Bad Company S01E03 (2026)

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Transcript

00:00Do we think she's seen this or...?

00:02Just came out this morning.

00:04Okay.

00:04I just can't imagine having a sister this famous.

00:07Oh, poor Margie.

00:07I'll turn the Wi-Fi off.

00:09Hello!

00:10Good morning, everyone.

00:11Oh, Kat, I love your hair.

00:13Thanks.

00:14Kat's got a new fringe, everyone.

00:16I've had it for ages, actually.

00:17You know, I find with my hair,

00:18I just kind of need to follow the natural rhythm.

00:21You know, it tells me which way it wants to go in the morning.

00:23Mmm, you look great.

00:26Wind or rain,

00:28doesn't matter.

00:31Snow or sun,

00:32that's just the weather.

00:36Brinetta!

00:42Margie, here you are.

00:4310am start today, is it?

00:44Hey, have you seen Kat's new fringe?

00:46Look at this.

00:46Very stylish and groovy, Kat.

00:49Can we talk spending now, please, Margie?

00:50Hey, how was your weekend, Julia?

00:51Did you have any hot dates?

00:52Come on, don't be silly.

00:54I don't think anyone's still looking for love at this age.

00:55I'm still looking for love at any age.

00:57I've actually found my 40s to be my most sexually active.

01:00I feel like I'm really in my body.

01:03Right.

01:03Yeah, like I'm really sitting in my sex.

01:05Okay.

01:06I'm feeling good.

01:07I don't feel dried up.

01:08Hey, Mum.

01:08I hear that.

01:09Oh, hello, darling.

01:10How are we?

01:11Hello, son.

01:12Son, son, son, son.

01:13That's my mum.

01:14Son.

01:15That's my mum.

01:15Sorry, what the hell is this?

01:17Day one of rehearsal for us and we are getting into character.

01:19Took us.

01:21I want to learn everything there is to know about the craft.

01:23Oh, no.

01:24Don't start saying the craft.

01:25We're meeting Julia.

01:26Uh, yes.

01:27In fact, here's my son.

01:29Come to mummy.

01:29Come on in.

01:30Oh, um, we're doing a little, um, mum.

01:33Yep.

01:34Mumma.

01:34Bubby wants a cuddle for Mumma.

01:36Wah!

01:37I think that's enough, but we have made the point.

01:40Sorry about that.

01:40Let's go.

01:41Thanks, Christian.

01:42Okay.

01:43Yeah, no improv from the admin team.

01:46No.

01:47Was that workplace harassment?

01:48Do I need to report myself?

01:51Let's stop talking about it.

01:52Okay.

01:52All right, talk to me about the Sydney Theatre Company.

01:54How are they making so much money?

01:56Big names, mainly.

01:57Big names, like who?

01:58Well, Caitlin Allard, for one.

02:00The Caitlin Allard.

02:01Yeah.

02:01Wow, she does stuff for them.

02:03Yeah.

02:03She wouldn't do a show for us, would she?

02:05Well, she has, back when their father was still alive.

02:08Whose father?

02:08Well, she's Margie's sister.

02:11You didn't know that.

02:11Oh, I'm sorry, what?

02:12Different mother, different surname, different vibe.

02:14Let's get her in here.

02:15I don't think that's a good idea because, um, well, they don't get along very well.

02:19Even better.

02:20Let's get Carmel on the line.

02:21We can't afford Caitlin.

02:23I need to stress that.

02:24Ah, don't worry about that.

02:24I'll find the money.

02:25Okay.

02:26I'll find us a new donor.

02:26I'll go one better.

02:27I will get us a new sponsor.

02:29But until then, it's still essential spending only, all right?

02:32I'm writing that down so I don't forget.

02:35Mother's been shopping.

02:37These are absolutely beautiful.

02:39They are all handcrafted.

02:41I commissioned a local artist.

02:42And if you look on the bottom, they are individually inscribed with words by me.

02:47I drew a pattern of a majestic woman and sewed all night and...

02:52I think they ran out of room on that one.

02:54Oh, I love it.

02:55Did I hear the word handcrafted?

02:56How much did these cost us?

02:57A thousand.

02:59What?

