- 13 hours ago
Extraordinary Attorney Woo Episode 14 in Hindi Dubbed [Full Movie] [Full Episodes]Full EP - Full
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00:10:54Hangbook noodles.
00:11:29Hangbook noodles.
00:11:31Let's see.
00:11:34Who are you?
00:11:37You are a chef of hango noodles.
00:11:41What are you doing here?
00:11:52To be honest, they have taught me everything.
00:11:57You mean the king of hangbook noodles?
00:12:01Yes.
00:12:03In this kitchen, I worked a lot of time.
00:12:07But still, I didn't have any strength in my mother.
00:12:12So after you hangbook noodles, hango noodles went to hango noodles?
00:12:17No, that's not.
00:12:17I was in handbook noodles.
00:12:20I was in handbook noodles.
00:12:20Then, the king of hango noodles has left me on my own work.
00:12:28But the king of handbook noodles has a wrong idea.
00:12:32I thought, I was scared of them, but one thing, I can say that the handbox noodles were original.
00:12:43The handbox noodles were like this, because what they were eating, they would take others.
00:12:48Then the boss of Hengan told me to make the noodles like that.
00:12:51And the shop has changed the name of Hengan.
00:12:54Hengan was the name of Hengan.
00:12:55The name of Hengan was the name of Booboo Diner, and they were just eating chicken.
00:13:00Then, after the handbox noodles, he turned on the TV.
00:13:07The name of Hengan noodles became the name of Hengan noodles.
00:13:10Hengan noodles came to the shop.
00:13:12He didn't have to leave the shop.
00:13:14Is there any idea where he went?
00:13:19One time, Hengan noodles came to the shop.
00:13:25He was asked to ask, if they closed the shop, then where will they go?
00:13:29What will they do?
00:13:29So?
00:13:30What will they do?
00:13:34Listen to him, he laughed.
00:13:36He said that they will live in the mountains of Hengan.
00:13:43They will live in the mountains of Hengan.
00:13:46Where will the mountains of Hengan?
00:14:21He will be
00:14:23noodles ke banh darwaze ke pahar chitthiyo ka bada sa dhir laga tha.
00:14:27Unmin se zyadatar chitthiyo mountain water nursing home se vaham bheji gai thi.
00:14:31Toh kya tum hai?
00:14:33Uska address yaad hai?
00:14:43Bracket me Sanso dong 103730 Gyeongoro hambeck up Jeju si special self governing province.
00:14:48Matlab nursing home Jeju island mein hai.
00:14:52Wow! Tussi kamaal ho.
00:14:54Chalo ab fata fata hum nursing home chalte hain aur us malik ka pata puchte hain.
00:14:58Mein jane ko tayyar hou.
00:14:59Mujhe bhi tumhahare saad chalna hai.
00:15:01Ahaan chalte hai am doono.
00:15:18Hello madam. Mujhe aap se kuchh puchna tha hai.
00:15:21Puchhiye.
00:15:22Voh hum hang book noodles naam ke ek restaurant gaye thai.
00:15:25Voh restaurant banth tha aur yye sare letters voha zameen per pade huye thai.
00:15:29Ah, ho sakta hai galat patay per bhejdi ho.
00:15:33Oh, yeh hai.
00:15:35Aap hinnei jaanthi hai?
00:15:36Jaanthi ho.
00:15:37Inki maa haamare hii nursing home mein tu rehti hain.
00:15:40Voh meheni mein ek baar tu milne aate hain.
00:15:42Pata nahi tha hunnei chittya nahi mil rahi.
00:15:44Voh kalhi aaker nikal gaye.
00:15:45Oh, voh kalhi aaker nikal gaye?
00:15:47Haan.
00:15:48Ah.
00:15:49Agar ijazat ho to,
00:15:51Hmm.
00:15:52Kya ham thodi dier ke liye onki maa se jaa kar mil sakti hai?
00:15:55Kiyo?
00:15:55Kis liye?
00:15:56Ah.
00:15:57Hame bas yeh puchna tha ki,
00:15:59Voh hang book noodles dobarah kap khulnay wale hai?
