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19:11Autè‚¢ro nos
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19:36and then they want to be around.
19:37It's a huge problem.
19:39Pentagram is a old religious book.
19:44Learn about musk.
19:46Then we go to 50.
19:47The red stone is cut off as a stone.
19:50Then we go to 50.
19:53Then we go to 50.
19:53Then we go to 50.
19:54Then we go to 50.
19:55Then we go to 50.
19:57What is that?
19:58Hold on!
20:03Pentagram is on the other way,
20:07so...
20:07That two-talka pek it up.
20:09Yeah, it was a thing that was done.
20:12Learn about musk.
20:14It's a little bit more.
20:16It's a little bit more.
20:17It's a little bit more.
20:18It's a little bit more.
20:20It's a little bit more.
20:22It's a little bit more.
20:25I don't think it's a little bit more.
20:28But I'm sure you're doing it at the top of me.
20:31I'm sure I have to do it.
20:33You're not sure, I'll have to go.
20:36Let me go.
20:38You must try this.
20:38Mentagram.
20:50I don't know.
21:09I don't know.
21:41I don't know.
21:42I don't know.
21:43I don't know.
21:44I don't know.
21:45I don't know.
21:45I don't know.
21:45I don't know.
21:45I don't know.
22:13I don't know.
22:16I don't know.
22:19I don't know.
22:19I don't know.
22:21I don't know.
22:48I don't know.
22:52I don't know.
22:52I don't know.
23:16I don't know.
23:22I don't know.
23:22I don't know.
23:25I don't know.
23:45I don't know.
23:51I don't know.
23:53I don't know.
24:12I don't know.
24:15I don't know.
24:21I don't know.
24:24I don't know.
24:26I don't know.
24:36I don't know.
24:38I don't know.
24:56I don't know.
25:09Okay.
25:10I don't know.
25:14He's a little bit.
25:19I don't know.
25:24I don't know.
25:26I don't know.
25:27I don't know.
25:28I don't know.
25:29I don't know.
25:38There's a secret.
25:39Around five.
25:40That's the code. It's just a number. Five.
25:42The offer is taken out of it, but it's like...
25:47It's like...
25:49And it's not a house number.
25:51It's...
25:51Fifth.
25:52Fifth.
25:53But why five?
25:55Is it a bad number?
25:58Yeah, it's a lot.
26:01Hexikunst, satanism, sword magi.
26:05We have five senses.
26:06There are five lights.
26:07There are...
26:07Agopunkt two.
26:12The most important thing here...
26:14Is this.
26:15He's drawing a pentagram.
26:17He's leaving it over the city
26:18And he's leaving it here.
26:20He's leaving it here.
26:22He's leaving it here.
26:24He's leaving it.
26:24Right day.
26:25Right time.
26:26He's wearing a bike.
26:28He's calling on the fifth floor.
26:31And who answered it was Camilla Loh.
26:33Is it Lisbeth Balli?
26:34No problem.
26:34He's going to travel further.
26:35If he's taking it out of the street,
26:35he'll have to do this.
26:37He's taking it out of the street.
26:39He's driving in the fifth floor.
26:45If he's taking it out of the street,
26:51he's leaving the fifth floor.
26:52He's going to drag the house again.
26:53So, he'll have to go back in the street.
26:56He's coming under the place.
26:59He's taking it off.
27:01He's using it.
27:02It will be on Monday.
27:04In the morning.
27:05And he works with the clock.
27:08So the next place is, after all likelihood, here.
27:10It's a student home at the camp.
27:12I inform the research group.
27:14No, we can't wait for another location.
27:17So Tom and Delta check the student home at HB Alta,
27:20and I take the 5th address.
27:21Have you talked to me?
27:22Yeah, we're here.
27:23There's a lot of units, but the students are on the summer.
27:26There's no 5th floor.
27:27Yeah, there's a house in the same place.
27:30It looks so good there.
27:31There's no 15th floor here.
27:32Okay.
27:33Let's go in and see where we can go to.
27:40Good morning.
27:42Hi.
27:43Hi.
27:44I'm from the police.
27:45I'm going to ask you a question.
27:46If you were byplanskontoret,
27:47it was built in 1934 as a tuberculosis home.
27:51And then it was done as a student home.
28:02Yes.
28:03It's my son.
28:05Yes.
28:07Yes.
28:08Yes.
28:09Yes.
28:10Yes.
28:10Yes.
28:10You've read the stories of young people the last few weeks?
28:13Yes.
28:15Yes.
28:16Yes.
