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My Sexy Mentor Seduced Me [Full Movie] [Full Version]Full EP - Full
Transcript
00:00:10I
00:00:10Shouldn't be here. I'm birdie Edwards. I can be anywhere. I want to be. I don't want you here birdie
00:00:20Look I
00:00:21Came to apologize
00:00:23You were right
00:00:25You mean that?
00:00:28I do
00:00:37Prove it
00:00:39Well the student is now the teacher. Stop talking on your knees
00:00:49Call to me
00:01:00Now show me how sorry you really are
00:01:31Yeah, there you are
00:01:32Come on
00:01:33Brace over
00:01:34Sorry I got distracted
00:01:36That girl, who is she?
00:01:53God she is insanely beautiful
00:02:00A toast
00:02:02To my wife
00:02:05The birdie Edwards my finest creation
00:02:08Cheers to your finale sweetheart
00:02:12What's next birdie
00:02:14What's next birdie
00:02:16Actually
00:02:18Mason and I have some thoughts about producing a new play
00:02:21Together
00:02:22Isn't that right my love
00:02:23Well, actually I have a better idea
00:02:26You know the fans are demanding a revival of stones fantasy and we're gonna give it to them
00:02:32Will birdie Edwards play Greta stone once again?
00:02:35Well better yet
00:02:35We are on the search
00:02:37For a new Greta stone
00:02:39And birdie will mentor her new protege as I did for her
00:02:4420 years ago
00:02:46It's time for birdie to
00:02:48Pass the torch
00:03:00Excuse me
00:03:03Yes you
00:03:04Do you have a light?
00:03:06Just matches
00:03:07Sure, that'll do
00:03:26You're filthy
00:03:31You're filthy
00:03:31We were understaffed
00:03:33It's a busy night
00:03:35Closing night for you
00:03:36Which you were amazing
00:03:38By the way, I've been such a huge fan for like
00:03:41Do you work here?
00:03:42Yeah, I'm new
00:03:44Just moved here actually
00:03:46Another transplant
00:03:49Excuse me?
00:04:06You're too pretty to take out the trash
00:04:11Don't you dare
00:04:13Don't you fucking dare Carl
00:04:14You know what this means to me
00:04:18How could you?
00:04:20Next!
00:04:22Over 200 auditions in that one single Greta
00:04:26I guess it's not that easy finding my replacement, huh?
00:04:32Um...
00:04:33I...
00:04:34Could give it a try
00:04:37Alright
00:04:38Show us what you've got
00:04:40Matches girl
00:04:45I hate your face
00:04:47Your eyes
00:04:48Worst color of brown
00:04:50Mud
00:04:51Dirt
00:04:52Broken clay
00:04:54And your big nose just
00:04:56Always pointing you north of nowhere
00:05:00But it's your mouth that I hate the most
00:05:03Lips I cannot taste
00:05:05A laugh I cannot forget
00:05:07A smile
00:05:08And a smile
00:05:10And for someone that's not me
00:05:17Thank you
00:05:20Wow
00:05:21That face
00:05:22The cheekbones of Merrill
00:05:23The eyes of Hepburn
00:05:24That body
00:05:26Stop thinking with your dick for once, Mason
00:05:29Although
00:05:30She is better than anyone else we've seen
00:05:32But can she carry a whole show by herself?
00:05:36Vera?
00:05:39Are you ready to be the next Greta Stone?
00:05:43It was the craziest thing
00:05:45I mean, one minute I'm sweeping Raisinets
00:05:48And the next I'm auditioning for Birdie and Mason Edwards
00:05:53I didn't know you wanted to act
00:05:56Yeah, since I was a kid
00:05:57But I never thought it would happen
00:06:00Well, you're definitely beautiful enough to be an actress
00:06:04Kyle, I don't really think we should
00:06:06Thought you wanted to thank me for letting you stay here?
00:06:09I do, but...
00:06:10Just relax
00:06:33Is that on my face?
00:06:35What?
00:06:41What?
00:06:42Well, it would really show me how grateful you are to me for...
00:06:46Getting you the job
00:06:47I was just kidding
00:06:50Hey, but...
00:06:51I mean, if you want to
00:06:53Okay, you...
00:06:54Had nothing to do with me getting that role
00:06:56Well, I got you the job at the theater
00:06:59So without me, you wouldn't have gotten the audition
00:07:02Are you being serious right now?
00:07:03Ah, come on, you talk way too much
00:07:05Okay, I said no!
00:07:17And...
00:07:18And not like a little girl, like...
00:07:20Like...
00:07:21A woman...
00:07:22That wants to be touched
00:07:24Alright, stop
00:07:26This is an Edwards show, okay?
00:07:28Not community theater
00:07:30We have less than three months
00:07:32And it's like I'm watching a middle school dance
00:07:34Why don't you two take five?
00:07:42She's far more green than I thought
00:07:45Maybe we recast
00:07:47It's too late for that
00:07:48It's all over the press
00:07:50The city's buzzing about this play
00:07:53What if the girl stays with us?
00:07:55Right?
00:07:56That way you can really train her
00:07:58You're the only one that can do it, Bertie
00:07:59No
00:08:01Put her up in a hotel for goodness sake
00:08:03We need to keep her close so she can learn from you
00:08:06Okay? Come on, you're the best in the biz
00:08:07You just want her close so you can sleep with her
00:08:10Would you stop with that?
00:08:12You want the show to be a success or not?
00:08:16Fine
00:08:18But I want 15% of the revenue
00:08:2110
00:08:22Deal
00:08:39Vera, come here
00:08:44Sit
00:08:45I'm sorry, I was just looking around the house
00:08:47It's massive
00:08:51You want to watch me?
