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Detective.Hole.S01E04.540p.X265.AAC [Full Movie] [Recommended]Full EP - Full
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Short filmTranscript
00:28Transcription by CastingWords
00:58Transcription by CastingWords
01:13Transcription by CastingWords
01:14When will you be back?
01:16Maybe Monday?
01:18Oh, could you?
01:24I'm sure you have girls waiting for you in that city.
01:28I would hope so.
01:32will you meet them what do you think i don't know
01:46i think you smell of women every time you come home
01:59why you want to tell me what you do
02:14because you love me
02:31open your eyes
02:34it's simple
02:35a red light
02:39a five-kant of the house
02:44it's formed of five gates
02:47the right gate
02:51leads to the place where the skull is
02:53the first one
02:54and the last one
02:57the last one
02:57the last one
03:00the last one
03:04the last two
03:11the last one
03:16I don't know.
04:00I don't know.
04:13I don't know.
04:16I don't know.
04:17I don't know.
04:18I don't know.
04:25I don't know.
04:29I don't know.
04:30I don't know.
04:31I don't know.
04:31I don't know.
04:35I don't know.
04:35I don't know.
04:35I don't know.
04:49I don't know.
04:55I don't know.
04:56I don't know.
04:56I don't know.
04:58I don't know.
04:59I don't know.
05:29I don't know.
05:30I don't know.
05:38I don't know.
05:40I don't know.
05:42I don't know.
05:42I don't know.
05:44I don't know.
05:45I don't know.
05:47I don't know.
05:50I don't know.
05:56I don't know.
06:02I don't know.
06:03I don't know.
06:05I don't know.
06:06I don't know.
06:08I don't know.
06:16I don't know.
06:17comprende
06:18I don't know.
06:20I think I'm all ears.
06:25Some ears.
06:32I don't know.
06:33He should I say about your mother?
06:36Let me tell you about your rich dad.
06:37Why are you so careful?
06:40Yes.
06:41darum I really 4 because my mother knows you very well.
06:43A.
06:44I don't know.
06:48Maybe I don't want to go.
06:55Where is he now?
06:57Out in Europe, somewhere.
06:59He came home late.
07:02What are...
07:04What are you doing?
07:06He tells...
07:10Things like church and prayer.
07:13Altartavler.
07:14Rekestorer.
07:16Gammelt og nytt.
07:17So I'm a Christian.
07:21Smug and patta.
07:29Du,
07:30I just want to apologize for the children
07:32of my children.
07:34I'm a little hot today.
07:35I don't know.
07:36But when I say it,
07:38it's really good.
07:44Hey, I'm sorry.
07:50I tried to take you to work.
07:52I wanted to tell you a couple of things
07:54about Camilla
07:55that I couldn't tell you
07:56at you were home with us.
08:00Why?
08:01Why?
08:02Because Anders was there.
08:04He was crazy
08:06every time I said that Camilla
08:09has been a new boy
08:10as if he didn't have heard it.
08:14Why are you crazy?
08:16He thought
08:17that I
08:19thanked Camilla for
08:21being a whore.
08:21But
08:24I just wanted to say
08:25that
08:25she had a very
08:28sweet
08:28and
08:29good sex life.
08:33So you would have taken me
08:34to tell Camilla
08:35that
08:36came around?
08:37He didn't
09:07think about it?
09:11Do you know you or your mother, Lisbeth Barley?
09:16The young lady who is there?
09:17Yes.
09:20Why would you do that?
09:24Why would you do that?
09:30I have to come back.
09:33I can follow you.
09:34It's only 400 meters.
09:37Well, I'll do it.
09:50Could I have forgotten you?
10:04I can't wait until you see it.
10:11I'm sorry.
10:13I can't wait until you see it.
10:32Oh my God.
10:33Let's go, then.
10:37Okay.
10:53Hello.
10:54Where's the hole?
10:55I don't feel it.
10:56I'm sitting on cell 129.
10:58The captain is showing you.
10:59He's there.
11:03He's there.
11:25What the hell are you doing?
11:30And after, it's a little bit too cool.
