- 22 hours ago
Mia And The Dragon Princess [Full Movie] [Full Story]Full EP - Full
Category
🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed
00:01:08to Javanese royalty, renounced everything.
00:01:12Her title, her riches, much to her family's displeasure, she was Marshan de Damayanti, the Princess Pirate.
00:01:46She led a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a
00:01:57new family.
00:01:58A loyal crew of women she saved from the shackles of servitude, or title.
00:02:15It was on the high seas she forged a friendship with the notorious pirate, Red Cat Mordor.
00:02:20Together they ruled the Wraiths, becoming each other's only true ally.
00:02:27But their past was never far behind.
00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.
00:02:40When her pursuers eventually closed in, Marshan de Damayanti entrusted her share of the riches to Red, who in turn
00:02:46gave her a wrist device that would lead her back to Red and the treasure.
00:02:51She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one
00:02:58would dare follow.
00:02:59But tragically, her ship was lost to the ice.
00:03:04Lost for hundreds of years.
00:03:07Until now.
00:03:21Lost for hundreds of years.
00:03:22Lost for hundreds of years.
00:03:50I don't know.
00:04:20I don't know.
00:04:50I don't know.
00:04:51We have one of those.
00:04:53One less again.
00:04:58Get Mr. Walsh down here immediately.
00:05:04Hey!
00:05:06Listen.
00:05:13Get out of here!
00:05:16Get the boss!
00:05:18Get Mr. Walsh!
00:05:25Daddy, she's hungry!
00:05:27Catch!
00:05:42She did not pay for that spring roll!
00:05:43It's TJ Gary.
00:05:46No!
00:05:48No!
00:05:50No!
00:05:51No!
00:05:52No!
00:05:53No!
00:05:54No!
00:05:54No!
00:05:55No!
00:05:55No!
00:05:57No!
00:05:58No!
00:06:11No!
00:06:16I don't know.
00:06:44This toilet is blocked again and I've got a big meeting with this finance tosser, Collins.
00:06:50He's in the bar waiting right now and the timing's terrible.
00:06:54You know, sometimes I think it's a sign.
00:06:58You know, sometimes I think, will you want me to lose this bar?
00:07:07Fine. I'll do it, can you?
00:07:10Oh, I love the way you unblock a toilet.
00:07:30Sorry, sorry.
00:07:34What is that?
00:07:41I don't speak. I'm really sorry. Listen, I don't... I'm recording.
00:07:48Um, do you know a coin?
00:07:50I don't...
00:07:55You're hiding for someone, is it it?
00:07:59It's going to be okay.
00:08:08Excuse me.
00:08:08Well, can you sit with a woman and run through this way just now?
00:08:12Lady in the medical gown?
00:08:13Yes.
00:08:13Yeah, she shoved me and went that way.
00:08:14I know, I know.
00:08:15She just left. You might still be able to catch her.
00:08:17Thank you, thank you.
00:08:19Marie!
00:08:20That was so exciting. I've never lost the police before.
00:08:25Oh crap.
00:08:26Are you an escape killer on a violent rampage?
00:08:31Oh, that's just getting inside.
00:08:33I think that there's food inside.
00:08:35Uh, food?
00:08:37I have no idea.
00:08:41Here, take this.
00:08:43Catch.
00:08:45Wait, wait, no, no, no, no, I promise.
00:08:46Wait, wait, wait.
00:08:47Good, good.
00:08:50Mmm, good.
00:08:51Oh no, no, no, don't, don't.
00:08:52Fuck.
00:08:58Catch him.
00:09:02No, it's not the alien.
00:09:03Go on, the other one.
00:09:04Go on, the other one.
00:09:05Help.
00:09:06No.
00:09:10What?
00:09:13You didn't do anything.
00:09:15This kid made post.
00:09:18I think it took it to me.
00:09:19It took it.
00:09:24It took it to me.
00:09:24Okay, time to distract Eddie.
00:09:28Eddie!
00:09:29Eddie!
00:09:30Eddie!
00:09:33Eddie!
00:09:34Eddie!
00:09:36Eddie!
00:09:36Hey, wait a minute.
00:09:37Skip something.
00:09:37There's toilets to block somewhere about it.
00:09:39I want to get in here.
00:09:40I want to get in here.
00:09:40I want to get in here.
00:09:41Oh, careful!
00:09:42Oh my God!
00:09:43Eddie!
00:09:43Oh my God!
00:09:45Oh my God!
00:09:45Oh my God!
00:09:46Oh my God!
00:09:46Oh my God!
00:09:50What is going on?
00:09:54Oh my God!
00:09:58What is going on?!
00:09:59Oh my God!
00:10:03Oh no!
00:10:04Oh no!
00:10:04Oh, does it push them to love you?роль
00:10:07Ahhhhh!
00:10:07Oh!
00:10:08Oh!
00:10:17That's the trick!
00:10:18SHE SCREAMS
00:10:22SHE SCREAMS
00:10:24SHE SCREAMS
00:10:29SHE SCREAMS
00:10:30SHE SCREAMS
00:10:36Stay to that shitting bar and make it yourself, did you?
00:10:39SHE SCREAMS
00:11:03SHE SCREAMS
00:11:06Yeah, I like it too.
00:11:08Skiff's great-great, you know, great-great-great-great-great-great-great-great-grandfather had it commissioned or something.
00:11:15SHE SCREAMS
00:11:17Are you all right, Ellie?
