00:28Transcription by CastingWords
00:38CastingWords
01:06CastingWords
01:07He's a friend.
01:10Maybe he's going to have a big deal?
01:13He's a real mistake, so...
01:15I don't think I need it. Thank you.
01:24Where did he come from?
01:25No, he didn't do it. He's a politician.
01:39I don't know.
02:21Let's go.
02:46Let's go.
03:09Let's go.
03:38Let's go.
03:39Let's go.
03:40Let's go.
03:41Let's go.
03:42Listen up.
03:43If your mom wakes up, I'm going to be forced to die.
03:48Do you understand?
03:49Let's go.
03:51Let's go.
04:03Let's go.
04:06Let's go.
04:20Let's go.
04:21Let's go.
04:21Let's go.
04:26Let's go.
04:39Let's go.
04:40Let's go.
04:41Let's go.
04:52Let's go.
04:54Let's go.
04:56Let's go.
04:59Let's go.
05:31Let's go.
06:04Let's go.
06:30Let's go.
06:32Let's go.
06:33Let's go.
06:45Let's go.
06:58Let's go.
07:02Let's go.
07:05Let's go.
07:06Let's go.
07:33Let's go.
07:35Let's go.
08:05Let's go.
08:06Let's go.
08:34Let's go.
08:57Let's go.
08:59Let's go.
09:00Let's go.
09:01Let's go.
09:03Let's go.
09:04Let's go.
09:07Let's go.
09:21Let's go.
09:24Let's go.
09:32Let's go.
09:44Let's go.
09:55Let's go.
10:00Let's go.
10:02Let's go.
10:04Let's go.
10:05Let's go.
10:07Let's go.
10:11Let's go.
10:14Let's go.
10:16Let's go.
10:24Let's go.
10:39Let's go.
10:41Let's go.
10:45Let's go.
10:48When I came to the hotel again, as soon as I ordered it, I came home from it.
10:52I wrote my account number on the back side of her.
10:55I remember her four years ago when she came to our house.
10:58She wanted to sell us a face-to-face with a stjerne form of the mat.
11:02We got a card with an address on it if we were to buy more.
11:08How do you think it is when you understand the person you love?
11:13You don't just defend me, but you're not in order to love me.
11:19What did the other day do?
11:22It was her that wrote. It was post-templated in the check.
11:27It came back, because it was an unknown address.
11:30Martin, it's been so long since I've heard from you.
11:33I hope the money I sent you helped.
11:35I still don't think about anything else.
11:39When I love my husband, I'm telling you that he's there.
11:44Where are you?
11:44But that was not the worst. The worst was to see the data-stemplate.
11:50For that had she sent...
11:53...i februar.
11:56...i year.
12:00What did he do?
12:03What did he do?
12:06And then you put your daughter on your sister, and you put your name on him.
12:12It's easy to change your job.
12:15But you said you should find him.
12:18Never more.
12:20He told us that he was on a ship with a stone form, a diamond, and what hotel it was
12:25on.
12:27He just sat down and waited.
12:35And I told him that I needed a man who could find a diamond, and a weapon, without a difference.
12:43And then we told him that he would come to Oslo, and put his clothes in a søppelbøt in the
12:48back of the fifth day.
12:50Now you knew that he was here, and that he never had a baby when you died.
12:55And then you took it four times.
12:58And then you played the cassette that you had in the past.
13:02A five-cant-cars.
13:04Give me a question, and I'll give you a answer.
13:08Then you sent us the finger to your wife.
13:12Why are you doing this so complicated?
13:16Because I needed a søttebook.
13:19If this thing had not been done, and Lisbeth had just been done, then everyone had thought over me.
13:23So, that's something.
13:24Right?
13:24Because it's always the ectoman.
13:28Who is he?
13:30He's in Syria.
13:31Great.
13:34Set him down.
13:35Let him go, let him go.
13:36Let him go!
13:40Let him go!
13:41Set him down.
13:41Set him down!
13:45That's how he reacted.
13:59It's just a single man who has followed his heart.
14:03Can you tell me what heart is most broken?
14:07Is it a heart that has never been able to love it?
14:10Or is it a heart that has never been able to love it?
14:25Where are you?
14:27She is here.
14:31She is always here.
14:33This is what you don't understand.
14:34For I have made up a place that I only know.
14:38For me.
14:40For her.