11:41In any case, a part of Lisbeth Barley has come to this.
11:46It's a cover.
11:54I've got the responsibility for Barley and Lohenfallen.
11:59You're the only house that has...
12:02...jagated this type of murder.
12:05But it's my decision.
12:09And?
12:10I wonder if you've...
12:13...tanked on what we talked about earlier?
12:19You help me.
12:21We should help each other.
12:23Did you say anything?
12:32Okay.
12:36I'm going to recognize it, Harry.
12:44I'm going to kill you.
12:48I killed him.
12:52I killed him.
12:54I killed him.
12:56I'm going to pull him off.
12:56I'm going to pull him off.
12:59I'm going to pull him off.
13:00I'm going to look at the head back on his head.
13:00And then I saw Ellen.
13:03I saw what he had done with her.
13:09And then...
13:13Ellen...
13:17What am I going to do?
13:19Should I let him come under the prison?
13:21In this country?
13:23For life after 15 years?
13:27So I've got him in my mouth.
13:45Then I saw that he shot two shots in the door...
13:47...so it's like I had it myself.
13:58So you shot the gun.
14:02Sparrowlsson shot him.
14:32I think you're something about it...
14:34...that...
14:35...få folk som också gör det vi gör.
14:45It was my first memory.
14:48My father stood out and looked at me over my bed.
14:52It looked too bad.
14:55Trygg.
14:57He was a wall.
14:58I was always at home because I had gone to Lackman.
15:02I noticed that he always stuck to work before I woke up.
15:07If I opened my eyes, he would just lay me on my head and rubbed my hair.
15:12And then he went away.
15:15So I lost him to sleep so that he would stay a bit longer.
15:25What did you say with your father?
15:30My father was always there.
15:37Even my cousin, my mother.
15:40And the judge, the big boss who was all the time.
15:46The whole night he was all the time.
15:48I was going to school and standing there.
15:53I tried to get in contact with him.
15:55He was all the time.
15:57He was all the time.
15:57I was going to throw him out of the sack.
15:58I was going to go to the grill.
16:02Grinna.
16:06Öppna med grinnan.
16:09Det var som att jag visste var fan massa arg.
16:15Men hunden bara flagg på mig och bara bet mig överallt.
16:18Och domaren kom ut på balkongen och skrek åt hunden så den sprack bort.
16:21Och så skrek han åt mig.
16:22Jag kom aldrig in på mitt hundt igen, ni lilla snorunge!
16:26Jag får det jag har så dåligt tid, men har du ett poäng i den historien?
16:31Den natten vaknade jag.
16:34Och det var helt tyst.
16:36Sen hörde jag ytterdörren öppnas.
16:38Hörde pappas fotsträck.
16:41Precis när han öppnade dörren, inte mitt röv.
16:44Så stängde jag ögonen.
16:47Men han såg att jag hamnar.
16:51Då visste jag.
16:52Jag kommer aldrig se den där hunden igen.
16:56Så jag låtsas sova.
16:58Det var lite tobak.
17:03Trygghet.
17:19Jag dödade Sverre Olsson.
17:23För ellens skullet.
17:29För vår skullet.
17:32För hela samhället skullet.
17:37För hela samhället skullet.
17:49Vi är bara några vanliga män och kvinnor som tar vårt samhällsansvar på stort allvar.
17:56Vi gör det som polisen inte kan.
17:59Och vi har några sponsorer som betalar oss väl för väldigt väl.
18:06Ja, och vem är det?
18:08Vem är det?
18:08Vem är det?
18:08Vad fan har du för att vala dig?
18:11En alkoholiserad man över 40.
18:15Vem är det som skyller någonting?
18:17Polisen?
18:19Dina chefer.
18:21Vem vänder ryggen till så fort någonting hos dig.
18:23Vad klappande.
18:27Jag kan erbjuda dig tio gånger bara att tjäna nu.
18:31Fast det är inte det viktigaste.
18:32Jag kan erbjuda dig lite värdighet.
18:45Jag ser att...
18:49Att du inte vill ge upp.
