- 19 hours ago
Prisoner S01E03 (2026)
Category
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TVTranscript
00:19It's okay, Grudges.
00:20Let it out.
00:23Let it out.
00:30Let it out.
01:00Let it out.
01:07Your turn.
01:19Can I help?
01:20I hope so.
01:21I'm looking for a man.
01:22Five foot nine, brown eyes, dark cropped hair.
01:25He may have come in here with a young woman.
01:26Look.
01:28Love.
01:29I'm sorry for you, being there myself.
01:33Trust me.
01:34But what people do in that room, that's their business.
01:38All right.
01:39So he's here.
01:43Let me guess.
01:44Paneer, tikka, banganbata, and a masala chai.
01:49Oh.
01:50How did you know that?
01:52Oh.
01:53Oh.
01:58Oh.
02:07Oh.
02:10Oh.
02:12Oh.
02:13Oh.
02:14Oh.
02:15Oh.
02:16Oh.
02:17Oh.
02:18Oh.
02:31Food's here.
02:34He said he'd call us when it arrived.
02:55Police, shots have just been fired at the Sandvik Hotel.
02:58If we can't trust the NCU, then we can't trust the police.
03:00Get the money.
03:18What's up?
03:26Firefighter speeds away.
03:37Firefighter speeds in the city.
03:38Firefighter speeds out the time.
03:39Firefighter speeds down the line.
03:42Firefighter speeds up the target.
03:45Firefighter speeds up the target.
03:49No.
03:57No.
03:59Oh.
04:08Throw him.
04:16Let's go.
04:50You're heading right for them?
04:52What are you doing?
04:57I love your fucking mind!
05:03Hello, I'm a service operator.
05:05Which service do you require?
05:08All police!
05:09I'm a weapon on the ground!
05:11I'm a weapon on the ground!
05:13This is a police service.
05:14Are you able to give me more information?
05:17Put your hands behind your head!
05:18Sir, can you hear me?
05:20We are sending a response to you to your location now.
05:22There you are!
05:24Don't move!
05:25Don't move!
05:26Don't move!
05:37Don't move!
05:38Let's go.
06:38Let's go.
07:21Let's go.
07:23Hello?
07:26Whoa.
07:28Whoa.
07:29Thibaut sent us.
07:34Just...
07:37Sebastian!
07:38Sebastian!
07:38We're here to see Sebastian.
07:40Yes?
07:43Sebastian.
07:47Can't be too careful.
07:49Living alone.
07:52I'm Carla.
07:55I'm Molly.
08:00Let's get the baby settled.
08:16Michael wants to handle the merchandise with his bare hands.
08:19Make sure it's real.
08:22Okay.
08:24Your old man always used to handle the face-to-face.
08:26People used to deal with it.
08:29I can handle you.
08:31Set it out.
08:32Already have.
08:33I'll be doing the talking.
08:35This is the big one after all.
08:36Just letting you know aren't of courtesy.
08:42Well, I need just a picture of efficiency.
08:45Passing messages along like a chimp.
08:54Just a man.
08:58How's it all going?
09:01Everything's fine.
09:02But there's been a change.
09:05Tebbit's gone.
09:06Campbell's put me in charge of the investigation.
09:10Well, congratulations, Will.
09:12No excuse for not finding them that way.
09:44Handsome.itches.
09:49For me,
09:50just for traveling to detail... when he thinks
09:51about him. He ran around
09:53and took a decision about. He was a
09:54happily ever after his atomic bombshell. There was no
09:54energy to take him so he could get thrown. Don't worry.
10:02It was easier to
10:03never talk to this thing. So you got some
10:03more energy to help contribute. Lots of energy.
10:03Those who have to
10:03I don't know.
10:32Nancy, it's me.
10:34Boss?
10:36I need a favor.
10:38You were suspended?
10:39This case was taken everything, my marriage and now my career.
10:42If you think I'm a Pegasus mole, you should hang up right now.
10:45Oh, I see Campbell's crew is still camped outside.
10:49Nancy, seriously, how long have we known each other?
10:55What can I do?
10:58Pavel Ivanov, the renewable energy engineer that Stone got out of Belarus.
11:03He was developing high heat resistant polymers for wind turbines.
11:07I'm not sure if I'm at you.
11:08That's the kind of material designed to withstand exposure to extreme temperatures without warping.
