05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51What are you going to tell me about that.
05:54I was wondering when you noticed.
05:58It's a cyanide rose finch.
06:00What are you going to tell me about that?
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:07Mm-hmm.
06:09Reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:15Chirping.
06:18Chirping.
06:19Chirping.
06:25Chirping.
06:25So, come on.
06:26Are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:44Mm-hmm.
06:45Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archeology, Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So,
07:15I'm gonna have an apartment, you know, a place on campus from which you and I could live together.
07:28I know it's gonna be hard to leave all the dysentery. I totally understand.
07:31No, no, um, no, no, no, no, no, that, that, that is, uh, uh, big, um...
07:41Big?
07:42No, um...
07:43Well, for a man with an English literature degree, you really have a way with words.
07:46I know, I know, I know, it's, it's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually want
07:57to have sex with each other all the time.
08:00But...
08:02I want this job.
08:05You know, I want to build a life that's mine.
08:09Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me.
08:16Like, Tom, I, I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:36And...
08:39I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
09:04Hmm...
09:04I hear what time is it...
09:11Tom?
09:16Tom?
09:19Hey.
09:22Hey.
09:22Hey.
09:23Hey.
09:23Hey.
09:24Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:29The train's at 10.30.
09:34Yes.
09:35Hi.
09:37Hi.
09:38Hi.
09:39Hi.
09:40Hi.
09:41Hi.
09:41Hi.
10:09Sorry, Brian talks like he's in an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project, and Brian
10:27has called in a favor.
10:30Oh, my God. Are you kidding?
10:32Mm-hmm.
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42What I feel is very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:58Don't.
10:59Stay there.
11:01Almost over.
11:10Oh, that's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nein.
11:27For you?
11:44Hi.
11:44Hello?
11:46Uh, sorry, I can't, I can't hear you.
11:50Can you, can you repeat that?
11:51I don't have any phone.
11:57One second.
11:58Yeah.
11:59All right, one second.
12:03You're on vacation with your husband?
12:05Uh, yeah.
12:07In the salon, Aron.
12:09Oh, yeah.
12:10And he's not my husband, he's my boyfriend.
12:17Okay.
12:18Okay.
12:19Okay.
12:39All right, let's go.
13:09The train TGV is coming to Marseille-Saint-Charles in a few minutes.
13:17The train is coming to Marseille-Saint-Charles in a few minutes.
13:19The train is going to be on the train.
13:25The train is going to be on the train.
13:29The train is going to be on the train.
13:38The train is going to be on the train.
13:41The train is going to be on the train.
14:12The train is going to be on the train.
14:28The train is going to be on the train.
14:38The train is going to be on the train.
14:54The train is going to be on the train.
14:58The train is going to be on the train.
15:01The train is going to be on the train.
15:15The train is going to be on the train.
15:58The train is going to be on the train.
15:59The train is going to be on the train.
16:12The train is going to be on the train.
16:15The train is going to be on the train.
16:16The train is going to be on the train.
16:22The train is going to be on the train.
16:23The train is going to be on the train.
16:36The train is going to be on the train.
16:38The train is going to be on the train.
16:40The train is going to be on the train.
16:41Excuse me, did you see them walking?
16:43No.
16:47Do they want to see him?
16:50You know?
16:52Excuse me.
16:54Il y a un problème, madame?
16:55My... mon ami?
16:57He's gone.
16:59He's... he... I can't find him.
17:01He kind of... disperue.
17:03Il est peut-être descendu à Avignon.
17:05No, we're supposed to go to Arl.
17:06Est-ce que vous avez essayé de l'appeler?
17:09De l'appeler?
17:10May I help you?
17:11Yes, please.
17:13He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there... could there have been an accident?
17:20Like, um...
17:20But if he was leaning against a door and maybe fell under the track,
17:24is that possible, Fina?
17:24En fait, elle s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte
17:28et tomber sur les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portées sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43OK, they only open at this place.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
17:47Je comprends très bien ça, madame.
17:50Continue à l'appeler.
17:51Je suis sûr qu'il va finir par avoir répondu.
17:53Hein?
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est réservé au personnel.
18:07OK.
18:08It's in...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers ne sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:16Elle a déjà du stand-up, c'est la rassurance.
18:17C'est le règlement, c'est comme ça, c'est tout.
18:19Elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre le règlement, je l'ai dit.
18:32Oh my God.
18:37Tom, I've been looking all over from you.
18:38Where?
18:41Tom, are you there?
18:52Tom.
18:54Look.
18:56There.
19:28Do you know Marseille?
19:31Uh, no, no, but it's...
19:34I'll be fine, I'm okay.
19:35Thanks.
19:36What are you going to do?
19:38I don't know.
19:40We're supposed to go to Aurel, but...
19:42Maybe I'll go to the police.
19:44Oh, do you need me to take you?
19:46No, no, I'm...
19:47You've been...
19:48You've been so helpful, thank you.
19:49I'm just kind of...
19:50I'm, um...
19:52Where is the police station?
19:54Ah, it...
19:55You go down the hill, it's on your right, you can't miss it.
19:58But, uh, are you sure I can take you?
20:01No, I'm fine.
20:02I...
20:02I'm...
20:03Positive this is all a big misunderstanding, so...
20:12You know...
20:14If you need help, I'm Hélène.
