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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Free Online HD]Full EP - Full
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00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:19Someone took us to see her.
08:36What do you got?
08:40What's...
08:54L-E-S-R-1
09:12L-E-S-R-1
09:22Hey, I thought you might be thirsty.
09:27Obrigada.
09:29De nada.
09:33You getting ready?
09:36Yeah.
09:38You're not scared?
09:41No.
09:44No, I am.
09:46But I remember why I'm doing it.
09:50What is...
09:51What is L-E-S-R-1?
09:55L-E-S-R-1?
09:56Uh, it's left, straight forward, stereo on the right, first four.
10:02Well, my dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always...
10:26We're always in the studio.
10:30We're always in the studio.
11:03We're always in the studio.
11:04More and a half years early.
11:10This is something you've ever tried and made to die.
11:11So, I can't do that.
11:12I'm ready to die.
11:13I can't do that.
11:15I can't do that.
11:16I can't do that, but I can't do that.
11:21I can do that.
11:25But I can't do that.
11:33I'm so excited with this guest today.
11:36Super excited.
11:37It's a pleasure to be here with you.
11:39It's your first time with us, right?
11:41Good day, Brazil.
11:43Today I'm going to...
11:44We are witnesses of a incredible cruelty.
11:48And we will respond with strength in this day so sober in our nation.
11:54In which more than 600 lives inocentes were sin fadas.
11:59By these crimes abominable, we will kill them.
12:03And the American John Creasy and the people who helped us.
12:26It looks like a robbery to me.
12:28Who's doing the breadcrumbs?
12:31You all for it?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38Que foi?
12:45Fudeu!
12:47Let's go, everybody.
12:48To the van.
12:49Let's go, let's go, let's go, let's go, let's go, let's go, let's go.
12:56Hey, hey!
12:57Go, go!
13:24Go, go, go, go, go, go.
13:25How do you think?
13:35Do you think?
13:36What do you think?
13:39He said make his way back to school.
14:06What are you doing?
14:07As pistas, a gente não deixou nada. Se isso não vai funcionar.
14:14O que você está fazendo? Pico!
14:18Go, go, go!
14:22Vai, vai, vai, vai, vai!
15:03Não atira, não atira, não atira!
15:04Não atira, não atira, não atira, não atira.
15:09Está morto! Segura, segura!
15:12Vem, vem, vem!
15:21Vem, vem!
15:26Vem, vem!
15:29Vem, vem!
15:30Vem, vem!
15:37Vem, vem!
15:42Vem, vem!
15:46Vem, vem!
15:48Vem, vem!
15:50Vem, vem!
15:58Vem, vem!
15:59Vem, vem.
16:02Vem, vem aqui para sempre.
16:14Vem ali, vem, vem.
16:30Where are you from?
16:35Get out of here.
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:42You can't just keep me here like a prisoner.
16:45Davi, give me a picture here.
16:48Chrissy hit this place earlier today.
16:52In the middle of the city in broad daylight with the entire world looking for him and he
16:55robes an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money?
17:02I could think of 20 other ways he could get his hands on cash, huh?
17:07Well, then what?
17:13I don't know.
17:17You know,
17:19for all your talk of
17:22understanding how Chrissy operates
17:23and all that shit, you don't seem to be any better at figuring out his next move than the rest
17:27of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We wanna get out of this room.
17:40Come talk to him and get some actionable information.
17:42Because if we don't figure out what Chrissy's up to,
17:46I have a strong feeling he's going to show us.
17:47And I don't think we're gonna like it.
17:49Let's go.
17:49Water.
18:10What's going on?
18:14I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it'd make me feel better, but, uh...
18:31Thought it'd make me feel better, but, uh...
18:37It's like all the memories that have been poisoned.
18:58I just want to see my face.
19:03I we placed my last name on the front.
19:03I want to see my next hand.
19:05I don't care.
19:05I'm so happy.
19:07I just want to see my next knee.
19:08I've iced this to my heart.
19:09I don't care.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started...
19:56We started arguing, and...
20:01My mom took the camera and just...
20:04She just gave it to a stranger.
