?
00:44:00I saw him come back, if that helps.
00:44:03Everyone else had got off by then, so I got back on to find him.
00:44:06I told him Mrs Baker was stressing out and he should go and see what was up.
00:44:09And did he?
00:44:11Yes, but I got off before him.
00:44:14So there was a time when she and Shane may have been the only two people in the carriage.
00:44:23You don't think?
00:44:24No, we're just trying to establish a timeline, that's all.
00:44:27But if you do have reason to believe that Shane wanted to harm your mother, then you should tell us.
00:44:35Regan?
00:44:37Mum was super rich and Shane is super broke.
00:44:41The only thing he has is thousands of dollars of debt.
00:44:46I don't know where Troy's got to.
00:44:48He should be back by now.
00:44:49Sorry.
00:44:52Sims?
00:44:53Regan Barnes is suggesting Shane Griffin has money issues.
00:44:56I see.
00:44:57Bring her in.
00:44:58Copy that.
00:45:00I'm just calling Troy.
00:45:02Tell him I'll catch up with him another time.
00:45:13It's a big call you've made suggesting that Shane Griffin killed Rosalie for her money.
00:45:19I didn't say that.
00:45:20No, you stopped just short.
00:45:22I don't want to believe it, but the facts are the facts.
00:45:26I thought you should know.
00:45:27This debt of Shane's, how do you know about it?
00:45:30I work for the council, in the rates department.
00:45:32Shane's house is owned by his dad, who's in a dementia care unit, but he hasn't paid his rates for
00:45:37the last 20 years.
00:45:38And Shane is responsible for that?
00:45:40He has power of attorney.
00:45:41But no way of paying?
00:45:43Well, it's nearly $200,000.
00:45:46The council's been talking about forcing the sale of the house.
00:45:49Well, if Shane wanted access to Rosalie's money, surely marrying her would get him that?
00:45:53It was still her decision.
00:45:54What to do with it?
00:45:56Maybe she didn't know about the debt.
00:45:57She never mentioned it.
00:45:59Why didn't you tell her?
00:46:01And lose my job for breaking confidentiality.
00:46:03Did Rosalie ever mention changing her will to include Shane?
00:46:07Not to me.
00:46:10She did, though, didn't she?
00:46:13But whether Shane knew that is another question.
00:46:22This way.
00:46:25How'd you get on with the council?
00:46:26I'm still on hold.
00:46:28But they said my call was very important to them.
00:46:30Be quick at a walk.
00:46:33Hmm.
00:46:34Uh, talk to Shane.
00:46:36See what he has to say for himself.
00:46:38Yes, I'm afraid Dad did let things get out of hand.
00:46:42I don't know if it was his dementia or just sheer bloody-mindedness.
00:46:45How's that?
00:46:46Well, there was a dispute with the council over a boundary line years ago.
00:46:50Dad used to get pretty worked up about it.
00:46:53So he stopped paying his rates.
00:46:55Did Rosalie know about the debt?
00:46:57Yeah, of course.
00:46:58We didn't have any secrets.
00:47:00Good news, I think.
00:47:02Case closed.
00:47:03No, our case.
00:47:04Not yours.
00:47:05Or is it closed, I mean.
00:47:07I mean, I wouldn't know, would I?
00:47:09How could I?
00:47:10I mean, could I?
00:47:11No.
00:47:11Sorry.
00:47:13I've been talking to the council about it,
00:47:15and I'm paying it off in instalments,
00:47:16but it's just, it's all the interest and the penalties.
00:47:20That's the real kicker.
00:47:21I bet.
00:47:24Oh, that was DSS Shepard calling from the council office.
00:47:28Your father's rates debt was paid in full today,
00:47:33a scheduled payment from the account of Rosalie Barnes,
00:47:36with the reference wedding gift.
00:47:50Thanks.
00:47:53It was Regan, wasn't it?
00:47:56Who told you about the debt?
00:47:58I knew she didn't think much of me,
00:47:59but I didn't think she'd think to that.
00:48:01Well, she's just lost her mother.
00:48:02She's looking for answers.
00:48:04I feel sorry for her.
00:48:06They never really got along.
00:48:07Well, Rosalie was a wonderful woman,
00:48:09but motherhood was not her forte.
00:48:11She was always fighting fault with Regan,
00:48:13with her hair and with her clothes and with her attitude.
00:48:17Mothers and daughters, eh?
00:48:20The last big blow-up was a few weeks ago.
00:48:22We'd asked Regan to meet us for a drink,
00:48:24and while I was running late...
00:48:26I don't believe this.
00:48:29You're a sad, old, miserable drunk.
00:48:32Darling, I'm trying to help you.
00:48:34No, you're just trying to control me!
00:48:36What's new?
00:48:38Regan.
00:48:39Regan!
00:48:40Get back here!
00:48:43What was that about?
00:48:46A man.
00:48:48Did she say who the man was?
00:48:50Oh, I didn't think it was my business.
00:48:52Not her father.
00:48:58I wouldn't like it if my mother tried to dictate my love life.
00:49:02You don't have a love life.
00:49:04You don't know that.
00:49:06No, I think I do.
00:49:07Anyway, that's not the point.
00:49:09I'm just saying I wouldn't like it,
00:49:11but I wouldn't bash her over the head
00:49:12with a piece of railway line.
00:49:14I don't think Regan went that far, either.
00:49:16Noah's video and all the other evidence
00:49:18suggest that she didn't get the opportunity.
00:49:21Shane, on the other hand...
00:49:22See you, Nia?
00:49:24Huh.
00:49:29Yeah, Mum said you wanted to see me.
00:49:32I was out your way up.
00:49:34I thought a chat might be useful.
00:49:35You've probably seen our search team
00:49:37working along the railway tracks.
00:49:39Yeah.
00:49:40Yeah, we need to extend the search
00:49:42into the surrounding properties.
00:49:44There's a chance the offender
00:49:46has disposed of the murder weapon
00:49:47somewhere in the area.
00:49:49Right.
00:49:51What was the weapon?
00:49:52We're still ascertaining that.
00:49:55If you have no objections,
00:49:56I could come out with a team this afternoon,
00:49:58take a look around.
00:50:00Yeah, go for it.
00:50:01You're wasting your time, mate.
00:50:03Yeah, very likely.
00:50:04It's, uh,
00:50:05part of the job, though.
00:50:06That's it, then.
00:50:07One more thing.
