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19:25A red red star!
19:27A little red stone will slip as a star.
19:34I dreamt of Cameralone and Demant.
19:37What are these problems?
19:39Pentagram is a old religious symbol.
19:43We learn how to use them.
19:46They are 50.
19:47A red red stone will slip as a star.
19:50They are 50.
19:53We are 50.
19:55We will have 50.
19:56I will show you.
19:58Be careful!
20:03When Pentagram is standing on the other way,
20:07the total can be gone.
20:09It is a thing that has been happened.
20:12Even if we are going.
20:14I can see you!
20:16I am so happy that you will think of it
20:17Keep moving on.
20:19Let us hang on together.
20:32Put your body in the distance.
20:35I will come and do it!
20:36I won't see you!
20:38You won't see me!
20:38Pentagram?
20:50I don't know.
21:09I'm going to lose some brother.
21:14FAN!
21:18FAN!
21:25FAN!
21:26It's 6 o'clock, and this is a new one.
21:29The police still stands out without a trace in the case,
21:32with two deaths and one disappearance in Oslo.
21:34A report for the Fremskrittsparty,
21:37and the police say that the police must be removed.
21:42If the police can't even be able to get a trace in the case,
21:44they must be removed.
21:46FAN!
21:47FAN!
22:06FAN!
22:16FAN!
22:18FAN!
22:31FAN!
22:32FAN!
22:34FAN!
22:37FAN!
22:40FAN!
22:41FAN!
22:49FAN!
22:51FAN!
22:52Thank you for your invitation, but I'm not going to be with you.
23:01You have stopped drinking.
23:04Yeah.
23:08I thought it was because of me and Ole.
23:16But it's not.
23:19It's because of the death.
23:22There's one who can decide.
23:34I'm sorry.
23:42Harry?
23:46Harry, hold me.
23:47No.
24:19What are you holding on with?
24:22I'm looking for our man.
24:25He was like the kelter.
24:26Like the kelter?
24:34Can I take the project a bit closer?
24:36Yes.
24:39Are you okay?
24:41The kelter...
24:43The kelter used the pentagram to determine where the katedral should be.
24:46On the cassette, he says that the katedral should show the path.
24:51Here.
24:52Camilla Lohan.
24:54Lisbeth Barley.
24:55Barbara Sensen.
24:57This is the card he has made after.
25:05The other.
25:10They go up.
25:14This is a code we have set for a long time.
25:18It was a clear text.
25:20He notices all of them he has met with a diamond.
25:24In which form?
25:25Five.
25:36Five.
25:38Five.
25:40Five.
25:42Five.
25:49Five.
25:53Four.
25:55Five.
25:57What kind of do?
25:58Right?
25:58The, the.
25:59You are much to describe it.
26:00ThePL.
26:01Art, art, satanism, and sword magi.
26:05We have five senses, five lives, and akupunktur.
26:12The most important monster here is this.
26:15He painted a pentagram, let it over the city,
26:19and let the stars peek out of the places he would kill,
26:22and then he waited.
26:24At the right day, at the right time,
26:26he dressed up like a bicycle,
26:27drove to Ullevålsvein, ringed on the 5th floor,
26:31and the one who answered was Camilla.
26:33Is Lisbeth Bali?
26:34If he took him out on the street,
26:35he doesn't know that he lives on the 5th floor.
26:37He didn't take him out on the street.
26:39He stood in the street, saw that he came from the 5th floor,
26:42and followed him out on the street, and...
26:44No matter what, the offer is accidental.
26:47The key here is the place.
26:49If it was Willy Bali who took the offer from the 5th floor,
26:52and not his wife,
26:53then he would have been the offer.
26:54Now that we have the code,
26:56so we don't know where the next two draper will happen.
26:59We don't know when.
27:01And five days between the two draper,
27:02it will be...
27:03In the morning.
27:05And he works with the clock,
27:07so the next place is here.
27:10It's a student home at the camp.
27:13I'm going to go to the camp.
27:14I'm going to go to the camp.
27:14No, we don't have any more.
27:17So Tom and Delta,
27:18they check the student home at the 5th floor.
27:21I'm going to go to the 5th floor.
27:21Have you talked about it?
27:22Yes, we're here.
27:23There are a lot of units,
27:24but the student's are on the 5th floor.
27:27There's no 5th floor.
27:28There's a house in the same place.
27:30There's no 5th floor here.
27:32Okay, let's go in and see where we can go to.
27:40Good morning.
27:42Good morning.
27:43Hey.
27:44I'm from the police.
27:45I'm going to ask you a question.
27:46I'm going to ask you a question.
27:47I'm going to ask you a question in 1934
27:48as a tuberculosis home.
27:50Then I'm going to ask you a student home.
27:52Google Verne.
28:02Ja, to son min, ja.
28:06Yeah.
28:07Du, em, ja.
28:09Ja, du har kans', lest om de drapene på de unge jentene siste uken, hey.
28:14Ja, jeg har jo hørt at det er skjeld,
28:17men jeg lesr skjelden om den slags.