11:13Do me a favor.
11:14See if it matches what the weapons on that drone are made of.
11:17I'm on it.
11:17Good girl.
11:19How's the team?
11:20All over the place.
11:21I'm preparing a briefing on Ambertold.
11:24Full background check.
11:25It works.
11:25Feels like a wild goose, James.
11:27Who was there?
11:29O'Neill.
11:48No, you're not doing that.
11:49Doing what?
11:50You're not killing whoever's in that lorry so you can steal it.
11:53Well, you have a very low opinion of me.
11:55Actually, I was going to pay them to take us to London.
11:57I was just going to make him ask questions.
11:59Well, I need more insulin soon, so we'd better come up with something.
12:02Okay, so we just talked to him.
12:03We appeal to his better nature.
12:06I'll do it.
12:08Give me your hand.
12:10Don't say a word.
12:11It's all yours.
12:13Hi.
12:13No?
12:15Hi.
12:16Sorry.
12:16We've just gotten into an accident a few miles back.
12:19Just wondering if you can help us.
12:21No, be a either.
12:22Our phones are fucked.
12:24We need to get back to London as soon as possible.
12:27No, text me.
12:29Maybe you're a good Samaritan.
12:40Who are you, love?
12:43Not really.
12:44No.
12:44I need to get back to London.
12:46I need to get to my daughter.
12:49This is her.
12:51She's six months old.
12:55It's a different fellow in the picture.
13:02Yeah.
13:05Yeah.
13:06You're right.
13:09Okay, I'm a prison transport officer.
13:11I need to get this man back to London.
13:13And the only reason I'm doing any of this is to get back to my daughter.
13:16My name is Amber.
13:17What's her name?
13:18What's your name?
13:19Paul.
13:19Paul.
13:20Okay.
13:20Great to meet you, Paul.
13:21Five grand.
13:22I said I can't handle this.
13:23We're out of time.
13:25Half now, half when we get there.
13:26But we need to leave immediately.
13:31Charlotte.
13:39No stops.
13:41No questions.
13:51It's nothing to sit on.
13:53I've just come back from my job.
13:57Ted B's.
13:59My granddaughter gave them to me.
14:01It's better to sit on her doll, yeah?
14:05All right.
14:07Okay, then.
14:23Better nature, my ass.
14:25He was about to take us.
14:26Bryce.
14:27He was.
14:29Seems kind.
14:31Well, your sob story didn't work.
14:34You may seem kind, but it is what moves it.
14:39You must write it.
14:42You must write it.
15:02You must write it.
15:05You must write it.
15:06You must write it.
15:23I hope you sleep well.
15:24Thanks.
15:25Something smells good.
15:27Won't be ready till lunch.
15:30There is a fresh pot of coffee.
15:33Yeah, I'll take some coffee.
15:35Do you mind if I make a bottle up for the baby?
15:37Should be awake in, like, ten minutes.
15:40Like clockwork, aren't they?
15:42Yep.
15:47Little clockwork terrorists.
15:54So you got caught up with Tiborough?
15:56Yeah, I mean, we've never actually met, but...
16:00I'm sorry, how do you know him?
16:04We go way back.
16:05But I haven't seen him in years.
16:10Milk.
16:11Sugar.
16:13To smoke.
16:14Please.
16:16So, um...
16:21Uh, who's Sebastian?
16:30Just a name, Tibor and I used to use.
16:34Silly Sebastian.
16:37Whenever one of us would do...
16:40something silly.
17:04I don't know about you, but the question I'm asking myself is...
17:07Who is Amber Todd?
17:1311 officers died when that convoy was hit, yet she got stone out of that tunnel like she was dancing
17:19through raindrops.
17:21So is she one of us?
17:23Or another one of them?
17:26Now, now she's put together a brief that you all should have received by now.
17:31Use it.
17:33Now, we have two days to put Tibor's stone on the stand.
17:37We need to move fast.
17:39Let's get to work.
17:58Do you really believe that about Todd?
18:02You want a fresh thinking?
18:20Anil?
18:21He wants to see you.
18:26Huh?
18:27Huh?
18:29Huh?
18:29Huh?
18:30The murder man.
18:42Two minutes.
18:51You think it's taking a big risk asking me to come here?
18:53One of my people is in police custody.
18:55She was caught with a firearm.
18:57Nina, draggers.