02:59Oh, four thousand.

03:00Four thousand?

03:01Dollars?

03:02They are cute.

03:03What does yours say, Christian?

03:05Christian.

03:06Oh, that's lovely.

03:07Says it all.

03:08Yeah.

03:08Mm-hmm.

03:09I just feel like things have been really hard lately, you know, so I wanted to acknowledge

03:12that and hold space.

03:13Um, is there anything you've been sitting with, Julia?

03:15I've been sitting with a lot of debt and a crazy spendthrift, so no kookaburra for me,

03:19thank you.

03:20No, there it is.

03:21There it is.

03:21Oh, that's nice.

03:24Your strength lies elsewhere.

03:25Mmm.

03:26Chookas!

03:27That was a total chookas.

03:28Okay, what is the chookas thing?

03:29Last week it was eggs, then kookaburras, now chookas.

03:32Why are you all poultry obsessed?

03:33In the theatre, it's bad luck to say good luck, so we say chookas.

03:37Chookas?

03:37Yeah, chookas.

03:38You know, I don't have time.

03:39I'm chasing new sponsors.

03:40Oh, that's good, because I've been thinking during l'epison et moi tientere, we could

03:44project my face on the back of the theatre and I'd just be crying in a continual loop.

03:48Well, chookas!

03:49If you think we're paying for that.

03:51Oh, chookas to you if you think you're not paying for that.

03:53Okay.

03:53Chookas to you.

03:53Okay, chookas.

03:54Oh no, chookas.

03:55Chookas.

03:56What?

03:57Really?

03:59Yeah, chookas.

04:00Actually, yes.

04:03Chookas.

04:03Hmm.

04:04Hmm?

04:05Oh.

04:06Could we turn the internet back on please, Donna?

04:13Your mum is a hard nut to crack, isn't she?

04:15Yeah, sorry.

04:16No, I just hope she doesn't ruin our play with her budget.

04:18Yeah, me too.

04:20Oh, you were going to tell me about the Smirnov acting method?

04:22Stanislavski.

04:23Oh yes, well yeah, Stanislavski, yeah.

04:25Okay.

04:26You know what I really feel like actually?

04:28One of those yummy fishbowl salad things and a green juice?

04:30Oh, yum.

04:31Yum.

04:32Yeah.

04:35You want me to get it?

04:36Yes, please.

04:37Okay.

04:37It's part of the relationship building.

04:38Yeah.

04:39Alright, thanks.

04:41Internet's back on.

04:42Oh good.

04:43Finally.

04:48Fuck!

04:53Hello?

04:55Hello?

04:55Oh.

04:56God, what a smell.

04:58Cat?

04:59That homeless man's just walked right in.

05:01Really?

05:01Yeah, the man in the trench coat with the blood-curdling BO.

05:04Yeah, well, we've just described every actor in Melbourne, so...

05:09Oh, Ryan.

05:10How dare you put your finger up at me in a meeting?

05:12Well, how dare you not give Margie the budget she needs for her play?

05:15It has to be unlimited, Mum.

05:17Okay?

05:17It's really starting to affect our working relationship.

05:19Working relationship?

05:20Oh, darling, she's taking you for a ride.

05:22No, she's not.

05:22She literally sees something in me.

05:24Now, if you'll excuse me, I need to go and deliver her lunch and clean her office.

05:27Okay, good.

05:27Yes, please get out of here because I'm waiting for a very important sponsor.

05:30Go on.

05:31I'm gonna get us the money for a massive star.

05:32Off you go.

05:33No, wait.

05:33Who's the massive star?

05:34Not your business.

05:35No, Mum.

05:35Come on, it is my...

05:36Come on.

05:36It's Caitlin Allard.

05:37No way.

05:38Yes way.

05:39No, there is no way you're getting Caitlin Allard.

05:40Literally.

05:41That's a chookers.

05:42That is a hard chookers.

05:44She's in Marvel movies.

05:47Donna, Jacob.

05:48You know what?

05:49I'm happy for her.

05:50Who, bud?

05:50Caitlin.

05:51She's doing an off-Broadway show.

05:52What?

05:53No way.

05:53I didn't know that.

05:54Did you know that?

05:55I didn't know that.