28:19No, we don't think that you're a serial killer and that one of his two next goals will be on
28:23the same list.
28:30Yes, can your son live here in the morning?
28:34Or if you can live with him?
28:37He lives in the island.
28:40It's difficult.
28:44Would it be good for us here in the morning?
28:46Yes, it's good.
28:48What's going to happen tomorrow?
28:50Yes, it's good.
29:02Did you say to her that she was the next one who would die?
29:05Yes, it's good.
29:14It's good to go a little bit around the wall sometimes.
29:17Elmpleyga, or something like that.
29:18So you've heard about it. It's good at all.
29:20I don't think so.
29:21I've never been able to talk to people.
29:27My wife was shot at Kloss Hall.
29:29There was no meaning of it.
29:30The lading went through the heart, so it...
29:41ghost pudding.
30:02Hey there!
30:03What do you think of?
30:06No, it's...
30:07It's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like that he has removed these offers.
30:17And then he cut his fingers to the right hand in the right hand.
30:21He starts with the finger finger, so the finger finger, so the finger finger.
30:25A little systematical there.
30:27Why don't he start with the finger finger?
30:38I don't know if it's like a woman, the finger finger finger, right?
30:42It is done.
30:43So, you said that.
30:44That's a good thing, okay.
30:55I have something to tell you.
30:57Okay.
31:01I promise you won't be angry.
31:03Promise.
31:05You can't promise, Dan.
31:09I'm pregnant.
31:18I...
31:26Please, say something.
31:37Visit my mother.
31:39What?
31:40You're always wondering what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother in the city?
31:52What else can I miss, Anna?
31:55What?
31:59But since you are carrying our child now, I need you to know exactly what I do.
32:08What I really am.
32:11I don't know.
32:40What are you doing?
32:59Pulle and coffee?
33:02Are you sure you don't want to try anything better?
33:06Yes, thank you.
33:07I know.
33:09There's a little bit to take care of.
33:13No.
33:15It's about life in general.
33:18I think I should...
33:19Well, I ask you...
33:23Well, I ask you...
33:24Well, I ask you...
33:25The act of coffee is much better than your pulper coffee.
33:30The act of coffee is made like that at home.
33:41I'm not going to lie to me.
33:47I will not lie to me.
33:48We're not like you, Johan.
33:51I will not lie to me, I will not lie to me.
33:54I will not lie to me if I want to lie to you.
34:00If I want to lie to you, I will not lie to you.
34:06Ari, I like to see you.
34:13I like to see you on me.
34:22I...
34:23I...
34:26I...
34:26I can't...
34:30I don't know what it is you think I have, but...
34:35I can't...
34:37It's a great place.
34:42It's all good.
34:43It's all good.
34:45It's all good.
35:01It's something that's...
35:02It's all good.
35:03Are you ready for this?
35:09Ah...
35:18I'm sorry, I'm going to...
35:20You have a new letter.
35:23It's time 19.45.
35:26It was...
35:30It was nothing.
35:45Hey.
35:53How did you find me?
35:56I'm not sure what I did.
35:59What are you doing here?
36:03What are you doing here?
36:17What are you doing here?
36:21I don't know why you and Papa are here.
36:26Is that what you want to find out?
36:33What are you doing here?
36:36What are you doing here?
36:40You're a lady here too.
36:43She's a good girl.
36:46And also...
36:50She's a very dangerous person for me.
36:53And you.
36:57Okay.
36:59Okay.
37:04What I'm trying to say is that...
37:11Her name has died in my life after something else.
37:16Now I'm going to help you.
37:20You can stop it now.
37:23You can stop it, okay?
37:26I'm not trying to stop it.
37:33If you...
37:35You don't take it again...
37:38You don't have to stop it.
37:41You don't have to stop it.
37:45You don't have to stop it.
37:49It's better.
37:55If it's you and mom around...
37:56If you and mom with me...
37:57I will never drink again.
38:11Theattears turns red to1000,
38:16they won't go back!
38:18I have not set up the microphone.
38:20You don't need to listen to the sound.
38:23I have not set up the camera.
38:30The host of the virus has agreed to close the sound between 4 and 6.
38:34Yes.
38:36Is it good?
38:37Yes, we will be in many hours before 5.
38:4024 people in all.
38:411p3, gas basket and gas,
38:43ready to action on the signal from the bus.
38:45Do you have to knock on the bus or try to take the signal from the bus?
38:50We will wait until 5.00 pm.
38:57I'm in the morning.
38:59I'll find you at 6.00 pm.
39:01It's nice.
39:03What do you want to do?
39:05I thought a dress.
39:07It was the one I bought in Hegdalsvein until 17.05.
39:09It's dark.
39:11Yes, it's one of the dresses you have.
39:13Yes, it's definitely a dress.
39:15Yes.
39:18Yes.
39:19But, I...
39:23Yes?
39:25I said yes because I...
39:29I thought it was a good reason to...
39:35It's something I want to tell you.
39:37Okay.
39:38Okay.
39:41Yes.
39:43Yes.
39:43But, we'll take it on the dress.