28:17Yes.
28:19Yes.
28:19Yes.
28:19Yes.
28:19Who's with his daughter like a filme,
28:21he's trying to act like a shot.
28:25Yes.
28:29Yes.
28:30Yes.
28:30Yes.
28:31Yes.
28:31Yes.
28:31Yes, that's aussi real.
28:32No, I don't know.
28:34No, I don't know.
28:40Yes, sir.
28:42Yes.
28:47It's nice. What's going to happen in the morning?
28:50Certainly.
29:02Did you really say to her that she was the next one who died?
29:14It's good to go around the window sometimes.
29:16Elm Preido, so you've heard about it.
29:19At least I've never been able to talk to people.
29:27My wife was shot at Kloss Hall.
29:29There was no meaning to it.
29:30The lading went through the heart, so it was...
29:53Hey there.
29:54Hey.
29:55Are you the guy?
29:56I think I found out the code.
30:03But what?
30:06No, it's like I can read the text, but I don't understand what it means.
30:39So...
30:41Thank you, that's right.
30:42That was good.
30:43I saw it quite well for us to go over here.
30:45Sorry.
30:55I have something to tell you.
30:57Okay.
31:01Promise you won't be angry.
31:03Promise.
31:04I can't promise that.
31:09I'm pregnant.
31:18I...
31:25Please, say something.
31:37Visit my mother.
31:39What?
31:40You've always wondered what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother?
31:51In the city?
31:52Well, it's gonna miss Anna.
31:55What?
31:59Since you are carrying our child now, I need you to know...
32:05Exactly what I do.
32:08What I really am.
32:38I need you to know...
32:40What are you doing?
32:59Pullet and coffee?
33:02Are you sure you want to try something better?
33:05Yes, thank you. I know.
33:09There's nothing to do with it.
33:13No.
33:15It's about life in general.
33:23This is a real coffee.
33:27It's much better than your coffee.
33:30This is what we did at home.
33:41I don't know.
33:42I don't know how to do it.
33:46What?
33:47We're not together.
33:51I don't know how to do it.
33:52I don't know how to do it.
33:54I don't know.
34:00I'm sorry.
34:08I'm sorry.
34:09I like to see on you.
34:13I like that you...
34:16See on me.
34:27I can't...
34:30I don't know what it is you think I have, but...
34:34I can't...
34:36Oh...
34:38It's a great klishe.
34:42It's all good.
34:53Is it Rachel?
34:58Oh my God, it's full of dags.
35:08I wonder if I can go to the theater.
35:16Sorry, I'll just...
35:20You have a new letter.
35:23You have a new letter.
35:23It's time 19.45.
35:27No...
35:30No...
35:31It was nothing.
35:31You have a new letter.
35:55You are a new letter.
35:59You are a new letter.
36:00It's a new letter.
36:03What are you doing?
36:17Are you doing it?
36:21I don't know why you and Papa are here.
36:26Do you want to find out?
36:32You're all the same.
36:38She's a little bit concerned with you.
36:40I have a little bit of a woman here.
36:42She's beautiful.
36:48And she's very dangerous for me.
36:53And you.
36:57I'm sorry.
36:59Okay.
37:04What I'm trying to say is that the dam has been dead in my life after anything else.
37:16Now I'll help you.
37:20You can let it sit.
37:22You can stop there, ok?
37:25Yes, if I can't stop.
37:33If you don't drink again,
37:39don't I hear you?
37:49It's better.
37:55If you and my mother are together,
37:57I'll never drink again.
38:18I'm...
38:18I don't have to put the microphone on.
38:20Do you need to hear a voice on his phone?
38:23I don't have to put the microphone on my phone.
38:30The virus is oh-
38:31Do you know that they are going to close and stay in between 4 and 6?
38:34Yes.
38:36Is it good?
38:37Yes.
38:38We are going to be in a few hours before 5.
38:4024 people in all.
38:411 on 3, a gas basket and a gas.
38:43They are ready to action on the signal from the bus.
38:45Do they have to knock on or try to take care of them?
38:50Now we will wait until 5pm.
38:57Yes.
38:57I'm in the morning.
38:59I'm going to take care of them at 6pm.
39:01That's fine.
39:03What do you want to do with them?
39:05I thought a dress.
39:07I bought it in May.
39:09It's dark.
39:11Yes, it's the dress you have.
39:13Yes, it's definitely the dress.
39:15Yes.
39:19Yes.
39:19But I...
39:23What?
39:26I said yes because...
39:30I thought it was a good reason to...