19:03Vi möter i efterforskningsgruppen klokka natt då.
19:06Det är om tre timmar.
19:10Du slipper inte folk utfra avfylla arresten till klokka tio.
19:17Det fixar du.
19:36Det fixar du.
19:48Det fixar du.
19:50Det fixar du.
19:51Det fixar du.
19:52Det fixar du.
19:54Det fixar du.
19:55Det fixar du.
19:56Det fixar du.
19:56Det fixar du.
19:56Det fixar du.
19:56Det fixar du.
19:57Det fixar du.
19:59Det fixar du.
20:00what we're going to hear from is an indringer.
20:02Hello, I'm sorry, I'm sorry for the politiker
20:04who doesn't handle or do anything.
20:06They're seeing anything in the other way.
20:08This is Lisbeth Bali's hand.
20:10And this is the finger we got on the post yesterday.
20:13So in the law match the finger of the trigger
20:15more of them that she lifted from the Bali's place.
20:18Even if we wait for the end of the report
20:21so we go from that it's Lisbeth Bali.
20:23The police don't want to go out with more information
20:25about the crime on Camilla Lohan
20:27and about the song of Lisbeth Bali's disappearance.
20:29Men en kilde till NTB
20:31sier at de to sakerna är knyttet sammen.
20:34Den här ädelstenen
20:35fann vi under Camilla Lohans ögonlock.
20:39Som ni ser så är det likadan form
20:41som den på Lisbeth Bali's ring.
20:44Och jag har varit i kontakt med en diamantexpert
20:47på The Bears.
20:49Och hon menar att spektrometri
20:51och mikrotomografi kan användas
20:53för att identifiera exakt
20:55vart en diamant kommer ifrån.
20:56Så hon kommer komma från London
21:27i kveld med flyget
21:28Vi...
21:29Vi heter en du.
21:33Okej, du har såpass alkoholskadet
21:36det er ingen hjemme oppe i tåka der, eller?
21:37Det var skarre.
21:40Jeg husker egentlig bare at du kom fra Nark
21:43på mindre enn ett år siden.
21:45Men det er en ting du kan prøve å huske, skarre.
21:48Men etterforsker som står for et planlagt drap
21:50så vet han at drapsmannen har ganske mange fordeler.
21:53Han kan ha gjemt unna tekniske spor
21:55han kan ha...
21:57ja...
21:57funnet seg etter skyndelatende
21:59alibi for drapsdidspunktet
22:00kvittet seg med drapsvåpne og så videre.
22:02Men det er en ting da som drapsmannen så å si aldri greier å gjemme
22:05for etterforskeren og hva er det?
22:07Skarre.
22:10Det er motivet.
22:11Det er så grunnleggende at vi avhvertfall glemmer det.
22:14Helt an en dag dukker opp da
22:16drapsmannen fra etterforskerns verste mareritt
22:18eller våte drøm da
22:19alt etter hvordan du er moblert i huet.
22:21En drapsmann uten motiv.
22:23Ok, jeg vet at du er gammel i Tralt Nordlig
22:25men det der kallar vi å male fonden på vei.
22:27Det er rettere sakt uten motiv som er mulig å fatte.
22:29For alt vi vet så kan det være et enkelt og klassisk motiv
22:32valg til drapsen.
22:33Han har ju rett.
22:34Ja, men selvfølgelig har jeg rett.
22:36Vi kan jo ikke sitte...
22:37Skarre.
22:39Harry har rett.
22:40Så klart.
22:42Vi har utrettet de her fallen i fem respektive tio dagar
22:45utan å hitta noen koppling mellom fallen.
22:48Føren nu.
22:49Og når kopplingen er metoden.
22:53Rituellt.
22:54Så nånting som ser ut som kod.
22:56Da bør man tenke på et ord som jeg foreslår
22:58at ingen sæger høygt den
22:59men alle bør hålla i bakhuvudet.
23:01Og jeg foreslår også at
23:02alle her inne
23:05håller kjæften stengda
23:07og ørnern øppna
23:08når det er overbekent skjulet taler om det her.
23:10Ok?