00:11:36Mia, can I trouble you for another?
00:11:38Yeah, of course. Hey, how's Sydney going?
00:11:41Oh, you know.
00:11:44Another day on the right side of the grass and...
00:11:46Oh, lovely. Let me keep the spots.
00:11:50Very nice fair-do's. I hate the usual.
00:11:52Oh, yes, please.
00:11:54Let it make me something more discharge of the light brigade.
00:11:59No worries, leave with me.
00:12:17Come on, I need to get you unhooked from this taser.
00:12:20This is gonna suck, but...
00:12:31I'm sorry. I think I understood that, and I'm really sorry. I'm really sorry. I'm so sorry. I'm so sorry.
00:12:37Dad!
00:12:38Bear with me.
00:12:39I'm so sorry. Bear with me. Breathe.
00:12:42There. Let's get you into something a little less conspicuous.
00:12:50Looks good.
00:12:54Let's see.
00:12:59It's amazing what people use behind the pubs after cube pints, honestly.
00:13:04Well, these look like they'll fit, so I'll try these on.
00:13:15Okay, let's get you some real food, right?
00:13:17Um, what do you fancy? Scalpy fries? Leaf crisps?
00:13:21Why are you vegetarian? Because that's all we have.
00:13:24Order the tea.
00:13:26Right, okay.
00:13:27Um, you might be a mass murderer, and I'm here asking about your dietary requirements.
00:13:31I'm an idiot.
00:13:32Okay, please stay hidden, right? I'll be right back.
00:13:38Hey, hey!
00:13:40Ready yourselves for another delightful concoction from London's greatest mixologist.
00:13:44I call this one Succo D'Angelo. Angel Chiz.
00:13:48Welcome, explorers, to the Smuggler's Tavern.
00:13:52The pirate's private party palace.
00:13:54This is the most historically infamous sordid den of villainy and underworld chicanery that ever was in old London town.
00:14:02And it's here our walking tour of London should pause for refreshments and use of the facilities.
00:14:08Mine's a brandy Alexander if anyone's buying.
00:14:11No?
00:14:13No?
00:14:15Fair enough.
00:14:24All right.
00:14:29Ah, gross banana bone sack.
00:14:35I need to talk to Skip about our deal.
00:14:38He's busy.
00:14:39She's getting.
00:14:41I just said he's busy.
00:14:43Yes.
00:15:04I'm not selling.
00:15:06Mr. Walsh is off for you right now.
00:15:09I know it's been in your family for generations, but you need to think about it.
00:15:13I will not change my mind.
00:15:16Fine.
00:15:17Mr. Walsh won't be happy.
00:15:23Hey.
00:15:24Look, I know you're really doing everything you can to help out.
00:15:27Is there anything you can do to just help out a little bit more?
00:15:32Well, if he doesn't pay any of you this month, he might just scrape by, but...
00:15:37What will happen this month?
00:15:40Hey, don't worry.
00:15:42You can always be a barmaid somewhere else.
00:15:45It's not the only pub in London.
00:16:03Where's the можно so Gargan?
00:16:17I don't know...
00:16:22He's in the middle of something.
00:16:24Shit.
00:16:25Here, tell this lovely girl woman about the dastardly dealings that the smugglers have.
00:16:30They do two for one cocktails between now and six.
00:16:34Nice.
00:16:36Cocktails.
00:16:39Actually, you can find that our listening general knowledge expert knows a lot more than I do.
00:16:44I hear lots of the legends here are true.
00:16:48I miss most mysterious places.
00:16:51Before the great fire of 1666.
00:16:56Lots of nefarious stuff.
00:16:59And right here, I mean, this bar, it's built right on top of the lost rivers and caves of London.
00:17:09Lost.
00:17:10And they've rebuilt both fire.
00:17:13Burning.
00:17:20To reach your destination, you must leave the shore.
00:17:24Ah, yes.
00:17:25The maxim of ferocious pirate, Catherine Morgan, or Red Cat.
00:17:29She was known.
00:17:30Oh yeah, because she had nine lives.
00:17:39Cat discovered a baby kraken orphaned from its mother.
00:17:43She cared for this crackling, naming her Lucy.
00:17:47A fierce protector of the pirate who raised her.
00:18:11Red Cat spent years trying to find a friend.
00:18:14Eventually, Cat turned up here.
00:18:16Her last hope was that her friend would follow in her footsteps to the infamous smoke.
00:18:21Smuggler's tavern, known as a black market for trading pillaged riches.
00:18:26Allegedly, she left a trail of clues should Marshanda return to claim her share.
00:18:32Before Cat herself became nothing more than legend.
00:18:41The man being shot by Red Cat in the painting bears a likeness to Skip's forefather, who owned the tavern
00:18:47at the time.
00:18:48Leading many to believe Skip's family were more involved in the sordid deeds of this notorious pirate than we know.
00:18:57Cool.
00:18:58Uh, I'll take two of those crack dales, please.
00:19:01I reckon it's a nice touch.
00:19:04I had to open the door.
00:19:05I can open the door!
00:19:25I hope you enjoy day-long sci-fi sessions with an unwashed flaccid ape-man.
00:19:29He feeds off self-esteem this one, so I'd look out for that.
00:19:32Yeah?
00:19:32Hey, Eddie, it must be awesome.
00:19:34Hey, check this out.
00:19:35See this four over there?