00:16:01Voh kya hai ki,
00:16:01Hame itni dure se unkei meat noodles khani hai thai.
00:16:03Ah.
00:16:04Par akar aap unse mil bhi lienge to,
00:16:06Aapko ko koji javaab nahi mil paayega.
00:16:08Unhye gambir dimentia hai,
00:16:09Tho unke liye baat karna mushkil hai.
00:16:12Oh.
00:16:13Ye baat hai.
00:16:15Mujhe lagta hai,
00:16:16Hang book noodles ka malik Jiju island mei hai.
00:16:18Agar woh bahar hotte to,
00:16:19Har meheni apni maa se milnei,
00:16:21Yaha nahi nahi aapate hai.
00:16:22Haan.
00:16:22Par ab to woh yahaan aagli mahii nahi ane wale hai na?
00:16:25To inntizahar kartne ka kooi fayda nahi.
00:16:27Kyunki unkei lotte se pahle hum sab yahaan se sol vaapas ja chukke hoonge.
00:16:32Hmm.
00:16:37Hello, korn?
00:16:39Ah, Adani, woh kahan pa roo tum?
00:16:47Isse aapko kya?
00:16:48Kya?
00:16:50Kya khaa thumne?
00:16:51Fikr mat ki jiya,
00:16:52Handbook noodles ke malik o nursing home mein dhunne nahi aaye.
00:16:57Woh mila ki nahi?
00:16:59Haan?
00:17:00Nahi, abhi to nahi mila.
00:17:02Dekho, Adani, woh yad hai na tumhe?
00:17:04Khi ham yahaan Jiju island par huang jiisa case ke liya hai.
00:17:07Hmm?
00:17:08Toh maherbani karke case ki tiyyari kar lo.
00:17:11Ah.
00:17:12Thik hai, samaj gai.
00:17:27Yor 1983 mein,
00:17:29jab sarkar ne ghoŔna ki, huang jiisa ki zameen par highway 3008 bana ya jayega.
00:17:34Toh is par wang jiisa ka kya kya kya kya nahi tha?
00:17:36Hum toh pahle se hii saadak banane ki sak khilaaf thay.
00:17:39Kyiunki isse temple ke environment ko nukisan pahunc ta.
00:17:43Or sanjasiya ko dhyan lagane mei pariŔan hi hoti.
00:17:45Or uske khilaaf khada honi ki sabse bada wajah,
00:17:49Usse banane mei na jaanen kitnou ko jan gawani pardti.
00:17:51Na jaanen kitnye peed ukhara diya jate.
00:17:53Or kitnye janwar aur log us saadak par,
00:17:56Hoonay wali kar dhurgatna ka shikar bantte.
00:17:58Toh kya wang jiisa ke aetraat jatane ke baad bhi,
00:18:01Sarkar road bananei pard tiki rahi?
00:18:02Tabhi to road bana.
00:18:04Or road ki badale,
00:18:06Unnohnei hamei cultural heritage fees vassuulne ko kaha.
00:18:08Toh bas,
00:18:10Phir hamne bhi zit chhoed di.
00:18:12Par aap loog,
00:18:13Achaanak se maan kaise gae?
00:18:14Kya aapko laga wang jiisa ka jo nukasan hoonne waala hai,
00:18:17Usse ki bharpai milne waali cultural heritage admission fees se ho jayegi?
00:18:20Bas aap yun hii samaj liji.
00:18:24Hamei laga agar wahan se guzarne ke paise leggengi,
00:18:27Toh kam loog aeyengi.
00:18:29Hamei ye vichar aachha laga.
00:18:31Isse haamari sanskritik dharodar ko,
00:18:33Kam nukasan hoota aur kam jeevon ki jahan jati.
00:18:36Kuyunki haamei laga,
00:18:37Isfees ki wajah se,
00:18:37Kam se kam loog yahaan ghoomne aate.
00:18:39Mera abhi yehi maanna hai,
00:18:41Ki cultural heritage admission fees ka,
00:18:44Agar koji sabse zhururi maksad hai,
00:18:45Toh woh sirf yehi hai.
00:18:47Shukriya,
00:18:48That's all your honor.
00:18:50Counselor,
00:18:51Cross examination please.
