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The.Glass.House.2026.S01E06.540p.X265.AAC [Full Movie] [Trending]Full EP - Full
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Short filmTranscript
00:08Piano music
01:30We're going to help you.
01:31Obviously, it's the principal credit.
01:32They're going to be remboursed first.
01:34Okay.
01:35And the employees, they were paid jeudi.
01:37So, you'll be paid for three days.
01:38Mm-hmm.
01:40It's not your fault, Mr. Joyal.
01:42Okay.
01:44Good luck.
06:11It's the day of the police.
06:25Did you eat it?
06:26Yes.
06:28It's better, I don't want to eat it.
06:32Do you want to help me with a source of the engine?
06:35Yes.
06:36Did you eat it?
06:37Yes.
06:38Okay.
06:39I don't want to worry about it.
06:45How long has the accident been?
06:47It's been six years.
06:50Six years?
06:53When I was out, I was talking about it.
06:58Not really, no.
07:00It's been late.
07:02Yes.
07:05But he's no longer in the coma.
07:06No.
07:07He's in deep sleep.
07:09But if he spoke, he woke up?
07:12What did he say when he spoke?
07:14Oh, he said...
07:17Qu...
07:18Qu...
07:19Qu...
07:21A...
07:22A...
07:23A...
07:23A...
07:25Then he made a kind of Christmas.
07:27Yes.
07:28Okay, but after he said he spoke?
07:29No.
07:30It was more like a sound.
07:34What?
07:36A sound of what?
07:39Yes.
07:40Yes.
07:50Yes.
07:52Yes.
07:52Well, if he's in the coma, then he's awake and he'll talk to us?
07:55Well, it's in the films that it's happening.
07:57In real life, it's not that.
07:59Vincent was in a deep coma and he was in a minimal state.
08:04It could take a few weeks before he could have a verbal communication.
08:07Well, it's a long sacrament.
08:09Is it a good news, Scarry?
08:11Well, we'll know later.
08:13There's a lot of families who think it's more difficult when they're wake up.
08:1540 days in the coma.
08:18You know how it's equivalent to the life of a scarabée?
08:2240 days, or less.
08:24And when you dream of a scarabée...
08:25Dr. Amadie, we'll meet Christ for the baby.
08:30Okay.
08:31Oh, you ate?
08:32Yes.
08:33Good.
08:34I'm going to walk.
08:34No, no, no.
08:35We'll talk about two minutes.
08:36I'm just going to walk a little bit.
08:37No, it's dangerous and you can lose.
08:40No, no, it's not a problem.
08:41I'm going to walk a minute.
08:42There's a road that's going on.
08:43I'm not going to lose.
08:43I'm not going to lose.
08:46You stay on the trottoir, okay?
08:48Yes, on the trottoir.
08:50I'm not walking on the road.
08:51I'm not calm.
08:53That's correct.
09:04I found you, your show.
09:05I found it really good.
09:06Oh, thank you.
09:08Good guy, that's it.
09:12Thanks, patron.
09:13Thanks again.
09:14Good days outside.
09:15Good morning.
09:18Do you think he is the character of St. Peter?
09:20Yeah.
09:21You're just investing young, same man.
09:24He's the patron.
09:25Thank you, sir.
09:29I don't know where to go.
09:31Where is he?
09:32Calm down, he just came out.
09:35He doesn't have to go far away.
09:43I don't know who is going to the other side.
09:45No, he's going to the funeral.
10:17Excuse me, everyone.
10:22We have a lot of pain today.
10:24You started Roger.
10:25Roger, it's a big loss, but tell you that he will always be alive in our hearts.
10:32Roger probably won't say it every day, but he loved each person here.
10:39Tell you that the pain we live today, it's the price to pay for the beautiful moments
10:46that we shared with him.
10:49Yes, the life of Roger, it's finished.
10:59It's his memory.
11:01He's here for always.
11:04Thank you very much.
11:08Good day.
11:12Good day.
11:16Good day.
11:17Well, where did you go?
11:18Where did you go?
11:18I don't know.
11:19It's been 15 minutes that we found out and you're where?
11:22I don't know.
11:23It's been 15 minutes when you look around.
11:23Okay, don't worry, we're there.
11:24We'll have a little time.
11:26We're not going to go to the restaurant.
11:28We don't want to go to the restaurant.
11:38Hey, I talked to my Gérard. He wanted to add 60 dates for the tournée. Wow, it's crazy, huh?
11:45I don't like that. What?
11:47Well, don't break it. Don't take the time to live.