23:12For å sammanfatta
23:13vi håller två tanker i huvudet på sammanhanget.
23:15Å ena sidan så utreder vi det her systemat.
23:19Og det er meget at vi tenkt så
23:21betale meg for en løsning.
23:22Og jeg vet nok prisen.
23:24Venninna mi får leksjoner i fransk
23:26for 18 pennstimen
23:28av en rektig fransk mann.
23:30Dere kan ikke ta så mye av meg
23:32for å lære meg morsmålet mitt.
23:34Så jeg gikk i mer enn ærskilling.
23:37Og vil dere ikke ta imot
23:38og vil dere ikke ta imot
23:40så kan dere bare la være.
23:43Ok, vi tar det igjen.
23:47Og jeg vet nok prisen.
23:50Men første dag på scenen i dag
23:51så er det like mye
23:52både med lys og lyd og alt.
23:54Ja, selvfølgelig.
23:58Hva tror du sett hvor mye av Ligna?
24:00La være, faen!
24:02Det går ikke!
24:05Altså, ville den her...
24:06Den her dialekten er helt umulig.
24:08Nei, det er kjempefint.
24:10Ja, veldig fint.
24:10Bare ta det fra toppen igjen
24:11så det er kommet å gå og se til.
24:13Jeg lover deg.
24:16Toria er lillesøstra til Lisbeth.
24:19Hun korer jo i bandet til Lisbeth.
24:21Men altså, nasjonalt teatrer
24:22hun må helt av.
24:28Du er det et sted,
24:29vi kommer til å ha et litt.
24:31Ja.
24:34Ok, hans, to skuld.
24:35Du må bare bryte deg
24:36i fem år ute og ta en samtale.
24:39Ta Petra over her
24:40og passe på dere.
24:42Jeg kommer tilbake igjen.
24:43Det er kjempefint.
24:47Jeg har noe jeg må fortelle.
24:49Vet du hva, takk?
24:51Jeg søkte på teatermøs skulden.
24:55Og på de oppdragsprøvene
24:56så sto jeg opp av scenen der
24:57og lagde sånne morsomme stemmer
24:58og imiterte.
25:00Ja, du skal få dine penger fra Ake.
25:02De lir nå, de.
25:04Soba.
25:07Ja, men jeg kom ikke inn.
25:08Så jeg søkte på...
25:10Jeg søkte på
25:10balletteskolen i stedet for.
25:12Da er det jo mannko på mønn,
25:13så da kom jeg inn.
25:15Fensjonisten, jeg var 40,
25:16og så skjønte jeg at jeg har talent
25:18for å få andre til å gjøre
25:20det jeg selv ikke kan.
25:22Det kom et brev
25:25innholdt en...
25:27en avkuttet finger.
25:34Det har jeg sett i sceneholdet.
25:35Det er...
25:40Det er det vi driver med.
25:42Vi tror at vi er guder
25:44som kan bestemme alt
25:45og så skjer det noe sånn som dette her
25:46så blir man helt sånn...
25:48Hjelp løs.
25:50Her er der i spetsen.
26:12Etter en ny uke med voldelige gjengoppgjør
26:15hvor det angivelig er brukt automatvåpen
26:17øker nå kravene om å bevepne politiet.
26:20Sammenstøtet mellom gjengene
26:22har resultert i både dødsfall
26:24og alvorlige skader
26:25både politiansatte og fagforeninger
26:28mener situasjonen er ute av kontroll
26:30og at tiden for midlertidige løsninger
26:32er forbi.
26:34VG skriver at Oslo renner over av våpen
26:37om Aftenposten velder at
26:38to sier rettede gjengene
26:39er på en måte i flere tid.
26:42Flere skal nå hvordan politiet
26:44skal kunne håndtere slike situasjoner
26:46når de som omdreger
26:47ikke får være våpen.
27:12Ja, det er klart det kommer.
27:15Og du skal tilfeldigvis...
27:18...nævne det.
27:20Tak, Barbara.
27:23Ja, en enge.
27:40Du skal med jer...
27:53Oi!