00:08:57Then watch me
00:09:22Say it
00:09:25What do you want from me?
00:09:27I...
00:09:31I can't give you anything until you ask
00:09:34How about you?
00:09:42No
00:09:42No
00:09:42No
00:09:42No
00:09:43No
00:09:43No
00:09:50It's not
00:09:51No
00:10:06You know
00:10:07It's not
00:10:08That's
00:10:13Oh, Mr. Edwards. Hi.
00:10:16Please, call me Mason.
00:10:17Sorry.
00:10:18Don't apologize.
00:10:20So make sure that you're comfortable here and everything you need.
00:10:25Guest bedroom is the opposite way.
00:10:28Oh.
00:10:29Oh, can you have the maid steam this warm, ma'am?
00:10:32Sure.
00:10:46Sit here.
00:10:54One scoop of yogurt, a half a cup of berries, and a cup of green tea is what you'll have.
00:10:59What?
00:11:00From now on, you will eat what I tell you to eat, sleep when I tell you to sleep, and
00:11:05do exactly as I say for the next three months.
00:11:08Is that understood?
00:11:10Do I have a choice?
00:11:11Do you want to be a star?
00:11:13Yes, of course.
00:11:15Good.
00:11:16Eat your breakfast, and then meet me in the living room for your first lesson.
00:11:23Don't disappoint me there.
00:11:33I was rereading the script.
00:11:35I love the monologue in Act 2.
00:11:38Take off your clothes.
00:11:41Excuse me?
00:11:42Strip.
00:11:43Why?
00:11:44Our deal is that you do everything I say.
00:11:48Remember?
00:11:49If you're a man, I wouldn't.
00:11:51But I'm not a man.
00:11:52So what are you afraid of?
00:11:59You know what?
00:12:00No.
00:12:01I'm not going to let you humiliate me.
00:12:03You think your body is humiliating?
00:12:06Well, now I really have to see what's going on under there.
00:12:09You wouldn't get it.
00:12:10Try me.
00:12:12Because I can't stand to be looked at.
00:12:15I was teased a lot as a kid.
00:12:19An actor's job is to shed every ounce of inhibition in order to become a canvas for the character.
00:12:27Strike him.
00:12:41Tell me what you see.
00:12:44I don't know.
00:12:45I can't.
00:12:56I can't.
00:12:59I can't.
00:13:00Your healing chest and flushed cheeks say you're enjoying me looking at you.
00:13:06I am.
00:13:08Are you?
00:13:11That's enough.
00:13:12Wait.
00:13:14Don't stop.
00:13:16What about the rest of my body?
00:13:33you're firm and soft
00:13:35in all the right places
00:13:38but your posture needs work
00:13:40strength comes from your core
00:13:42not only on the outside
00:13:47but deep down inside
00:13:55do you like it when I touch you there
00:14:02do you like it when I touch you there
00:14:09hello
00:14:11what is going on here
00:14:13it's a disinhibition exercise
00:14:15and it was working perfectly
00:14:17until you came stomping in darling
00:14:19don't stop on my account
00:14:21please proceed
00:14:23can we help you with something
00:14:24yes you can
00:14:26I just want the two of you to know
00:14:28that the whole town is buzzing
00:14:30about the revival
00:14:31and your mentorship at the Bureau
00:14:33look out LA wants to do a cover story
00:14:36on the two of you
00:14:42not without a little makeover first
00:14:46shall we
00:14:47watch me walk away
00:14:50putting myself on display
00:14:52one two three a day
00:14:54I'm on my way
00:14:55on my way
00:14:55I'ma have you on tiptoes
00:14:58watching my diamond after blow
00:15:00I know you wanna take me home
00:15:02I'm on my way
00:15:13now you're ready
00:15:15say goodbye to Vera Gibson
00:15:18say hello
00:15:20to Vera Grace
00:15:25Vera Grace?
00:15:27something the matter?
00:15:29nope
00:15:30speak up
00:15:31sorry it's just
00:15:33it's all happening
00:15:34really fast
00:15:35you need to choose now
00:15:36do you wanna be a star
00:15:38or not?
00:15:40I do
00:15:43Vera Grace
00:15:44good
00:15:46yes do you have a say?
00:15:49I had no say in my name
00:15:51Bertie Edwards?
00:15:53I don't have an iconic name
00:15:56not to me
00:15:57I never wanted to take Mason's name
00:15:59did you really have to?
00:16:02it's not really a thing anymore
00:16:05it was to him
00:16:06and the Edwards family
00:16:08even in our prenup
00:16:09I never wanted to get married
00:16:13Mason practically forced me
00:16:15he controlled everything
00:16:17my name
00:16:18my image
00:16:19my career
00:16:20my diet
00:16:22sounds familiar
00:16:24it was different
00:16:26believe me
00:16:28I lost control
00:16:31fame came overnight
00:16:32I didn't have time to choose
00:16:34I just
00:16:35went along with it
00:16:37and now
00:16:38fast forward
00:16:3915 years later
00:16:41I'm
00:16:42really coming to grips with it
00:16:44Bertie
00:16:45anyways
00:16:47we should go rehearse
00:16:52okay Vera
00:16:53try a sexy pout
00:16:56so much for the
00:16:57next big starlet
00:16:58huh?
00:17:00maybe you just
00:17:01aren't good at your job
00:17:04close your eyes
00:17:18now stay focused on me
00:17:25arch your back
00:17:26yes
00:17:28beautiful
00:17:29let's get you up there
00:17:30with her
00:17:31come on
00:17:42you two have an intense connection
00:17:44it's almost like
00:17:45watching a proud mother
00:17:47with her daughter
00:17:53what?