18:58I need you to get her out.
18:59Wait, can I see you?
19:01That's impossible.
19:04You asked me to put strings on that, I could expose myself.
19:07I'm in charge now.
19:08You've got me exactly where you want me.
19:10Don't risk it.
19:11You told me what to do.
19:13I need her released.
19:17Why?
19:18Who the hell is she?
19:19An acid.
19:22She paralyzed one of my men when she was just a kid.
19:25Put his hands on her.
19:26Well, he tried to.
19:28She was with a group of workers who were bringing her into the country.
19:31I think the word is trafficked.
19:37Paul's had a knack for spotting raw potential,
19:40so I had Deepa Stone take her under his wing, show her the rogues.
19:44She knows him better than anyone.
19:46There's no one else who can get close to him.
19:49Set her free.
19:50Locate Stone.
19:53She'll finish the job.
19:56Back on.
20:05How's your wife?
20:07Is she getting the treatment she needs?
20:09Because I know how expensive that can be.
20:12You don't bring her into this.
20:13I didn't.
20:17You did.
20:18It's exactly my point on potential.
20:22When we discovered your wife's diagnosis, I knew right away that you'd do anything to save her.
20:32Here we are.
20:35Family is everything, isn't it?
20:38Anita and Saffron.
20:43I don't ever think you've asked.
20:46I can deliver you, son.
20:48That's all.
20:49Enough.
20:50No more.
20:51Thought you'd say that.
20:56Check your phone, Will.
21:07Pretty young girl, your daughter.
21:10Get Nina out.
21:11Use the N.C.U. to locate Stone, and she'll handle the rest.
21:22I say when it's enough.
21:34Broker Breaker.
21:36Anyone got their ears on?
21:38We're the company, Deborah.
21:39All right?
21:42This is Longshot.
21:43How you doing, ma'am?
21:44My fellow rogue ghost.
21:45Longshot, this is Midnight Rambler.
21:48Yeah.
21:49Yeah.
21:49Good to meet you, Rambler.
21:50Heading anywhere exciting?
21:52Nothing exciting about a northbound run with a trailer full of pallets.
21:56Who?
21:57I can't believe me even if I told you, ma'am.
22:00Try me.
22:16So, where does this strong moral compass of yours come from?
22:20You mean the one that makes me uncomfortable killing people with my bare hands?
22:27Freud had a theory.
22:30Psychodynamics.
22:32Individuals may develop strong moral principles as defense mechanisms against their parents' behavior.
22:40Was a father a criminal, Amber?
22:42Is that what made you this way?
22:45I prefer Albert Mandura's social learning theory.
22:49If a child frequently witnesses law-breaking being rewarded or going unpunished,
22:53they may come to view such behavior as desirable.
22:56Was mommy a serial killer?
23:03This is fun.
23:36This is fun.
23:52No.
23:53No, no, no, no, no, no.
23:54I'm not with the team who attacked you.
23:56If I was, I'd have turned up with more than stolen case files in me dick in me hand.
24:01I know you.
24:01Yeah, my name is Alex Tebbit.
24:04We spoke on the phone two days ago.
24:05You're N.C.U.?
24:06Yeah, well, I was.
24:10They think I'm the mole responsible for the attack and you and Todd's family in a prison van.
24:14Look, I need you and your team to help me.
24:16Can I come in?
24:17They kicked you out.
24:18And you think I'm going to trust you?
24:21I swear to God, I'm offering you a chance to help save their lives.
24:34Tell them what you told me.
24:36Will O'Neil, the man that took my job, is setting up your friend.
24:43What makes you think he's bent?
24:45One, the intel that made us move stolen early came from O'Neil's department.
24:50Two, O'Neil was one of the few people who knew where Ollie and Mia were.
24:53And three, my sources told me he's feeding the N.C.U. a lie that Amber's working for Pegasus.
24:59By making her the suspect, he can focus resources on investigating her, on hunting her down.
25:04He keeps their attention elsewhere while he ships Intel to Pegasus.
25:08If O'Neil is the mole, then breaking him might be the only way to get Amber back.
25:14Okay. How do we break him, then?
25:16They'll want to interview you about Amber, and when he does,
25:19Bosh, we prove his connection to Pegasus by getting him into his phone.
25:23Whoa, whoa, whoa. Just wait a second.
25:25Yeah?