14:42I want her to have her here for always.
14:46I have made up a spread, Harry.
14:48My problem is that I just tried to do it again.
14:52But I don't understand.
14:55What are you talking about now?
14:57Okay, let me go.
14:58What are you talking about?
14:59Let me go.
15:00Let me go.
15:08Let me go.
15:14The new Lisbeth.
15:17No, he didn't.
15:21Come.
15:23I think the people you want to rebuild, all lets away all.
15:27So well.
15:32You are so w fossil.
15:39How are you smelling?
15:41How are you smelling?
15:42You are the stepping r我就.
15:48Okay.
15:48Here.
15:49The public will never say that I just want to be with you at the police station.
15:54You need a happy ending.
15:56If I don't have a happy ending, I will make a happy ending.
16:01Is this my life motor?
16:05In this case,
16:08a death motor.
16:10The gas goes down from...
16:135.
16:19You are so bad.
16:244.
16:29What are you doing?
16:32It's not your problem.
16:35It's me.
16:363.
16:39You are with me.
16:422, Helge!
16:432.
16:463.
16:47They are mine.
16:55They are mine.
16:583.
17:054.
17:064.
17:085.
17:125.
17:147.
17:155.
17:185.
17:236.
17:256.
17:266.
17:268.
17:268.
17:2710.
17:2812.
17:3020.
17:3020.
17:4321.
17:44I'm sorry, I'm sorry, I'm sorry!
17:46I'm sorry!
18:07What are you doing?
18:14I'm sorry, I'm sorry, I'm sorry, I'm sorry.
18:40Yeah.
18:41Do you have any details?
18:42No.
18:43Okay.
18:44What the fuck are you doing, Nathan?
18:46Do you have any contact with me?
18:48No.
18:55I'm in here.
19:24I'm in here.
19:29I have nothing to do.
19:29This is the first time I saw the Joker.
19:29I'm in here.
19:33I'll be right back to the Joker.
19:33There's a lot of stuff.
19:36I'll be right back to the Joker.
19:36There's a lot of stuff here.
19:37I'll be right back to the Joker.
19:38In the fight.
19:39I was gonna be a friend.
19:40I was gonna be a friend.
19:40Do you know what I had to do?
19:42Hello.
19:43Hi, Harry.
19:44I've tried to ring you.
19:45I don't want to call you.
19:48No, he's gone.
19:50I'm at the police station now.
19:52I'm waiting for them.
19:53If they don't miss him, I know.
19:56I'll find him.
19:59Where are you?
20:01I'm going to go.
20:02Harry, I'm not going to go.
20:04Go home and lock the door.
20:06You're not safe at the police station.
20:07It stood on me.
20:08You can just tell me.
20:10It stood on me.
20:16Are you ready to go home?
20:26Hi, Harry.
20:28I'm going to ask where we are.
20:32If you hear him, I'll help you.
20:34Where are you?
20:35Where are you?
20:39I'm going to send everything to the right.
20:43It's not for sure.
20:44Tom, how are you?
20:46Give me the address.
20:47Tom, where are you?
20:49Quick.
20:51I gave you an offer that would change your life.
20:53Instead of doing it like this.
20:55It's your fault.
20:58Tom.
20:59How do you feel when you're in the neck?
21:01The nose of the nose.
21:03The nose of the nose.
21:04The smell of the smell.
21:08Tom.
21:09It's like when you're with a tooth.
21:10You can't take off the air.
21:13The air.
21:14The house.
21:14The 406.
21:16The house.
21:18Okay.
21:19Come on.
21:20I'm going to go home.
21:21It's about 20 minutes.
21:23Let the door open.
21:24Sit on the door with hands.
21:25I'm going to see you.
21:26Tom.
21:28Tom.
21:29Come on.
21:36Come on.
21:39Come on.
21:46COVID-19
21:47Planets 700 pellets shot.
21:48Do not work.
21:51Jay Paul.
21:52And stop.
21:54Are you here?
21:56Get back.
21:57This is pretty god.
21:59I don't know.
22:35I don't know.
23:05I don't know.
23:07I don't know.
23:08I'm sorry.
23:11I can't.
23:14I can't.
23:19I can't.
23:26I can't.
23:28We stand on, so it's easy.
23:36Oleg, are you okay?
23:38You're totally okay.
23:41Are you okay?
23:43Unsu!
23:44No, no, no.