00:19:04Us heritage admission fees se huang ji sa ka kariib kitna munaafah ho jata hai?
00:19:08Mujhe koji andaza nahi.
00:19:09Thik thak sankhya batana,
00:19:11Filhal meri liye muumkin nahi hai.
00:19:13Ministry of land infrastructure or transport ke road traffic statistics ke hesaab se,
00:19:16Huang ji sa cultural heritage admission fees ke naam par saalana ek arab bon ka maata hai.
00:19:21Yeh sahih hai na?
00:19:22Filhal toh mein aapko,
00:19:24Rakam ki thik thak sankhya nahi bata paaunga.
00:19:27Toh huang ji sa,
00:19:28Admission fees se milne waale paise ko,
00:19:30Kahaan isti mal karta hai?
00:19:31Hmmmm,
00:19:31Voh paise wang ji sa,
00:19:33Or wang ji sa ki cultural heritage ke,
00:19:35Rukh rukh hao,
00:19:36Or us ki dekbhaal mein kharche ho ta hai.
00:19:38Par huang ji sa,
00:19:39Or cultural heritage ke rukh rukh haaf ki dekbhaal ke liye,
00:19:41Jitnay paise ki zorurauraht hoti hai,
00:19:42Voh toh pehle hi government aapko dhe rahi hai na?
00:19:45Administration ne,
00:19:46Is saal,
00:19:47Cultural heritage ki maintenance ke liye,
00:19:48400 arav bon ka total budget decide kiya hai,
00:19:51Jis mei se,
00:19:5112 arav bon temples ki dekbhaal ke liye alag kiya gaya hai.
00:19:55Iske alawah huang ji sa ko,
00:19:56Administration ki taraf se,
00:19:57Orul le hiya ki,
00:19:58Tokiya logo se
00:19:58Admission fees ke naam pere debbel vlasooli ki jai rhe hai?
00:20:01Jab aap arab ddas arab bol rhe hai,
00:20:03Toh ye pah sa,
00:20:04Bes sundhe mein ziayad a chalag raha hai.
00:20:07Vohang ji sa kuch bhi chhipaa nahi raha hai.
00:20:09Hame serkara se sa sif gugode jakhi peis pilte hai,
00:20:11Jis sayse hum suj buocha kar har chise pe,
00:20:14Eh tihahat baratkar harch kar te Ń e
00:20:16Kya aap hoang ji sa ka budget breakdown baita sa sa te hai?
00:20:18Kitna kharcha ka haa ho ta hai?
00:20:19This will be difficult to tell me, because this is a deep knowledge of Van Jissa.
00:20:25You said that you are not hiding anything.
00:20:27But also, to tell the breakdown of budget is difficult.
00:20:39Objection is on.
00:20:40The plaintiff's counsellor is asking him questions,
00:20:42or is he killing them?
00:20:44Witnesses Van Jissa know,
00:20:45and all the sanyasi and buddhish are calling them.
00:20:48And if they kill them, they are the insults of their honor.
00:20:52Counselor,
00:20:52I can't do any of this in court.
00:20:55Okay.
00:20:57In the last year,
00:20:59Huang Jissa has stopped paying money for the ticket booth,
00:21:01which has 62 complaints from police.
00:21:03So, this is a big problem.
00:21:05Do you know about this or not?
00:21:07I know that people are often against us.
00:21:11So, what have you thought about this?
00:21:12I have never thought about this.
00:21:13You could take the ticket booth from the beach route,
00:21:16and also take the van Jissa's house.
00:21:18Huang Jissa is taking the cultural heritage admission fees.
00:21:22Huang Jissa is taking the cultural heritage fees.
00:21:22No one is wrong.
00:21:24The cultural heritage protection act,
00:21:26is the same for us.
00:21:28And the people's money,
00:21:30Huang Jissa and his cultural heritage,
00:21:33are necessary for the existence of its cultural heritage.
00:21:36If the problem is necessary,
00:21:38if the problem is necessary for us,
00:21:40then why don't we have to take this situation like this?
00:21:52Why don't we take this situation like this?
00:21:57Why don't we take this situation like this?