00:17:59I just want to be alone
00:18:01just ignore him
00:18:02he's an idiot
00:18:03that's easy for you to say
00:18:04you're 23
00:18:06yeah and you're one of those
00:18:08beautiful women in the world
00:18:09don't
00:18:10patronize me Vera
00:18:13I think
00:18:14you're the sexiest woman
00:18:16I've ever laid eyes on
00:18:23what are you doing?
00:18:24I
00:18:25I thought
00:18:26you thought what?
00:18:27I'm married
00:18:28but
00:18:29you've been flirting with me
00:18:30since the day we met
00:18:31no I haven't
00:18:32it's called acting
00:18:35so
00:18:37you've just been
00:18:37stringing me along?
00:18:39I'm mentoring you
00:18:41this is what it takes
00:18:42to become a star
00:19:04I have to admit
00:19:07I've seen those photos
00:19:08of you in the mirror today
00:19:10very
00:19:11very hot
00:19:26ow you're subtle
00:19:28you like it
00:19:29I don't actually
00:19:32besides you're reek of cheap perfume
00:19:34come on Bertie
00:19:35you know I only have eyes for you
00:19:36for my wife
00:19:38you said I'm tired
00:19:49wow she's
00:19:51really making progress
00:19:52great work Bertie
00:19:53okay Vera
00:19:54put your arms
00:19:55around Adam's neck
00:19:56Adam
00:19:56hands on her waist
00:20:06Kendrick's sick
00:20:07you wanna
00:20:07step in
00:20:08sure
00:20:13Vera
00:20:14put your arms around Bertie
00:20:16the torment
00:20:17of that woman's kiss
00:20:18who makes us
00:20:20her footstool
00:20:21her plaything
00:20:22her toy
00:20:23sorry this just
00:20:25isn't working
00:20:26without Kendrick
00:20:27you should be able
00:20:28to work with any
00:20:28scene partner
00:20:30including a chair
00:20:31I'd take the chair
00:20:32over you
00:20:33any day
00:20:33alright let's take five
00:20:35we got back two
00:20:36after the break
00:20:40you can't talk to me
00:20:41like that
00:20:46I'm sorry I hurt
00:20:47your feelings
00:20:48at the photo shoot
00:20:50I overreacted
00:20:51it was just
00:20:52misunderstanding
00:20:53yeah
00:20:54it's all in my head
00:20:55let's keep it
00:20:56professional
00:20:57okay
00:20:58you're making
00:20:59great progress
00:21:00I know you don't
00:21:00want to sabotage
00:21:01that
00:21:03I thought I told you
00:21:04water or green tea
00:21:05only
00:21:10you're acting like a
00:21:11child
00:21:14put that soda down
00:21:15or
00:21:16or what
00:21:16I'll spank you
00:21:19put that soda down
00:21:23or there'll be
00:21:24consequences
00:21:25for breaking
00:21:26the rules
00:21:28prove it
00:21:43is this what you want
00:21:46answer me
00:21:47yes
00:21:56be quiet or I'll stop
00:22:10I think that's enough
00:22:11for today
00:22:13give me the soda
00:22:17good girl
00:22:22no
00:22:23that isn't how this is
00:22:24going to work
00:22:26you will follow my rules
00:22:29do you understand
00:22:32yes I understand
00:22:59thanks
00:23:08thirty-three
00:23:10thirty-three
00:23:11thirty-three what
00:23:11thirty-three blueberries
00:23:13make half a cup
00:23:15okay
00:23:16you get off on having
00:23:18all the control I see
00:23:20I'm doing this for you
00:23:23whatever you say
00:23:27without restraint
00:23:28this industry will eat
00:23:29you alive
00:23:30trust me
00:23:32learn to submit here
00:23:33to me
00:23:34in a safe space
00:23:36rather than submitting
00:23:38to the pariahs out there
00:23:40submission is the only
00:23:42chance to understand
00:23:43true dominance of the
00:23:44stage
00:23:45and of yourself
00:23:47so
00:23:49are you asking me to be
00:23:50your sub
00:23:54this arrangement is for business
00:23:56not pleasure
00:23:58what if someone catches
00:23:59feelings
00:24:01as long as we follow the rules
00:24:02everything will be fine
00:24:04the rules
00:24:05just do as I say
00:24:07it's that easy
00:24:11first rule
00:24:12no matter how edgy it gets
00:24:14you can always say no
00:24:16and two
00:24:18no kissing
00:24:20no sleepovers
00:24:21and no sex
00:24:24my purpose is to make a star
00:24:27not a plaything
00:24:28are you sure
00:24:29you kind of seem to be enjoying this
00:24:33I enjoy doing my job
00:24:35just business
00:24:39fine
00:24:45no okay that makes sense
00:24:47all right I'm off
00:24:48oh
00:24:49see you at dinner
00:24:50I forgot I have a late night meeting with a potential investor
00:24:54so can we reincheck it
00:24:55sure
00:24:56okay
00:24:56have a good day
00:24:57you too
00:25:02shall we
00:25:12I want you to look at me
00:25:13like really look at me
00:25:15all of me
00:25:17not like a little girl
00:25:19like a woman that wants to be touched
00:25:21stop
00:25:24breathe
00:25:25take your time
00:25:27again
00:25:29I want you to look at me
00:25:32like really look at me
00:25:35all of me
00:25:37and not like a little girl
00:25:40like a woman
00:25:42that wants to be touched
00:25:48better
00:25:49what does this have to do with the scene?