00:50:08You said you were working on a fence
00:50:10that afternoon.
00:50:11Yeah.
00:50:11Did anyone see you?
00:50:14Yeah, uh, Jock Wilson.
00:50:15He's got the neighbouring farm
00:50:17laid up with a broken ankle,
00:50:20but, uh,
00:50:21gave me a wave around, uh,
00:50:23three o'clock.
00:50:24Oh.
00:50:25Good to know.
00:50:34Hey, Sims.
00:50:35Get your gunboots.
00:50:54They look like railway tracks, don't they?
00:50:56Yeah, they were, uh,
00:50:58lying around out by the road.
00:50:59Years.
00:51:01What are your eyes, sir?
00:51:04Nobody wanted them, so, uh...
00:51:06So, you decided to help yourself.
00:51:08Thought they might come in handy one day?
00:51:11I had a mother-in-law
00:51:12that was like that
00:51:13with ice cream containers.
00:51:18So I had a word to Jock,
00:51:20and, yes,
00:51:21he does remember seeing Troy
00:51:23working on the fence
00:51:24at exactly three o'clock.
00:51:26He knows it was three o'clock
00:51:27because he'd just turned on the wireless
00:51:29to listen to the news.
00:51:31Yes, Jock, old school.
00:51:32Then I got a full rundown
00:51:33of the day's activities,
00:51:35starting with Wordle,
00:51:36first thing in the morning,
00:51:37he got it in three,
00:51:38through till five o'clock
00:51:40when he sat down
00:51:40to watch The Chase,
00:51:42which is when he happened
00:51:42to glance out the window
00:51:43and see Troy still at it.
00:51:45Hard worker, that boy,
00:51:47needs feeding up.
00:51:48It's chicken soup
00:51:49from Jock's freezer.
00:51:50Yeah, ta.
00:51:51Thanks again for your time.
00:51:52You are so full of shit!
00:51:54Pass off and leave me alone!
00:51:56Come on!
00:51:59Any idea what that was about?
00:52:02Yeah, young love.
00:52:09They were just lying there.
00:52:13Undisturbed by the look of the weeds.
00:52:16Then again,
00:52:16someone could have just
00:52:17slid one out from the back.
00:52:19Those things weigh a ton.
00:52:20If you were going to use it
00:52:21as a weapon,
00:52:22you'd want to cut it down, right?
00:52:23There were tools in the shed
00:52:25that could have done that.
00:52:26Who had access?
00:52:27To the rails.
00:52:28Uh, Troy, Bridges,
00:52:31Lily, Noah.
00:52:32Or anyone who knew
00:52:33where they were
00:52:34and wanted to point
00:52:34the finger at the McElvies.
00:52:36Yeah, maybe.
00:52:37I'm wondering how quickly
00:52:39I could get from the crime scene
00:52:40to the Old Creek paddock fence line.
00:52:43Where Jock saw Troy working
00:52:45at 3pm?
00:52:46Lily's protest
00:52:47stopped the train here
00:52:48at 2.40.
00:52:50It moved off again
00:52:51five minutes later
00:52:52and Rosalie's body
00:52:53was reported on the tracks
00:52:55at 2.47.
00:52:56So,
00:52:57if Troy's our man,
00:52:58he had less than
00:52:5920 minutes
00:53:00to get from
00:53:01point A
00:53:02to point B.
00:53:04Is that even doable?
00:53:06There's only one way
00:53:07to find out.
00:53:13Okay, here we go.
00:53:16Ready.
00:53:18Set.
00:53:19Go!
00:53:32Come on, man.
00:53:33We don't have all day.
00:53:5422 minutes,
00:53:5643 seconds.
00:53:58Too slow.
00:54:00So,
00:54:02unless Troy McKelvey
00:54:04can run like Usain Bolt,
00:54:06he probably didn't kill Rosalie.
00:54:11You know,
00:54:12I've got to say,
00:54:13I thought you'd be faster.
00:54:14It was soft,
00:54:15underfoot.
00:54:15Challenging conditions.
00:54:17Usain Bolt
00:54:17couldn't run like Usain Bolt
00:54:19in that terrain.
00:54:19Hang on.
00:54:22Hang on.
00:54:24Is that...
00:54:34going somewhere,
00:54:35Noel?
00:54:36We thought you were told
00:54:37not to leave town.
00:54:38I had to get away from Lily.
00:54:39She's doing my head in.
00:54:40You're not having much luck
00:54:41with this hitchhiking thing,
00:54:42are you?
00:54:43No.
00:54:44This is, uh,
00:54:45this is perfect.
00:54:46You guys are going to be
00:54:47my first stop.
00:54:48Good idea.
00:54:54Take that on me.
00:55:00Right,
00:55:01Noah,
00:55:02what have you got for us?
00:55:03Oh, well,
00:55:04I may have not given you
00:55:05the full picture earlier.
00:55:07Come on,
00:55:08back on the train!
00:55:22When the train left,
00:55:23I didn't know what to do,
00:55:24so I started heading
00:55:25back to the house.
00:55:26You know,
00:55:26she's Lily's nana.
00:55:27They gave me a place to stay,
00:55:28I felt like I owed
00:55:29them some loyalty.
00:55:30So that's why
00:55:31you didn't tell us,
00:55:32but did you tell Lily?
00:55:34What,
00:55:35that her nan's a murderer?
00:55:38Yeah.
00:55:39Yeah, I did.
00:55:40Eventually,
00:55:41well,
00:55:42you saw how that went.
00:55:43You are so full of shit!
00:55:44Lily, what?
00:55:45Puss up and leave me alone!
00:55:46And she didn't want to believe me.
00:55:48There's no coming back from that.
00:55:50It's better you just
00:55:51hit the road.
00:55:56So,
00:55:56she was protesting
00:55:57about coal trains
00:55:58then got run over
00:55:59by a coal train.
00:56:01Karma can be cruel at times.
00:56:03Well, that's not quite.
00:56:05Frodo,
00:56:05you know I can't comment
00:56:06on an ongoing investigation.
00:56:08Yeah, no,
00:56:08of course.
00:56:11Excuse me.
00:56:13Regan,
00:56:14I just want to thank you
00:56:16for bringing
00:56:17Shane's rates issue
00:56:18to our attention.
00:56:19No worries.
00:56:20You might not be up
00:56:21with the latest,
00:56:22but the debt
00:56:22has been paid off.
00:56:25What?
00:56:26By your mother.