20:09It's all I've done.
20:15At the end, when he gave the camera back...
20:19He said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56And that doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03Mm-hmm.
21:04Yeah.
21:07I was gonna be there.
21:08I was gonna be there.
21:24I will.
21:29Really?
21:30Yeah, it's mine.
21:37Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but...
22:04Nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:28I'm good.
22:38Well?
22:41His name is Vico from Aloko Favela.
22:44He hasn't said much, and I haven't let Biloko Zest.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53It's happening, and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I'm sorry, sir.
23:04Don't interrupt me.
23:06I'm sorry, but I'm in a connection here that I think you'll want to help.
23:10It's John Chrissy.
23:30I know you got a lot going on right now, Mr. President, so I'm not gonna keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatman.
24:00And I'm gonna make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity
24:07that the Redburns and all the other families in that building didn't have
24:11the opportunity to say goodbye to the people that you love.
24:20the people in that building didn't have the opportunity to say goodbye...
24:36...to the girls in this house...
24:39and all the families in that building didn't have the opportunity to say goodbye
24:44to the people that we heard.
24:44people that you love, because I am coming to see Mr. President, and by then it will be too late.
24:52I want an honest assessment. Is this man actually capable of making a bid at an assassination?
25:01Absolutely. But I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you. He just kills you.
25:15Something's not right.
25:17I want this dealt with once and for all. We didn't come this far to let one man screw it
25:22all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:33Sir, we will get this handled. I can assure you.
25:48Sir.
26:06Sir.
26:09Sir.
26:11Sir.
26:13Sir.
26:14Sir.
26:18Sir.
26:18Sir.
26:21Sir.
26:22Sir.
26:35Sir.
26:46Sir.
26:48Sir.
26:57Sir.
26:59Sir.
27:00Sir.
27:01Sir.
27:02Sir.
27:05Sir.
27:06Sir.
27:10Sir.
27:14Sir.
27:22Sir.
27:24Sir.
27:26Sir.
27:36Sir.
27:38Sir.
27:39Sir.
27:40Sir.
27:48Sir.
27:48Sir.
27:49Sir.
27:49Sir.
27:50Sir.
27:55Sir.
27:57Sir.
27:59Sir.
28:00Sir.
28:02Sir.
28:03Sir.
28:07Sir.
28:09Sir.
28:13Sir.
28:16Sir.
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now you might be feeling a slight burnish insulation in your nostrils.
29:25I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:34It's toxic!
29:35Come on now!
29:53Come on now!
30:19You know your part?
30:21Yeah.
30:22I go in, I make sure they see me,
30:24and draw security so they can get to happen.
30:28Yeah, we'll go.
30:33You everyone in place?
30:35Yeah.
30:36You and I are set.
30:39Okay.
30:48Hey, I'll be okay.
30:59Crazy check-in.
31:03All right.
31:04We set, we set, we set.
31:26All right.
31:34We're here.
32:00We need more soldiers.
32:15Shit!
32:18Polko, come in.
32:21What are you doing here?
32:22Someone found me, but they're not here yet.
32:26Alright, just walk away and we'll find something else.
32:28Just give me a second, okay?
32:33Polko, get up, get up.
32:37No, I can do this.
33:11Fuck you.
33:13Fuck you.
33:15Fire!
33:15No, no, no, no!
33:25What's your location, Pol?
33:32What the fuck?
33:42Pol.
33:44What's your location, Pol?
33:48What's your location?
33:49To the left.
33:51Let's go!
33:53Pol, you can hear me on one more way?
33:58Stand down, Christy. I've got her.
33:59Security's been drawn off.
34:00You have the green light for Tap and Bella.
34:02We're headed to the staircase.
34:03No, no, no.
34:05Okay, co...
34:05Crap.
34:06No.
34:07No.
34:08No.
34:22No.
34:23No.
34:23No.
34:24No.
34:24No.
34:25No.
34:27No.
34:30No.
34:31We're moving to the meeting point.
34:35Hey, if Poe's here, then some squeezy.
34:40This is a fucking sham.
34:44Moment, what's happening?