00:22:01Why don't we take this situation?
00:22:09Why don't we take this situation like this?
00:22:10Why don't we go to the hospital?
00:22:11That's right, I can't go.
00:22:12Now, we'll take a new apartment,
00:22:13and we'll check a new date.
00:22:15And my surgery will take...
00:22:18Come here.
00:22:25What was it?
00:22:27The plaintiff will say that
00:22:28that he won't have admission fee,
00:22:29because he hasn't come there.
00:22:30It's right.
00:22:31So, why are we...
00:22:33We are...
00:22:34What are we doing?
00:22:34Why are we doing the case?
00:22:37Defendant's simple thing is that they have not done anything wrong.
00:22:42Forgive me, but...
00:22:44Who is the last one?
00:22:47My name is Boo Young-Boo.
00:22:49If you want to go straight or go straight,
00:22:50like Robert Chomachka,
00:22:51the name of Boo Young-Boo.
00:22:55This is my office's new attorney.
00:22:57Forgive me, but who are you?
00:23:00I...
00:23:01Ruko...
00:23:01My ex-wife...
00:23:05Oh, ex-wife,
00:23:06that means...
00:23:07She was an ex-wife,
00:23:08when she was calling her family,
00:23:12and she had a divorce.
00:23:16What?
00:23:18Honey...
00:23:19Jisoo,
00:23:20can I talk a little while
00:23:21with her work?
00:23:24Do it.
00:23:31I have to talk about that,
00:23:48but...
00:23:49I think...
00:23:52the legal justification is not yours.
00:23:55The legal justification...
00:23:56Hmm, Huang Ji-sa's justification is clear.
00:24:00The cost of the Cultural Heritage Protection Act is not valid,
00:24:04but they are also giving theoretical justification
00:24:06that the temple's cultural heritage
00:24:08will also be used in the areas of the temple.
00:24:11In front of them, we have all the questions from Betuke.
00:24:13And we are just one thing,
00:24:15that the plaintiff Huang Ji-sa's never gone.
00:24:18That's why we want to take our side to the judge.
00:24:22Because there is no right to take our side to the judge.
00:24:24Hmm, why don't you use this fact as a justification
00:24:28that the National Park was finished in the year 2007,
00:24:31and Huang Ji-sa's also in the Handbag Mountain National Park.
00:24:34But Huang Ji-sa is asking for the Cultural Heritage admission fees,
00:24:37but it doesn't have the entrance fees.
00:24:38Why don't we request the judge to show the budget breakdown?
00:24:42I have told the quote that this is a double collection,
00:24:45because he is taking the government's help
00:24:47and the admission fees are still available.
00:24:48But I don't know much about the budget breakdown.
00:24:51Now, I don't think that,
00:24:53that the judge is going to give it to him.
00:24:55Because this case is not the case of Huang Ji-sa's budget.
00:24:58The case's real need is that,
00:25:00does the plaintiff's cultural heritage admission fees
00:25:02make sure to give it to the plaintiff's admission fees?
00:25:05So then, what kind of legal justification do you want?
00:25:09What kind of legal justification do you want?
00:25:15What kind of legal justification do you want?
00:25:26Does the plaintiff's
00:25:28come again?
00:25:28Hi, yes, okay?
00:25:38How did you do that?
00:25:40Yes
00:25:49It's not completely changed. It's the same thing.
00:25:53What?
00:25:54I'm going to talk to you about how happy I was going to talk to you in a few days.
00:26:01I didn't see you so much.
00:26:06I got five years later.
00:26:09When she was with me, she didn't see me in her eyes.
00:26:14But now she has a different light.
00:26:21I have no idea.
00:26:24You have to remember me again
00:26:28that I had left him at the end.
00:26:34What was the reason I had left him?
00:26:40I was with him.
00:26:47I was completely alone.
00:27:08I wasn't happy in my heart.
00:27:12You're doing a good job. I'm happy.
00:27:13I'm happy.
00:27:14Listen, if there's any need for me, I'm going to call you.
00:27:20Yes.
00:27:23Papa.
00:27:24Yes, tell me.
00:27:26If I brought Junho to the house,
00:27:29how will you help him with him?