00:19:37Sir, she used to date him.
00:19:40And it looks like they've dragged new dates to the same place.
00:19:47Why don't you kick this date into phase two and just shit off to Nando's?
00:19:50You shit off to Nando's, you pass.
00:19:52Eddie, the water.
00:19:58Oh, hey, um, they've called down.
00:20:01Delivery's waiting, been up there for about ten minutes.
00:20:03Ten minutes?
00:20:04Ugh.
00:20:07I can stick your apology.
00:20:21Hey, well done.
00:20:22Another delivery's been nicked.
00:20:23This one's on you, Edward.
00:20:25Come on, don't be like that.
00:20:26Mia!
00:20:26Look!
00:20:29Skip!
00:20:30Eddie, there's that hope!
00:20:30Oh, no!
00:20:31Ah!
00:20:32Ah!
00:20:34Ah!
00:20:35Ah!
00:20:37Ah!
00:20:38Ah!
00:20:39Ah!
00:20:50Ah!
00:20:57Ah!
00:20:58Ah!
00:21:02Ah!
00:21:04Ah!
00:21:05No!
00:21:18Quit, I'm hit.
00:21:43I know that, Chris.
00:21:48Are you alright down there, Skip?
00:21:50I think so.
00:21:53Call an ambulance, Eddie.
00:22:05Hey, don't kill him! Don't!
00:22:10Ya! Ya!
00:22:13Ya!
00:22:14Ya!
00:22:16Ya!
00:22:16Ya!
00:22:17Help!
00:22:17Help!
00:22:18Help!
00:22:19No!
00:22:30No!
00:22:32It's the same Chris as the rest of the next door.
00:22:36Hey, what does this mean?
00:22:39It's not clean!
00:22:42It's not clean!
00:22:45Your vocals sound obliterated.
00:22:46That's not healthy.
00:22:48Sounds like you've been doing eight phantoms a week.
00:22:50That's serious.
00:22:51I can fix this.
00:22:54Skip!
00:22:56Yo, hey, you can't be back here.
00:22:57Yep, just knocking together a cheeky vocal tonic.
00:23:00Eddie, they cut the landline before roughing me up.
00:23:03That's another thing an ALS can pay for.
00:23:06Oh, you?
00:23:09See, if I was fifteen years younger, I'd throw you about like an empty tracksuit.
00:23:14What's this?
00:23:19Gunpowder.
00:23:20And this is why you can't be back here.
00:23:24Alright.
00:23:31You're a polyglot.
00:23:32Maybe you can communicate with her what she's saying.
00:23:35I'll see what I can do.
00:23:36Might get some ice on that.
00:23:38There's no signal down here.
00:23:40I know.
00:23:40Right, I'll go up and call the police.
00:23:49I don't think the police are going to help her.
00:23:51What is she looking for?
00:23:55Hey, who are those guys?
00:23:59They're just some people who'd want to cash in on mummy's fortune.
00:24:04I can't even afford to keep the lights on.
00:24:08And they can smell the blood in the water.
00:24:11So I'm gonna have to sell.
00:24:16They laid my father down.
00:24:19I can.
00:24:20I can help you.
00:24:20I've been saving up.
00:24:22Oh, Mia.
00:24:24No.
00:24:24I can't do that again.
00:24:26Yes, please.
00:24:27Yes, you can.
00:24:28It's fine.
00:24:28You can owe me.
00:24:29I can't.
00:24:31Skip, please.
00:24:32It's fine.
00:24:33Mia?
00:24:34No.
00:24:36It's only a bar.
00:24:38It's our hope.
00:24:41I can't.
00:24:43I can't.
00:24:49It's not up to you.
00:24:51I'm gonna help you.
00:24:54I won't be needing this anytime soon.
00:24:56Thank you so much for traveling the world.
00:24:59Come on, you.
00:25:02Let you go.
00:25:04I forgot.
00:25:06Okay, let's see how good this translation happens.
00:25:08I'm gonna see you go block.
00:25:10You're welcome.
00:25:13Well, I could bear that.
00:25:15Language not recognized.
00:25:18See if you can translate.
00:25:20Do your thing.
00:25:25What's this, eh?
00:25:26Who are you?
00:25:27Marshanda Damayanti.
00:25:29Marshanda?
00:25:30Marshanda.
00:25:31I'm Mia.
00:25:32Mia.
00:25:34Mia.
00:25:34Yes, Mia.
00:25:36Marshanda.
00:25:38Sod this shithole.
00:25:40Ladies, to Shampas.
00:25:45The police are on their way.
00:25:50Weishen.
00:25:51Danger.
00:25:52Danger.
00:25:57Hey, Lisa can be here in a little bit.
00:25:58And I don't want my friend to get in trouble.
00:26:00Can she come with you?
00:26:01Just for a short while.
00:26:02I'll come find her and drinks will be on me.
00:26:04I have some bloody name.
00:26:08Tell her that she needs to go and I'll come find her.
00:26:14Go.
00:26:15Should we stay for that?
00:26:22None of you saw her.
00:26:24Especially you.
00:26:26Don't.
00:26:27Don't.
00:26:27Don't.
00:26:27You're not supposed to go anywhere until the police...
00:26:30Don't.
00:26:30Don't do it.
00:26:30I will buy you shots.
00:26:32I will get you to...
00:26:33You can't stop.
00:26:34It's surprisingly strong.
00:26:37Wait, no.