25:25That's a criminal offence, Phil.
25:27I know. Look, I've heard what he says, and I'm convinced I'm in.
25:31But I'm not expecting any of you to put yourselves at risk.
25:34If you're in, I'm in. What do we do?
25:36When he interviews you.
25:38You're distracting.
25:40But we can talk bollocks for five minutes while you nick his phone.
25:48It's good storytelling.
25:49And it's an art form.
25:52Are we really doing this?
25:53At Amber, yeah.
25:55Yeah.
25:56And Joe.
25:58We need to make these bastards pay.
26:02Breaker, Breaker.
26:03This is Midnight Rambler.
26:05So, listen, I just called a mate.
26:07Someone's been putting the word out.
26:08They're looking for a man and a woman, same as the pair you picked up.
26:15He'll give you a hell of a lot more than five grand if you hand him over.
26:20I much more.
26:49They're still in custody.
26:51They're still in custody.
26:51Well, we need to fix this.
26:52The adults are handling it.
26:55Her value is declining.
26:58How many times is she going to let stones slip through her fingers?
27:00Huh?
27:02She's become a liability.
27:05She's become a doctor.
27:06It's the monk.
27:07What?
27:08Keep your mouth shut.
27:21Hi, I'm all.
27:28Right through these, huh?
27:30Some of us have to get our hands dirty every once in a while.
27:34Nice place.
27:36Are these originals?
27:38Are you into art?
27:40I'm into money.
27:41This is Harrison's son.
27:43Declan.
27:44How's your father?
27:46Yeah? Yeah, fighting a good fight.
27:51This is the future of absolute power.
27:55It's a next-gen plastic polymer.
27:57Stronger than metal, so it doesn't warp under heat.
28:01And?
28:02It flies repeat rounds.
28:06Try it.
28:10It's completely untraceable.
28:12Dismantled, they'll easily pass through any metal detector.
28:15Perfect for international shipping.
28:17If you catch my drift.
28:19Thank you for that, General.
28:22How many have you manufactured?
28:24Will they be ready for the day of action?
28:26We have 2,000 ready to go for the UK market.
28:29Another 10,000 ready by Friday for your European clients.
28:32Don't jump ahead of yourself.
28:35You assure me of more certainty about Harrison's release.
28:39My clients don't need to be connected to this highly publicized criminal investigation.
28:44Mr. Dempsey will walk.
28:46And if he doesn't, you can always close the deal with me.
28:50With respect, you're not your father.
28:54Harrison Dempsey is Pegasus.
28:57That's why I deal with him, and only with him.
29:00Well, that seems a bit old-fashioned.
29:03With respect.
29:06Please.
29:07Please.
29:08Please ignore the boy.
29:09We are here to show you why you shouldn't be shopping anywhere else.
29:13The deal will not go through until Mr. Dempsey is released.
29:17Which he will be.
29:26Excuse me, Jack.
29:27Of course.
29:33You're embarrassing us.
29:34Me?
29:35You're a fucking weak link.
29:37Begging for a deal that's already been done.
29:38We should be naming our fucking bride.
29:40I'm going to show you the ropes, because that's what the old man wants.
29:42If you spook Mikai out and this deal falls through, we lose millions.
29:45Right, sir?
29:46Please.
29:46Please.
29:47Do me a favor, you silverspoon prick.
29:48Just shut the fuck up.
29:58Spike Weiner.
29:59Told you they were powerful.
30:10Keep it going, and I'll pay for the couch.
30:18I'll come to my clients to have a little bit more patience.
30:22And I'll reach out to my European contacts.
30:29You'll be right back.
30:29You'll be right back.
30:36Yes?
30:37Some nori driver's given us the location of Stone and the prison officer.
30:41Just when I thought my day couldn't get any better.
30:43Is Nina out yet?
30:44No.
30:45Well, the boss is on it.
30:45Okay.
30:47I'll deal with them, myself.
30:53Here we go.
30:54Hello, everyone.
30:55Thanks for coming.
30:58I don't need to look so worried.
31:00I just need to ask you all some questions,
31:01and as long as you're struggling with me,
31:04there shouldn't be any issue.
31:07Miss Buckley, I'll start with you.
31:11So, phone's in here, please.
31:18Amber's in a lot of trouble, and I need to bring her in.
31:21I know the two of you qualified together.
31:23You care about her.
