05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you gonna say.
05:51What are you gonna tell me about that?
05:54I was wondering when you noticed.
05:57It's a cyanide rose finch.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:07Mm-hmm.
06:09It reminds me of you.
06:11A bird just chirping away.
06:13A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:17Chirping.
06:19Chirping.
06:25Chirping.
06:25So, come on.
06:26You holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:44Mm-hmm.
06:45Mm-hmm.
06:46Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archeology.
07:00Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, um...
07:05That's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:12So...
07:15So...
07:15I'm gonna have an apartment.
07:17You know, a place on campus from which you and I could live together.
07:28I know it's gonna be hard to leave all the dysentery. I totally understand.
07:31No, no, um...
07:33No, no.
07:33No, no, no.
07:34That...
07:34That...
07:34That is, uh...
07:40Big, um...
07:41Big?
07:42No, um...
07:43Well, for a man with an English literature degree, you really have a way with words.
07:46I know, I know.
07:47It's...
07:48It's...
07:48It's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually
07:57want to have sex with each other all the time.
08:00But...
08:02I want this job.
08:05You know, I want to build a life that's mine.
08:08Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me.
08:16Like...
08:17Tom, I...
08:18I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:36And...
08:39I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
08:48Oh.
09:04Here, what time is it?
09:10Tom?
09:16Tom?
09:19Hey.
09:22Hey.
09:23Hey.
09:23Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29The train's at 10.30.
09:33Yes.
10:08Sorry, Ryan talks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project and Brian
10:27has called in a favor.
10:30Oh, my God. Are you kidding?
10:32Mm-hmm.
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42Well, I feel it's very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:58Don't.
10:59Stay there.
11:01It's almost over.
11:10Oh, that's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nine?
11:27For your?
11:28Oh, my God.
11:43Hi.
11:44Hello?
11:46Uh.
11:48Yeah.
11:48Sorry, I can't, I can't hear you.
11:50Can you, can you repeat that?
11:51Pas de téléphone.
11:57One sec.
11:58Yeah.
11:59All right, one sec.
12:03Vous ĂŞtes en vacances avec votre mari?
12:05Ah, ouais.
12:07Nous salons Aro.
12:09Yeah.
12:10And he's not my husband, he's my boyfriend.
12:13All right.
12:17Yeah.
12:23Bye.
12:24Bye.
12:39Bye.
12:40Bye.
12:41Bye.
12:41Bye.
12:42Bye.
12:43We are here.
12:45Yes, yes, yes.
12:49We are here.
12:50We are here.
12:51We are here.
12:52We are here.
12:52I don't know.
12:53I'm here.
12:55I'm here.
12:59I'm here.
13:07I'm here.
13:08I'm here.
13:09Ladies and gentlemen,
13:10our train TGV from Marseille-Saint-Charles
13:13will arrive in Gare d'Avignon
13:15in a few minutes.
13:16Avignon, 5 minutes left.
13:30We are here.
13:35I'm here.
13:37We are here.
13:37No matter what.
13:54That's the people.
13:55No matter what,
13:56we've got a little bit of them.
13:56We are here.
13:57We are here.
13:58We are here.
13:59We are here.
14:04Did my boyfriend return?
14:06My friend?
14:08Uh, no.
14:10No, he's already in.
14:13So weird.
14:15Where are you?
14:22Hi, this is Tom Parker.
14:25Show him unavailable.
14:26Leave a message after the time.
14:38Tom?
14:54Mesdames et messieurs, notre TGV arrive en Garde Avignon dans quelques instants.
14:58Venez vous assurer de récupérer tous vos bagages, s'il vous plaît.
15:31Sous-titrage ST' 501
16:00Sous-titrage ST' 501
16:11Sous-titrage ST' 501
16:14Sous-titrage ST' 501
16:39Excuse me, did you see him walking?
16:43No.
16:47Excuse me.
16:48Did you see him walking?
16:48Did you see him?
16:50No.
16:52Um, excuse me.
16:54Is there a problem, madame?
16:55Uh, my, uh, mon ami?
16:57Uh, he's, uh, gone.
16:59He's, he, he, I can't find him.
17:01He kinda...
17:02Desperou?
17:03Il est peut-ĂŞtre descendu Ă Avignon.
17:05No, we're supposed to go to Arles.
17:06Est-ce que vous avez essayé de l'appeler?
17:09Um...
17:09De l'appeler?
17:10May I help you?