00:26:37Ora, ora.
00:26:39I don't know.
00:26:39Ora.
00:26:40Come on.
00:26:41Come on.
00:26:43Go on in.
00:26:45Weishen.
00:26:46I can't.
00:26:51I can't leave them.
00:26:59What are you doing?
00:27:02No.
00:27:03Did you call the police?
00:27:05Yes.
00:27:06Yes, I did.
00:27:07And they are coming to take statements.
00:27:10So everyone needs to stay here.
00:27:14What about the ambulance?
00:27:15Yeah, ambulance too.
00:27:17We can't have the police coming here.
00:27:19Huh?
00:27:20Why not?
00:27:20Well, Shanda, she might be running for something.
00:27:23I think.
00:27:24What?
00:27:24For what?
00:27:26What is she looking for?
00:27:29Look.
00:27:30I don't know.
00:27:32Until I figure that one out, let's maybe not throw her under the bus, right?
00:27:36The thing on her wrist.
00:27:41It's crest.
00:27:41What is it?
00:27:46That crest is ancient.
00:27:47And it's been in that building upstairs long before it was a restaurant.
00:27:53They've been trying to buy me out.
00:27:56And they'll try anything about me.
00:27:59Look.
00:28:00I'm sorry, but the captain's quiet.
00:28:04They've got a bid in for this place.
00:28:06It's three times what the place is worth.
00:28:09Maybe she's involved with her.
00:28:10No.
00:28:11No.
00:28:13She's not with them.
00:28:17Then keep her out of sight.
00:28:21What makes you think this is going well?
00:28:23I don't know.
00:28:23No.
00:28:24We'll just...
00:28:24Me and Chloe.
00:28:26Get your hands off of me.
00:28:28No.
00:28:28No.
00:28:28The police said not to leave.
00:28:32Help me out.
00:28:35Mia?
00:28:38Help me out.
00:28:50Hello, Matt.
00:28:51Mr. Walsh.
00:28:52Fancy seeing you here.
00:28:54This is DC Cross.
00:28:56Been a bit of a disturbance in the area.
00:28:58I just wanted to check our lovely neighbours were all right.
00:29:03Come on, go under there.
00:29:04In here, go.
00:29:05In here.
00:29:06Stay at the extent of the night.
00:29:07You ought to go stay at night.
00:29:08I'm gonna keep you out of sight.
00:29:29Well.
00:29:31Looks like our suspect committed similar acts on your premises.
00:29:35You're scared.
00:29:36Who is this guy?
00:29:37Theodore Walsh.
00:29:39Theodore Walsh.
00:29:39He inherited the restaurant from his father and also acquired his master for this place.
00:29:44Who we did.
00:29:45As you know, Mr. Walsh.
00:29:46My associate believes our suspect is here.
00:29:52My niece.
00:29:56Your niece?
00:30:00We are just concerned.
00:30:09Or maybe we should just wait for the police, eh?
00:30:12Sort this all out.
00:30:14We are the police.
00:30:16Anyway.
00:30:19You got any ID?
00:30:22Isn't that how you do things here?
00:30:25Come here.
00:30:30Look at my face.
00:30:33This is the only ID you need.
00:30:35Take a good, long look.
00:30:37Every pull.
00:30:46So your niece, yes.
00:30:50Hospital guard, violent.
00:30:53Quite the character.
00:30:54Troubled your woman, I have to say.
00:30:56we were in the process of getting her some assistance
00:30:58psychiatric assistance
00:31:00she had an episode
00:31:02ran away
00:31:04millennials
00:31:09your
00:31:10niece
00:31:15you're her uncle
00:31:17yes
00:31:18and this lot
00:31:20they're your task force
00:31:22uncle
00:31:22we're also uncle
00:31:24also uncle
00:31:28big family
00:31:33more police are on the way
00:31:35are they
00:31:42we were just trying to leave
00:31:44we have a schedule to keep
00:31:48hey
00:31:50don't
00:31:50touch me
00:31:56relax
00:31:58let's all have some drinks
00:31:59that's why we're here right
00:32:01all we need
00:32:02all we need is the woman
00:32:04where is she
00:32:10she um
00:32:11she was
00:32:12here
00:32:13mr. Walsh
00:32:15I uh
00:32:15I don't know where she is
00:32:17she's coming
00:32:21whoops
00:32:22fuck it
00:32:23that was up
00:32:23let's try again
00:32:34she's
00:32:44what
00:32:46she
00:32:58Well, look who it is.
00:32:59Come on, darling.
00:33:12Why are you hiding in there?
00:33:24Nia, these men are dangerous.
00:33:28No, stop!
00:33:32Wait, I'm sorry.
00:33:34I'm sorry.
00:33:41The rest are not who you're looking for.
00:33:45Mr. Walsh?
00:33:49Mr. Walsh, I think I might have seen them going into the toilets together.
00:33:56She might still be in there.
00:34:04Made a new friend today.
00:34:06Hmm?
00:34:09I wonder what you both talked about.
00:34:15Mr. Walsh, is going to be in this office?
00:34:18Mr. Walsh, is going to be in the apartment.
00:34:20Mr. Walsh?
00:34:32He's going to be a room for 17-11 years?
00:34:32Mr. Walsh?
00:34:44Mia!
00:35:09I thought if she was there, boss, that's her.
00:35:11Oh, yes.
00:35:21I want you all out of my bar.
00:35:34Ready?