00:27:32But who is Junho?
00:27:36That's the one who I had in front of the house.
00:27:38Oh, that's the loafer.
00:27:40So, are you going to bring her home?
00:27:43No.
00:27:45I just wanted to know why you have to get her.
00:27:48Please tell me.
00:27:49What do you mean?
00:27:50What do you mean?
00:27:50I have to see how the girl is.
00:27:53Will she keep me happy or not?
00:27:56I have to see how the girl is in my life.
00:28:00Will she keep me happy or not?
00:28:01Hmm?
00:28:07Hmm.
00:28:08As for Junho,
00:28:10that's just the person who cares about me.
00:28:12The girl keeps me happy.
00:28:16Definitely keeps me,
00:28:17I just keep my anger as much as you keep.
00:28:20But the problem is in me.
00:28:27Do I...
00:28:29Do I am so capable
00:28:32that I can keep him happy as he keeps me?
00:28:37Maybe with me
00:28:42I will not feel alone with him.
00:29:05I'm sorry.
00:29:06What happened to me?
00:29:07This is how many people take a dolphin every day.
00:29:10But when we come here,
00:29:12you can't see a child.
00:29:17Juno, one more thing.
00:29:19Yes, tell me.
00:29:23I don't think we should be dating both of you.
00:29:47Why are you doing all these things like this?
00:30:01You're saying all about the disease of Atani Chhang, right?
00:30:05You'll feel bad that we've come here on a date
00:30:07and Atani Chhang is suffering from such a big disease, right?
00:30:11Why are you suffering from cancer?
00:30:15Why are you suffering from that?
00:30:17I didn't think about it.
00:30:20But the point of your story is that.
00:30:23Then, what can happen to you, Yangu?
00:30:35Good.
00:30:36Okay, maybe our mood will not be hurt,
00:30:39because we haven't seen dolphins.
00:30:41Oh man, you too.
00:30:43What are you thinking about these things?
00:30:45Those dolphins are still in the sea.
00:30:50They will not see us from here.
00:30:52Abbott also said that what they see is not always true.
00:30:58All the shadows are not true.
00:31:00All the eyes are still in the sea.
00:31:02All the eyes are still in the sea.
00:31:04All the eyes are still in the sea.
00:31:04Let's open the eyes and see the eyes that we can't see.
00:31:06Yes.
00:31:07You remember Abbott's talking about this.
00:31:10I understand.
00:31:12I was watching the eyes of my eyes,
00:31:15and I couldn't see it.
00:31:17It's on the highway 3008 of Huangjisa.
00:31:21The government had to build it for tourism,
00:31:23so that people and Huangjisa
00:31:25see the temple cultural heritage.
00:31:27I have to see these things.
00:31:28Local highway number 3008,
00:31:31one road.
00:31:32This is the main point.
00:31:37Why are you talking about the case?
00:31:39The public property concept is the Public Administration Act.
00:31:42Public property, state or local government
00:31:44is made by the administrative body,
00:31:45so that the administrative purpose can be made.
00:31:47And the road is also a representative public property
00:31:50which is made for people's transit.
00:31:52This concept of public property
00:31:54will become our justification.
00:31:56Legal justification.
00:31:59Where are you going?
00:32:01I'm going to go now and
00:32:02go and discuss this all with Sir.
00:32:07How can you go?
00:32:13You said you didn't want to be with us
00:32:15and now you're running away.
00:32:16Is it our side?
00:32:18Is it all a mess?
00:32:21What did you think of me?
00:32:29What did you think of me?
00:32:39I'm sorry, Junho.
00:32:51I'm sorry, Junho.
00:33:04Junho is running away.
00:33:04I'm sorry.
00:33:19I could have to been for five days.
00:33:19I could be with her.
00:33:20I could notļæ½ļæ½ I could take ohno.
00:33:29I could not, but my future information,
00:33:30You're turning back over by your way.
00:33:30You're turning back.
00:33:45Do you have a plaintiff and defendant, or do you want to prove something to the plaintiff?
00:33:50Do you have to say something to the plaintiff?
00:33:54Defendant doesn't say anything to the plaintiff.