00:25:51acting is all about submission
00:25:53in order to embody the character
00:25:55you must submit to their every fear
00:25:57every pain
00:25:59and every desire
00:26:01submission is when you fully trust
00:26:04do you trust me?
00:26:06yes mistress
00:26:09good girl
00:26:22good girl
00:26:23I want you to use that on me
00:26:35are you okay?
00:26:37yeah
00:26:39do you want more?
00:26:41yes please
00:26:57I want you to use that on me
00:26:58I want you to use that on me
00:26:58I want you to use that on me
00:26:58I want you to use that on me
00:26:58I want you to use that on me
00:26:59I want you to use that on me
00:27:00I want you to use that on me
00:27:01I want you to use that on me
00:27:01I want you to use that on me
00:27:02I want you to use that on me
00:27:03I want you to use that on me
00:27:03I want you to use that on me
00:27:04I want you to use that on me
00:27:05I want you to use that on me
00:27:21Don't listen to that. It's not true.
00:27:23Session's over.
00:27:31And if I know one thing to be true, it's this.
00:27:34As the moon is my witness, I vow to never stop looking for you.
00:27:37The memory of your eyes, your lips, your touch will never fade into eyes.
00:27:43Let's pause for a minute.
00:27:49What is Greta's objective in this scene?
00:27:53She goes on this journey to find love.
00:27:55You sure?
00:27:56I think so.
00:28:03You think so?
00:28:07How can you act if you weren't committed to your motivations?
00:28:11You must have full conviction.
00:28:15Now tell me again, what is this scene about?
00:28:20Love.
00:28:21Wrong.
00:28:22It's about desire.
00:28:24Aren't love and desire the same thing?
00:28:28No.
00:28:31Love is what you feel here.
00:28:33But desire...
00:28:35is deeper.
00:28:39Now let's try and exercise.
00:28:42Okay.
00:28:44Tell me your fantasy.
00:28:46Now.
00:28:48I can't.
00:28:50Why not?
00:28:54Because...
00:28:56Because it's about you.
00:29:02For the purpose of this exercise,
00:29:04you should share it with me.
00:29:06Well...
00:29:08In my fantasy,
00:29:10we...
00:29:12go away together.
00:29:14Just the two of us.
00:29:18Somewhere quiet.
00:29:20Excluded.
00:29:22No interruptions.
00:29:25No one can find us.
00:29:28And then what happens?
00:29:32We'd open a bottle.
00:29:35Good Italian bread.
00:29:39Then we'd play music.
00:29:42And I'd cook dinner for you
00:29:45as you sat across the counter
00:29:47and told me about your life.
00:29:50Sounds like a date.
00:29:52Not a fantasy.
00:29:54It's a fantasy to me
00:29:56because I'm breaking all your rules.
00:30:01You'd get a good day buzz on
00:30:03and eat and drink
00:30:05and laugh about how weird I was as a kid.
00:30:09And then you would confess
00:30:11that you were just as weird.
00:30:17And then I'd kiss you.
00:30:22Sweet, soft at first.
00:30:25Then long
00:30:26and deep.
00:30:29Our mouths wet and hungry for each other.
00:30:38And then I'd want to see you naked
00:30:41so I could run my tongue down
00:30:43every crevice of your body.
00:30:47I want to know what you taste like.
00:30:52I want to kiss you everywhere.
00:30:54Every inch of you
00:30:55and I wouldn't stop.
00:30:57It's fine.
00:30:57That's enough.
00:31:08It's just doing as you asked.
00:31:10Great.
00:31:12Well, let's take the scene from the top.
00:31:19On behalf of Edward's Productions,
00:31:21please put your hands together
00:31:23for our very own Greta Stone,
00:31:25Vera Grace.
00:31:27Yay!
00:31:36Vera Grace, huh?
00:31:39Hi, Kyle.
00:31:40I don't even recognize you anymore.
00:31:42You've changed.
00:31:44It's just for the play.
00:31:46Birdie's really taken me under her wing.
00:31:50Oh, I know.
00:31:51What's that supposed to mean?
00:31:52Well, it seems to me that she's, uh,
00:31:55taking a liking to you.
00:31:58Well, the success of the play is riding on it.
00:32:00So, it's just business.
00:32:03You used to be so perfect before all this, you know?
00:32:08Birdie, you know,
00:32:09whatever it is you're doing with Vera,
00:32:11it's working.
00:32:13Yeah.
00:32:15She's really blossomed.
00:32:16I think she's ready.
00:32:18I think so, too.
00:32:20You know, for your next career move,
00:32:22you should really consider casting.
00:32:28That's a great idea, Cass.
00:32:30I'll consider it after you lose a few extra pounds.
00:32:52I'm looking for you soon.
00:32:54I need a break.
00:32:56It's a lot.
00:32:58Gotta get used to all that attention.
00:33:01That'll be your life soon.
00:33:03I'm not trying to replace you.
00:33:06You know that, right?
00:33:09I know you're not trying to.
00:33:11But it's happening.
00:33:14No matter what.
00:33:17It's just the way it goes.
00:33:20I'm sorry.
00:33:22Don't apologize for things you can't control.
00:33:30So, who's your friend in there?
00:33:33Who?
00:33:35Kyle?
00:33:37Yeah.
00:33:39I wouldn't exactly call him a friend.
00:33:42Oh.
00:33:44Are you together?
00:33:46Why are you asking?
00:33:51Wait a minute.
00:33:54Are you jealous?
00:33:59What?
00:34:00No, why would I be?