00:35:36Glass?
00:35:48Right now!
00:36:04Now! Now!
00:36:08Do you want to see this thing last?
00:36:10Do you want to get the fuck out of here?
00:36:15Get back! Get back!
00:36:17Take closer, girls.
00:36:39I'll go!
00:36:40Come on!
00:36:43You're good to get the fuck out of here.
00:36:44If you don't do that, the fuck is so tight.
00:36:48No!
00:36:48No!
00:36:48No!
00:36:49No!
00:36:49No!
00:36:50No!
00:37:08I'm sorry.
00:37:09I've been shocked.
00:37:12What is this?
00:37:14This is just...
00:37:16Sorry.
00:37:19Clear.
00:37:21My browser history.
00:37:27It's gonna be.
00:37:29That's life.
00:37:31Sorry.
00:37:33Bring her to me.
00:37:37No witnesses.
00:37:39Kill them all.
00:37:56Get out of here.
00:38:02No.
00:38:03Get out of here.
00:38:06Go on!
00:38:10Oh, my God.
00:38:40What is that?
00:38:43This really was us one percent centuries ago, you know that.
00:38:45Way out.
00:38:46Yes.
00:38:47Or something better than nothing.
00:39:00Let's go!
00:39:09It looks like a hatch.
00:39:22Eddie!
00:39:26No! No! Eddie!
00:39:38Stop!
00:40:10Oh no!
00:40:13Ok.
00:40:24My point is dat enough.
00:40:30Go!
00:40:33And get away!
00:40:33I'm loose!
00:40:33Edus!
00:40:37I just want to say yes!
00:40:37I will go check the right file.
00:40:37Jimmy, thank you.
00:40:49Oh!
00:40:51Oh!
00:40:52Oh!
00:40:55Oh!
00:40:55Oh!
00:40:56Oh!
00:40:56Oh!
00:40:57Oh!
00:40:57It's going to be...
00:40:59Oh!
00:40:59It's not what they want.
00:41:01It's okay.
00:41:01We'll get...
00:41:02We'll get...
00:41:02We'll get...
00:41:03Everything's still...
00:41:04We'll get you the hook you need.
00:41:05We are...
00:41:06We are...
00:41:07There's a way out.
00:41:08There's a ground.
00:41:10No, I'm not...
00:41:11I'm not leaving your mind.
00:41:15The Olav River.
00:41:17The Olav...
00:41:19What do you mean, the Olav River?
00:41:23Skim, no!
00:41:25Run!
00:41:40No!
00:41:53It's okay.
00:41:54Oh, my God.
00:41:57Oh, my God.
00:42:02Go see what's in there for me.
00:42:07No, thank you, Mr. Walsh.
00:42:09We should leave.
00:42:14Okay.
00:42:19Come on!
00:42:21Game warfare!
00:42:22What are you doing?
00:42:32There has to be a way out.
00:42:34Hey, you sit with me now.
00:42:35Come on.
00:42:36Come on.
00:42:37She works here.
00:42:38Come on.
00:42:49Guys, there's another room back here.
00:42:56Come on, let's go!
00:42:58Hurry, hurry, hurry, come on, come on.
00:43:05Come on.
00:43:06Watch out the car, let's go!
00:43:10Help me!
00:43:19Come on!
00:43:26Come on, Benny!
00:43:28Benny!
00:43:29Come on, Benny, come on!
00:43:31Come on, Benny!
00:43:47Go on, Dewey!
00:43:51I'm Jim Long.
00:43:57Put the girls in here with me, Mr. Walsh!
00:44:00Why do they want her?
00:44:02I don't know.
00:44:04How long have you worked here and not had access to this room?
00:44:06I had no idea. This was here. It's a minute ago.
00:44:09Do you think these are access points to fix the pipes?
00:44:11Well, who cares?
00:44:13They block it up.
00:44:15Prod shooting in.
00:44:16Oh, yeah.
00:44:43You shot me!
00:44:56I need a doctor!
00:45:00Portia, I'm sure I've got a journey.
00:45:02How many muskets?
00:45:04Muskets?
00:45:05God, they're happy. He's updating.
00:45:06Yes, muskets. Very bad.
00:45:11What do they want with her?
00:45:14There's no way to run. You should...
00:45:22All-Up River.
00:45:23River?
00:45:26You think this pipe leads to one of the sunken rivers?
00:45:29All-Up River's what you've said.
00:45:30You lot need to get your prorate you straight.
00:45:32There is no All-Up River.
00:45:35Near a sunken river's a tide being or something.
00:45:39You might as well just give it up.
00:45:42All-Up.
00:45:43All-Up is always part of a ship where the ropes are kept.
00:45:47The skips said All-Up River, but...
00:45:49It could be a way out.
00:46:01Look, is there anything we can do to keep your boss happy?
00:46:11Well, they're obviously looking for what?
00:46:16Something Cap Maldon brought down here hundreds of years ago.
00:46:21Red Cap Maldon.
00:46:26What are you talking about Red Cap's treasure?
00:46:30That's just a myth.
00:46:35Can-can.
00:46:38Can-can.
00:46:43Your phone.
00:46:44Can you tell us this?
00:46:48Language not found.
00:46:50It's not language in the app.
00:46:52Maybe you can have her say something, and it'll translate that.
00:46:56Can you read this?
00:46:58Read it.
00:47:04To destination advance.
00:47:07Coast, departure urgent.