17:11Yes, please.
17:13He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there, could there have been an accident?
17:20Like, um, but if he was leaning against a door and maybe fell under the track, is that possible?
17:24En fait, elle s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte et tomber sur
17:28les voies.
17:29Non, ça, c'est impossible, ça, madame?
17:30Les portes, elles sont fermées.
17:31Quand le train est en route.
17:33No, no.
17:34Okay, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est Ă l'arrĂŞt et dans une gare.
17:42D'accord?
17:43Okay, they only open at this point.
17:45Okay, I just wanna...
17:46I just wanna find my boyfriend, so...
17:48Je comprends très bien, ça, madame.
17:50Continue à l'appeler, je suis sûr qu'il va finir par vous répondre, hein?
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est...
18:06C'est réservé au personnel.
18:07Okay.
18:08It's in...
18:08Yes, could you please open it?
18:10No.
18:11What?
18:11No.
18:12Les passagers ne sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:16Elle a juste un Ĺ“il, c'est la rassurance.
18:17C'est le règlement, c'est comme ça, c'est tout.
18:19Elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre le règlement, je l'ai dit.
18:32Oh my God.
18:37Tom, I've been looking all over for you.
18:38Where...
18:39Tom, are you there?
18:52Tom...
18:53What the...
18:56There...
19:29Do you know Marseille?
19:32No, no, but it's... I'll be fine, I'm okay. Thanks.
19:35What are you going to do?
19:38I don't know.
19:40We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been... You've been so helpful. Thank you. I'm just kind of... I'm...
19:52Where is the police station?
19:54It... You go down the hill, it's on your right, you can't miss it. But are you sure I can
20:00take you?
20:01No, I'm fine. I'm... Positive this is all a big misunderstanding, so...
20:11You know... If you need help, I'm Helen.
20:19Alice... Thanks.
20:27So... Good luck, Alice. And don't worry. It's going to be okay. Bye.
20:35Bye.
20:35Bye.
21:05Bye.
21:15Excuse me. Can someone help me? My boyfriend's gone missing.
21:20Please?
21:25Do you know how many people are reported missing each day in France?
21:30600 on a good day.
21:33Okay. Well, that cannot be an excuse to not help me. Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:51Just one second.
22:04I don't... I don't... I don't understand.
22:08Mother Monho...
22:12How long have you known your boyfriend?
22:15Um, well...
22:17We've been dating for four years.
22:19We met in Jordan. That's where he heads the region for SOS Global.
22:24It's a... It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist. I'm a...
22:37Who told you fight?
22:40What?
22:41Fights. Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at university, a job.
22:56It would mean relocating to America for both of us.
23:01And you agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So...
23:21So...
23:22So perhaps your boyfriend wanted to escape the relationship,
23:26so you got off the train at Avignon without telling you, et voilĂ ?
23:29He would never do that. You don't know Tom.
23:32I am no man.
23:38Okay, Inspector Drax.
23:44I really need to find him.
23:47Please.
23:49Help me.
23:54Forty-eight hours, Miss Monroe.
23:57Forty-eight hours.
23:58Forty-eight hours.
24:14I am a cheery!
24:16I am on my computer.
24:21And then I am a cheery!
24:25Oh, my God.
25:00Oh, my God.
25:39Oh, my God.
25:54Vaccines.
25:55Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:02Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you'd better hop in.
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:15What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The A.C. unit.
27:22No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, well, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:50Mm.
27:54Mm.
27:56Mm.
27:57Mm.
27:57Mm.
27:57Mm.
27:58Mm.
27:59Mm.
27:59Mm.
28:00Mm.
28:04Mm.
28:16Mm.
28:19Mm.
28:21Mm.
28:22Mm.
28:23Mm.
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see if I play.
28:56Let's see if I play.
29:31Let's see if I play.
29:39Let's see if I play.
30:08Let's see if I play.
30:08Tom?
30:18Let's see if I play.
30:39Let's see if I play.
30:54Let's see if I play.
31:14Let's see if I play.
31:14Let's see if I play.
31:16Let's see if I play.
31:26Let's see if I play.
31:31Let's see if I play.
31:43Oh, my God.
31:43Oh, my God.
32:02Let's see if I play.
32:05Let's see if I play.
32:08Let's see if I play.
32:08Oh, my God.
32:15Oh, my God.
32:58Oh, my God.
33:18Oh, my God.
33:23Hi. Hello.
33:24Mademoiselle Monroe.