05:56Really?

05:56Because it's everywhere.

05:57Yep, off-Broadway.

05:59Which is even cooler than on-Broadway.

06:00So, of course, she gets to do that.

06:02You know, she's probably trying to claw back some credibility.

06:04But honestly, who cares?

06:06You know what I mean?

06:06Who cares?

06:07Who cares?

06:08Who cares?

06:09No one cares.

06:10You know what I mean?

06:11No one cares about it.

06:13You know?

06:14But I just wish her so much happiness and luck.

06:17You know?

06:17Like, good luck, Caitlin!

06:19You know?

06:20Slay!

06:23Slay!

06:26You know what?

06:27Let's get on with actual work.

06:41I mean, it is giving peasants.

06:43Absolutely.

06:44You know what I mean?

06:45I just destroyed Mum over your budgets.

06:47You should have seen me.

06:48Oh, you didn't have to do that.

06:50Did you just heat those up in the microwave?

06:52Yeah, they're in the freezer if you want them.

06:54Is this black or like?

06:55No nugget fingers.

06:56Sorry.

06:57Mum reckons she's getting a big star.

07:00What?

07:00Yeah, get ready for this.

07:01Caitlin Allard.

07:02What?

07:03Can you believe that?

07:04She's like the best actor.

07:06No, no, no.

07:06Come, come, come.

07:07What?

07:07You nugs, let's go.

07:08What'd I say?

07:09What are you talking about?

07:11What'd I do?

07:12Caitlin, it's her sister.

07:15She's just gonna waltz back in here.

07:17Great.

07:18I am so sorry you had to hear that from Greasy Nugs.

07:21I mean, what's going on?

07:23You know?

07:23Papa took me to Paris.

07:25Me!

07:25I know, babe, I know.

07:28You know, I could have sold out to Hollywood.

07:30My phone was ringing.

07:32You know, but I stayed at the theatre.

07:35You know, the true craft.

07:36Yeah.

07:38Yeah, you're an icon.

07:39You know, I've often thought to myself, you know,

07:41what if Steven Spielberg called me up and said,

07:44Margie, you know, we've got a film for you here.

07:46It's a role written just for you.

07:48And we'll fly you over first class.

07:51Hope your passport's ready.

07:52And then I get up at the other side and, you know,

07:55the driver picks me up and takes me to my mall.

07:58I'd say, no, thank you.

08:01No, that's right, because you're the bigger person.

08:03Yeah.

08:04I've got to get rid of Julia.

08:06That's it.

08:07Yeah, what are you thinking?

08:08Push her down the stairs or months of emotional bullying?

08:13Well, neither of those.

08:16I'm going to do a clay about stuff.

08:18This is the main office.

08:19Ah.

08:20Christian.

08:20Yes.

08:21This is Nick, CEO of Chevy's Chicken.

08:24Wow.

08:25I love your Friday night chicken meal for one deal.

08:27Big fan.

08:28I came up with that.

08:28Yeah, I haven't eaten it, obviously.

08:30Yeah, okay.

08:31Nick's in my Pulse 54 community.

08:33We're like the cool group.

08:34You, me, Scott.

08:36A bit like the cool group at school.

08:37I'm just kidding.

08:38Have you managed to meet up with Scott yet?

08:40I keep trying to pin him down for a one-on-one, but he's so busy.

08:42No, apparently he doesn't do one-on-ones.

08:44I'm a Pilates freak myself.

08:46Same sesh every Tuesday for the last seven years.

08:48That's good.

08:49Me and the gals.

08:50Let's just go through to my office.

08:51They're going through a lot, and I'm happy to be there with them to do the Pilates.

08:55Did you do Pilates?

08:57Yeah, grab a seat.

08:59I just wanted to bring you in just to talk a little bit about the acting process, you know?

09:02You can access whatever you want for a character.

09:05Yeah, stuff from your childhood.

09:07Right.

09:08Like, when did your dad leave?

09:10I was heaps young.

09:11Dad said Mum went psycho after having me.

09:13He had to go.

09:14I was sad and shit.

09:15Okay, yeah.

09:16And what was his name?

09:17Tom.

09:19And where were you living at that point?