11:51Wait a little bit. You heard that? The good guy who was looking for less than 60 hours a week
11:56and said, don't break it.
11:57You see, it wasn't correct. I worked hard and I can tell you, take the time to live.
12:02You don't control nothing in life. You think you control it and it's the moment where life is chosen to
12:07take care of what you didn't want to come.
12:09So, yes, take the time to live and don't do too much to live.
12:16Well, I have an appellation.
12:19I have an appellation. Hello?
12:23Yes? Yes, I can't speak with my brother.
12:27Have you seen the new signals?
12:28No, they are fine.
12:30Do you want to breathe in the mouth? Because it has a little odor.
12:34Do you want to talk?
12:35Yes, perfect. Yes, it's for you.
12:38Hey, Vincent, you had a visit.
12:40Who is that?
12:41Who is that?
12:42I don't know.
12:44Pinette. Don't give me a pinette.
12:46Ah, yes.
12:48Who is that?
12:49Pinette, you're going to school with.
12:51Yes.
12:51Oh, yes.
12:52Okay.
12:53Do you remember?
12:53No.
12:55Did you have fun?
12:56Yes, you loved it.
12:57He even said he would come back in the autumn.
13:00He would have two visits.
13:03I don't think so much.
13:06My friends, they don't want to see me.
13:09Charles and Luke, are you going to go?
13:12No, not really.
13:13I think they live their lives.
13:16Hey, hey, hey.
13:17How are you going, my friends prefer?
13:19Hey, hey.
13:21Hey.
13:22You've made beautiful photos like that.
13:23Yes.
13:24Ha, ha, ha, ha.
13:25Yes.
13:26We were in the corner.
13:27We were delivering flowers to the funeral.
13:28It's really beautiful.
13:29What did you say, Mr. Dupuis?
13:32Who is that, Mr. Dupuis?
13:34Well, at the funeral, earlier.
13:36I didn't go to the funeral.
13:38Oh, dude.
13:38Oh, that's what I was going to do.
13:41They are really good.
13:43What do you put in it?
13:44Oh, that's my secret.
13:45You can tell me, I'll forget it.
13:47Ha, ha, ha.
13:51Hey, you're going to eat?
13:54No, we're not together.
13:55It's been six years, you know.
13:57Oh, yes.
13:58Oh, yeah.
14:00You want to eat a blanket?
14:02Yes, it's a blanket.
14:04Hello, Vincent?
14:06Hello.
14:12What are you doing?
14:14Well, I'm going to eat.
14:16You're going to sleep here?
14:17Yes.
14:18It's a chance that we're not in an old house.
14:20We always wanted to love you.
14:22You remember the movie?
14:23Well, the least possible, I tell you.
14:25You always love love with my parents?
14:27I tell you, it's all those days.
14:28I don't want to know, I tell you.
14:30I'm going to eat it when it's hot, my grand.
14:32Yes, yes.
14:33François, you're going to pass the sel, please.
14:35Mm-hmm.
14:37Thanks.
14:38You're who?
14:40François, the chum d'Alain?
14:41Yes.
14:43Yes.
14:43Do you remember that?
14:44Yes, it's a tapet.
14:45Yes, it's true.
14:47It's all the jokes, it's a tapet.
14:48Yes, but no.
14:49No, I'm going to eat it when it's hot, my grand.
14:50What's the joke of the intellectuals?
14:52What's the difference between an intellectual and a gay?
14:55The intellectuals have a little arouse in the head,
14:57and the gay, he's the big Robert in the cul.
15:01Yes, yes, but there, André, he doesn't make a joke of the same.
15:04Yes, no.
15:05He understood that it was a blessing and that it wasn't done.
15:07Yes, we change, we evolve.
15:09Okay?
15:10Okay.
15:12Well, in any case, it's really good.
15:14Yes.
15:15Yes, really.
15:16Go on, Vincent!
15:17Va-t'in!
15:17What do I have to do here?
15:18It's not a problem, it's going to suck.
15:19No, but you're going to take your head of time.
15:33We're not going anywhere.
15:34You're going anywhere?
15:35Right.
15:35You're going where to take my head of shape?
15:36You're going to take them on the side of my head,
15:36and you're going to wake me up?
15:38Let's not see how you're going.
15:40Well, it's going down.
15:43Maybe, I don't want to break my head of love at all.
15:44So don't let go.
15:45You're going to take my head of the Hofstra.
15:46It's going to take my head of the Hofstraite?
15:48Oh, I'm going to take my head of the Hofstraite for Alain,
15:48it's going to take my head of my head for him.