00:47:09No, no, no, no.
00:47:10I think I get it.
00:47:12It's read some words or written in some coded language.
00:47:16Skip said for the All-Up River, and the pipe says All-Up Steel on it.
00:47:20I think Cat, Red Cat, must have left that painting for someone,
00:47:23and Marchandam knows something about it.
00:47:26I bet whatever the art is through this pipe,
00:47:28and Skip realized it when he saw the hatch.
00:47:32Let's try and find it.
00:47:33Hey, let's try and find it, yeah?
00:47:35Maybe we can give it to you, boss.
00:47:37Maybe something's over, buy some time,
00:47:39and we'll keep running.
00:47:41Okay?
00:47:42You're safe.
00:47:43We are safe.
00:47:45Right?
00:47:53Careful, careful, careful!
00:47:55Oh, my God!
00:47:56Get out!
00:47:56Ugh!
00:48:00Oh, my God!
00:48:02Oh, my God!
00:48:08I'm that away, right?
00:48:10I really can't do this.
00:48:20Save yourselves!
00:48:21Stop showing up!
00:48:31Quick!
00:48:31Stop!
00:48:33Stop!
00:48:54Boss, the room's empty.
00:48:56They've disappeared.
00:48:57I need...
00:49:00Oh, well, well, well.
00:49:03What have we here?
00:49:06Now, what is the deal with that room?
00:49:09Well, how would I know?
00:49:10I've never been in there.
00:49:12And besides,
00:49:13it's way too hench to fit through that shit.
00:49:16You're saying I'm not hench enough?
00:49:18It's a fucking hatch.
00:49:19What do you want?
00:49:20Good point.
00:49:21What we want is the girl.
00:49:23More specifically, something she has,
00:49:25a little wrist device,
00:49:26and what she can find with it.
00:49:28But the chief concern is where they could have gone,
00:49:30because they're not in there.
00:49:33I think this one may be able to work it out.
00:49:37Me?
00:49:37What makes you think that?
00:49:39Call it a hunch.
00:49:48It's not my hat.
00:49:57It's not my hat.
00:50:00Come on.
00:50:07Come on.
00:50:08Get home with it.
00:50:10Get home with what?
00:50:13Where'd they go?
00:50:17There's a secret door in here or something.
00:50:22Find it.
00:50:43Keep moving.
00:50:45We're getting there.
00:50:47Getting where?
00:50:49All the way.
00:50:50Bad guys.
00:50:52You're right.
00:50:56Come on!
00:50:57Don't push me.
00:50:58We're moving.
00:50:59Stop.
00:51:00Stop.
00:51:00Stop.
00:51:02Stop.
00:51:03Stop.
00:51:03Get home.
00:51:06Go.
00:51:07Go.
00:51:08No.
00:51:09No, no, no, no, no.
00:51:46Well, shit!
00:51:49He's done it!
00:51:51He's found a little escapement.
00:52:01Ruth!
00:52:02Oh, God!
00:52:02Stop pushing me!
00:52:04Go faster!
00:52:05I'm stuck!
00:52:06I'm stuck!
00:52:07Get out!
00:52:08I'm stuck!
00:52:08AOC!
00:52:09OOT!
00:52:22I'm stuck!
00:52:23No.
00:52:27Oh, I'm stuck!
00:52:28No, me!
00:52:29No!
00:52:30No!
00:52:33No!
00:52:34What's going on? Why are we stopping while the lights are?
00:52:35Is someone talking to you, please?
00:52:36No!
00:52:39He's gone!
00:52:40No!
00:52:41Get off!
00:52:45Get off!
00:52:46No!
00:52:47I'm gonna die.
00:52:50I'm gonna kill you.
00:52:52Breathe.
00:52:53Breathe.
00:52:58Breathe.
00:53:00Breathe.
00:53:01Breathe.
00:53:19Take this.
00:53:25It's a penis.
00:53:28It's a penis.
00:53:34She's gone!
00:53:38The...
00:53:39The American girl's gone!
00:53:42Hello!
00:53:43Something's...
00:53:45Something's coming.
00:53:49Something's coming!
00:53:57I found a way out!
00:53:59It's a crazy core.
00:54:03It's not mine.
00:54:05Sorry.
00:54:06It doesn't mean anything.
00:54:15It doesn't mean anything.
00:54:22I can't.
00:54:23What do we need?
00:54:23It's a new one.
00:54:23We're off to the place.
00:54:25We are now running closer!
00:54:27They definitely did it!
00:54:28It was wonderful.
00:54:28I don't know.
00:55:02All this is under the bar?
00:55:04Under the bar and so far back we are no longer in Soho.
00:55:08Here's no shit.
00:55:11Skip's starting your gun supplies.
00:55:16I heard voices.
00:55:17They're coming.
00:55:22The way out's that way.
00:55:24Well, let's move, yeah?
00:55:25If they catch us, we're dead.
00:55:29Someone's been paying attention.
00:55:32Follow the breeze.
00:55:40Hang on.
00:55:43We're going out.
00:55:44We're going out.
00:55:45We're going out.
00:55:45Your translation.
00:55:49Stop working.
00:55:50What are you doing?
00:55:51Let's move.
00:55:52We can't hang about.
00:55:53One second.
00:55:54We're going out.
00:55:55We're going out.
00:55:56I need to go this way.
00:55:57Oh, no, no, no.