09:22Camberwell, I think.

09:23Okay.

09:24I reckon we can use some of that.

09:25So let's, you know, how are you feeling?

09:27Dad, what's coming to mind?

09:28He's walking away.

09:29He's walking away!

09:31He's walking away from you, and how do you feel?

09:33I feel sad.

09:34Yeah?

09:34What do you say?

09:35What do you say to Dad when he's walking away?

09:36I'm going to say, Dad, come back please!

09:38Please come back.

09:39Why are you leaving me?

09:41Okay.

09:42Now.

09:43You know, you actually have a really raw quality.

09:46I haven't seen it before.

09:47It's fascinating.

09:48Thanks.

09:50Makes me thirsty.

09:52For the stage.

09:53Nah, latte.

09:54Oh.

09:55I could get you one.

09:57Oat.

09:57Yeah, sure.

09:58Don't go to the one down there.

10:00Go to the other one.

10:01It's a bit further, but it's better.

10:02Yeah.

10:05Appreciate you taking the time to come in, Nick.

10:07So here's the pitch.

10:09Chevy's Chickens sponsors the Argyle Theatre.

10:12Why?

10:12Because I'm gay.

10:13Because I know Peter is trying to shut you down.

10:15Battery hens, Nick.

10:17That's crazy lefties.

10:18They can't even think for themselves.

10:20I know.

10:20I don't like them either.

10:21Speaking of, did you know in the theatre it's bad luck to say good luck?

10:25They say chookers.

10:26Chookers.

10:27Chookers.

10:27Yeah.

10:28So I'm offering you an exclusive sponsorship deal for $150,000.

10:32Stay with me.

10:33Every play we put on, someone in a Chevy's costume walks on stage carrying a roast chicken

10:39and says...

10:40Chookers.

10:41Chookers.

10:42Suddenly everyone is saying, ooh, Chevy's Chickens champions the arts.

10:45It's not the worst idea I've heard.

10:49What is that?

10:49Just wait.

10:50That might just be one of Margie's warm ups.

10:52No, I think that's real.

10:53Okay, let's go.

10:54Ah!

10:56What's going on?

10:57Is someone sorting this out?

10:57I'll turn it off.

10:59I think we're good.

11:01Oh my god.

11:01Christian, it's the homeless guy.

11:03He was cooking in the rehearsal space.

11:04I think it's seafood.

11:06It stinks.

11:06Is there a sewage leak in here?

11:07Hello, hello, hello!

11:09Marcel!

11:10Oh, Maggie!

11:12Oh!

11:13Oh!

11:15No kissing in the workplace, please.

11:17Alright, everyone.

11:17This is Marcel Dimarest.

11:18He's our artist in residence all this week.

11:20But he's also agreed to run an accessing your inner clown workshop this afternoon exclusively

11:25for us.

11:26Surprise!

11:27What?

11:27I am all the way from France to tell you that none of you are being your honest true selves.

11:33You are all pieces of shit.

11:38Challenging.

11:39He's a world-renowned clowning expert.

11:42God, how much is this costing us?

11:44You.

11:44Oh.

11:45You have a very tight, trapped energy.

11:48Yes, that's what I've been saying.

11:49She's got no access to her emotions.

11:51I studied under Marcel in France.

11:54I'm one of his disciples.

11:56Who are his disciples?

11:58Oh!

11:59Listen to them.

12:02Best use of my life.

12:03I'm not at that trench coat.

12:04Get through customs.

12:05Maggie, can we have a word, please?

12:07What?

12:07What do you want?

12:08Let's talk outside.

12:09You're fresh air.

12:10God, alright.

12:11I'll be back, okay?

12:12I'll be right back.

12:13Ah, je l'ai.

12:14Ah oui, à bientôt.

12:15D'accord.

12:16Au revoir, Maggie!

12:18Pardon.

12:18What?

12:19What do you want?

12:20He's not very funny, is he?

12:21Who?

12:22Your homeless clown.

12:24Marcel?

12:24Oh, no, no, you'll love him.

12:25He's worked in corporate settings.

12:26He opened Steve Jobs right up.

12:29Isn't he dead?

12:30Yeah, but he wasn't always dead.