15:49That's what I'll do?
15:50It's going to make it up?
15:58Hey! What are you doing, man?
16:00What? I'm pissing?
16:02What are you doing?
16:03I'm going to go!
16:04Don't do that here, man!
16:06Why does he have the doigt and not me?
16:07Because you're not an animal.
16:09Lift your clothes and come back.
16:10It's not correct.
16:12The normal world doesn't do that!
16:14No, the normal world doesn't do that!
16:18We'll see the places he proposed.
16:19Okay?
16:20Yeah, yeah.
16:22We need help.
16:26I'm not capable.
16:30Excuse me, I'm a retard.
16:37Hello, you two.
16:39Hello.
16:41It's been a difficult week.
16:45Listen...
16:47But we can't do it.
16:49We need help.
16:51I can't keep it at home.
16:54He has failed to put the fire.
16:56It's not a life.
16:57What's that, Percocet?
16:59What's that, Percocet?
17:00He has put the fire in his matelot.
17:02He's got it.
17:03He's got it.
17:04He's got it.
17:04He's got it.
17:05He's got it.
17:06He's got it.
17:07He's got it.
17:07He's got it.
17:07He's got it.
17:09He's got it.
17:11He's got it.
17:23He's got it.
17:29He's got it?
17:31He's got it.
17:32He's got it.
17:35He's got it, Percocetette?
17:40Okay.
17:42Well, I want to go, but...
17:46What do we do now, too?
17:48Listen, don't worry.
17:52Don't let you help me.
17:55What you live, it's not easy.
18:00No, but what we say is that we're not capable.
18:04There must be places that can be taken care of like him.
18:12Unfortunately, no.
18:18Yes, it's in the store, Vincent.
18:21The police knew me directly.
18:26Where do you go?
18:27In my room, just here.
18:29Where is the room?
18:29Where are you?
18:30Hey, there.
18:32Do you want to see?
18:33Do you want to see?
18:35Okay.
18:36Okay.
18:37Let's go.
18:42Tabarouette.
18:43Hey, kai, kai, kai, kai.
18:46It's so big.
18:48How many times do you do?
18:50It's 3,000.
18:52And it's all sold.
18:54Yes.
18:55How many times do you do here?
18:57It's my 35th.
18:59Aïe, aïe, aïe, aïe.
19:01How many times do you do?
19:03It's...
19:04It's enough to pay my paycheck.
19:06It should be correct.
19:08Aïe, kai, kai, I have no job.
19:09And there's no job in it.
19:11How do you do it?
19:13Well, they have to install a system of my pants.
19:15They put it in my pants.
19:16So, when I'm in my clothes,
19:18it's all in my clothes.
19:19And it's not too much.
19:20And it's just...
19:21And it's just...
19:21But for real?
19:23It's...
19:23You're not afraid of having a blank?
19:25Or to figure it?
19:26Well, it's always a couple of times
19:28that I do, my spectacle.
19:29You know, if I have a blank,
19:31I tell them,
19:31and then we'll cry.
19:33Do you want to try?
19:35What?
19:35It's like if there was someone.
19:37What do you say?
19:38Well...
19:39Good evening.
19:40I won't talk a long time.
19:42I haven't put my little girl.
19:45But I'm...
19:46I'm not a little dear to my son.
19:52Yeah.
19:54Bravo, my God.
19:56Hey, Gary.
19:58So, that evening,
19:59I took a billet.
20:00I went to the top of the corner.
20:02The top of the corner.
20:03The top of the corner.
20:03Yeah, that's right.
20:04The top of the corner.
20:05The top of the corner.
20:06That's right.
20:07That's right.
20:07That's right.
20:08That's right.
20:09That's right.
20:10That's right.
20:10I thought she was going to.
20:12Yeah, yeah.
20:17I'm going to go here?
20:19Yeah.
20:23Do you have a blonde?
20:25Yeah.
20:26It's Alexandra.
20:29Have you met her?
20:31It's been five years ago.
20:33So, you met her quite a lot.
20:35I'd say.
20:37I love having a blonde.
20:39Yeah.
20:43I know...
20:43Maybe...
20:45Maybe because of how I am,
20:48I will never decide.
20:50Yeah.
20:52Yeah.
20:52You don't have a blonde...
20:53I don't have a job.
20:58I'm wondering if it would be difficult...
21:05Well, maybe a job, it's possible.
21:09But a blonde, it will never be.
21:14You know why?
21:16Why?
21:18Well, it's a bit gênant for me to say that,
21:21but...
21:24It's...