34:50Alright, lock it down. Get on the radio, lock it down!
35:01Let's go!
35:34Let's go!
36:04Let's go!
36:05Stop him!
36:06Hold him!
36:07Fuck!
36:12Go! Go!
36:14Let's go!
36:15Let's go!
36:20Let's go!
36:22Okay.
36:25Let's go.
36:39Headed out now.
36:41Shit!
36:43Major!
36:45Exit 1, Pole 9, Floor 2. Headed Northwest. We will be resistance.
36:49Okay. We're on our way.
37:03Let's go!
37:05Oh!
37:06Fuck!
37:07Oh!
37:12Oh!
37:13Shit!
37:16Shit!
37:17Shit!
37:19Stop fucking shooting!
37:23But shoot him!
37:24Let's shoot him!
37:25Oh!
37:27Oh!
37:34Get out of the way!
37:35Get out of the way!
37:37Get out of the way!
37:39Stop!
37:40Stop!
37:43Let's go with the girl!
37:44Kill everyone!
37:44What?
37:56Go!
37:57Go!
37:57OK!
37:59Go!
38:13Are you OK?
38:15Are you okay? Yeah! Stay here!
38:28Chrissy, Chrissy, we're pinned to the second floor of the section area.
38:32We're gonna run out of ammo before they do. Can you get to us?
38:47Are you okay? Yeah.
39:15Give me a grenade!
39:17Come here!
39:21Here's the grenade!
39:23We can either hold them or the grenade! We can't do both!
39:26Save me! Melo! Now! Go! Go!
39:29Hey, come on, come on!
39:43Melo, let's get out there!
39:45Get! Melo!
39:46Hold on! Hold on!
39:48You say such fire?
40:14I gotta give it to you, that tape, that tape was some inspired shit, yeah that's the
40:20crazy I used to know, you know, one who I had high hopes for, until Mexico City got you
40:27all fucked up, so let's think about this, I mean let's really think about this rational, you ain't getting out
40:33of here without my help, and neither is that girl, so I think it's time we start talking about your
40:39options, you think I'm negotiating with you, yeah, I think you should be
41:04oh
41:06oh
41:07oh
41:08oh
41:16oh
41:16oh
41:16oh
41:16oh
41:17oh
41:17I know it!
41:20I know it!
41:21Precy, you've got to hurt couple kids!
41:24Precy, you've got to hurt couple kids!
41:25Precy!
41:34I don't want to die.
41:37Precy, no!
41:38No!
41:41No!
41:43No!
41:44Precy!
41:47Precy!
41:49Precy!
41:51Precy!
41:53Precy!
42:11Precy!
42:31Oh
42:59This is for me, bro.
43:15Bosta!
43:22Niborra! Niborra!
43:29Come here!
44:10Shut her mouth.
44:15Shut her mouth.
44:51Shut her mouth.
45:15Shut her mouth.
45:36Go, go, go.
45:40Go left, go left.
45:44Ah, shit.
45:47Just go.
45:47Creasy.
45:48Just go on.
45:48Be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Just go on, Paul.
45:51No.
45:52Shit.
45:58No.
46:01No.
46:03No.
46:07No.
46:13No.
46:15No.
46:15No.
46:18No.
46:25No.
46:26No.
46:28No.
46:28No.
46:29What?
46:38Stop right there.
46:40Don't move.
46:45You shoot her, you're dead
46:46Once I meet you
46:50Yes, I know
46:53Even that you've killed Teppin
46:55I'm not seeing a lot to look forward to
46:59So
47:02Drop your fucking gun
47:04Or the last thing you see
47:05Will be another dead Rayburn
47:09Drop it
47:25Good boy
47:28Now
47:30Stand up
47:32I'll give you the honor of going first
47:37Stand up
47:46No
47:47No
47:48No
47:50No
47:52No
47:53No
47:55No
47:56No
48:01Oh, my God.
48:28Oh, my God.
49:04Oh, my God.
49:05Gracie?
49:07Gracie?
49:10Oh, my God.
49:12Oh, my God.
49:12Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17Okay.
49:17You're okay.
49:18No, just stay with me.