00:33:56Plaintiff's counselor, tell us what to say.
00:34:01Your Honor, Local Highway 3008 is a public property.
00:34:07Public property?
00:34:08Yes.
00:34:09The plaintiff has some parts of the highway, which is a very popular place for the defendant.
00:34:18However, the plaintiff has only used the use of the highway, which is a public property,
00:34:23which has been prepared for the local government.
00:34:24It has been prepared for the common people.
00:34:27I believe that it is only because the plaintiff has used the public property,
00:34:31so he doesn't believe that the defendant's cultural heritage is going to go there.
00:35:04The
00:35:10I will sit with my boss with Dong-Gurami and Daryal boss in the car.
00:35:14Why? You've been fighting with Juno.
00:35:26Okay, let's go.
00:35:31Dong, you're not talking about Long. I'm coming with you.
00:35:33They'll do it. Come on.
00:35:38What happened? Did they not go to the car?
00:35:40I can't go. There's Juno too.
00:35:44It'll be a little strange.
00:35:46Then, you've added some money?
00:35:48I said, it'll be good if we don't have a date with the future.
00:35:54What?
00:35:55You both fought, right?
00:35:58No, no.
00:35:59Don't say anything.
00:36:00Don't say anything.
00:36:01Okay, what are you going to drink?
00:36:03Huh?
00:36:04Are you going too?
00:36:06Yes, let's go.
00:36:07Let's go.
00:36:08No, leave me. I don't have mood to drink.
00:36:13I don't have mood to drink.
00:36:14Why did he say that?
00:36:16Huh?
00:36:18Why did he say that?
00:36:20Why did he say that?
00:36:21Why did he say that?
00:36:21Or Sampal, Chunsam, Bugsun, J.Dol?
00:36:26Did anyone see that?
00:36:28No.
00:36:28No.
00:36:28I don't think that Juno will tell you that.
00:36:31Why did he say that?
00:36:34Why did he say that?
00:36:35Everything was fine.
00:36:37What happened?
00:36:39Maybe you'll get back to him.
00:36:42Look, brother.
00:36:43You'll get back to him and get back to his wife.
00:36:47You'll get nervous.
00:36:47You'll get back to him and get back to him.
00:36:49If my girlfriend meets me with his wife,
00:36:52then she'll get into my mind.
00:36:55It's like that.
00:36:57I've got more...
00:37:00I've got back to him.
00:37:02The point is that
00:37:04probably the pressure of young Buu's wife's wife's house is jailed.
00:37:07And what happened to you?
00:37:09Why are you acting as an actor?
00:37:11I'm not acting as an actor.
00:37:14Why do you stay behind me?
00:37:16I'm telling you.
00:37:19There was a little trouble.
00:37:21I didn't get to him.
00:37:23I didn't get to him.
00:37:24He was eating meat and sushi.
00:37:27I didn't get out of my head.
00:37:29I'm trying to get out of my head.
00:37:32Juno, don't cry.
00:37:34Whatever happens, it's good.
00:37:36See, you have to cry a lot later.
00:37:39You have to cry a lot later.
00:37:39You have to cry a lot.
00:37:40You have to cry a lot.
00:37:40You have to cry a lot.
00:37:41You have to cry a lot.
00:37:44What?
00:37:44Why are you saying that Juno is a young Buu's wife's wife's wife's wife?
00:37:48Correct.
00:37:51You have to cry a lot later.
00:37:53No, the young Buu's wife's wife's wife...
00:37:58What do you mean by the young Buu's wife?
00:38:00What?
00:38:01Oh, I feel the young Buu's wife.
00:38:07It's a young Buu's wife's wife.
00:38:11It's a young Buu's wife.
00:38:23The young Buu's wife.
00:38:24The young Buu's wife is to cry a lot.
00:38:28My baby came out again.
00:38:29Come, you drink it.
00:38:30Come.
00:38:30Come, come.
00:38:32Hey, Chintu Candy, one more glass.
00:39:30Chintu Candy, one more glass.
00:39:41Chintu Candy, one more glass.
00:40:02Chintu Candy, one more glass.
00:40:08Chintu Candy, one more glass.