23:45I'm still there.
23:45No, no, no.
23:45What the hell is this?
23:47Something is going to sit down in the room.
23:51It's going to be here now.
23:52To the room.
23:54What?
23:55Matu, spot him!
24:02Man, you have to do it on your plan.
24:05What the hell is it?
24:07I think you had to live with me there.
24:11You didn't see me as I was myself.
24:14It's not the same thing you did.
24:18You didn't know anything you did.
24:19You forgot to tell me that a woman is just a dumb party.
24:21What?
24:22You kidnapped her son on the road.
24:24So he was found together with you.
24:26And when did you have the chicken?
24:34I thought I knew you were going to find us.
24:36I thought it was difficult enough.
24:38I'm sure you would have gotten a mistake.
24:40No, Oleg!
24:41Oleg!
24:42Come back!
24:43Come back, or else I'll shoot you.
24:44What are you doing?
24:46I'm going to drive with a friend, because there's almost no job.
24:50What are you talking about?
24:52What are you talking about?
24:52Everything was taken out.
24:53For example, if I had to ring him in the camera, over-walking.
24:57I ringed to Otto, so I can just ring him in the camera.
25:02You're done.
25:03I'm not a guy.
25:08No, no, no, no.
25:09What are you talking about, Oleg?
25:11The camera is showing me that I've gripped a colleague who has completely beaten up, and had kidnapped a hectare.
25:18I'm going to go to the camera.
25:19And the head of the head.
25:21What the fuck are you talking about? There's no sound recording.
25:31Take the head of the head.
25:34Try the button.
25:42I don't have a chance to film everything.
25:47I'm going to go to the camera.
25:50In me.
25:51In, sir.
25:59I'm going to get your pistol.
26:01I'm going to put it in the hole.
26:05Come on.
26:11I'm going to get you ahead of my car.
26:16I'm going to go to the car.
26:16Come, come, come, come, come.
26:18Come, come, come.
26:20Come.
26:24Oh
26:52I want you to die.
27:00Ulich!
27:02Come here, Harry.
27:03Harry!
27:04You are already here.
27:05I'm sorry to have you with the rest of the world.
27:20No, no, no, no, no, no, no.
27:42No, no, no, no.
28:05No, no, no, no, no, no, no, no.
28:08No, no, no, no, no, no, no.
28:10No, no, no, no, no, no.
29:06No, no, no, no, no.
29:31No, no, no, no, no.
29:40No, no, no, no, no.
30:21No, no, no, no, no.
30:57No, no, no, no, no, no.
31:07No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
31:43her
31:44I
31:45want a
31:51Oh, my God.
31:54Was you right?
31:58I'm sorry, I'm sorry.
32:04Yeah, I must...
32:07I must do it.
32:09You're sick, yeah.
32:15I'll do it better.
32:21I'll do it better.
32:22I'll do it better.
32:26I'll do it better.
32:49I'll do it better.
32:55I'll do it better.
33:02I'll do it better.
33:14I'll do it better.
33:17I'll do it better.
33:18I'll do it better.
33:18I'll do it better.
33:19I'll do it better.
33:27I'll do it better.
33:32I'll do it better.
33:34I'll do it better.
33:36You're not ready to go home now.
33:37You'll be in the hotel.
33:42I'll do it better.
33:43No, no, no, no, Martin Abelnau will be back to her house.
33:47I'm going to have him there until tomorrow's more information.
33:51I'm sorry. Character. Can you hear me?
33:57Okay.
33:59A gig pop-riff.
34:01Okay.
34:02Yes, his friend's brother is also in a house.
34:06We have stopped him. He's in good mood.
34:09If you don't say anything,
34:10I don't know, so can it be that I don't have a dash with a promille there?
34:18I've talked a little bit about CFO, but they think that...
34:23...the messages from Hyperlus plus the messages to Aminov and Ole...
34:28...they're going to hold a lot.
34:34I'm not going to get any trouble, I'm not going to get it.
34:35I'm not going to get it.
34:39But I can't believe that you took Aminov out of the rest of the rest.
34:44I'm going to go here, sjef.
34:58Ari Maia.
34:59Hi, it's Ari Ola.
35:00Wait, I'm not going to get it.
35:03My mobile can be able to listen to you.
35:05Yeah, I'm not sure.
35:08I'm sorry, I didn't know what I was going to do.
