05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51I was wondering when you're going to tell me about that.
05:53I was wondering when you noticed.
05:57It's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:07Mm-hmm.
06:09It reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:24So, come on.
06:26You holding out or something?
06:28How is Jordan?
06:30Um.
06:32Well, you know.
06:34Dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archaeology, Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:15I'm going to have an apartment, you know, place on campus from which you and I could live together.
07:28I know it's going to be hard to leave all the dysentery.
07:30I totally understand.
07:32I know.
07:32No, no, no.
07:33No, no, no, no.
07:34That, that, that is, uh...
07:40Big, um...
07:41Big?
07:42No, um...
07:43Well, for a man with an English literature degree, you really have a way with words.
07:47I know, I know.
07:47It's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually want
07:57to have sex with each other all the time.
08:02But, I want this job.
08:05You know, I want to build a life that's mine.
08:09Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me.
08:16Like, Tom, I, I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:36And...
08:39I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
09:04Hey, what time is it?
09:11Tom?
09:16Tom?
09:19Hey.
09:23Uncle Brian.
09:24He's in London.
09:25Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29Train's at 10.30.
09:34Yes.
09:35Hi.
10:07Sorry, Ryan talks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project and Brian
10:27has called in a favor.
10:30Oh, my God. Are you kidding?
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42Well, I feel it's very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:57Don't.
10:59Stay there.
11:00It's almost over.
11:10Oh, that's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nine.
11:27For you all.
11:56Hi.
11:58Yeah.
11:59All right, one second.
12:03You're on vacation with your husband?
12:05Ah, yeah.
12:07In the salon, Arl.
12:09Oh, yeah.
12:10And he's not my husband.
12:13He's my boyfriend.
12:17Okay.
12:19Okay.
12:23Okay.
12:24Okay.
12:28All right, let's go.
13:08Ladies and gentlemen, hello, our TGV train from Marseille-Saint-Charles will arrive at Avignon in a few minutes.
13:16Avignon, five minutes left.
13:36Avignon-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux
13:40-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux
13:47-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-Froux-
14:04Did my boyfriend return?
14:06My friend?
14:08Did he?
14:08No.
14:10No, he's already in.
14:13So weird.
14:15Where are you?
14:23Hi, this is Tom Parker.
14:25Show him unavailable.
14:26Leave a message after the time.
14:38Tom?
14:40Oh, my God.
16:15Tom.
16:17Hey.
16:18Very funny.
16:20I have been looking all over this trip.
16:22Oh my God.
16:22I'm sorry.
16:23No, Desolée, I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:38Excuse me.
16:40Excuse me.
16:40Have you seen him?
16:41Excuse me.
16:42Did you see him walking?
16:43No.
16:52Excuse me.
16:54There's a problem, madame?
16:55My...
16:56My...
16:56My friend?
16:57He's gone.
16:59He's...
17:00He...
17:00I can't find him.
17:01He kind of...
17:02Desperue.
17:03He's gone to Avignon.
17:05No, we're supposed to go to Arl.
17:06Is-ce que vous avez essayé de l'appeler?
17:09Um...
17:09De l'appeler.
17:10May I help you?
17:11Yes, please.
17:13He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:20But if he was leaning against a door and maybe fell into the track, is that possible,
17:24En fait, elle s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte
17:28et tomber sur les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43OK.
17:43They only open at this place.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
17:47Je comprends très bien, ça, madame.
17:50Continue à l'appeler, je suis sûr qu'il va finir par vous répondre, hein?
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est réservé au personnel.
18:07OK.
18:08It's...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire, Adjad, juste un oeil, c'est la rassure.
18:17C'est le règlement, c'est comme ça, c'est tout, elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre-lange, je m'en suis dit.
18:32Oh, my God.
18:36Tom, I've been looking all over for you.
18:39Where...
18:41Tom, are you there?
18:50Tom...
18:52John...
18:54Tom, you...
18:55Tom...
18:57Oh, my God.
19:28Do you know Marseille?
19:31Uh, no, no, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been so helpful. Thank you. I'm just kind of... I'm, um...
19:52Where is the police station?
19:54You go down the hill. It's on your right. You can't miss it. But are you sure I can take
20:00you?
20:01No, I'm fine. I'm positive this is all a big misunderstanding, so...
20:12You know, if you need help, I'm Hélène.
20:18Alice, thanks.
20:26So, good luck, Alice.
20:29And don't worry. It's going to be okay.
20:33Bye.
20:35Bye.
20:50Bye.
20:52Bye.
20:57Bye.
21:09Bye.
21:11Bye.
21:14Uh, excuse me. Can someone help me? My boyfriend's gone missing.
21:20Please.
21:25Do you know how many people are reported missing each day in France?
21:30600 on a good day.
21:33Okay, well, that cannot be an excuse to not help me. Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:51Just one second.
21:53Okay.
22:04I don't... I don't understand.
22:08Mother Monho, how long have you known your boyfriend?
22:15Um, well...
22:17We've been dating for four years.
22:20We met in Jordan.
22:21That's where he heads the region for SOS Global.
22:24It's a...
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archeologist.
22:37I'm a...
22:37Who two are you fighting?