31:25Ollie and me are two.
31:27I need to locate her before something happens that can't be undone.
31:33Besides Ollie, all the people that she trusts are out there.
31:37I've no idea where she is.
31:45Freud also wrote an essay about grief of loss.
31:49Mourning him melancholia.
31:53And?
31:55How did your son die?
31:57What?
31:59Your son.
32:01I...
32:02I was lying about that.
32:04I never had a son.
32:07But you told me about him.
32:09I told you what you wanted to hear, Amber.
32:12I needed you to trust me.
32:13See?
32:14The moment I said dead, child, you'd create a backstory for my behavior.
32:19You'd let your guard down.
32:21So I'd tell you about Mia.
32:22So you'd have something to use against me.
32:24You needed something to cling to.
32:27That's what makes you so profoundly, predictably human.
32:33There is nothing redeemable about you.
32:41Tell me where Ollie and me are.
32:45The point of a safe house is not giving out the address.
32:48Tell me where they are.
32:48Calm.
32:49Tell me where they are, you fucking safe.
32:50No!
32:52Listen to me.
32:54We agreed.
32:55You'll see your family after you get me to the old building.
32:59So you're keeping them hostage?
33:02I'm the only thing keeping them alive.
33:04Me and the person I sent them to.
33:10You should be a little more grateful.
33:39Marcus...
33:40No...
33:41Shut up.
33:42Yeah.
33:47M-
33:47Mate, I...
33:48That was a long shot.
33:49Oh, yeah.
33:49You're searching through the community.
33:51I just wonder.
33:52How about you land this game?
33:53Yeah, see whether it came to me.
33:55I couldn't see me.
33:57Mr. Azuland?
34:00Let's go.
34:03Yeah, I suppose you've got, like, qualifications coming out of your ears.
34:08Starting off with the police?
34:09Yeah.
34:09Have a CID for a...
34:11Oh, wow.
34:11CID.
34:12Yeah.
34:13Cool.
34:13That makes it.
34:14It changes the operation.
34:17They're obviously looking for a skill.
34:19That's cool.
34:19That's cool.
34:20Yeah.
34:20Really cool.
34:23Is that what?
34:24Wow.
34:24I've got too much pain quite a bit.
34:26It's been to change.
34:28I mean, some of my name are the guy.
34:30Yeah, between studying the baby or what.
34:35I don't know how she does it.
34:37You see me?
34:37I can barely keep my poor plot alive.
34:39You know what I'm saying?
34:41It's not my hope.
34:42It's a light.
34:43It's a change.
34:44It's a lovely view.
34:47It's a nice place to be in the air.
34:50It's what we've seen.
34:51It's my life.
34:52It's mad, isn't it?
34:53What about her mother?
34:55What about her?
34:57I'm sure it's her.
34:58You being the tight-knit unit you are,
35:01that she would have told you that her mother's incarcerated in Westhorn Prison
35:07for armed robbery.
35:16Oh.
35:22Yeah, yeah.
35:23They're not, of course.
35:25You're lying, Jamal.
35:26She kept it from you, didn't she?
35:35You sure that's the only thing she's hiding?
35:51I mean, honestly, I think you know a person.
35:57Right, look.
35:58You share the same scrap of carpet at work.
36:00You know, secret son.
36:01So, which was me, by the way.
36:05I've got this really nice handmaid paper dove.
36:09Where is she, Jamal?
36:10Just go and lie up over there, folks.
36:12Actually, where is she?
36:22I don't know.
36:23I don't know.
36:30Mr. Hawkins?
36:34You know, I'll just talk you through all this.
36:39Colin, do you know what?
36:39I think I'll just throw my hat in a ring and I'll give you the application.
36:43Do you know what I'm saying?
36:44Good work.
36:44We won't cut out.
36:45What's the worst?
36:47Yeah, the worst is great.
36:59Excuse me.
37:01You okay, sweetheart?
37:04I'm sorry for all the missed calls.
37:06I just wanted to hear your voice.
37:09Yeah.
37:31Have we arrived?
37:34This isn't London.
37:42Yeah, it's me.
37:43I'm here.
37:44What went up?
37:52What are you doing?
37:53What's wrong?
37:55I need my shot.
37:58Paul!
37:59Paul, are you there?
38:01Come on, talk to me, Paul.
38:02Please, it's not too late.