00:55:58We need to get out of here.
00:55:59It's too dangerous.
00:56:00Hey.
00:56:00What are you doing?
00:56:01The danger.
00:56:02What are you doing here?
00:56:08What do we do?
00:56:10I'm sticking with her, but if you want to go, you can go.
00:56:13I'm still with you guys.
00:56:15It seems safe.
00:56:16What are we doing hanging about?
00:56:17Come on.
00:56:18It's that way.
00:56:20You said follow the breeze.
00:56:23The breeze is that way.
00:56:25You're following the echo of the breeze.
00:56:28What?
00:56:28The echo of the breeze.
00:56:30It makes sense to me.
00:56:47Oh, Shanda, slow down.
00:56:49Oh, Shanda.
00:57:08Oh, Shanda, slow down.
00:57:41My sister, my friend.
00:57:52My sister, my friend.
00:58:01Oh, my God.
00:58:01She's found her.
00:58:03Found who?
00:58:05Red Cat Morgan.
00:58:08Oh, my God.
00:58:09My friend.
00:58:12That thing around her neck, that's what Walsh has been looking for.
00:58:16Walsh's father was a respected historian and archaeologist specializing in 18th century piracy.
00:58:24In particular, Red Cat Morgan and her vast riches.
00:58:29On one of his expeditions, he discovered three small bundles of cloth, all decorated with a distinct crest.
00:58:36The crest, in one, the crest, in one, a pendant, in the other two, nothing.
00:58:42It led him to buy the dragon princess restaurant, thinking the crest was a sign of where the treasure, or
00:58:49at very least, the other two pendants were kept.
00:58:54That's why the symbol on her wrist matches the one in the dragon princess restaurant.
00:58:59He was wrong.
00:59:00It was a red herring, and there was no treasure.
00:59:02There was no more pendants.
00:59:04He got the wrong place.
00:59:07It was an obsession that spread from father to son.
00:59:11All that spurred them on was that single pendant, which they knew was only one of three.
00:59:21Months ago, a geological expedition stumbled across Marshander's ship.
00:59:26Walsh used all his underground connections to get Marshander's body, and what she wore around her wrist.
00:59:32It was only then he learned what his father never knew.
00:59:36The wrist device contains a compass, which locks in on each of the pendants.
00:59:42When all three are brought together and inserted into the wrist device, the compass would guide the wearer to the
00:59:48final treasure.
00:59:50Marshander's pendant guided her to Red Cat.
00:59:53Now it's only Walsh's piece that needs to be added before he can finally get what he wants.
01:00:08I'm your crew now.
01:00:11You're safe.
01:00:13Take care of you.
01:00:15Sister.
01:00:19Sister.
01:00:34You don't want to go, right?
01:00:36Which way?
01:00:46No, no, that wasn't, like, the wrong way.
01:00:49You said it was that way.
01:00:55You go, I fight.
01:00:57Good idea.
01:00:58She should fight.
01:00:58Shut up.
01:01:00She's great at it.
01:01:01What do you want from me?
01:01:02No.
01:01:02What are those?
01:01:03Blacks?
01:01:04Yeah.
01:01:04I must have gone down there.
01:01:05Yeah, I see you.
01:01:06I can't leave her.
01:01:08Oh.
01:01:11Move!
01:01:12Move!
01:01:13Move!
01:01:28Get them out of bed.
01:01:37Move!
01:02:13Stop them!
01:02:49I can't come back, I can't let you, I'll be busy, I'm gonna get help, run, they need her alive,
01:02:56you'll do better than the others.
01:02:57Get out of here.
01:02:59Go, go!
01:03:00Alright.
01:03:43Look out!
01:04:00No!
01:04:04No!
01:04:05No!
01:04:06No!
01:04:06No!
01:04:29No!
01:04:30No!
01:04:31No!
01:04:31No!
01:04:31No!
01:04:35No!
01:04:36No!
01:04:38No!
01:04:40No!
01:04:43No!
01:04:47No!
01:04:47We've got them all now, boss.
01:04:49They're not going anywhere.
01:04:51Good.
01:04:53I'll go get Mr. Walsh down here.
01:04:57Let's finish this.
01:05:15Oh my God.
01:05:19No!
01:05:27Oh, no!
01:05:28You're not going to get away with this.
01:05:33Don't you try to hurt the face of you!
01:05:43Whoa!
01:05:44Careful!
01:05:46Sorry.
01:05:48What?
01:05:49It's him!
01:05:50I knew I'd find you.
01:05:52Shut up!
01:05:53I thought you were dead.
01:05:55I thought you were all dead.
01:05:56Yeah, we tried to slip a gun off one of them and then these two gave me the old Liam
01:06:00Neeson.
01:06:00Which one of these is loaded?
01:06:01I don't know.
01:06:02Well, is she going to be all right?
01:06:04Well, she's made up pretty tough stuff.
01:06:05We have to go.
01:06:06We can't get her through that pipe.
01:06:08No, no, she's our call.
01:06:09Worse than that.
01:06:10There's more of them waiting on the other side.
01:06:11Well, we have to go.
01:06:12We need to get out of here.
01:06:12We need to fill in that breeze.
01:06:14Tough guys up there.
01:06:15Yeah, well, we have these.
01:06:27Can we go?
01:06:29Left it in the car.
01:06:51Let's go.
01:06:52It's going to be okay.
01:06:53We're going to get out.
01:06:54Hey.