27:53Det er Maja Ek fra Aftenposten.
27:54We're going to say shit.
27:56What did you think I wanted?
27:58We can help each other.
28:00I've heard that you're thirsty.
28:02We can see us and tap a glass.
28:04Talk about it.
28:08Or just one.
28:10Have a good day.
28:24Do you want to take care of yourself?
28:26No, not today.
28:34Hey.
28:36What are you doing here?
28:39The police had gone out,
28:42so I thought I would have come here.
28:48Thank you for the invitation.
28:50Yes.
28:54But...
28:55Do you want to come home to us?
29:01Mama doesn't know.
29:02No, she doesn't know.
29:05That's why you're glad to come here.
29:11Don't be shy.
29:13You won't let me take care of yourself.
29:17It's me who's coming.
29:28Um...
29:30I...
29:30I don't know.
29:32But...
29:37how can I do that?
29:39I don't know.
29:52I can't do that.
30:03Hey, how are you going to play?
30:06Yeah, I'm going to play, but I'm not going to play.
30:10I'm not going to play, but I'm not going to play.
30:11Why are you going to play?
30:12Sorry.
30:17I'm going to play football.
30:24Hey.
30:27Hey.
30:33What are you going to do with me?
30:37Yeah.
30:39Say it.
30:44You said you want to stop working?
30:50What do you want, Harry?
30:53What do you want?
31:01Have you done any changes when I finish?
31:08You don't want to finish.
31:10I mean, I'm in the police.
31:13I understood.
31:22I could find a job that makes me more time to be here.
31:29It's a bit.
31:31It's a bit.
31:33It's not your job that's your problem.
31:36It's...
31:38It's you.
31:39It's your problem.
32:04It's your problem.
32:07Harry!
32:08Wait a minute.
32:11Wait a minute.
32:12Can we go to the front of you this year?
32:14I'd like to try to see you here.
32:16You know.
32:17I'm going to play with you.
32:20I'm going to play with you.
32:20Yeah, it's great for me.
32:21You're going to listen to me.
32:22You're going to listen to me.
32:23Yeah.
32:24Bye.
32:25Bye.
32:27Bye.
32:35Bye.
32:39Bye.
32:40Not now.
32:41No, don't you.
32:43I'm ready.
32:45Bye.
32:55There, I'm all right, here I am.
32:59Hey!
33:00Hey.
33:01What can I help you with?
33:02I had a meeting with Halle for a few minutes,
33:05but it was a lot for me.
33:07Yeah.
33:08Can I just get a little gas for him?
33:10Yeah, of course. A little moment.
33:16Okay.
33:18Come here.
33:19We'll see you now, everyone.
33:22I'm gonna let you in.
33:24I'm gonna be a nice afternoon.
33:27I'm not about to get out of here.
33:28I'm gonna have to get you off a few minutes.
33:31Y'all.
33:33Hey.
33:36Hey.
33:39Hey.
33:40Hey.
33:41Hey.
33:43Hey.
33:44Hey.
34:00Oh, my God!
34:05Sorry, El!
34:07Hey, I'm just a little tired today.
34:13But you're actually at the dame-toalette.
34:47At the airport, we've got an정을-toalette.
34:49The airport is on the plane.
34:51The airport is at the airport.
34:52The airport is on the parking lot.
34:58The airport is at the airport.
35:03The airport is at the airport.
35:12I'm sorry.
35:13I'm sorry.
35:14Right here.
35:17And his friend, he's a Swedish friend.
35:33I have no idea.
35:35I have no idea.
35:36I have no idea.
35:39Okay.
35:41I will be able to see you.
35:45Okay.
35:50I can't take it.
35:51Is that the car?
36:03What are you doing?
36:05Barbara Svensson.
36:09Receptionist.
36:1028 years old.
36:13Put in the back of the head.
36:17Cisca Sprayovka.
36:20Yes, that's a special equipment.
36:30It's a strange situation.
36:35It seems like murderers have left her.
36:38And then arrangered her.
36:44What was it that found?
36:46A woman in the lawyers.
36:49You know?
36:50No.
