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Short filmTranscript
00:00:03Now, Bartholomew, it's time for a bit of sophisticated humor.
00:00:08Ahem!
00:00:10Why don't scientists trust atoms?
00:00:14Because they make up everything.
00:00:19Bartholomew, that joke's older than the moon.
00:00:22But it's a classic, Marty.
00:00:25Always lead with a classic.
00:00:28I've heard better jokes than the obituaries.
00:00:32Hmm.
00:00:36Passion Delphine?
00:00:38I feel gas.
00:00:39If someone brings their beers?
00:00:42Because that's what's electrifying the air.
00:00:47County fairs can be so depressing, especially when the entertainment of someone is washed up.
00:00:52Speaking of that, do you remember that one ventriloquist guy?
00:00:57His dummy was named Chucklehead.
00:01:00Oh, Archibald.
00:01:02Yeah, he played at county fair over here.
00:01:05Really?
00:01:06Wow, that's sad.
00:01:08Wasn't he all over late night TV at one point?
00:01:12Yeah, he was everywhere.
00:01:13And then I forget what show he was on, but he bombed horribly.
00:01:17That's right.
00:01:18And then it just kept happening.
00:01:20He just couldn't recover from that.
00:01:22Yeah, he went from being everywhere to pretty much nothing.
00:01:26Hmm.
00:01:28Poor Archibald.
00:01:30Yeah, poor Chucklehead.
00:01:31He was awesome.
00:01:33You would feel sorry for the puppet.
00:01:52Oh, you suck!
00:02:05I'm not a fan of the puppet.
00:02:06Hey, which one's the ventriloquist and which one's the dummy?
00:02:12So, Chucklehead, how do cats stop a VCR?
00:02:16I don't know, Archibald. How does a cat stop a VCR?
00:02:22It hits the pause button.
00:02:25I bet that thing has more of a brain left than this one.
00:02:27Yes, I got it. And I hope it ain't contagious.
00:02:31Looks like we're knocking them dead tonight.
00:02:35Dead? Nothing could resurrect your career.
00:02:39Tell me again why I put up with you.
00:02:42I'm part of your work release, remember?
00:02:46You know, Chucklehead, this is our final performance.
00:02:50What are you going to do in retirement?
00:02:52Get as far away from you as possible.
00:02:55Hey, Grandpa, are those jokes from the Stone Age or what?
00:02:57That's not nice. Why?
00:02:59How would you like my hand up your ass for 20 years?
00:03:03It's been longer than 20 years, Chucklehead.
00:03:07Don't remind me.
00:03:09They say time flies when you're having fun.
00:03:12No wonder our time together feels like an eternity.
00:03:16What are you going to do in retirement?
00:03:21Honestly?
00:03:23I don't know, Chucklehead.
00:03:26I don't know.
00:03:28The ventriloquism is barely passable.
00:03:30It's all been done before.
00:03:32And better.
00:03:33This is just sad.
00:03:35Um, hey, dummy.
00:03:37Say something.
00:03:43Um, yes, well, ladies and gentlemen, as they say in showbiz, that's all, folks.
00:03:53It means it's time to go.
00:03:56Thanks, Archibald.
00:03:59Thanks, Chucklehead.
00:04:14Better luck next time.
00:04:17There isn't going to be a next time.
00:04:20Good night.
00:04:20Thank you, Chucklehead.
00:04:22Thank you, Chucklehead.
00:04:25Thank you, Chucklehead.
00:04:29Thank you, Chucklehead.
00:04:30Thank you, Chucklehead.
00:04:31Thank you, Chucklehead.
00:04:31Thank you, Chucklehead.
00:04:32Thank you, Chucklehead.
00:04:33Thank you, Chucklehead.
00:04:34Thank you, Chucklehead.
00:04:35Thank you, Chucklehead.
00:04:36Thank you, Chucklehead.
00:04:37Thank you, Chucklehead.
00:04:38Thank you, Chucklehead.
00:04:42Thank you, Chucklehead.
00:04:45Thank you, Chucklehead.
00:04:49Thank you, Chucklehead.
00:06:35Oh, you don't look so glum. Now you can move on to new and exciting things.
00:06:40Showbiz is all I know. Did you know my family started in Vaudeville?
00:06:45No, really?
00:06:47Yes, way back in 1908. Our family even toured with Barnum Bailey. That's how I got Chucklehead here.
00:06:56Oh, well, maybe it's time that you and that thing take a break.
00:07:02Chucklehead? Him and I will be together forever.
00:07:06Why don't you pass him on to one of your other relatives and show business?
00:07:11Because I'm the only one left. The last of my kind. It's just him and me now.
00:07:17You seem very depressed. I'm sorry. Look, everything will be fine. Be thankful that you can retire. I'll never be
00:07:29able to.
00:07:31I'm going to my room now.
00:07:33Are you sure you don't want something to eat? The dining room will be open for another 30 minutes.
00:07:38No, but I'll see you at breakfast.
00:07:41Will you be checking out in the morning?
00:07:44No, I'm going to stay a few days more. Good night.
00:07:50Good night.
00:08:17Good night.
00:08:25Good night.
00:08:27Good night.
00:08:56I don't know.