39:46Yes.
39:47Yes.
39:48Yes.
39:49Yes.
39:49Yes.
39:50Yes.
39:51Yes.
39:52Yes.
39:53Yes.
39:53Yes.
39:54Yes.
39:57Yes.
40:00Yes.
40:12Yes.
40:12Well you've got a purse.
40:14Yes.
40:15Yes.
40:15No.
40:16Yes.
40:17So, yes.
40:21Yes.
40:26It's, no.
40:27No, not too.
40:27Yes.
40:28Yeah, you like tea, I love tea.
40:30Mm, good.
40:48Was it so much when your son was little?
40:51Cos and mys and so on?
40:53He grew up together with me.
40:57I got married when I was 15 years old.
41:01Yeah, that was a scandal.
41:05My son had to send him back.
41:08But...
41:10How was it for you, then?
41:13You were so young and...
41:15You just sent out your son and...
41:20They gave me no choice,
41:22as they said.
41:23But you have always a choice.
41:26It's a conflict.
41:28I know, and he knows.
41:33What's he doing today?
41:35He works for import.
41:37Yeah.
41:38Yeah.
41:38I think he said that he importered some goods from Europe.
41:42It goes well.
41:44But...
41:44It's not always been like that.
41:46I think you'll find it in your archives.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56I hope so.
41:57He doesn't say so much about himself.
41:59But I think he feels like a girl.
42:02He said on the phone he had a newbie.
42:04He didn't say anything before he came here.
42:06He came here?
42:08Yes.
42:08He came here at night.
42:09Or he went to a meeting first.
42:11Then he went to the town in the morning.
42:13Then he went back.
42:15To?
42:15So I know.
42:39He's gone too far.
42:41It's an niet-bye the cat.
42:42It's not like hello at the cat it's coming.
42:45Do you think he's right here?
42:50Did he see the 303 go from there?
42:54No.
42:58I'll check the 303.
42:59I don't know.
43:05Alpha to Charlie 2, come in. Over.
43:07Charlie 2.
43:08Are you ready?
43:09Got it.
43:35Got it.
43:36Get out of here!
43:403-0-3, clear. One girl and one girl.
43:43Both are naked, naked and very alive.
43:47Fuck!
43:49Just take him back to position, Charlie 2.
43:57It was there.
43:59He didn't go in the house.
44:01Alpha to Alpha 1, the object. Stand by.
44:08He didn't go in the house.
44:25Come on!
44:36Mully object, come in. I sector to Bravo 2.
44:51Mully object, stick to the wall.
44:52Bumma, muligvåpen, sergeant honna.
45:06Help the police!
45:07Now I do!
45:09Help me in!
45:11Leave me in!
45:14Do you have anything in hand?
45:15Just a second.
45:27It's not him.
45:29What's that?
45:31205, one of them we didn't contact.
45:35On the list here, it's called Odd Einar Lillebostad.
45:38I'm sorry, but I think Odd Einar Lillebostad is coming back.
45:44Are you sure he's here?
45:47Are you fine?
45:52Yes, I know you're all right, in the night.
46:03Yes, I'm fine.
46:04It's nice when Martin comes, now you're alone.
46:06Yes.
46:07I can think that it's a bit boring here.
46:11Yes, but when Martin is here so often as he's been,
46:14then I'm going to complain.
46:16But he's been here for the last couple of weeks?
46:18Yeah, one time in the last four weeks.
46:22No, it's actually often. Every 5th day I've been here.
46:26The first time I've been here, I've had a smile for me.
46:29It's just like I've talked to them.
46:31They slip the stone on the very special way.
46:35Hey, it's a spontaneous event.
46:38I've been in Morocco with Georg, a guy I've met.
46:41We're going to live with his parents in a small village called Hassan.
46:46We snog dårlig telefondekning, Annette.
46:50I'll contact you once I come home.
46:52Marius.
47:17What the fuck about you?
47:22Yeah, they lost me if I ate.
47:25I don't even know why.
47:27My girlfriend, she's at the end.
47:30She is starting to cry.
47:31Let me go on
47:43Like I blister in the sun
47:46Let me go on
47:48Big hands, I know you're the one
47:53Body and beats, I stain my sheets
47:56I don't even know why
47:58My girlfriend, she's at the end
48:01She is starting to cry
48:02Let me go on
48:05Like I blister in the sun
48:08Let me go on
48:10Big hands, I know you're the one
48:34When I'm out walking, I strut my stuff
48:37And I'm so strung out
48:38I'm high as a kite, I just might stop to check you around
48:43When I'm out walking, I strut my stuff
48:46And I'm so strung out
48:48When I'm high as a kite, I just might stop to check you around
48:54Body and beats, I stain my sheets
48:56I don't even know why
48:59My girlfriend, she's at the end
49:01She is starting to cry
49:04When I'm out walking, I strut my stuff
49:06And I'm so strung out
49:32I just need to take action
49:34When I came down
49:34You're the body
49:43And you're the body
49:48In the brain
49:50Your body
49:52And I just want to drink
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