00:34:01Because I saw the way you were looking at me in there.
00:34:05Like how?
00:34:05Like I was your property.
00:34:09And, like, maybe you want my fantasy to come true, too.
00:34:20I am curious, in your fantasy.
00:34:25What are you making me for dinner?
00:34:27Pasta.
00:34:28Pasta.
00:34:30From scratch.
00:34:33Masons never cooked me dinner.
00:34:36Let alone pasta.
00:34:39Well, you deserve a big old bowl of pasta.
00:34:43That's definitely against the rules.
00:34:47It's my fantasy.
00:34:50Fuck your rules.
00:34:57Birdie Edwards?
00:34:59It's so dark in here, I could barely tell it was you two.
00:35:02Sorry to interrupt.
00:35:04Would you two mind doing an interview?
00:35:06Yeah.
00:35:07Absolutely.
00:35:08Let's start with you, Miss Farrah Grace.
00:35:11How has it been having the one and only Birdie Edwards training you?
00:35:14Well, it's been a lot of work, but I wouldn't want to learn from anyone else.
00:35:20She's the best.
00:35:22You two must be spending a lot of time together.
00:35:24You've grown close, would you say?
00:35:26Yeah, we've really bonded.
00:35:28Bonded.
00:35:30We've really been bonding over our love of the craft.
00:35:34Birdie, over 20 years ago, you boldly introduced us to the imitable Greta Stone, which made you a star.
00:35:41How would you say your Greta differs from Farrah's Greta?
00:35:46Well, I think my Greta was curious, but scared.
00:35:52Scared of what?
00:35:54To come out of her fantasy world.
00:35:57Because of fear, she missed out on true happiness.
00:36:00Yes, but I think Farrah's interpretation is definitely teaching the character to go after what she desires.
00:36:11I think this new Greta Stone 2.0 wants more than to give in to her desires.
00:36:18She needs love.
00:36:23Chris Stone doesn't need anything.
00:36:32Ah, shit.
00:36:34What?
00:36:36I am so sorry.
00:36:38I didn't forget, but...
00:36:39But you forgot about our anniversary trip.
00:36:42I had this big investor meeting that got added to my schedule last minute.
00:36:46Is this investor another one of your young blondes?
00:36:50Birdie, why do you do that?
00:36:52Am I wrong to assume?
00:36:55You know what?
00:36:55It doesn't matter.
00:36:56Forget the cabin.
00:36:57No, no.
00:36:57Hey, hey, hey.
00:36:58You love the cabin.
00:36:59Why don't you and Vera go?
00:37:01Get a little R&R before opening night.
00:37:03You two have been working so hard lately.
00:37:08Actually, I would like to blow off a little steam.
00:37:10Yeah.
00:37:11You could make it a rehearsal immersion.
00:37:14I'd love it.
00:37:23Pack your bags.
00:37:25We're going on a trip.
00:37:27Wait, really?
00:37:29It's a work trip.
00:37:30Don't get too excited.
00:37:44My house staff must have gone to the wrong vacation home.
00:37:48You have more than one?
00:37:49Let me call them.
00:37:50Someone is getting fired today.
00:37:51No, no.
00:37:52Don't.
00:37:52Don't do that.
00:37:54Let's go.
00:37:54I can book us a hotel in town.
00:37:56We've been driving all day.
00:37:57Can we just stay...
00:37:59Here?
00:38:00Maybe I can hire someone I...
00:38:03Okay, you need to relax.
00:38:05I got this.
00:38:07All right.
00:38:07Let's see what we're working with.
00:38:15Yeah, we're going to need to go get groceries.
00:38:18And get more wine.
00:38:20Stats.
00:38:26The thermostat's not working.
00:38:30I can call someone.
00:38:34No need.
00:38:35We can build a fire.
00:38:38It's not gas, though.
00:38:39Ooh, even better.
00:38:41You know how to build a fire.
00:38:44I can do a lot of things.
00:38:53I don't know how to do laundry.
00:38:57Well, it seems like I'll be teaching you a few things this weekend.
00:39:12I mean, nothing tastes better than fresh pasta.
00:39:15Here, come.
00:39:17No.
00:39:18It's fun, and it's easy.
00:39:19I promise.
00:39:20You can't eat it unless you help.
00:39:24You're just going to hold your hand here, like...
00:39:27Hold it out like this.
00:39:28Keep pulling so that there are no wrinkles.
00:39:34Perfect.
00:39:49All over my face.
00:39:52So, from that day on, I was known as Pie Face.
00:39:59Wow.
00:40:00I can't unsee it now.
00:40:05You know, I think this is the first time I've heard you laugh.
00:40:09I laugh all the time.
00:40:11You don't.
00:40:14You're right.
00:40:15I don't.
00:40:17Hmm.
00:40:19I like it.
00:40:22It suits you.
00:40:26I think I've had too much wine.
00:40:29There, I should go to bed.
00:40:35Great.
00:40:37Um.
00:40:45Thanks.
00:40:52Well, are you just going to stand there, or are you going to help me?
00:40:56Actually, yes.
00:40:58I'm going to stand here and watch you.
00:41:06The sheets are all crooked there.
00:41:13Anything else, Your Highness?
00:41:15Yes.
00:41:17Bend over and do it again until I say it's perfect.
00:41:22Remember, I'm in charge.
00:41:37Take off your clothes.
00:41:39Do it now.
00:41:59You need to be punished for talking back to me.
00:42:02Lay on the bed.
00:42:03Now.
00:42:26Stop laughing.
00:42:28Stop laughing.
00:42:29Stop laughing.