20:19Alice, thanks.
20:26So, good luck, Alice.
20:29And don't worry, it's going to be okay.
20:33Bye.
20:35Bye.
20:35Bye.
20:39Bye.
21:25Do you know how many people are reported missing each day in France?
21:30Six hundred on a good day.
21:33Okay, well, that cannot be an excuse to not help me. Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:51Just one second.
22:04I don't... I don't understand.
22:08Mother Monho, how long have you known your boyfriend?
22:15Um, well, we've been dating for four years.
22:20We met in Jordan. That's where he heads the region for SOS Global.
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist. I'm a...
22:37Who told you a fight?
22:40What?
22:41Fights. Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:51I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And you agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so you got off the train at Avignon without telling you, eh, voilà ?
23:29He would never do that. You don't know Tom.
23:32I am no man.
23:38Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
24:14Okay, Inspector Drax.
24:25He's trying to...
24:274...
24:28You're just trying to practice!
24:305, 6, 9, 10, 12!
24:338, 11, 12, 13, 13, 13, 14.
24:37Lev戴, 6, 11, 14, 13, 14, 15, 15, 31, 13, 16, 19, 18 unreli.
24:40Why?
25:05Sorry, thank you.
25:35Hey, are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture too.
25:46Oh, I don't have a spare spare, I'm afraid.
25:48Sorry.
25:50Right.
25:51What's in there?
25:53Uh, vaccines.
25:56Yeah, without refrigeration they'll be useless within a couple of hours.
26:00So you're screwed?
26:02Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:09It's, um, that way.
26:16Okay, so if I don't help you children might die and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then I guess you better hop in.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12The shoes off at your house then, is it?
27:14What?
27:16Want to know what gives you away?
27:18It's a shirt.
27:20The AC unit.
27:21No dust.
27:23Means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No, no, I like it. I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me, I know how to get dirty.
27:55I know how to get dirty.
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see if I play.
28:58Let's see if I play.
29:05Let's see if I play.
29:12Let's see if I play.
29:17Let's see if I play.
30:07Tom?
30:12Tom?
30:42Tom?
30:42Tom?
30:43Tom?
30:43Tom?
30:44Tom?
30:45Tom?
30:45Tom?
30:45Tom?
30:46Tom?
30:57Tom?
30:58Tom?
31:01Oh, shit.
31:43Tom?
31:43Oh, my God.
31:43Tom?
31:52Oh, my God.
31:56Oh, my God.
32:07Oh, my God.
32:11Oh, my God.
32:14Oh, my God.
32:17Oh, my God.
32:18Oh, my God.
32:22Oh, my God.
32:27Oh, my God.
32:31Oh, my God.
32:35Oh, my God.
32:36Oh, my God.
32:38Oh, my God.
33:06Oh, my God.
33:19Oh, my God.
33:22Hi.
33:23Hello.
33:24Mademoiselle Monroe.
33:26What a pleasant surprise.
33:27So, has the prodigal son returned?
33:29No, but, um...
33:31Ah, ben voilà . Then we can report him missing tomorrow.
33:34Can I please have a moment of your time, please?
33:36Walk with me. I'm late to the cinema.
33:39For an Alain Delon double bill and Madame Drax will not take it kindly.
33:42If I'm late...
33:43I know where Tom got off the train.
33:45Bravo, Madame Clouseau.
33:47I followed the line back from Avignon where the train stopped, and I found this.
33:54Bubblegum.
33:55Well, yeah, it's Tom's favorite. He offered me a piece before he disappeared.
33:59Hmm. And the ejected seat on the train, where was that found?
34:03He should really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So, there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now. This is all getting quite dramatic.
34:13His name is Maurice Giroux. He was hiding something, I could tell.
34:16You have to bring him in for questioning.
34:17I have to go to the cinema. Samoai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house.
34:32I chose well.
34:33Better than you, it seems.
34:36Tread carefully, Miss Monroe.
34:38You know, we're looking for a window.
38:48you look like you need a drink
38:53something must have happened to tom before it happened yon
38:56i just feel like the conductor had something to do with it i mean you saw him yourself the
39:00way he was acting all shifty what do you think happened
39:04okay this is gonna sound insane but i think tom was kidnapped
39:10is he rich no oh you're rich no so why would someone kidnap him
39:18maybe it's not about money it's always about money
39:23what it
39:29oh diabetes
39:32wow
39:36okay so what do i do
39:38the police are either useless or corrupt and if you're really lucky they're both
39:45great what then
39:47what am i
39:48okay i'm an investigative journalist who are you an archaeologist yes
39:56you're like me you look for clues in the past to tell you about the future
40:01you know tom better than anyone so you probably know more than you realize
40:12did he mention anyone or anything
40:16who has he been in touch with lately
40:26has he said anything strange
40:34find something more than a piece of twinkle man maybe i can help
40:41you know
40:56you
40:56you
40:56you
40:56you
41:22It's Uncle Brian.
41:23It's Uncle Brian.
41:25He's in love, he's in love, he's in love, he's in love.
42:21He's in love, he's in love.
42:23He's in love, he's in love.
42:25He's in love, he's in love.
42:27He's in love.
42:57He's in love, he's in love.
43:26He's in love.
43:57He's in love.
44:27He's in love.
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