33:26What a pleasant surprise.
33:27So, has the prodigal son returned?
33:29No, but, um...
33:31Ah, well, voilĂ .
33:32Then we can report him missing tomorrow.
33:34Can I please have a moment of your time, please?
33:36Walk with me.
33:37I'm late to the cinema.
33:39For an Alain Delon double bill and Madame Drax will not take it kindly.
33:42If I'm late...
33:43I know where Tom got off the train.
33:45Bravo, Madame Clouseau.
33:47I followed the line back from Avignon where the train stopped, and I found this.
33:54Bubblegum.
33:55Well, yeah, it's Tom's favorite.
33:57He offered me a piece before he disappeared.
33:59Hmm.
34:00And the ejected seat on the train, where was that found?
34:03Should really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So, there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now.
34:11This is all getting quite dramatic.
34:13His name is Maurice Giroux.
34:14He was hiding something, I could tell.
34:16You have to bring him in for questioning.
34:17I have to go to the cinema.
34:19Samoai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house.
34:31I chose well.
34:33Better than you, it seems.
34:36Tread carefully, Miss Monroe.
35:17Tread carefully, Miss Monroe.
35:47Tread carefully, Miss Monroe.
35:50Tread carefully, Miss Monroe.
35:54Tread carefully, Miss Monroe.
35:58Tread carefully, Miss Monroe.
36:00Tread carefully, Miss Monroe.
36:02Tread carefully, Miss Monroe.
36:02Tread carefully, Miss Monroe.
36:02Tread carefully, Miss Monroe.
36:03Tread carefully, Miss Monroe.
36:04Tread carefully, Miss Monroe.
36:04Tread carefully, Miss Monroe.
36:05Tread carefully, Miss Monroe.
36:05Tread carefully, Miss Monroe.
36:05Tread carefully, Miss Monroe.
36:06Tread carefully, Miss Monroe.
36:07Tread carefully, Miss Monroe.
36:08Tread carefully, Miss Monroe.
36:09Tread carefully, Miss Monroe.
36:13Tread carefully, Miss Monroe.
36:26Mr. Tom, Mr. Tom, are we here?
36:30All right.
36:31Salma, Salma, one sec.
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me they need to be in the fridge right away.
36:38Okay.
36:42Hi.
36:47Who are you?
36:49You just gave Tom a lift and broke down.
36:52Yes, he did.
36:53It's the second time this week.
36:55The man couldn't change a tire, his life depended on it.
36:58He said these need to be refrigerated.
37:01I know.
37:08Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:17What's he doing?
37:19Stop!
37:20Stop!
37:21Stop!
37:22Hey, hey, hey!
37:23You're not taking him!
37:24You're not taking him!
37:25You're not taking him!
37:28Oh, God.
37:34You're not taking him!
37:35You're not taking him!
37:37You're not the best of me.
37:49Yola!
37:51Who are they?
37:53Local bandits.
37:55I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli,
38:00sell them to traffickers for a king's ransom.
38:04He's stopped them before?
38:07Yep.
38:07He may be useless with cars,
38:09but he could talk a dog off a meat truck.
38:11No!
38:14No!
38:25No!
38:48You look like you need a drink.
38:53Something must have happened at home before it happened, Jan.
38:55And I just feel like the conductor had something to do with it.
38:58I mean, you saw him yourself, the way he was acting, all shifty.
39:02What do you think happened?
39:04Okay, this is going to sound insane, but I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Are you rich?
39:14No.
39:14So why would someone kidnap him?
39:18Maybe it's not about money.
39:20It's always about money.
39:22What is...
39:29Oh, diabetes.
39:32Wow.
39:36Okay, so what do I do?
39:38The police are either useless or corrupt.
39:42And if you're really lucky, they're both.
39:45Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archaeologist.
39:56Yes.
39:56You're like me.
39:57You look for clues in the past to tell you about the future.
40:02You know Tom better than anyone, so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:17Who has he been in touch with lately?
40:26Has he said anything strange?
40:34Find something more than a piece of Twingo man.
40:37Maybe I can help.
41:03Find something more than a piece of Twingo man.
41:22It's Uncle Brian.
41:25He's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:21It's a semi-rose finch.
42:23It reminds me of you.
42:25It reminds me of you.
42:39It reminds me of you.
42:41It reminds me of you.
43:06It reminds me of you.
43:09It reminds me of you.
43:10It reminds me of you.
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