00:42:51Wait, where are you going?
00:42:53You made the bed?
00:42:55You should have it.
00:42:56Stay with me.
00:42:59Please.
00:43:03That's against the rules.
00:43:05Fuck your rules.
00:43:08You know you don't want to stop.
00:43:18Rules are rules.
00:43:20It won't happen again.
00:43:28You know you don't want to stop.
00:43:49All right.
00:43:58you're not paying attention did you just hear what i said sorry guess i'm still reeling from
00:44:04the mindfuck of yesterday we're actors it's what we do that definitely wasn't acting
00:44:16suddenly you're an expert i am on you
00:44:23your heart's pounding your hands are sweaty
00:44:31your cheeks are flushed you can lie but your body tells the truth
00:44:49i shouldn't have done that why not because i'm married to a man and he's not here but i am
00:44:57on your anniversary weekend this was his idea you know for someone that likes control you're
00:45:02real sub when it comes to mason it's complicated you wouldn't understand mason made me what i am i
00:45:10can't just turn my back on him do you even love him
00:45:17of course i do you're lying to yourself again that's enough i'm done with this fine
00:45:28if you don't want me walk away then i can be done with this too
00:45:36so
00:45:41so
00:45:48so
00:45:59so
00:46:12so
00:46:14so
00:46:29so
00:46:33so
00:46:35so
00:46:43so
00:46:50so
00:46:51so
00:46:52so
00:47:17you know
00:47:18so sexy
00:47:21you know what
00:47:25you're so sexy
00:47:35what's so funny
00:47:36now that i've lived out my fantasy i don't really know what to do next
00:47:41well i'm sure you'll think of something
00:47:44what's your fantasy
00:47:48you'll laugh
00:47:49i promise i won't
00:47:53to write and direct my own plays
00:47:56you would be amazing at that
00:47:58tell that to mason
00:48:00he thinks i should stay in my lane
00:48:03have you had other
00:48:06lovers
00:48:06uh-uh
00:48:09only you
00:48:12well if i didn't disappoint you
00:48:14disappoint me
00:48:16no
00:48:18you set the bar baby
00:48:20that's all i'm going to think about
00:48:31birdie
00:48:35birdie
00:48:37mason
00:48:40what are you doing here
00:48:41well my meeting got pushed
00:48:43and uh
00:48:44i felt so guilty about missing her anniversary
00:48:47and i know that there's only one night left here
00:48:50so i wanted to
00:48:51give you this
00:48:53it's a clipping from your very first review
00:48:56of grita stone
00:48:58raving of course
00:49:00i just wanted you to know that
00:49:02you are
00:49:03and always will be my little star
00:49:09mason this is beautiful
00:49:10i don't know what to say
00:49:14i love you birdie
00:49:19vera
00:49:20hey
00:49:21hope the two of you are enjoying the weekend so far
00:49:23yeah we have been
00:49:25good i'm starving
00:49:26uh is there anything to eat
00:49:27in the kitchen
00:49:27okay
00:49:31what am i supposed to do
00:49:33i don't know
00:49:34how about being honest about who you are
00:49:36stop living a lie
00:49:37it's not that easy
00:49:38well pretending seems pretty fucking hard too
00:49:43i'll figure this out
00:49:46i just need some more time
00:49:49okay just until the show wraps
00:50:06tired of being on your carousel of men
00:50:08gretta
00:50:09don't be silly my love
00:50:12tired of it too gretta
00:50:13you have to choose
00:50:15but it's impossible to choose
00:50:19so why not have both
00:50:21very good vera
00:50:23kendrick you're
00:50:24you're still a little late on your queue buddy
00:50:26hey
00:50:31uh i i gotta take this
00:50:33it's the investor
00:50:34run the show
00:50:35yeah
00:50:35great
00:50:41thank you gentlemen
00:50:44hey
00:50:44i can't talk right now
00:50:47i can't stop thinking about you either
00:50:50got any notes for me
00:50:51sure do
00:50:52you gotta get a little bit closer
00:50:54oh
00:50:54do i
00:51:01you're gonna get me in trouble
00:51:04okay
00:51:04bye
00:51:09can i help you
00:51:10mr edwards
00:51:11i'm so sorry to bother you
00:51:12but um
00:51:13i need to talk to you about something
00:51:15yeah i gotta
00:51:16get back to it
00:51:17i'm on the clock
00:51:18it's about birdie
00:51:18she's having an affair
00:51:23excuse me
00:51:24birdie's having an affair
00:51:25with your lead actress
00:51:26vera grace
00:51:28okay i don't know who you are
00:51:29but i certainly don't need a janitor
00:51:31to tell me about my wife
00:51:33i'm the concessions manager
00:51:35and
00:51:35i do know what i'm talking about
00:51:37oh
00:51:38okay
00:51:39mr concessions manager
00:51:40what proof do you have
00:51:41i've seen them together
00:51:45kissing in bed what
00:51:47on stage
00:51:48on stage
00:51:48just the looks
00:51:49the touching
00:51:51look if you watch them closely
00:51:53you'll see it too
00:51:54okay
00:51:54look i don't expect you to understand this
00:51:57but my wife is an amazing actress
00:51:59she creates chemistry on stage
00:52:00so whatever you think you saw
00:52:02you didn't
00:52:04cast
00:52:05get this guy
00:52:06he's disrespecting the theater
00:52:08and my wife
00:52:08have him fired immediately
00:52:09you're gonna regret this
00:52:11pretty soon the whole world
00:52:12is gonna see
00:52:13what's right underneath your nose
00:52:22oh
00:52:24oh
00:52:24asin