36:51A visitor stood at the reception.
36:54He asked for a glass of water.
36:56Barbara Svensson went to find him.
36:57It was 16.55.
36:59Then he came back.
37:00Yes, it seems like.
37:03We were close to the hotel.
37:05Yes.
37:11Do you know if someone saw on me?
37:15No, I don't think so.
37:18Yes.
37:19What did he say?
37:20What did he say when he came back?
37:22What did he say when he came back?
37:25No.
37:25He thought he was good.
37:26So he looked up at the hotel.
37:30So he was known before?
37:32No.
37:33No.
37:46He was the first one.
37:48He was the last one who saw Elida.
37:50Yes.
37:52The hotel.
37:54The hotel.
37:57He was the last one.
37:57What did he do there?
38:01Yes.
38:01What did he do there?
38:07Yes.
38:07I've never felt about them just after they've died, but before they've calmed.
38:16You can feel that the energy is on the way out, but you can still feel it.
38:28Feel it.
38:32I know you want to feel it.
38:40Do you feel it?
38:52What do you want to do without the job?
38:55You're exactly the same as I'm here.
38:58There's nothing to do with this.
39:01You're going to suck your ass.
39:02You're going to take your life out of it.
39:17You're both sore.
39:29You're both sore.
39:33You're both sore.
39:36I want to go.
39:37You're both sore.
39:38You're both sore.
41:36But other things also point in that direction. In the direction of Eastern Europe.
41:41Eastern Europe?
41:43I have seen these starshaped diamonds before. They were smuggled from former East Germany and the Czech Republic.
42:11Hey, sorry.
42:13Is it Diamant Order?
44:56You are the police under a lot of stress, with a lot of pain in Oslo.
45:11Hi, Harry.
45:13What did you find?
45:14I met at Aker's hospital.
45:16The name is of course, but when I talked to him,
45:18he said there is a person with damage damage,
45:20and that he does not have connection with the help of the group.
45:23Krono?
45:25505?
45:26Thank you, sir.
45:43The next time you get to read the book.
45:47All still and relaxing.
45:52Who are you?
45:53I'm the only one who's in between you and your face soon.
46:04You know the group you've arrested?
46:07They told us who burned the fire.
46:10And you can tell us, as long as you have them here.
46:14You're bluffing.
46:15If they knew who used the fire, they knew they weren't there.
46:19It's not the one who's arrested.
46:22It's your own.
46:25When we arrested the fire,
46:28my story will be that you've noticed that we've missed you.
46:32And he's going to tell your crew that I got out here with a smile on your face.
46:41What do you want?
46:41What do you want?
46:42I know that you've bought a lot of weapons.
46:45So what I want, is that you'll answer yes or no.
46:50If it's him you've bought him.
46:51Fuck that.
46:53You're not a pity.
46:55No, of course not.
46:58Not on your own.
47:01Is it him?
47:04I'm not.
47:05You're not.
47:08You're not.
47:09Not on your own.
47:12But you're not.
47:14You're not.
47:14Now you're not.
47:17You're not.
47:19You're not.
47:27You're not.
47:30We are here who know the identity to all of this room, and I know that some of you are
47:34religious and atheists,
47:36but we share all the evidence about that we, as a group, as an individual,
47:42have the responsibility to form and maintain a society,
47:46so that it looks more like a righteous heaven than an anarchistic hell.
47:51We want to create a civilization created for and out of the civilized people.
47:57We must break down the weak and useless laws to enforce the strong laws.
48:03Those who actually protect the citizens of this country.
48:11And so, and just so, can we help to bring this country to one more time.
48:18We are the strong and strong.
48:23The secret...
48:26...følg ansvar.
48:28See, Lord of all, we have it!
48:30We have one day!
48:31Oskar, hang on!
48:33No, no, no!
48:35No!
48:43No!
48:44No!
48:45No!
48:47No!
48:49No!
48:51No!
48:56Come on.
49:26Come on.
49:51Come on.
50:48Come on.
50:51Come on.
51:23Come on.
51:53Come on.
52:23Come on.
52:53Come on.
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