00:56:27Scheduled payment.
00:56:29A wedding gift.
00:56:30That must be
00:56:31a relief for Shane.
00:56:33Excuse me,
00:56:34I have to go.
00:56:42Simms.
00:56:42A witness
00:56:43has Bridget McKelvey
00:56:43at the scene.
00:56:44Yeah, I'll be there.
00:56:50We have a witness
00:56:51that puts you
00:56:52with Rosalie's body
00:56:53after the train left.
00:56:54What witness?
00:56:55Are you denying
00:56:56that you were there?
00:56:58Okay,
00:56:59all right.
00:57:01Despite everything,
00:57:02I wanted to see
00:57:03the line in action again.
00:57:08And the train
00:57:09had moved off
00:57:09while I was watching
00:57:10and that's when
00:57:12I saw her.
00:57:13Did you see
00:57:13anyone else there?
00:57:15No.
00:57:16A report was made
00:57:17to Crimestoppers
00:57:17around that time.
00:57:18Was that by you?
00:57:20One last act
00:57:21of kindness
00:57:22for your former friend,
00:57:23perhaps?
00:57:24If we checked
00:57:25your phone,
00:57:25would we find
00:57:26evidence of that call?
00:57:33Yes.
00:57:35It was me.
00:57:43Well,
00:57:44I couldn't just
00:57:44leave her there.
00:57:47After what you'd done.
00:57:49What?
00:57:50Where you had motive,
00:57:51your conflict
00:57:52over the railway line.
00:57:53Access to the likely
00:57:54murder weapon
00:57:55on your property.
00:57:56And opportunity.
00:57:57You were there
00:57:58when the train stopped.
00:58:00Did you climb aboard
00:58:01and murder
00:58:02Rosalie Barnes?
00:58:05You might want
00:58:06to call a lawyer,
00:58:07Ms. McKelvey.
00:58:13That feels like
00:58:13the closest we're
00:58:14going to get
00:58:14to a confession.
00:58:16What we have
00:58:16is only circumstantial
00:58:18and I think
00:58:18Bridget knows that.
00:58:19Hmm.
00:58:20How did she know
00:58:21that the train
00:58:21would stop
00:58:22or that Rosalie
00:58:23would be at the
00:58:23front of the carriage?
00:58:25Maybe the details
00:58:27of Lily's protester
00:58:28and the family
00:58:28group chat.
00:58:30Huh.
00:58:30Let's find out
00:58:31how chatty they were.
00:58:45I've just called
00:58:46Dad.
00:58:47He'll be here soon.
00:58:49That's fine.
00:58:51Lily, how much
00:58:52did your nan know
00:58:53about your protest?
00:58:54What do you mean?
00:58:56Did she know
00:58:56exactly when
00:58:57you'd be stopping
00:58:58the train?
00:59:00I doubt it.
00:59:01Why would you
00:59:02want to know that?
00:59:06What?
00:59:07So she could
00:59:08get on board
00:59:08and attack
00:59:09Rosalie or something?
00:59:10No.
00:59:11No, wait.
00:59:12She would never
00:59:13do something like that.
00:59:14It was just me
00:59:15and Noah.
00:59:16Okay?
00:59:17Nan had nothing
00:59:17to do with it.
00:59:18Nothing to do
00:59:19with what?
00:59:19I was about
00:59:20to inform Lily.
00:59:22We've arrested
00:59:23Bridget for Rosalie's
00:59:24murder.
00:59:25What?
00:59:25What?
00:59:27Wanting to talk
00:59:28to her?
00:59:29Well, you can't
00:59:29just yet.
00:59:30You got it wrong.
00:59:31Have we?
00:59:33Bridget was seen
00:59:34on the tracks
00:59:34next to Rosalie's
00:59:35body.
00:59:36Your mother
00:59:36has found herself
00:59:37in a serious
00:59:38situation.
00:59:38As will Lily
00:59:39if we find out
00:59:40that she's been
00:59:40lying to us.
00:59:46Do you think
00:59:46we got to Troy?
00:59:48Without a metal
00:59:49weapon, it's hard
00:59:49to make those
00:59:50charges stick.
00:59:53Hey, what have
00:59:54you got?
00:59:55Mrs Baker's
00:59:56run sheet.
00:59:57Everyone who
00:59:58had it would
00:59:58have known
00:59:59that Rosalie
00:59:59was scheduled
01:00:00to be at the
01:00:00front of the
01:00:01carriage to
01:00:02change outfits.
01:00:03So, Mrs Baker,
01:00:05Rosalie, Shane?
01:00:06Yeah, but there
01:00:07was someone else.
01:00:09Shane emailed
01:00:09me a copy of
01:00:10the run sheet
01:00:11and as I
01:00:12scrolled back
01:00:12through the
01:00:13chain, I saw
01:00:14all the recipients,
01:00:15including someone
01:00:15who received it
01:00:16in error.
01:00:19Hi, it's
01:00:20Becky.
01:00:21I'm mortified.
01:00:23When DC
01:00:23Chalm was called,
01:00:24I could have
01:00:24kicked myself.
01:00:25In my defence,
01:00:26it was an easy
01:00:26mistake to make.
01:00:27Her address was
01:00:28very similar to
01:00:29Rosalie's.
01:00:31Regan Barnes.
01:00:32Well, she said
01:00:33she didn't know
01:00:34about the wedding.
01:00:35I guess it is
01:00:36possible she never
01:00:37read the email.
01:00:38Or what?
01:00:39She's lying to us.
01:00:42Hey, I've got a
01:00:43little job for you.
01:00:48Hi, Regan.
01:00:50It's Detective Sims.
01:00:51I was hoping
01:00:51we could have a chat.
01:00:58Sorry to intrude.
01:01:00Well, you actually
01:01:01shut up.
01:01:01We were just going
01:01:02through some photos
01:01:03for the remembrance
01:01:04board.
01:01:04Thought we'd do it
01:01:05over a PIMS.
01:01:06So much to choose
01:01:07from.
01:01:07Such an amazing
01:01:08wife she had.
01:01:09Could we have a
01:01:10private word?
01:01:10Sure.
01:01:11What about this one
01:01:12of you and your mum?
01:01:13Yeah, your name?
01:01:13No.
01:01:15Some people find
01:01:16their baby photos
01:01:17embarrassing, I suppose.
01:01:19Did not rock the boat.