00:40:08This is the pain
00:40:16My self, you should forget me
00:40:21You will be knowing me
00:40:27You will leave my memories
00:40:31My self, you will leave me and leave me
00:40:36Go!
00:40:37But remember that you will remain with me.
00:40:55You...
00:40:56Go...
00:40:58Go...
00:40:58Go...
00:40:59Go...
00:41:03I have to talk with you.
00:41:06Go.
00:41:18You have to talk with me.
00:41:22What?
00:41:22I mean...
00:41:24Why did you change so much?
00:41:26You were out of one number, right?
00:41:28People who are bleeding in the head.
00:41:29You used to drink a cake.
00:41:31Then I saw how you beat you.
00:41:33You used to get a lot of money to do other things.
00:41:36I'm so bad, you don't know where he went from,
00:41:42and why are you doing my mind?
00:41:46I was going to report to the police.
00:41:48This is something else.
00:41:49But what did I do?
00:41:51What did I eat?
00:41:52Can I take my food?
00:41:55Can I take my food or not?
00:41:55Can I take my beer bottles or not?
00:41:58Why didn't I take the difference between these things?
00:42:00You came to the business trip,
00:42:01and you came to the house again in the morning,
00:42:03and you came to the house again in the morning.
00:42:03That day, the old auntie bought all the flowers.
00:42:06What do you want to do to be honest?
00:42:08It's so good that you don't have a suit.
00:42:11Why are you trying to be good?
00:42:14Because we're in Jeju Island.
00:42:17You're not trying to be romantic with me.
00:42:20Oh, Suyeon.
00:42:21What do you want me to do?
00:42:23What?
00:42:25You stop talking to me.
00:42:26Then who are you?
00:42:27Are you noticing all these little things?
00:42:28Are you noticing all these little things?
00:42:31Let's go.
00:42:32Tell me the truth.
00:42:34You want me.
00:42:36Right?
00:42:38You're seeing me.
00:42:46Are you noticing all these things?
00:42:48Suyeon is so bad.
00:42:52Are you noticing all these little things?
00:43:00Let's go.
00:43:05So, let's go.
00:43:07What are you noticing to me?
00:43:08What about me?
00:43:15Oh
00:43:17Oh
00:43:17Meera to cut gya
00:43:19kya matlab
00:43:20Minoo ke saath aapne us bulbul ko dhekkar
00:43:22tumeh saamaj nahin aah raha hai kya?
00:43:26Dounou eek dousre ko aise pyaar se dhek raha hai
00:43:29jiasse
00:43:30eek dousre mein doobay huye hon
00:43:32Mujhe kuch nahin pata. Tum bas chup chap andre chalo.
00:43:35Chalo. Andre jake kya aachar Äalou?
00:43:36Hamei waapas karaoke mein jana chahihe.
00:43:38Paz abhi abhi toho haam karaoke se waapas loote hai.
00:43:42Toh waapas kyu jana hai?
00:43:43Eh. Dekha nahin Minoo ne mujhe reject kar diya.
00:43:47Woh bhi propose karne se pehle.
00:43:48Usse pata hoota toho tumhe
00:43:50Woh reject thudhi karta bilkul nahin.
00:43:53Kya tum sach me Minoo ko chahati ho?
00:43:57Pata nahin yaar.
00:43:59Shit.
00:44:00Aaj.
00:44:01Dard bharay gaane ga kar sab ko rula dungi.
00:44:04Toad diya mera dil.
00:44:10MƤi bhi gaunga.
00:44:24Thank you Junho.
00:44:25You're welcome.
00:44:29Toh baaki sab ka kya chal raha hai?
00:44:31Sab wohin ghar par hai?
00:44:32Haan woi.
00:44:33Hame nye sucha aap ko chhutti mil jayegi.
00:44:35Toh sab sath mein huang ji sa jayenge.
00:44:37Abhi woh sab ready ho raha hongay sir.
00:44:38Okay.
00:44:45Hame nye.
00:44:46Hame nye.
00:44:49Hame nye.
00:44:51Hame nye.
00:44:52Hame nye.
00:44:53Hame nye.
00:44:54Hame nye.
00:44:56Hame nye.