21:25It's...
21:26You put your feet, my guy,
21:27but at another level,
21:29it's...
21:30It's insupportable.
21:33It's gotta tell you,
21:34it's the truth.
21:37Do you remember our Stan Smiths at secondaire?
21:39Yes.
21:39Yes.
21:41Do you think Stan Smiths at secondaire?
21:43Yes.
21:44Yes, Stan Smiths at secondaire.
21:46It felt like a short run, my guy.
21:48It wasn't like a suit,
21:49you put your feet in two small dances.
22:04What date is it?
22:06It's the 8th of July.
22:16Please.
22:35Please.
22:38Tell me,
22:39Because...
22:39it's a great masses.
22:47What's up?
22:51What's up?
22:53What's up?
22:54What's up?
23:09Philippe Joyard, est-ce que c'est énervant d'être à 10 minutes avant d'entrer en scène?
23:13Non, non, je pense que ça va. Ce qui est énervant, c'est plus de faire une entrevue comme juste
23:17avant. C'est super désagréable.
23:18Mais non, ça va bien se passer, je pense. Là , c'est sûr que cette entrevue-là , ça va bien
23:23se passer.
24:01Hey! Hello! Qu'est-ce qui est arrivé?
24:07Rien, pourquoi?
24:08Ben, ta face, tu t'es battu?
24:10Hein?
24:11Non!
24:13C'est drôle que tu dis ça, par exemple, parce que j'ai vraiment mal ici.
24:17Wow!
24:18Tu sais pas ce qui est arrivé, là .
24:20Non?
24:21C'est drôle que tu dis ça parce que j'ai vraiment mal ici.
24:23Pis ici?
24:25Ouais!
24:25J'ai dit quelque chose?
24:26Oui.
24:27Il est parti chercher des cigarettes au dépanneur, il est revenu 5 minutes plus tard à manger de main. Il
24:31ne se rappelait pas ce qui est arrivé.
24:32C'est pas ce qui est qui l'a battu, tu sais pas...
24:34Ben non, ça a l'air qu'il n'est même pas rentré dans le dépanneur.
24:36Je me suis promené pendant deux heures avec mon bat de baseball.
24:38Je suis un poignet, c'est lui qui a fait ça, là .
24:40Je te dis qu'il aurait été pas mal plus magané que ton frère, ça, je te le garantis.
24:42C'est maintenant que l'on peut pas le laisser du seul, là .
24:46Clément, toi non plus, là . Je veux dire, l'affaire du bat, là , mets-toi pas dans le trouble.
24:48Ben non.
24:51Non, mais vous rétrouvez une place.
24:53Non, mais c'est ça. Il n'y en a pas de place.
24:55C'est ça, le problème.
24:56Pis je vais en parler à ta mère, je voulais t'en parler aussi.
24:59Ben ça, c'est ton frère.
25:01Ce qu'on pourrait faire, c'est qu'on pourrait se partager la garde à toi.
25:04Je veux pas faire ça, j'ai pas ce qu'il faut pour m'occuper de lui, là .
25:06Mais là , t'as-tu une meilleure solution?
25:08Ben oui, on pourrait ouvrir des maisons pour du bon coup de lui.
25:11Non, mais tu vas pas recommencer avec ça, là .
25:12Ça, c'est des idées de pelleteux de nuages, OK?
25:14Ça coûterait des millions pis ça arrivera jamais.
25:19Tu changeras jamais, là .
25:21T'as pas assez ton temps à dire à me 25 qu'il fallait pas informatiser le bureau,
25:24qu'il fallait pas changer les façons de faire.
25:28Regarde où ça t'a amené, là .
25:31La première affaire que tu m'as dit quand je t'ai dit que je voulais devenir humoriste,
25:33c'est que...
25:35ça marcherait pour mes affaires.
25:41Finalement...
25:41Fait que si tu veux qu'on peut-être pas là , là ...
25:45Moi, je t'ai dit que ça va arriver.
25:50Philippe, t'as raison, c'est une bonne idée, c'est juste que...
25:54c'est là qu'il en a besoin, là , là .
25:56Lui, il peut plus vivre de même, tu le vois bien, là .
26:08Vincent.
26:11Mets ton chapeau, là , c'était dehors.
26:12Comprenez qu'on est dans un cul-de-sac?
26:14Pour trouver une place plus adéquate pour lui, on a pas ce qu'il faut pour le garder, hein?
26:17Je vous comprends.
26:19Ce que vous vivez, c'est extrêmement difficile.
26:23Faites-vous aider.