01:01:23Regan, some of the
01:01:24things you told us
01:01:26don't match up to
01:01:27what we've discovered
01:01:28elsewhere.
01:01:29Would you like me
01:01:30to spell them out
01:01:31for you, or would
01:01:32you like to tell
01:01:32me yourself?
01:01:33God, I was afraid
01:01:35this would come up.
01:01:36I did tell a white
01:01:37lie, but it was only
01:01:38because I wanted
01:01:39to protect him.
01:01:40Her
01:01:41dad.
01:01:43Keep talking.
01:01:44When the other
01:01:45guy was asking
01:01:46dad about the
01:01:47bunch of roses,
01:01:47I told him that
01:01:49I'd been the one
01:01:49to deliver them
01:01:50to mum.
01:01:51But that wasn't
01:01:51true.
01:01:52Dad was there
01:01:53that day.
01:01:54He was on the
01:01:55train.
01:01:59I need to see
01:02:00my nana.
01:02:01Which person
01:02:01is she?
01:02:02How many old
01:02:03women do you
01:02:03have in custody,
01:02:04you factious
01:02:05pigs?
01:02:05All right,
01:02:06take it down
01:02:07a notch.
01:02:07No, where
01:02:08is she?
01:02:09If you calm
01:02:10down, you can
01:02:10come on through.
01:02:14You good?
01:02:19Where's your dad?
01:02:21Shouldn't be alone
01:02:21when you're this
01:02:22upset.
01:02:22I don't know,
01:02:23he took off after
01:02:23those other cops
01:02:24came around.
01:02:26I'll make you a
01:02:26cup of tea.
01:02:27Try calling him
01:02:28again.
01:02:42Okay.
01:02:43Yes.
01:02:44I put the
01:02:44rotas on the
01:02:45train, I promise
01:02:46you.
01:02:46I took off
01:02:46before I saw
01:02:47Rosalie.
01:02:48Why give her
01:02:48flowers at all?
01:02:49I wanted her to
01:02:50know I wished
01:02:50her well.
01:02:51It was her big
01:02:51day.
01:02:52You knew
01:02:52about the
01:02:53wedding.
01:02:54How?
01:02:55She told
01:02:55me, after
01:02:56we signed
01:02:57the papers.
01:02:57Two
01:02:58champagnes.
01:02:59First date,
01:03:00right?
01:03:00Last, actually.
01:03:01We just
01:03:02got divorced.
01:03:03Oh, slave.
01:03:04Sorry.
01:03:05No, not
01:03:06at all.
01:03:07We are
01:03:08celebrating
01:03:08closure.
01:03:10To the
01:03:11end of
01:03:12our journey.
01:03:18Thank
01:03:19you.
01:03:20Happy
01:03:21ex-wife,
01:03:21happy life,
01:03:22right?
01:03:22Do you
01:03:23really mean
01:03:23that?
01:03:23Don't
01:03:24tell
01:03:24me
01:03:24you
01:03:24want
01:03:24half
01:03:24the
01:03:25house
01:03:25after
01:03:25all.
01:03:26I
01:03:26want
01:03:26something
01:03:27from
01:03:27you,
01:03:28but
01:03:28not
01:03:28that.
01:03:29What?
01:03:30Shane
01:03:31and I
01:03:31are going
01:03:31to get
01:03:31married
01:03:33quite
01:03:33soon.
01:03:35I'd love
01:03:35it if
01:03:36you
01:03:36would
01:03:36give us
01:03:37your
01:03:37blessing.
01:03:38Yeah,
01:03:38she'd
01:03:38ask for
01:03:39the moon
01:03:39that one.
01:03:40And not
01:03:40for a second
01:03:40think why
01:03:41you might
01:03:41not be
01:03:41able to
01:03:42give it
01:03:42to her.
01:03:43But I
01:03:43got there
01:03:43in the
01:03:43end.
01:03:44That's
01:03:45what the
01:03:45flowers
01:03:45were.
01:03:46Closure
01:03:46for me,
01:03:47only
01:03:47start
01:03:48for her.
01:03:48So why
01:03:49lie about
01:03:50your
01:03:50whereabouts
01:03:50that day?
01:03:51Or rather,
01:03:51why let
01:03:52Regan
01:03:52lie for
01:03:53you?
01:03:53I was
01:03:53in shock.
01:03:54And I
01:03:55suppose I
01:03:56was worried
01:03:56how it
01:03:56might look
01:03:57to you
01:03:57lot.
01:03:57How's
01:03:58that?
01:03:59Like the
01:04:00angry
01:04:00ex did
01:04:00it?
01:04:01You
01:04:01would
01:04:02have
01:04:02heard
01:04:02about
01:04:02those
01:04:02fights
01:04:02we
01:04:02had
01:04:03in
01:04:03public.
01:04:04But that
01:04:04was
01:04:04early
01:04:05on.
01:04:05I
01:04:05got
01:04:06over
01:04:06it.
01:04:06What
01:04:07about
01:04:07Regan?
01:04:08Not
01:04:08so
01:04:08forgiving.
01:04:10I
01:04:10blamed
01:04:10her
01:04:10mum
01:04:10for
01:04:10the
01:04:11breakup.
01:04:11She
01:04:11always
01:04:12took
01:04:12my
01:04:12side,
01:04:12even
01:04:13though
01:04:13I
01:04:13was
01:04:13no
01:04:13angel.
01:04:14I
01:04:15never
01:04:15asked
01:04:15her
01:04:15to
01:04:15lie.
01:04:16Anyhow,
01:04:17I
01:04:17didn't
01:04:17think
01:04:17it
01:04:17would
01:04:17matter
01:04:17since
01:04:18I
01:04:18had
01:04:18an
01:04:18alibi.
01:04:21You're
01:04:22Gardner.
01:04:23So
01:04:23why
01:04:24do
01:04:24you
01:04:24think
01:04:24Regan
01:04:25decided
01:04:25to
01:04:25tell
01:04:25the
01:04:26truth
01:04:26now?
01:04:26No
01:04:27clue.
01:04:28I
01:04:28love
01:04:28that
01:04:28girl
01:04:29to
01:04:29bits.
01:04:30But
01:04:30Rosie
01:04:30had
01:04:30that
01:04:30girl
01:04:30in
01:04:31therapy
01:04:31for
01:04:31years.
01:04:31I
01:04:32still
01:04:32have
01:04:32no
01:04:32idea
01:04:33what
01:04:33makes
01:04:33her
01:04:33tick.