00:44:58Hame nye.
00:45:04Aaj a sapane mein,
00:45:05main uske sforme baati kar
00:45:06Buri tara se źøøgida raha ki
00:45:08Jogo hua sab meri galati thi.
00:45:10Pada, main poori tarowo by dal gya hongun.
00:45:12Pleez, mere paas waapas haajau.
00:45:14Lekind ali aad soŠ·Š°ia jub usnewaapas jana ki baat kahi
00:45:17Tho mere maun ses ek shub fya nahi niki niko la.
00:45:19Oesa dhe khayai jaisa sab normal hai.
00:45:20Or bola.
00:45:21Oh ha shouldni.
00:45:21Hya sahay ski journi.
00:45:24If you don't have to say anything about someone,
00:45:26then you should practice it first.
00:45:32You know, someone who you love?
00:45:35Huh?
00:45:36If you do it, don't let him do it.
00:45:39If he wants to leave his hand,
00:45:41then go back to his hand and take his hand.
00:45:46But you don't seem to be worried
00:45:48that you will ever do this.
00:46:10When will you turn your eyes?
00:46:13What do you mean?
00:46:14Tomorrow, something happened in our house.
00:46:17Yes, nothing happened.
00:46:19I don't remember anything,
00:46:20because I was probably going to have a drink.
00:46:22They were all drinking.
00:46:24I was drinking.
00:46:24I don't remember anything.
00:46:25Let's go.
00:46:26We're all living like we were before.
00:46:32Deal.
00:46:50How are you doing?
00:46:51I don't know what you want.
00:46:53It's like a nightmare.
00:46:53It's like an hour.
00:46:55It's like an hour.
00:46:57I love it too.
00:46:57It's like a night time.
00:46:58It's like a night.
00:47:01Maybe 20 years.
00:47:01Let go to the beach.
00:47:01Or a night.
00:47:01Maybe a night.
00:47:02When would you leave a night to the beach
00:47:02that I'll be able to die.
00:47:03do you want to keep yourself with me
00:47:06tell me
00:47:07go to gurami or angel
00:47:10what
00:47:14do you want to keep yourself with me
00:47:20who will keep yourself with me
00:47:54Oh, my God.
00:48:03Oh, my God.
00:48:38Oh, my God.
00:48:41Oh, my God.
00:48:52Oh, my God.
00:49:25Oh, my God.
00:49:26Oh, my God.
00:50:23Oh, my God.
00:50:34Oh, my God.
00:50:56Oh, my God.
00:51:26Oh, my God.
00:52:16Oh, my God.
00:52:26Oh, my God.
00:53:25Oh, my God.
00:53:46Oh, my God.
00:53:54Oh, my God.
00:54:09Oh, my God.
00:55:06Oh, my God.
00:55:06Oh, my God.
00:55:57Oh, my God.
00:56:28Oh, my God.
00:56:52Oh, my God.
00:56:59Oh, my God.
00:57:27Oh, my God.
00:57:40Oh, my God.
00:58:07Oh, my God.
00:58:59Oh, my God.
00:59:18Oh, my God.
00:59:49Oh, my God.
01:00:36Oh, my God.
01:00:40Oh, my God.
01:01:29Oh, my God.
01:01:37Oh, my God.
01:01:40Oh, my God.
01:02:37Oh, my God.
01:02:56Oh, my God.
01:03:07Oh, my God.
01:03:37Oh, my God.
01:03:38Oh, my God.
01:04:08Oh, my God.
01:04:09Oh, my God.
01:04:13Oh, my God.
01:04:14Oh, my God.
01:04:14Oh, my God.
01:04:15Oh, my God.
01:04:15Oh, my God.
01:04:16Oh, my God.
01:05:13Oh, my God.
01:05:16Oh, my God.
01:05:46Oh, my God.
01:06:16Oh, my God.
01:06:47Oh, my God.
01:07:22Oh, my God.
01:07:34Oh, my God.
01:08:29Oh, my God.
01:08:44Oh, my God.
01:09:02Oh, my God.
01:09:50Oh, my God.
01:10:02Oh, my God.
01:10:37Oh, my God.
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