39:35It's something I want to tell you.
39:38Okay.
39:41Yes.
39:43But we will take it when we see you.
39:46Yes.
39:47Have a good day.
39:51Have a good day.
40:08What happened?
40:09Troppen had placed civil guards around the house.
40:12It's just the living room in the house.
40:14Which means in the 303.
40:16She was a snubber with her,
40:17but she sat down at the door.
40:19All the others are ready.
40:26Then we'll get tea.
40:27Yes.
40:28Do you like tea?
40:29Yes, I love tea.
40:30Yes.
40:31Good.
40:48Would you like tea would find me?
40:49What did you do when your son was little?
40:51Be nice and warm, and so...
40:53He didn't grow up with me.
40:57He grew up together with me.
40:58I got got sick when I was 15.
41:00Yes.
41:02That's a scandal.
41:05My husband had to send us back.
41:09But... How was it for you?
41:12I saw you were so young and...
41:15...and just sent out your son and...
41:20They gave me a choice, as they said.
41:23But you have always a choice.
41:26I'm in trouble.
41:28I know what he knows.
41:33What does he do today?
41:35He works with import.
41:38I think he said he imports from Europe.
41:42It's fine.
41:44It's not always been so.
41:46I would believe you can find your archive.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He says a lot about himself.
41:59But I think he finds a son like him.
42:01He said he had a new one.
42:04He didn't want to say anything before he came here.
42:06He came here?
42:08Yes, he came here at night.
42:09Or he went to a meeting first.
42:11Then he went to the town in the morning.
42:13Then he went back.
42:15To?
42:15To Prague.
42:38To va least.
42:40Not you.
42:42No.
42:42No.
42:43Yeah.
42:45Do you think he's going to be here?
42:50Did you see the 303 go there?
42:54No.
42:58I'm going to check the 303.
42:59I have no risk.
43:01No.
43:05Alfa to Charlie 2, come in. Over.
43:07Charlie 2.
43:08Are you ready?
43:09I'm going to go to 303.
43:14No.
43:40303.
43:44303.
43:44Nakne og veldig i livet.
43:47Fuck!
43:49Just take your clothes and take him back to position, Charlie 2.
43:53What's that?
43:58He didn't even go in.
44:01Alpha to Alpha to Alpha to Alpha.
44:02Stand by.
44:19Delta Black.
44:23When I'm walking I struggle...
44:36Muglio obiekt. Come in, isecto, te bravo tu.
44:50Hi.
44:51The fire objects.
44:52The fire objects.
44:52The fire objects.
45:01Help me!
45:07Be quiet!
45:09Stop!
45:09Get back!
45:14I don't have anything in my hand.
45:15Just a second.
45:27It's not him.
45:29Sorry.
45:31205 is one of those we didn't contact with.
45:35On the list, he's called Odd Einar Lillebostad.
45:38But I think Odd Einar Lillebostad is coming back.
45:44Do you think he's here?
45:47Come on.
45:49Come on.
46:03It's nice when Martin comes when he's alone.
46:06Yes.
46:08I think he's a little lonely here.
46:11Yes.
46:12But when Martin is here so often, I'm going to complain.
46:16But he's been here for the last few weeks?
46:19Yes.
46:20One time in the last four weeks.
46:22No, it's actually often.
46:24Every 5th day I've been here.
46:26I'm not even here, so-
46:27I had a smiley's face.
46:29You're supposed to wake up.
46:32No, I don't know.
46:36No, I don't know.
46:37No, our live here is.
46:37No, I don't know.
46:40No.
46:44No.
46:44It's a small fjellandskryse called Hassan.
46:47We have a bad telephone and network.
46:49I'll contact you once I come home.
46:52Just go.
47:14I'm stuck and I'm so stuck out.
47:17When I'm high, it's a kind that I turn my head.
47:20Stop to check you out.
47:22I'm in the body and beat by the same machine.
47:25I don't even know why.
47:27My girlfriend, she's at the end.
47:30She is starting to cry.
47:32When I'm walking, I'm struggling to stop again.
47:35I'm so stuck out.
47:37I'm high, it's a kind that I turn my head.
47:40Stop to check you out.
47:41Let me go on, like I blister in the sun.
47:46Let me go on, big hands, I know you're the one.
47:53Body and beats, I stain my sheets, I don't even know why.
47:58My girlfriend, she's at the end.
48:01She is starting to cry.
48:03Let me go on, like I blister in the sun.
48:08Let me go on, big hands.
48:11I know you're the one.
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