01:04:41The
01:04:41tickies
01:04:42have
01:04:42Regan's
01:04:42laptop.
01:04:43They
01:04:44should
01:04:44be
01:04:44able
01:04:44to
01:04:44find
01:04:45out
01:04:45if
01:04:45she
01:04:45opened
01:04:46that
01:04:46run
01:04:46sheet
01:04:47attachment
01:04:47or
01:04:47if
01:04:47it
01:04:48went
01:04:48straight
01:04:48to
01:04:48spam
01:04:49like
01:04:49she
01:04:49claimed.
01:04:50Since
01:04:50she's
01:04:51been
01:04:51erratic
01:04:52with
01:04:52the
01:04:52truth
01:04:52I
01:04:53wanted
01:04:53to
01:04:53check
01:04:53on
01:04:53her
01:04:53movements.
01:04:54I
01:04:55saw
01:04:55her
01:04:55get
01:04:55picked
01:04:56up
01:04:56by
01:04:56someone
01:04:57at
01:04:57the
01:04:57council
01:04:58offices
01:04:58while
01:04:58her
01:04:59car
01:04:59was
01:04:59in
01:04:59for
01:04:59service.
01:05:00I've
01:05:01got
01:05:01the
01:05:01council
01:05:02CCTV
01:05:02footage.
01:05:09Okay.
01:05:10That
01:05:11ute.
01:05:12That's
01:05:12Troy
01:05:12McKelvey's.
01:05:13So
01:05:13he was
01:05:14playing
01:05:14taxi.
01:05:15Well
01:05:15that
01:05:15makes
01:05:15sense.
01:05:16Helping
01:05:16her
01:05:16out
01:05:17as
01:05:17she
01:05:17grieves
01:05:17her
01:05:17mother.
01:05:18An
01:05:18olive
01:05:18branch
01:05:19perhaps?
01:05:19Well
01:05:19I
01:05:20said Hayden's
01:05:21place
01:05:21today
01:05:22took
01:05:22off
01:05:22when
01:05:22you
01:05:22saw
01:05:22me.
01:05:23And
01:05:23they
01:05:23were
01:05:23both
01:05:24at
01:05:24the
01:05:24coffee
01:05:24cart
01:05:24today?
01:05:25Together?
01:05:26No.
01:05:27Regan
01:05:28took
01:05:28off
01:05:28when
01:05:28she
01:05:28saw
01:05:29her.
01:05:29It's
01:05:29almost
01:05:29like
01:05:30she
01:05:30didn't
01:05:30want
01:05:30to be
01:05:30seen
01:05:30with
01:05:30it.
01:05:31Because
01:05:31her
01:05:31families
01:05:32hate
01:05:32each
01:05:32other?
01:05:33Or
01:05:34an
01:05:35illicit
01:05:35love
01:05:35affair?
01:05:36Well
01:05:36Shane
01:05:37did
01:05:37say
01:05:37that
01:05:37Rosalie
01:05:38and
01:05:38Regan
01:05:38had
01:05:38been
01:05:38arguing
01:05:39about
01:05:39a
01:05:39guy
01:05:40she
01:05:40was
01:05:40seeing.
01:05:43Well
01:05:43there
01:05:43kills
01:05:44Rosalie
01:05:44so
01:05:44that
01:05:44he
01:05:45and
01:05:45Regan
01:05:45can
01:05:45be
01:05:45together.
01:05:46Well
01:05:46they
01:05:47are
01:05:48both
01:05:48grown
01:05:49adults
01:05:49that
01:05:49don't
01:05:49need
01:05:50parental
01:05:50permission
01:05:51to
01:05:51be
01:05:51in
01:05:51a
01:05:51relationship.
01:05:52And
01:05:53killing
01:05:53your
01:05:53partner's
01:05:54mother
01:05:54is
01:05:55hardly
01:05:55a
01:05:55romantic
01:05:56gesture.
01:05:58Can
01:05:58you
01:05:59tell me
01:05:59when
01:05:59Troy
01:06:00shows
01:06:00up
01:06:00to
01:06:00pick
01:06:00up
01:06:00Lily?
01:06:09Troy
01:06:09and
01:06:10Regan
01:06:11what do
01:06:12you know
01:06:12about
01:06:12their
01:06:12relationship?
01:06:13There
01:06:13isn't
01:06:13one.
01:06:14They
01:06:14hardly
01:06:14know
01:06:14each
01:06:15other.
01:06:15Yes
01:06:16given
01:06:16the
01:06:17hostility
01:06:18between
01:06:18your
01:06:18families.
01:06:19How
01:06:19far
01:06:19back
01:06:20does
01:06:20that
01:06:20go?
01:06:20What
01:06:21do
01:06:21you
01:06:21mean?
01:06:22Troy
01:06:22and
01:06:22Regan
01:06:22did
01:06:23they
01:06:23know
01:06:23each
01:06:23other
01:06:23when
01:06:24they
01:06:24were
01:06:24young?
01:06:24I
01:06:25told
01:06:25you
01:06:25after
01:06:26Rosalie
01:06:27came
01:06:27back
01:06:27here
01:06:27we
01:06:27didn't
01:06:28have
01:06:28much
01:06:28to
01:06:28do
01:06:28with
01:06:28each
01:06:28other.
01:06:29Well
01:06:30I
01:06:30was
01:06:30busy
01:06:30with
01:06:30Troy
01:06:31trying
01:06:31to
01:06:31make
01:06:31a
01:06:31go
01:06:31of
01:06:31the
01:06:32farm
01:06:33Rosalie
01:06:33was
01:06:34busy
01:06:34snagging
01:06:35herself
01:06:35a
01:06:36rich
01:06:36young
01:06:36husband
01:06:37different
01:06:38worlds
01:06:39And
01:06:39then
01:06:40there
01:06:40was
01:06:40the
01:06:40conflict
01:06:41over
01:06:41the
01:06:41rail
01:06:41Oh
01:06:42Rosalie
01:06:42always
01:06:42had
01:06:43to
01:06:43get
01:06:43away
01:06:43no
01:06:43matter
01:06:43who
01:06:44she
01:06:44hurt
01:06:45I
01:06:46guess
01:06:46that
01:06:46almost
01:06:46counts
01:06:47as
01:06:47a
01:06:47motive
01:06:48What?