12:31Oh, this is the dumbest conversation.

12:32The point is, I've got a very important sponsor on the hook,

12:35so leave me out of your whole clowning think tank, whatever it is.

12:39You know, sponsors are a collective decision.

12:41Well, not anymore.

12:42So, chookers.

12:43Oh, chookers.

12:45Oh, enough!

12:45Chookers!

12:47Steven Jobs is in a small ball screaming.

12:51Dead.

12:52Slowly he opens his eyes, he looks at me, and he says,

12:56like an iPhone, but bigger.

13:00Et voila!

13:00That is how he invented the iPad.

13:02Unbelievable.

13:03I am the catalyst.

13:05Oh, this.

13:06Nick, I thought we might take this conversation offline,

13:09maybe go to a cafe, talk more about the sponsorship.

13:11No, no, I think I want to stick around for this workshop.

13:13Oh, good.

13:15Boom!

13:15Great!

13:16Yeah, so go and see Donna, jump into some comfies,

13:18and I'll catch you in there.

13:19Some wotsies?

13:20Comfies.

13:21You can't wear that.

13:22We're going to get right into our bodies during this.

13:24Alright, I'll smash this.

13:25I have been wearing this same jacket since 1992.

13:29Well, I hope that surprises no one.

13:31It looks good, Marcy.

13:32Oh, God.

13:33You like it?

13:35Yeah, look, I'll have to run up the flagpole,

13:37but I think we might have a deal.

13:39Wonderful.

13:39Good decision.

13:40You won't regret it.

13:41Mum?

13:41Margie does not want pastel coloured comfies.

13:44Uh, Nick, this is my son Ryan.

13:46Sup, bro?

13:46Sup, Ryan.

13:47This is Nick.

13:48Nick is the CEO of a huge hospitality company,

13:51and he also has a partner called Michael, who's a man.

13:54Okay.

13:55He's a finance gay.

13:56I'm just saying, not all gays end up in the arts.

13:59Mum, you can't say stuff like that.

14:00Why not?

14:01No, no, it's okay.

14:01She's right.

14:02See?

14:02Look, when I was at uni,

14:04I thought the drama department was the only place for me.

14:06But then, I realised that it's okay to love KPIs.

14:11This is cooked.

14:12You're cooked for that, Mum.

14:13That's from the horse's mouth, Ryan.

14:16Through here.

14:17Oh, my God.

14:18Yeah.

14:18Oh, okay.

14:21Is that garlic or shit?

14:23Oh, maybe both?

14:24Is that guy living here?

14:25He pockets his hotel per diem.

14:27Come on in, everyone.

14:28Leave your old selves at the door and embrace your inner clown.

14:32Oh, my God.

14:33Does she not have the sense of smell?

14:41What's happening?

14:42I don't know, really.

14:43I don't know.

14:46Oh, yeah.

14:47Ha!

14:47C'est fini.

14:48How funny.

14:50Oh, that stuff is hilarious.

14:52Marcel's going to do another activity for us now about finding a character or personage,

14:57as they say in the French.

14:59As they say in the French.

14:59So, listen up, everyone.

15:00Ears to the front.

15:01We're each going to get into character now.

15:03Who is living inside you?

15:06Hello?

15:07Who is in there?

15:10You.

15:11Get up.

15:12Who is there?

15:13Do not bore me.

15:15Ali.

15:20Go.

15:21Go.

15:22Hello.

15:23Hello.

15:25My name's Walter.

15:26I'm the biggest ladies' man in town.

15:28I love rock and roll music in my Cadillac car.

15:31No, no, no, no.

15:31This is best in no truth.

15:33I feel nothing.

15:35Oh, yeah.

15:36You are empty.

15:38Veed.

15:38Get off.

15:40Get off.

15:40Yep.

15:41Empty, frankly.

15:42I didn't want to do that.

15:43I really didn't want to do that.

15:44I don't know.

15:45You.

15:50No, no, no, no, no, no.

15:53I have fallen asleep.

15:54I am so bored.

15:56I hope I die in my sleep.

15:59Get out of my eyes.

16:03Oh, dear.

16:07You.

16:08You.

16:09Get up.

16:10No, I won't.