22:40What?
22:41Fights, disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else?
22:49Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And he agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:19So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so you got off the train at Avignon without telling you, et voilà?
23:29He would never do that. You don't know Tom.
23:31I am no man.
23:37Okay, Inspector Drax.
23:44I really need to find him.
23:47Please.
23:49Help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
24:14Finance.
24:14I want to go.
24:31Oh, my God.
25:05Sorry. Thank you.
25:36Hey. Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid. Sorry.
25:50Right.
25:52What's in there?
25:53Uh, uh, vaccines.
25:56Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:09It's, um, that way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you better hop in.
26:30Thank you. Thank you.
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You, too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:15What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:55I know how to get dirty.
28:05Oh, my God.
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see if I play.
28:57Let's go.
29:27Let's go.
29:31Let's go.
29:33Let's go.
29:33Let's go.
29:34Let's go.
29:34Let's go.
30:07Tom?
30:09Let's go.
30:10Let's go.
30:16Let's go.
30:17Let's go.
30:19Let's go.
30:22Let's go.
30:22Let's go.
30:23Let's go.
30:25Let's go.
30:25Let's go.
30:33Let's go.
30:33Let's go.
30:40Let's go.
30:44Let's go.
30:53Let's go.
30:54Let's go.
31:00Let's go.
31:02Let's go.
31:08Let's go.
31:09Let's go.
31:20Let's go.
31:35Let's go.
31:36Oh, let's go.
31:37Let's go.
31:42Let's go.
31:44Let's go.
31:53Let's go.
32:07I don't know.
32:26I don't know.
32:58I don't know.
33:24I don't know.
33:24Mademoiselle, bonjour.
33:26What a pleasant surprise.
33:27So, has the prodigal son returned?
33:29No.
33:30But, um...
33:31Ah, voila.
33:32Then we can report him missing tomorrow.
33:34Can I please have a moment of your time, please?
33:36Walk with me.
33:37I'm late to the cinema.
33:39For an Alain Delon double bill and Madame Drax will not take it kindly.
33:42I'm late.
33:43I know where Tom got off the train.
33:45Bravo, Madame Clouseau.
33:47I followed the line back from Avignon where the train stopped and I found this.
33:54Probably gone.
33:55Well, yeah, it's Tom's favorite.
33:57He offered me a piece before he disappeared.
33:59Hmm.
34:00And the ejected seat on the train, where was that found?
34:03It should really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So, there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now.
34:11This is all getting quite dramatic.
34:13His name is Maurice Giroux.
34:14He was hiding something, I could tell.
34:16You have to bring him in for questioning.
34:17I have to go to the cinema.
34:19Samurai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house.
34:31I chose well.
34:32Better than you, it seems.
34:36Tread carefully, Miss Monroe.
35:01Tread carefully, Miss Monroe.
35:15Thank you,았는데.
35:16Thank you very much.
35:17That was a wonderful day.
35:27If you liked yourzenie, yes.
35:33There was a Tuesday event,
36:26Mr. Tom.
36:28Mr. Tom, I'm here.
36:30All right.
36:31Selma, Selma, one sec.
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me or they need to be in the fridge right away.
36:38Okay.
36:41Okay.
36:4336-2.
36:46Hi.
36:47Who are you?
36:49I just gave Tom a lift.
36:51You broke down?
36:52Yes, he did.
36:53It's the second time this week.
36:55The man couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:01I know.
37:04He was coming!
37:08Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:17What's he doing?
37:19Stop!
37:20Go, go, go, go.
37:22Hey, hey, hey.
37:23You're not taking him.
37:24You're not taking him.
37:25You're not taking him.
37:28Oh, baby.
37:32I'm not trying to quit.
37:33I'm not trying to quit.
37:34I'm not trying to quit.
37:36No.
37:37You have to pay through me.
37:51who are they local bandits i think no one will notice missing refugees from syria
37:58take them down to tripoli sell them to traffickers for a king's ransom
38:04he stopped them before he may be useless with cars but he could talk a dog of a meat truck
38:48you look like you need a drink something must have happened at home before happening on
38:55and i just feel like the conductor had something to do with that i mean you saw him yourself the
39:00way he was acting all shifty what do you think happened okay this is gonna sound insane but
39:07i think tom was kidnapped is he rich no oh you're rich no so why would someone kidnap him
39:18maybe it's not about money oh it's always about mommy
39:24what it
39:30oh diabetes wow okay so what do i do the police are either useless or correct
39:41and if you're really lucky they're both great what then what am i i'm an investigative journalist
39:53who are you an archaeologist yes you're like me you look for clues in the past to tell you about
40:00the future
40:02you know tom better than anyone so you probably know more than you realize
40:12did he mention anyone or anything who has he been in touch with lately
40:26has he said anything strange
40:34find something more than a piece of twinkle man maybe i can help
40:52and if you're sure you're interested in the future
40:53they're going to be happy to see you
40:53there's a lot of people that don't have to be there
40:53yeah
40:53Let's go.
40:53Let's go.
40:53Let's go.
41:50Let's go.
42:23Let's go.
42:57Let's go.
43:24Let's go.
43:55Let's go.
44:23Let's go.
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