01:06:49You
01:06:50seem
01:06:50determined
01:06:50to
01:06:51prove
01:06:51that
01:06:51you
01:06:51have
01:06:51one
01:06:53Troy
01:06:53McHelvey
01:06:54is
01:06:54here
01:06:54He
01:06:55wants
01:06:55to
01:06:55talk
01:06:58But
01:06:59whatever
01:06:59mum
01:06:59might
01:07:00be saying
01:07:01kill Rosalie
01:07:01How can
01:07:02you be
01:07:02so sure?
01:07:03Well
01:07:05she's
01:07:05pretty fit
01:07:05for her
01:07:06age
01:07:06but
01:07:07it's still
01:07:07a big
01:07:07ask
01:07:07isn't it
01:07:08to think
01:07:08that she
01:07:08could
01:07:08climb
01:07:09onto
01:07:09a
01:07:09train
01:07:10attack
01:07:11Rosalie
01:07:11throw
01:07:12her
01:07:12off
01:07:12the
01:07:12back
01:07:12and
01:07:13then
01:07:13jump
01:07:14off
01:07:15all
01:07:16in a
01:07:16matter
01:07:16of
01:07:16minutes
01:07:16Well
01:07:17you
01:07:17seem
01:07:17to
01:07:18have
01:07:18a
01:07:18very
01:07:18clear
01:07:18idea
01:07:19of
01:07:19what
01:07:19happened
01:07:20Do
01:07:20you
01:07:20want
01:07:20to
01:07:21tell
01:07:21us
01:07:21about
01:07:21the
01:07:21murder
01:07:22weapon
01:07:22too?
01:07:23Well
01:07:24how
01:07:24about
01:07:24I
01:07:24tell
01:07:24you
01:07:24that
01:07:25we
01:07:25believe
01:07:25was
01:07:26a
01:07:26length
01:07:26of
01:07:26sawn
01:07:26off
01:07:27rail
01:07:27line
01:07:27the
01:07:28likes
01:07:28of
01:07:29which
01:07:29were
01:07:29lying
01:07:29around
01:07:29on
01:07:30your
01:07:30farm
01:07:30that
01:07:31Bridget
01:07:31would
01:07:32have
01:07:32had
01:07:32access
01:07:32to
01:07:32She
01:07:33also
01:07:33had
01:07:33a
01:07:33motive
01:07:34So
01:07:35did
01:07:35I
01:07:36Doesn't
01:07:36prove
01:07:36anything
01:07:37Well
01:07:37it
01:07:38could
01:07:38be
01:07:38either
01:07:38of
01:07:38you
01:07:39Could
01:07:40be
01:07:40both
01:07:40Were
01:07:41you
01:07:41working
01:07:41together?
01:07:43No
01:07:45I
01:07:45was
01:07:46in
01:07:47the
01:07:47paddock
01:07:47Jock
01:07:48saw
01:07:49me
01:07:49You
01:07:50remember?
01:07:50I
01:07:50do
01:07:51So
01:07:52unless
01:07:52you
01:07:52want
01:07:53to
01:07:53change
01:07:53your
01:07:53story
01:07:54Bridget
01:07:55will
01:07:55remain
01:07:55in
01:07:56custody
01:07:57Why
01:07:58don't
01:07:58you
01:07:58tell
01:07:58us
01:07:58about
01:07:58your
01:07:59relationship
01:07:59with
01:08:00Regan
01:08:00Barnes
01:08:01There
01:08:02is
01:08:02no
01:08:02relationship
01:08:03You
01:08:03have
01:08:03been
01:08:03seen
01:08:04near
01:08:04each
01:08:05other
01:08:05multiple
01:08:06times
01:08:06recently
01:08:07Today
01:08:08for
01:08:08example
01:08:09when I
01:08:09saw
01:08:09you
01:08:09waiting
01:08:10outside
01:08:10her
01:08:10house
01:08:11picking
01:08:11her
01:08:12up
01:08:12from
01:08:12the
01:08:12council
01:08:12offices
01:08:12yesterday
01:08:13We
01:08:14hung
01:08:14out
01:08:14a few
01:08:14times
01:08:15that's
01:08:15all
01:08:15You
01:08:16dated
01:08:18Regan
01:08:18pulled
01:08:19pin
01:08:19long
01:08:19before
01:08:19it
01:08:19got
01:08:20close
01:08:20to
01:08:20that
01:08:20Because
01:08:21her
01:08:21mother
01:08:22disapproved
01:08:24Rosalie
01:08:24interfered
01:08:25Regan
01:08:26called
01:08:26time
01:08:28And how
01:08:28did that
01:08:29make you
01:08:29feel
01:08:30Angry
01:08:33No
01:08:35Wasn't
01:08:35like that
01:08:35So why
01:08:36have you
01:08:36been trying
01:08:36to see
01:08:37her
01:08:37The
01:08:38woman
01:08:38just
01:08:38lost
01:08:38her
01:08:38mother
01:08:39I was
01:08:40offering
01:08:40her
01:08:40condolences
01:08:42That's
01:08:42all
01:08:44Nothing
01:08:45concrete
01:08:45to charge
01:08:46him
01:08:46with
01:08:46Hopefully
01:08:47his
01:08:48concern
01:08:48for
01:08:48Bridget
01:08:48will
01:08:49keep
01:08:49him
01:08:49close
01:08:49by
01:08:49Mike
01:08:51Gina
01:08:55I
01:08:55brought
01:08:55you
01:08:56this
01:08:57The
01:08:58love
01:08:58train
01:08:58A
01:08:59trans-Siberian
01:09:00journey
01:09:00into
01:09:01the
01:09:01heart
01:09:01of
01:09:01Russia
01:09:01You
01:09:02were
01:09:02so
01:09:02interested
01:09:03yesterday
01:09:03The
01:09:04translation
01:09:04is
01:09:04poor
01:09:04but
01:09:05the
01:09:05story
01:09:05Oh
01:09:06well
01:09:06thank
01:09:06you
01:09:09Actually
01:09:10are you
01:09:11free
01:09:12tomorrow
01:09:12morning
01:09:12For
01:09:13you
01:09:13yes
01:09:14of
01:09:14course
01:09:14work
01:09:15or
01:09:16pleasure
01:09:16Lots
01:09:16but
01:09:17both
01:09:17let's
01:09:18call
01:09:18it
01:09:18field
01:09:18work
01:09:19I
01:09:20look
01:09:20forward
01:09:20to
01:09:20it
01:09:25What
01:09:26I
01:09:27said
01:09:27it
01:09:27was
01:09:27work
01:09:28didn't
01:09:28I
01:09:37All
01:09:38aboard
01:09:40I
01:09:40say
01:09:41that
01:09:41You
01:09:41better
01:09:41get
01:09:42it
01:09:42in
01:09:42there
01:09:42Quick
01:09:42of
01:09:42this
01:09:50So
01:09:51romantic
01:09:51Steam
01:09:53travel
01:09:53Thank
01:09:54you
01:09:54for
01:09:54this
01:09:55Mike
01:09:55I'm
01:09:56taking
01:09:56off
01:09:57my
01:09:57bucket
01:09:58list
01:10:00stop
01:10:00I
01:10:00I
01:10:01were
01:10:01to
01:10:01a
01:10:01man
01:10:01I
01:10:02to
01:10:12know
01:10:22there
01:10:22the
01:10:22E
01:10:22way
01:10:23the
01:10:23that
01:10:24I
01:10:24I
01:10:25I
01:10:25I
01:10:25I
01:10:41Right, this is where the work part of the trip begins.