49:19It's okay.
49:21Oh, my God.
49:23Oh, my God.
49:30You did good.
49:33Gracie, oh my God.
49:42Stunning developments tonight as Brazilian President Joel Carmo was arrested after the release of documents and video evidence linking him,
49:50his minister of defense, Prado Suarez,
49:52and a rogue American CIA agent named Henry Tappet, took conspiracy to use the FRP as a front to conduct
49:58the bombing of a residential tower in Rio.
50:00John Creasy, at one point implicated in the bombing, instead turned out to have been coordinated with a girl orphaned
50:05by the bombing,
50:06and a small group of Brazilian citizens in a high-risk effort to expose the conspiracy to their efforts.
50:12Hey, mãe, olha quem eu achei.
50:13Melo.
50:14Tudo bem?
50:15Tudo bem, e você?
50:16Tudo bem, bom te ver.
50:17Tava falando pra Marina que eu não acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura é essa?
50:24Você acha uma loucura?
50:25Imagine eu.
50:26Escuta, e que boato é esse que vocês estão indo embora?
50:29Ah, não.
50:30A gente não vai pra lugar nenhum.
50:32Então vocês acham que as coisas vão melhorar com a saÃda do Carmo?
50:35Acho difÃcil de acreditar, hein?
50:36Tô preocupado.
50:38Eu também.
50:39Mas se todo mundo ficar preocupado, as coisas vão melhorar, né?
50:43Grandes merda.
50:45Vibração.
50:49Ivan disse que você precisa trabalhar em seu inglês antes de qualquer coisa.
50:56Você que não fala porra nenhuma de inglês.
50:58E vagabundo tá cagando pra isso.
51:01Se você preferir aprender russo, então vai trabalhar, também.
51:21A última vez que eu vi a minha famÃlia, eu não estava no melhor.
51:28E Ã s vezes, eu acho que esse desespero vai me derrubar.
51:35Porque do que aconteceu com eles, eu não tenho nada a curtir.
51:41Não os esforços para exprimir.
51:44Mas eu comecei com a ideia de que, porque eles me criaram como eles fizeram,
51:51minha famÃlia me deixou de deixar com tudo que eu pudesse ter pedido.
51:58Você não sempre percebe o que você tem,
52:02até que alguém tenta tirar isso.
52:04E o que eu aprendi com meus amigos,
52:30é que eu nunca tenho que fazer isso.
52:31Eu vou deixar você alone.
53:02Ei.
53:03Ei.
53:05Você sabe que se você quiser, você pode ficar aqui,
53:09e ter lunch com todos os outros.
53:14Não.
53:16Não, eu quero ir embora.
53:18Eu posso usar algum tempo de casa de casa de minha casa.
53:21Você está?
53:21Sim.
53:28Me dá um minuto.
53:31Ok.
53:35Ok.
53:36John, Director Moncrief.
53:38Como é?
53:39Eu já fiz dois debriefs, mas eu não respondi mais perguntas.
53:42John, não é por isso que eu estou chamando.
53:44Olha, eu tenho um grande respeito para o que você conseguiu fazer.
53:46E um grande monte de água em minha frente,
53:49e um dos nossos amigos...
53:49É só a razão que você conseguiu fazer isso.
53:51Ok.
53:52Bem, eu...
53:55Eu aceito seu desespero.
53:56Não é desespero, John.
53:58É um convite.
54:00Eu tenho uma situação que está desenvolvendo.
54:02Eu gostaria que você você tivesse um olhar.
54:04Eu acho que você já tem gente para lá.
54:06Eu não?
54:07Eu não, eu acho.
54:08Eu não estou de novo, em fato.
54:09Eu não sei que ninguém tem experiência com esses gente.
54:13E eu?
54:14Eu não sei o que você vai fazer.
54:15Eu não sei o que você vai fazer.
54:18Eu acho que a pergunta é...
54:21Eu acho que isso é algo que você vai fazer.
54:27Eu sei que você vai fazer.
54:28Eu sei o que você vai fazer.
54:29Eu sei o que você vai fazer.
54:31Eu sei o que você vai fazer.
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