35:11They had to take my little brother.
35:13Yeah, I thought it was going to be something.
35:17But now you have the chance to do it.
35:20I'm going to give you a thing now that Aftenposten can accuse you.
35:30Okay.
35:36Okay.
35:40Okay.
35:43Okay.
35:48Okay.
35:49I don't know what you want to do.
35:52I don't know what you want to do.
35:53I think it's more like he has been caught after he was killed.
35:57I mean, it's like a knife has been broken.
36:03I need to give you a conclusion.
36:06What about you?
36:07About to find out Amen over or about to break up in on the house?
36:12No, no, no, no...
36:14That's what we are doing.
36:17More...
36:17The idea.
36:19How did you think it was not a classic series?
36:26No...
36:29I don't think about the proof.
36:30I don't think about the idea.
36:37Do you think Duke Ellington...
36:40He wanted to ask pianos...
36:42He didn't say pianos.
36:47No.
36:50The car was so good.
36:57It felt right, but not right.
37:04I took a mistake, Harry.
37:08And I apologize.
37:10What I wanted to say was...
37:13I don't want to cut off your papers.
37:19Well...
37:20You look over-begeistret.
37:23Did you have any other advice?
37:26Two.
37:27For whom, then?
37:30Øystein Eikland.
37:32He said that we should...
37:33We should...
37:34Kjøredrosha, all.
37:36And the other?
37:41It fell off.
37:46The truth is that we need you.
37:50I need you.
37:52I need you.
37:53I need you.
37:53I need you.
38:02You keep helping us to find out who is behind you.
38:04I don't know if I...
38:06I don't know if I...
38:08No, no one wants to...
38:08...to be involved with...
38:10I can't even hear you.
38:12I should have come to...
38:13I'll...
38:13You're going to report...
38:14...for me.
38:15I love you.
38:16Ok?
38:17Okay, but it would also mean that when you write the report and talk about the press,
38:23we should put a lock on it with Wåhler's warfare.
38:28I understand that there's a lot to be about him, so it's of course all up to you.
38:34I understand.
38:37If you choose to take a taxi, can you say something about Wåhler's warfare?
38:46About who could possibly be in there?
38:49Can he have a name?
38:51Something we can go on?
38:54No.
39:00Good job with Barley.
39:03It's always a man.
39:26It's always a man.
39:28I think it's a sin.
39:30If this thing wouldn't be clear, and Lisbeth Belfast won,
39:32then everyone would have thought of it.
39:35For me, it's like he tells me that he's going to kill him.
39:40It's me.
39:43I'm always a man.
39:58Hey.
39:59Hey.
40:00Hey, it's me.
40:01Du, eh.
40:03Lær no hjemme og gjør noe.
40:04Kan vi si middag i stedet for?
40:06Ja, ja.
40:07Det er null stress.
40:09Jeg elsker deg.
40:11Og du elsker meg.
40:13Ja, ja.
40:14Hjør det.
40:22Så Beate og Lønna er helt sikker?
40:26Mannen var aldri på lista av mistenkte, og det her er første gang Beate ser han, og hun er sikker.
40:32Ja?
40:34Hva gjelder det?
40:39Du drepte kona mi.
40:43Fem år siden gikk du inn i banken der jeg jobbet, så skjøt du av i dag.
40:51Han ranet i en bank for å skyte kona si.
40:54I senen sa det hele greia som en...
40:55Farse.
40:56Ja.
40:57Akkurat som Willy Barley.
40:59Så de arrangerte drakene så at vi ble leit etter noe annet.
41:02En serimoder eller en banker, Annie.
41:06Nei.
41:22Nummeret du ringer er ikke lenger i bruk.
41:43Annelійсьk credet personer i dag med i dag.
41:44En må pres på.
41:56En aller dem som den bid familjen.
42:45Hva gjør vi nå?
42:49Det vi gjør nå er å ligge helt lavt.
42:57Og så kommer vi tilbake.
43:04Hva gjør vi nå?
43:05Let's go.
43:39Let's go.
44:05Let's go.
44:06Let's shoot him in the background.
44:09Let's go.
44:37Let's go.
45:07Let's go.
45:09Let's go.
45:09Let's go.
45:38Let's go.
46:06Let's go.
46:09Let's go.
46:42Let's go.
47:12Let's go.
47:42Let's go.
48:09Let's go.
48:10Let's go.
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