01:10:47Okay, start the train up again, same speed as the other day.
01:10:51I'll tell you when to stop.
01:10:52Roger that.
01:10:53Yeah, I'll roger that too.
01:10:56Yes, I'll roger that too.
01:11:11Now's the draw here.
01:11:17Sims?
01:11:19Regan's not at home and she's not answering her phone.
01:11:21Could she be ashamed of Griffin's or funeral plan?
01:11:24Charmer's checked.
01:11:25They were supposed to have a meeting but she never showed.
01:11:28Still no answer.
01:11:29Is this like her?
01:11:30It's not the first time she's taken off to get her head together.
01:11:33Stop here please.
01:11:34What?
01:11:35No, no, not you.
01:11:35Keep looking.
01:11:36Gotta go.
01:11:44There are better spots for a picnic further back.
01:11:47Eight minutes.
01:11:49Mike, if this is all you needed to calculate, I could have done it with simple mathematics.
01:11:54If a train leaves point A, travelling at X kilometres per hour...
01:11:59Ah yes, but what would happen if a person jumped from a moving train, travelling at X kilometres
01:12:03per hour?
01:12:05I think this is not a hypothetical question.
01:12:08If they were fit and strong in their role on landing, they could survive jumping from a
01:12:14moving train with no injuries.
01:12:16Still need to clear the fence and make it to the paddock bow to be seen from Jock's house.
01:12:22You'd better do it then, for scientific accuracy.
01:12:33Move a bit slower.
01:12:34Imagine you're carrying a heavy murder weapon.
01:12:36I often imagine this for my job.
01:12:41Mike, some of these fence posts are made of iron.
01:12:45A very particular iron.
01:12:49Yeah, and a person of interest was seen here on the day, mending the fiends.
01:13:07Opa!
01:13:09Gotcha.
01:13:10Gotcha.
01:13:31I can't.
01:13:32I can't.
01:13:32I can't.
01:13:33I can't.
01:13:33I can't.
01:13:33I can't.
01:13:33Call Simms.
01:13:34Get back up here now.
01:13:39Put the knife away, Regan.
01:13:41Put the knife down, Regan.
01:13:42Put it down, Regan.
01:13:43That's a good idea, Regan.
01:13:44You have to help me.
01:13:45He killed my mother.
01:13:46Yeah, that's the conclusion I came to.
01:13:48You have to arrest him.
01:13:50Take him away, he's dangerous.
01:13:51I can certainly take care of things from here.
01:13:54Regan, put the knife away.
01:13:55Put the knife down, please.
01:13:55You have to arrest him.
01:13:57I will.
01:13:58But I can't do that until you put the knife down.
01:13:59You won't let him get away.
01:14:01Backup's on the way.
01:14:02You're not going anywhere, are you, Troy?
01:14:05Except jail.
01:14:06Regan.
01:14:10Regan.
01:14:18What are you doing?
01:14:19No!
01:14:19No, it's him!
01:14:20He killed her!
01:14:21But he didn't do it alone.
01:14:23Regan Barnes, I am arresting you as an accomplice in the murder of Rosalie Barnes.
01:14:27So you have the right to remain silent.
01:14:28You do not have the right-
01:14:29No!
01:14:30I didn't do it!
01:14:31Give it up, Regan.
01:14:33Give it up.
01:14:35This ain't no point lying anymore.
01:14:45I'm going to take your handcuffs off of you now.
01:14:47She ruined my life.
01:14:52She ruined it.
01:14:53She ruined it.
01:14:54She ruined it.
01:14:54She ruined it.
01:14:56You don't have to say anything, remember?
01:15:06It was always about her.
01:15:08Everything was always about her.
01:15:09She never put me first.
01:15:12That's what mothers are supposed to do.
01:15:13They're supposed to put their daughters first, but she never did.
01:15:16She was selfish.
01:15:18And she used people.
01:15:20Everyone.
01:15:21Me.
01:15:22And...
01:15:23And Dad.
01:15:24And Bridget.
01:15:26And...
01:15:26And everyone.
01:15:30What?
01:15:34The psych team are on their way.
01:15:36What color were your love design?
01:15:41What songs did she sing to you in the night?
01:15:46Did she comb your hair and tie it up?
01:15:50When she looked at you, did she see herself?
01:16:05Take me to the place where you grew your home.
01:16:19It took me a while to figure out how you did it.
01:16:23For starters, how did you know that Rosalie would be in the cubicle when the train stopped?
01:16:27And then I realized...
01:16:29Regan knew.
01:16:31She got sent the run sheet by mistake.
01:16:36The only place to change is at the front of the carriage.
01:16:39There's a cubicle.
01:16:39That's where she'll be.
01:16:41You knew enough about Lily's protest to know where she would stop the train.
01:16:46So you lay in wait.
01:16:51You wanted Rosalie's death to look like an accident.
01:16:54So your weapon matched the rails that Rosalie would fall on.
01:17:00To be continued.
01:17:10Lien, with everyone preoccupied by the protest...
01:17:14You made your move.
01:17:16O fortune tell them...
01:17:20Don't tell me...
01:17:23Too much...
01:17:48What you didn't know is that Bridget saw you.
01:17:52What?
01:17:53She was there.
01:17:55She saw it all.
01:17:57In silence, in silence, oh.
01:18:08You then hid in the cubicle, quicker to train to Old Creek Paddock than to run.