00:52:25birdie was just uh giving me her insights on gretta's promiscuity
00:52:30and uh the lack of quality male suitors in her world
00:52:34where are adam and kendrick
00:52:35oh
00:52:36we gave him a break
00:52:37so we could work some things out alone
00:52:43do you mind if i take the reins back
00:52:45no
00:52:45of course not
00:52:46sure
00:52:51why don't we show vera
00:52:53the uh proper slow dance
00:52:55technique
00:52:58you remember our wedding night
00:53:11you're not wearing a new necklace
00:53:13oh
00:53:14um
00:53:15it was a little tight on my neck
00:53:16so i
00:53:16i took it off
00:53:25make sure you get used to it
00:53:30back to work
00:53:34gentlemen
00:53:36from the top
00:53:51see you got your collar on
00:53:53like a good dog
00:53:55mason must be thrilled
00:54:01i'd like to put you on a leash
00:54:05i'm sorry i know this isn't ideal
00:54:07what
00:54:08no i i personally love watching you be manhandled in public by her husband while i sneak around in the
00:54:13shadows
00:54:14it feels like you're ashamed to be with me or something
00:54:17what
00:54:20no i'm not
00:54:21hey
00:54:22back in five
00:54:24you okay
00:54:26yep
00:54:26be right there
00:54:31i promise
00:54:33when this is all over i will leave him
00:54:36i only want to be with you
00:54:38our way
00:54:41wish there was a way for us to be together now
00:54:44i'm just gonna touch you and not care who sees it
00:54:48maybe i know a way
00:54:51what are you doing tonight
00:55:03i can't do this
00:55:04i can't do this
00:55:06i'm in charge tonight
00:55:10come on
00:55:17i've never been to one of these before
00:55:20what a masquerade party
00:55:22a lesbian party
00:55:25you can be yourself here
00:55:33thank you
00:55:35i've never felt this free before
00:55:38that's why i love this place
00:55:40it's not this place
00:55:44it's you vera
00:55:56oh my god
00:55:58your buddy edwards
00:56:01excuse me
00:56:02i'm your biggest fan
00:56:04i've seen stone's fantasy at least 50 times
00:56:07i'm sorry i don't know what you're talking about
00:56:10i'm sorry
00:56:10i thought you were the actress of birdie edwards
00:56:15you look so familiar
00:56:16are you sure you're not famous
00:56:17oh
00:56:17trust me
00:56:18she's not
00:56:19oh
00:56:20i feel terrible
00:56:22can i buy you both a drink
00:56:24to make up for it
00:56:25it's fine really
00:56:26yeah
00:56:27and have a good one
00:56:35i had a lot of fun tonight
00:56:37oh who said it was over
00:56:44sorry
00:56:46sorry i took that picture of you
00:56:49you're fine
00:56:49have a good night
00:56:53hey
00:56:56how would you like making 500 bucks
00:57:04make me one of your martinis
00:57:06i think we should just go to bed
00:57:07we have a big day tomorrow
00:57:09oh
00:57:09but i'm having fun
00:57:12i just want to be with you
00:57:18so
00:57:19earlier was
00:57:20a lie
00:57:21no
00:57:22of course not
00:57:24but that was
00:57:25fantasy land
00:57:27this is real life
00:57:29so
00:57:30real life means
00:57:31always having to hide who we are
00:57:33never actually being together
00:57:35that's not fair
00:57:38tonight was fun
00:57:41we have to stay focused on the play
00:57:42oh my god
00:57:44it's always about the fucking play
00:57:45oh your voice
00:57:46why
00:57:47i'm not afraid to tell everyone who i love
00:57:51vera what do you say
00:57:54i love you birdie
00:58:01clearly you don't feel the same
00:58:03i'm such a baby
00:58:08don't
00:58:10don't touch me
00:58:12ever again
00:58:13and
00:58:33okay
00:58:39okay
00:58:40so
00:58:56I told you I didn't want to see you again why are you here because I wanted to let
00:59:05you know that I've been thinking and Vera I'm in love with you too. You mean that? Me too. On
00:59:28your knees.
00:59:45What the hell are you doing? Mason I can explain. No don't bother I already know about all your deviant
00:59:51behavior. She is not deviant. We're in love. You poor idiot girl do you honestly think that Bertie Edwards
01:00:02is in love with you? She only loves this spotlight oh oh oh and the 10% cut that she's
01:00:08making off of
01:00:09you. How dare you you don't know the first thing about her. Mason is right but that was before
01:00:17everything. So it really was just business. It wasn't or at least not anymore. How am I supposed
01:00:25to believe anything you say? Why don't I help speed this up here? Bertie what is it?
01:00:48You know the whole world knows about the two of you. Well done. So what? I'm not ashamed of who
01:00:54I am or
01:00:55who I love. Mason I am sincerely sorry. We didn't want you to find out this way. We never meant
01:01:02to
01:01:02hurt you but Bertie and I just want to be together. We should go to a press conference. Oh I
01:01:09want the
01:01:11world to know how I feel about you but you think that's a bit much? I already contacted Gwen's office.
01:01:16We're meeting her tomorrow. Good. She'll handle it. Wait what is happening here? Who's Gwen? She's our
01:01:23publicist. So you're just gonna have your publicist sweep this under the rug? This is how celebrities
01:01:29handle crises. What about starting our lives together? Living our truth? It wasn't supposed
01:01:41to come out that way. So what? It's out. I don't care how. I just care about being with you.