38:03Just let us go.
38:05I can't.
38:06Come on.
38:07They will kill you.
38:08What's up?
38:09Listen, we can help you, Paul.
38:11Okay, we can help you, but you have to let us go right now before they get here.
38:19I've been told to give this to you.
38:23Hello?
38:24You okay?
38:25Fine.
38:27I'm sorry I let you down.
38:29You're getting another shot.
38:30I have a location for you.
38:32We got you, boy?
38:34We got it.
38:35You're being released.
38:35No charge.
38:37Let's not have this conversation again.
38:39No loose ends.
38:41Understood.
38:43You're my most valuable asset, Mina.
38:45No one can count on you.
38:47The things we're going to do together.
38:52Now give back the phone.
39:02Listen to me.
39:02Listen to me.
39:03You made a mistake, but you can fix this.
39:05Okay?
39:05If you don't, we're all dead.
39:07Unlock the door.
39:08Lord, they put the payment 50 grand behind you all.
39:12You are never going to see that money, Paul.
39:15Okay?
39:15It's not how these people work.
39:17I've seen what they're capable of.
39:20You are better than this.
39:23You are better than them.
39:25You don't know me.
39:27You don't know me.
39:28My job is dealing with criminals every fucking day.
39:31I know how they suppress them when I see one.
39:33Fuck the money.
39:34Don't you want to see your granddaughter grow up?
39:40Oh.
39:44Oh.
39:46Oh.
39:59Wait, wait, wait, wait, wait, please.
40:01Please, don't.
40:02Please.
40:02The fuck is this?
40:07Stand him up.
40:09Do it.
40:10Fuck, sir.
40:12Please, don't.
40:13I have nothing to.
40:14Shut the fuck up.
40:14Please, please, just let me go.
40:16Please.
40:16Please.
40:19Jesus.
40:20Shall I make us all look up at the tee while we wait?
40:36Come on.
40:39Take him out.
40:43Come on.
40:46Come on.
40:49Come on.
40:49Come on.
41:06What's this, then?
41:12Okay.
41:13That's not for us.
41:19Sebastian.
41:22You found him, then.
41:27Yeah, sorry.
41:28I am, uh...
41:29It's fine.
41:33Was he, uh, a relation?
41:38My husband.
41:40The boss' father.
41:42Um, I'm so sorry, I...
41:46Don't be.
41:56He was a virus.
41:58He had to go.
42:02Tibor and I killed him together.
42:06Oh.
42:10Food, digamos.
42:13Food, Freddy?
42:18Food, Freddy?
42:30Food, Freddy?
42:45Why didn't you wait for me?
42:47I thought you were locked up.
42:49This wasn't the moment to prove yourself.
42:52How did the need with Michael go?
42:54Did you show him the product?
42:57Yeah, it was a successful test.
43:01Where's Miles?
43:06Are you fucking serious?
43:08Look, it worked, okay?
43:10Michael says his clients will wait for us, so as long as the old man walks, then we're all set.
43:15And then what?
43:17What do you mean?
43:19You're smarter than people think, but you can't do what I do.
43:23That's why you'd make good partners.
43:26In what?
43:32Yeah, Harrison will never let me run anything, so...
43:35Your father doesn't see you, but I do.
43:38We kill Tibor.
43:39We take our share of the Michal deal.
43:41We set up our own.
43:43Fuck Pegasus.
43:44Fuck Harrison.
43:46You and me.
43:57All right.
44:14The fridge.
44:20Insulin.
44:21There.
44:26Give me the address.
44:28Give me the address of the safe house first.
44:34I want my family back.
44:37I want my family back.
44:42G.
44:44L.
44:44Three.
44:46Eight.
44:47X.
44:47Y.
44:48G.
44:49L.
44:49Three.
44:50Eight.
44:50Y.
44:51Yes.
44:52You see?
44:54You're learning.
44:59Fuck.
45:01No, no, no, no, no, no, no, no, no, no, no, no.
45:03T-Bar.
45:04T-Bar.
45:05T-Bar.
45:07Yeah.
45:11Okay, here we go.
45:14You're going to be fine.
45:15You're going to be fine.
45:17You're going to be fine.
45:20Okay?
45:23Fuck!
45:24Oh, fuck, T-Boy, please!
45:27Please, please!
45:29T-Boy!
45:38T-Boy!
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