01:06:55You guys.
01:06:56I found it.
01:06:58The way up.
01:06:58South Bank. I can see Peter Express.
01:07:01It's this way.
01:07:02Oh, if you wouldn't mind leaving a positive trip advisor of you,
01:07:05I'd be very grateful.
01:07:06Perhaps best not to mention the hostage situation.
01:07:10Or all the dead people.
01:07:17Get them out.
01:07:18There's a police now, buddy.
01:07:19You're not coming.
01:07:20I know, huh?
01:07:23Passcodes, one, two, three, four.
01:07:25Don't check my messages.
01:07:36What are you doing?
01:07:39I just thought we...
01:07:40I just thought we were really good back there.
01:07:42I didn't know...
01:07:42No, not really.
01:07:44No?
01:07:44Don't ever do that again.
01:07:49Right.
01:07:51Sorry, sorry.
01:07:52You're a strange man.
01:08:08I'm so fast, so I turn her faces to soup.
01:08:17All clear.
01:08:21Wonderful.
01:08:23You're all here.
01:08:29Where's Eddie?
01:08:31Resting easy with the dock.
01:08:34Helping restore your little tavern to its former glories.
01:08:39There he is.
01:08:43Not playing with rocks, do you?
01:08:45Yeah?
01:08:51Look at me.
01:08:57No! Stop, stop, stop, stop!
01:09:01Put your hands down.
01:09:04Put your hands down.
01:09:09Please.
01:09:11Please.
01:09:13Please.
01:09:13Please don't let...
01:09:14Please make your men hurt him.
01:09:15Please.
01:09:15Please, honestly, we'll help you.
01:09:20Jesus!
01:09:22Yah!
01:09:38Bring me the wrist divide.
01:09:51It still works.
01:09:54We found Red's piece.
01:09:56And, of course, my Shanidas.
01:10:15It's here.
01:10:17Bring our niece, and the barmaid, to keep her well behaved.
01:10:23Keep the rest here as a bit of extra collateral.
01:10:26If you behave, they'll live.
01:10:28If she behaves, you'll live.
01:10:35Keep...
01:10:38Ah.
01:10:40Ah.
01:10:40Ah.
01:10:42Mm, mm.
01:10:43Mm...
01:10:45Mhm.
01:10:45Mhm.
01:10:45Mhm.
01:10:47Mhm.
01:10:48Mhm.
01:11:10Why?
01:11:14Because I can, and he couldn't.
01:11:16Is that worth murdering my friends?
01:11:18Needs must.
01:11:21And I need her.
01:11:22I need her.
01:11:32I need her.
01:11:35I need her.
01:11:37I need her.
01:11:48I need her.
01:11:50I need her.
01:11:55I need her.
01:11:58I need her.
01:12:02I need her.
01:12:03I need her.
01:12:21I need her.
01:12:21I need her.
01:12:22I need her.
01:12:34I need her.
01:13:08I need her.
01:13:10Do you remember the order they were in?
01:13:14No.
01:13:15I was keeping an eye on them.
01:13:18Does anyone remember the order they were in?
01:13:21Fuck.
01:13:23Years we've been working on this.
01:13:28Does it say what order they should be in?
01:13:31I can't read this shit.
01:13:33This is some dead pirate code.
01:13:53Mia, cut.
01:13:58Great, that's me.
01:13:59The code.
01:14:09It's in silence.
01:14:11I'm going to reopen that.
01:14:13Oh, that's the baby trap.
01:14:16Come on, Mia, come on.
01:14:21Come on, come on, um, thing, thing, thing.
01:14:23Come on Mia, thank you.
01:15:13What do you see?
01:15:23I got the codex.
01:15:33Hey, I don't suppose the goons holding Alfred's hostage will be a problem for you?
01:15:38Nah.
01:15:40No! You can't leave!
01:15:44I have money!
01:15:46Asshole!
01:15:49You can't leave me!
01:15:53Wait!
01:15:55No!
01:16:17Welcome to the smuggler's tavern!
01:16:20So, head to the toilets, empty those bladders before entering Benny's hatch and crawling through the claustrophobic labyrinth of Sebastian's
01:16:27tunnels.
01:16:27Yarr! Welcome mateys to the underground caves of Soho!
01:16:33Waterproofs are available just through here. It is quite claustrophobic so you have been warned, no refunds.
01:16:38How much do pirates pay for their yearly aids? A buccaneer!
01:16:44Come on this way!
01:16:47Alright, Ralph.
01:16:50Be careful.
01:16:54Don't fuck the place up, Eddie.
01:16:59Ah, she's getting really good at that.
01:17:00I know, it's the most pertinent sentence.
01:17:03Seriously though, be careful.
01:17:10Very nice, and I've got pictures on my phone and the clouds, so we've got a plan B.
01:17:14Good, go to Moscow!
01:17:19Nice.
01:17:20Amy.
01:17:25Thanks.
01:17:33What?
01:17:34Hey!
01:17:38What do you want to hang with that?
01:17:40Ah!
01:17:44What…
01:18:11What do you want to hang with that?
01:18:23I don't know.
01:18:49I don't know.
01:19:22I don't know.
01:19:52I don't know.
01:20:21I don't know.
01:20:53I don't know.
01:21:23I don't know.
01:21:50I don't know.
01:22:16I don't know.
01:22:18I don't know.
01:22:54I don't know.
01:23:24I don't know.
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