16:12But you were scared?

16:13No, I'm not scared.

16:14I just have financial reports to check.

16:16Oh, too scared to do it.

16:18Some great corporate leader.

16:20I will not be goaded into doing something silly by a clown and a bunch of lefties.

16:24Let's get out of here, Nick.

16:25Let's go and sign some contracts.

16:26Yoo-hoo!

16:28What have we got here?

16:29I'm Julia McNamara.

16:33How much does that cost?

16:35How much does that cost?

16:37I'm a corporate robot.

16:38Is that my suit?

16:39This is something interesting.

16:41Oh, my God.

16:41Ah, ah, ah, ah, ah.

16:43It's a grind set.

16:44Like a mind set.

16:45Ah, ah.

16:46That's funny.

16:46Silence.

16:47I cannot feel, but I have secrets.

16:52Lots and lots of secrets.

16:54How long have you been living in this corporate hell?

16:5718 years!

16:59Since I lived in Camberwell.

17:00What?

17:01Oh, but Tom!

17:03Tom!

17:04Hey, come on!

17:05Ryan, you want to jump in?

17:07Ellie, Ellie!

17:08Yes, come here.

17:09Let Mummy look after you.

17:12What's she doing?

17:13Oh, no.

17:13Oh, oui!

17:14Oh, my God.

17:14She's been breastfed.

17:16Oh, hey!

17:16Hey!

17:17Whoa!

17:17No!

17:18No!

17:19Uh!

17:21I'm Maggie!

17:22I feel my feelings and everything's about me.

17:26Everyone pay attention to Maggie.

17:29Oh, I'm criabla.

17:31Now, this is real.

17:32You see what Julia is doing here.

17:33Wait, Bill.

17:34What else?

17:35Chookies!

17:36Chookies!

17:36She's been pounded me to Paris!

17:39Ooh!

17:40And now I'm in my forties.

17:41My breasts are so fulsome.

17:43I'm having more sex than I've ever had before!

17:46I don't walk like that!

17:47I don't walk like that!

17:48Julia, I would love to explore this fella.

17:51Ha!

17:53Ha!

17:56Good to meet me.

17:56Let's all get back to it.

17:58OK.

18:00Well done, everyone.

18:02My incredible!

18:05Nick, I'm so sorry.

18:07I know that was upsetting.

18:08Are you alright?

18:09I'm just, I'm a corporate robot.

18:11No!

18:11Don't be silly.

18:12My life is meaningless.

18:14No.

18:14I don't even like chicken.

18:15Everyone likes chicken.

18:16Come on.

18:18That was very powerful.

18:19OK, thank you.

18:20I know what I have to do now.

18:22I have so much to learn from you, Marcel.

18:25So how do I find my true self?

18:27You move to France.

18:29You make three payments of 467 euros,

18:33and you smoke this.

18:35Hey.

18:36OK.

18:37If you have a credit card or,

18:39how you say, direct debit,

18:41the two façons, c'est facile.

18:43Right.

18:44Right, yes.

18:44I'll get my wallet.

18:45Hang on.

18:46Yes.

18:47Hey, Marcel.

18:47Have you seen that I'm doing Les Pies on Emoyetien today?

18:50Ah oui, la pièce indoutable.

18:52Hey.

18:53I see Caitlyn is doing a show off-Broadway.

18:56Yes, I know, I know.

18:57Why is everyone obsessed with Caitlyn?

19:00Maybe your father loved her slightly more than you.

19:05But remember when Papa took me to Paris?

19:08Remember when we had that tiny rehearsal space in the apartment,

19:10and we'd all get me apart?

19:12This is so boring.

19:13Yes.

19:13Use it for your art.

19:16Mm-hmm.

19:18More wine.

19:19More fun.

19:22Sorry, Marcel.

19:30Well.

19:31You're good.

19:35Jorgen!

19:37Jorgen!

19:37Ah!

19:38It got me!

19:39Oh, my shadow, people!

19:49Whoa!

19:50Whoa, whoa, whoa, whoa.

19:52What's going on here?

19:53Margie just asked me to clean her office.

19:55I saw what you...

19:56That's disgusting.

19:57She's one of the finest actors in the country,

19:58and you're going to do that?