01:18:15In silence, in silence, oh.
01:18:22Making it in time to be seen by Jock at 3pm.
01:18:25You returned later to conceal the murder weapon, having welded it back to the rail.
01:18:44Buried, it became part of the fence line.
01:18:55Smart guy, aren't you?
01:18:56To be fair, I didn't have it all figured out.
01:19:00I mean, I could see what your motive would be.
01:19:03But Regan, why would she have wanted her mother dead?
01:19:09Look, I've never seen you like that before.
01:19:14Completely out of her mind.
01:19:20You shouldn't be here.
01:19:21The police think I had something to do with her.
01:19:23Yeah?
01:19:24Well, showing up here is not going to make you look more innocent.
01:19:26Well, what do I do?
01:19:29Regan, listen to me.
01:19:31The cops think it was mum.
01:19:33I've arrested her.
01:19:34What?
01:19:35She's letting them think it was her.
01:19:39I tried to talk to her.
01:19:42Talk some sense and she wouldn't listen.
01:19:44What the hell is the matter with you?
01:19:45But that's good.
01:19:46If she's prepared to take the blame, that's good.
01:19:48Look, I can't do that to mum, I can't.
01:19:50But if Bridget's already convinced...
01:19:51Look, it doesn't matter.
01:19:54I'll leave you out of it, I promise.
01:19:56What?
01:19:56The cops don't need to know you had anything to do with it.
01:19:59It's just me.
01:20:00No, they'll know.
01:20:01They'll work it out.
01:20:02You'll say the wrong thing.
01:20:03Please, don't...
01:20:04Look, they will believe me.
01:20:06For mum's sake.
01:20:15Make them believe you.
01:20:17Show them how desperate you are.
01:20:22I'll help you.
01:20:23Put the knife down, Regan.
01:20:24Put the knife down.
01:20:25Come on, put the knife away, Regan.
01:20:27She wanted you to look guilty by taking your own life.
01:20:31That's a rather extreme suggestion.
01:20:34It's the only way she could trust me not to drop her in it.
01:20:37Rosalie disapproved of your relationship.
01:20:40You see, that's the bit I couldn't understand.
01:20:44Until I spoke to Bridget again.
01:20:47The photo of Troy as a baby,
01:20:50it was taken at a maternity hospital.
01:20:52In Poland, I told you.
01:20:53I saw a similar photo yesterday.
01:20:56Same curtain, same pictures on the wall.
01:20:58Same baby.
01:21:00Only the woman holding him was Rosalie.
01:21:03So?
01:21:04She was there on the day?
01:21:06Of course she was.
01:21:08She was wearing a hospital gown.
01:21:10And a patient bracelet.
01:21:11The last letters of your name were clearly visible.
01:21:15It was Rosalie who gave birth, but to the hospital was Bridget McKelvey.
01:21:19It was your name on the birth certificate.
01:21:23Who were we hurting?
01:21:26I wanted a child.
01:21:29And Rosalie wasn't ready to be a mother.
01:21:32Never really was.
01:21:34Ask Regan.
01:21:35Did Troy know all this?
01:21:37Oh, Aunt Regan must have told him.
01:21:40She came to me in a state a few weeks back.
01:21:43Is it true?
01:21:44What?
01:21:45What my selfish cow-offer mother said, is it true?
01:21:48I finally find a decent man.
01:21:49And mom has to ruin it.
01:21:51She can't stand to send anyone else happy.
01:21:53Least of all me.
01:21:54She just has to hoard it all for herself.
01:21:56All the attention.
01:21:57All the love.
01:21:58She's just sick.
01:21:59Regan, listen.
01:22:00I don't...
01:22:00No, just tell me.
01:22:01Is it true?
01:22:03It's Troy, my brother.
01:22:06My brother.
01:22:08My brother.
01:22:11My brother.
01:22:11My brother.
01:22:16If it were up to me, Troy would never have known.
01:22:21He's mine.
01:22:23And that's all that matters.
01:22:27Regan obviously told you.
01:22:30And you didn't say anything to Bridget.
01:22:35Didn't change anything between us.
01:22:37But it changed everything with Regan.
01:22:40She told me at the pub.
01:22:42And yeah, she was a little dark on it.
01:22:44Hey.
01:22:47If Rosalie had been a better mother to her,
01:22:50she might have been able to let it go.
01:22:53But...
01:22:55No, something snapped.
01:22:59She was obsessed with getting back at her.
01:23:02And then, at a point,
01:23:04she shared her plan with you.
01:23:11Don't bail on me now.
01:23:15We deserve some happiness.
01:23:16So does Bridget.
01:23:19Since we can't be together,
01:23:20we can at least get us all some money.
01:23:22You went along with her plan to frame Shane.
01:23:30Proof of his debt.
01:23:31This will do it.
01:23:32I bloody hope so.
01:23:33You believed that Regan would inherit
01:23:36a large chunk of money from Rosalie.
01:23:39Regan offered to share it with you.
01:23:41Maybe it was enough to clear your debts.
01:23:44Keep Bridget in her old age.
01:23:47What you didn't know was that
01:23:49Rosalie had already committed most of her funds
01:23:52to clearing Shane's rates bill.
01:23:54You killed her for money
01:23:56that was never coming your way.
01:24:16Thank you for a lovely service.
01:24:18May she rest in peace now.
01:24:20Time for a Pimms, I feel.
01:24:39Lovely, isn't it?
01:24:48How a funeral can bring people together.
01:24:51Funerals and free beer.
01:24:53Excuse me?
01:24:55Put it on my tab.
01:24:57No doubt to imagine
01:24:58what kind of tab you're running.
01:24:59Tell him.
01:25:01Now.
01:25:03Trudy offered me a year of free tab beer
01:25:06because I did a favour for her.
01:25:09Shifting some stolen goods.
01:25:12It wasn't as dodgy as it sounds.
01:25:15I don't think I haven't been keeping track either.
01:25:18Your year's up as of yesterday.
01:25:19Ha!
01:25:19Shut up.
01:25:20Excuse me.
01:25:21I don't want to come between you two lovebirds.
01:25:23What the hell is that supposed to mean?
01:25:25Just try to keep it seemly, eh?
01:25:26This is a wake, after all.
01:25:29Another beer?
01:25:30Yeah, I reckon.
01:25:32On your tab?
01:25:33I haven't got a bloody tab.
01:25:34I'll start one.
01:25:39I'll start one.
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