26:24Lâchez pas.
26:26Mais avec ce qui vient d'arriver, surtout...
26:29Laissez-le jamais tout seul.
26:30Laissez-le jamais tout seul.
26:31Vous comprenez pas, on en peut plus, là .
26:32Nous autres, on peut pas repartir avec, là .
26:34Écoutez, vous êtes pas les seuls dans cette situation-là , je vous comprends,
26:37mais il y en a juste pas de place pour nous.
26:39OK.
26:39Nous autres, on part d'ici, là .
26:40On part en char.
26:41Vous allez faire quoi avec lui?
26:43Monsieur Joyal...
26:43Rien, c'est pas!
26:44On s'en décide!
26:45Qu'est-ce qui va arriver avec lui?
26:51Il serait placé en CHSB.
26:55Eux autres, ils ont pas les ressources pour s'en occuper.
26:58Fait qu'il faudrait qu'il soit lourdement médicamenté.
27:06Il a 33 ans.
27:08Vous allez médicamenter pendant combien de temps?
27:11On ferait un légume jusqu'à la fin de séjour?
27:15Desdemocr pupil en tant capteur à la fin?
27:17Si vous voulez que je m'as soit elbe passé,
27:23avec son36 en tant caps,
27:23on s'en occuperaré avec toi.
27:23Ils ont en amen.
27:25Entendu beaucoup plus!
27:29Vous faites pas l'honneur dans lesessions des rep ces
28:05¶¶
28:20Les petits poissons.
28:21Oui, mais attention, là .
28:26Je pense que j'allais me baigner.
28:27Non, non, non, non. Tu vas t'épuiser, c'est dangereux, là .
28:30Je suis capable, là . Pas longtemps. Je vais juste rester là .
28:32Non, tu touches pas dans le fond. C'est dangereux. Laisse faire, là .
28:35Je vais juste me tenir sur le bord.
28:39Bon.
28:43LÃ , tu mets ta veste, hein?
28:44Non, pas. Je suis pas un bébé, là . Je vais juste rester là .
28:48Tu vas t'épuiser, là .
28:50Pas longtemps.
28:52Mais t'as pas d'endurance.
28:59Ah, elle est bonne.
29:02Tu as du bien?
29:04T'es loin que t'es pas trop, là .
29:08Ouais.
29:09Ouais, c'est vrai que je suis content de être fatigué.
29:12Peux-tu renvoyer une veste, s'il te plaît?
29:17Non, papa, je suis vraiment fatigué, là .
29:20Envoie pas une veste, s'il te plaît.
29:23Je vais pas!
29:24Je vais pas!
29:50Un moment de go.
29:52Un moment de go.
29:53Come on, come on, come on!
29:55Come on, come on!
29:57Come on, come on!
29:59Come on, come on!
30:11What happened?
30:13Did you have to get rid of your vest?
30:15Yeah.
30:18It was there.
30:34What happened?
30:36Did you have to get rid of your vest?
30:38What happened?
30:38No, it's done.
30:41Okay.
31:05What happened?
31:08What happened?
31:12What happened?
31:24What happened?
31:29What happened?
31:30What happened?
31:42What happened?
31:45What happened?
31:47What happened?
31:51We had made a ke PAR-TV
31:54And you stay alone, under the stars
32:00Your phone is sous muet
32:03Your little theater is closed
32:27When I announced to my parents that I was doing humor in my job, I knew that they wouldn't agree
32:31And my father even more, because he had a company and I worked for him
32:34When I gave him my attention, I laughed when I gave him my attention
32:40When I gave him my attention, he said
32:41My son, the important thing is that you do what you love, Henry
32:44I was happy, but very surprised
32:46After that, he said
32:47I'm sure if you want to continue to work here, Martin, you'll always have your place
32:49But if it doesn't matter to have a company that would allow you to do a luxury life
32:53That I had to replace you by acting like you in my face
32:56Because I'm not lying
32:58My son knew that when he was ref件, it's not funny
32:59He says, I'm not mistaken
33:01The contrary to what I thought
33:02So your phone always wanted to do this
33:04Come on, don't fuck you
33:05No, don't fuck you
33:05Not, you're so clear
33:05It's like you?
33:06You're fine, you're like
33:07You're like you're like you, you're like you want
33:09Oh, yeah? You're like you're like you're like the artist
33:10What you're like?
33:12No, it's like you're like you're like it
33:12You're like the artist
33:13I'm like you're like you're like
33:13You're like you're like
33:14I'm like you're like
33:15My hair is my character
33:28You
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