01:01:50It's complicated. Yeah it's complicated I'll say. We've got less than 10 fucking minutes to open this
01:01:57show. And every single member in that audience is going to know about this scandal. And it's your
01:02:01job to fucking make them forget it. The show must go on right? It's all you've ever cared about?
01:02:09Well good luck finding your new Greta stuff. No Vera you're not thinking clearly. Actually
01:02:13I've never felt more clear about anything in my entire life. I see who you are. A fame monster that
01:02:21he created. Always afraid to be honest. Show your true self. You're living in a gilded cage. Bertie. I mean
01:02:32if
01:02:32that's what being a star is then I don't want any part of it. Hey. Do you know how much
01:02:36time and money I've
01:02:38invested in you? A million girls would die to be in your place. You are an ungrateful brat. You're a
01:02:45joke
01:02:46Mason. And a sham. The only one with any real talent is Bertie. And you've been riding her
01:02:51coattails for years. You may have convinced her that she needs you. But you'll never convince
01:02:57me. Listen. If you walk out that door. You're never coming back. Come with me.
01:03:15We can make our own art together just like we talked about. Please. I love you. I can. Good luck
01:03:35with the show.
01:03:44Ladies and gentlemen. I regret to inform you that tonight's and all subsequent performances
01:03:50of Stone's Fantasy are cancelled. Until further notice.
01:03:55Excuse me?
01:03:56Wait.
01:03:57Hey.
01:03:58So you're back.
01:03:58This is what we need to do.
01:04:11Lots of couples' time and charity work. In fact, photos of you two doing charity work as a couple.
01:04:17Yeah, I used to volunteer at the children's hospital all the time, so.
01:04:23No, you didn't.
01:04:24Well, I gave blood once or twice.
01:04:30Why are we doing this?
01:04:32Because if we don't turn this PR nightmare around and get the show back on its feet,
01:04:37we will lose every cent we have, Birdie.
01:04:41No.
01:04:44I don't think it'll work.
01:04:45Trust me.
01:04:46This is a tried and true strategy of many a floundering celebrity.
01:04:49No.
01:04:51I mean, this won't fix what's wrong between us, Mason.
01:04:58I'll give you two a moment.
01:05:03Haven't you caused enough trouble already?
01:05:05Just answer me one question.
01:05:10Are you happy?
01:05:11What kind of question is that?
01:05:13A simple one.
01:05:15Because I can honestly say...
01:05:18I'm not happy.
01:05:21I don't know if I've ever been.
01:05:23How dare you?
01:05:25I have given you everything that you ever wanted.
01:05:31Except love.
01:05:34You're not leaving me.
01:05:36Because if you do,
01:05:38I will take everything.
01:05:40I know all about the other women, Mason.
01:05:43You can have the house.
01:05:45But I want the theater.
01:05:48You owe me that much.
01:05:51You'll never make it without me.
01:05:55Maybe.
01:05:59But I'm going to try anyways.
01:06:13The number you are trying to reach is no longer in service.
01:06:16You're not leaving.
01:06:36You're welcome.
01:06:40You're welcome.
01:06:46I've never felt this free before.
01:07:08Bertie, this is phenomenal.
01:07:15I was struck by inspiration, and it just poured out of me.
01:07:20Did that inspiration take the form of a beautiful dark-eyed girl named Vera Grace?
01:07:28I love her, Cass.
01:07:31I'm no longer afraid to admit it.
01:07:34That's why I need you to tell me where she is.
01:07:37I'm sorry, I don't know, Bertie.
01:07:40She must have left a forwarding address.
01:07:43She did, but it was a P.O. box.
01:07:46I'm afraid I don't know any more than that.
01:07:48No phone number or nothing?
01:07:51I wish I could help.
01:07:59I'm going to miss seeing you every day, Bertie Edwards.
01:08:02You are a true star.
01:08:09What are you going to do now?
01:08:11The only thing I know how to do is take this broken heart and turn it into art.
01:08:26Bertie, you have a new play coming out, A Masked Love Affair.
01:08:30Yes.
01:08:31It's a much smaller production than I've been involved with in the past, but it's the one
01:08:36I'm most proud of.
01:08:38You wrote, you're directing, and you're starring in this play.
01:08:42You're quite the triple hype in it.
01:08:44Tell us about this play.
01:08:46Well, it's about finding yourself when you didn't even realize how lost you were.
01:08:52And it was inspired by someone very special to me.
01:08:56You're the only one that knows me.
01:09:00All of me.
01:09:02There are parts of me that came alive because of you.
01:09:06I'm ready to make this fantasy a reality.
01:09:16I'm ready to make this fantasy a reality.
01:09:44I'm ready to make this fantasy a reality.
01:10:07I'm ready to make this fantasy a reality a reality a reality a reality a reality a reality a reality
01:10:08a reality a reality a reality a reality a reality a reality a reality a reality a reality a reality
01:10:08a reality a reality a reality a reality a reality a reality a reality a reality a reality a reality
01:10:08a reality a reality a reality a reality a reality a reality a reality a reality a reality a reality
01:10:08a reality a reality a reality a reality a reality a reality a reality a reality a reality a reality
01:10:08a reality a reality a reality a reality a reality a reality a reality a reality a reality a reality
01:10:08a reality a reality a reality a reality a reality a reality a reality a reality a reality a reality
01:10:08a reality a reality a reality a reality a reality a reality a reality a reality a reality a reality
01:10:08a reality a reality a reality a reality a reality a reality a reality a reality a reality a reality
01:10:08a reality a reality a reality a reality a reality a reality a reality a reality a reality a reality
01:10:08a reality a reality a reality a reality a reality a reality a reality a reality a reality a reality
01:10:08.
01:10:38.
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