19:59Hey, hey, hey.

20:00What's going on here?

20:01I hate to be the bearer of bad news,

20:03but I've just walked in on your son,

20:06sexually interacting with that poster.

20:08Sexually?

20:08Yes.

20:08I was just cleaning it.

20:10I don't see tits.

20:11It's just Windex and glass.

20:12They're called breasts, Ryan,

20:14and they happen to be attached to one of the finest actors

20:16in this country.

20:16Look, we've all thought about it, okay?

20:19But we don't act on it.

20:20Keep it in there.

20:21I'm gay.

20:22What?

20:24You know what?

20:25I've had a huge day.

20:26I'm out of here.

20:27Wow.

20:31Ryan, why are you still here?

20:32I'm doing chores, actually.

20:34Chores?

20:34You don't even put a plate in the dishwasher at home.

20:36I did actually want to say, Mum,

20:38you were pretty great up there today.

20:40Oh, thank you.

20:42But in future, can you please not tell Margie things

20:44about my personal life?

20:46Yes.

20:47Or simulate breastfeeding?

20:48Yes, fine.

20:49Or do whatever it is you were doing with that poster.

20:52Oh, okay.

20:53Yes.

20:53Anything else?

20:59What the hell is that?

21:03Oh, no.

21:05No, no.

21:06Oh, no.

21:07Oh, no.

21:08Oh, no.

21:09Oh, no.

21:10Oh, no.

21:12Oh, no.

21:13Oh, no.

21:16Oh, no.

21:17Oh, no.

21:25Oh, no.

21:29Oh, no.

21:30Good morning.

21:31Oh, girls are out, Margie.

21:34Oh, we must have fallen asleep.

21:35Oh, dear.

21:36We were having a late night clown workshop, weren't we?

21:40Oh, is that what you call it?

21:41Yeah, I was playing the role of a lonely housewife, I think.

21:45Right.

21:46What have I been doing?

21:47You had some really good ideas about slapstick.

21:50Tell her that.

21:51I don't think so.

21:52No, I need to go back to my job and my life.

21:54Great.

21:55And what about our sponsorship deal?

21:56No, I want nothing more to do with this place, okay?

21:59Hang on a minute.

22:00We had an agreement.

22:01The agreement is cactus.

22:02It's over.

22:03Your chook is cooked.

22:05Oh, Nick, I think you are being a little hasty.

22:07Hang on.

22:08Oh, no.

22:08Because I've got something that might just change your mind.

22:12Is that breakfast?

22:14Merci, Marcel.

22:16More muscles.

22:18Yum.

22:23Oh, Marcel.

22:25No more muscles, please.

22:27Ah, Marguerite.

22:29Julia.

22:29I was hoping you would still be here.

22:31Hey, if anyone's worried about what happened at our workshop last night,

22:34it was all made up, okay?

22:35It's called acting.

22:36It's not what I saw.

22:37You just don't recognise artistic expression.

22:40Ah, and you don't recognise a clown with STDs.

22:42But the good news is I have secured a $150,000 sponsorship

22:46from Chevy's Chooks.

22:48Carmel is thrilled.

22:49Julia, please.

22:49That chook guy is long gone.

22:51I don't think so.

22:53Already signed off on it.

22:54An exclusive deal.

22:55Their branding on our artwork,

22:56plus the placement of a roast chicken in every play moving forward,

23:00carried on by a Chevy's mascot.

23:02That's an artistic decision.

23:03You can't just put roast chooks into plays.

23:05We're a roast chook nation.

23:06Everyone's going to love it.

23:07I don't believe Nick's changed his mind.

23:09You're bluffing.

23:10Yeah, he didn't really have a choice.

23:13Yeah, show him that.

23:17Anyone want his partner seeing this?

23:21I look quite good there, don't I?

23:23It's a powerful angle.

23:25I think that is the most expensive sexual congress that man's ever had.

23:29I can't believe you used that against Nick.

23:31That's evil, Julia.

23:33Yep, but now we can afford a big star.

23:35So I just need to get a contact for Caitlin Allard's agent.

23:39Got one?

23:40No?

23:42Oh well.

23:43Chookers!

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