00:08:59Cheers, my friend.
00:09:08Not thirsty tonight?
00:09:10Okay.
00:09:28Oh, how I long for the joy of another world.
00:09:50We should be there shortly.
00:09:53Good.
00:09:54We can check in and get cleaned up before the reunion.
00:10:04How many high school reunions have we been to together?
00:10:08I don't know.
00:10:10About four, maybe.
00:10:12I lose track.
00:10:13I wonder if Maggie will be there.
00:10:15Drop it.
00:10:16You dated her in high school.
00:10:19And you took her to the prom.
00:10:21Big deal.
00:10:22She'll never forget that night.
00:10:25Best five seconds of her life, I'm sure.
00:10:28Every reunion we go to, she's after.
00:10:31She's just being nice, that's all.
00:10:34Her husband is never too happy to see you.
00:10:37He's a chump.
00:10:39She realized what a mistake she probably made.
00:10:43Right?
00:10:44He's a rich Wall Street banker with a house on Long Island.
00:10:48Big deal.
00:10:50He's got money, so what?
00:10:52Yeah, look.
00:10:53So what?
00:10:54Let's just enjoy the time we have away from our crazy life.
00:10:58These times aren't going to last forever.
00:11:01Amen.
00:11:03Maggie still wants me.
00:11:04I don't care what you guys say.
00:11:06There's a place right there, up ahead.
00:11:09We have arrived.
00:11:24I guess we'll park here for now.
00:11:26Let's check in.
00:11:28And get something to eat.
00:11:29Maggie, we wouldn't want Maggie thinking you're malnourished.
00:11:49Well, hello there.
00:11:51Hi, guys.
00:11:52What can I do for you?
00:11:53We have a reservation, a room for Alan Duncan.
00:11:57Okay, let me see.
00:11:59Uh, oh, there you are.
00:12:03Room 203.
00:12:04Maybe the rest of our classmates are here, too.
00:12:07Classmates?
00:12:08Oh, we're here for a class reunion.
00:12:11It's here at the high school.
00:12:12Hmm.
00:12:13Well, no one else has checked in and mentioned it, but then I live outside of town, so I don't
00:12:18know what goes on here.
00:12:19How many hotels do you have in this town?
00:12:22Just two.
00:12:25Well, they must be at the other hotel, then.
00:12:28Hmm.
00:12:28How big was your graduating class?
00:12:31Oh, around 128 kids.
00:12:33Hmm.
00:12:34Well, maybe it's only the three of you, then.
00:12:37Here, here's the key.
00:12:40I see you have a dining room.
00:12:42What time do you serve meals?
00:12:44Uh, breakfast is at 8.30, lunch at noon, and dinner is at 5 sharp.
00:12:48We'll see you at lunch, then.
00:12:50Your room is upstairs and to the left.
00:12:52Okay, thanks.
00:12:53Thanks.
00:13:09It'd be odd if you were the only ones here.
00:13:25Hey, you know, this isn't half bad.
00:13:30Very Termin' the Fentry charm.
00:13:34I'm starved.
00:13:35I'm starved.
00:14:06Hey, does that guy look familiar?
00:14:09I wonder what the dummy ordered.
00:14:14What can I get you guys?
00:14:17I'll have a Coke and a cheeseburger.
00:14:20I'll have a roast beef sandwich and a glass of water.
00:14:25I'll try the chicken and biscuits and a Coke as well.
00:14:28You got it.
00:14:29I'll put that order right in.
00:14:32Hey, I know who that guy is.
00:14:35He's Archibald the Great.
00:14:37He's a ventriloquist.
00:14:38I saw him on That's Incredible Ones.
00:14:42He doesn't look so great to me.
00:14:45Can't be too famous if he's hanging around this town.
00:14:48Excuse me, sir?
00:14:50Are you Archibald the Great?
00:14:54Why, yes.
00:14:56Yes, I am.
00:14:58How did you know?
00:14:59I saw you on TV when I was a kid.
00:15:02Would you mind having a seat with us?
00:15:11Chucklehead and I have traveled all over the world.
00:15:14We gave our final performance last night.
00:15:16Are you retiring from the business?
00:15:19Yes.
00:15:20I'm afraid people today aren't into my antiquated style.
00:15:24It's time to move on.
00:15:25I can't believe you don't have your own reality TV show.
00:15:30Have you always performed with Chucklehead?
00:15:33Yes, since the very beginning.
00:15:36That's cool.
00:15:37Would you mind if I asked you for an autograph?
00:15:39I would be delighted.
00:15:50Thanks so much.
00:15:52It was a pleasure talking with you, but we must be going.
00:15:55Take care.
00:16:07Thanks again.
00:16:14How cool was that?
00:16:17Swell.
00:16:19Has-been entertainer signed your napkin.
00:16:22Hope this isn't the high point of our trip.
00:16:24Come on.
00:16:26We made the guy's day.
00:16:40Archibald, I have your fresh towels.
00:16:44Where is that weirdo?
00:16:46I'm keying in.
00:16:47Okay.
00:17:00Fuck you.
00:17:02Fuck you.
00:17:04Fuck you.
00:17:18that was damn good listen we're eating dinner at the reunion you ate so much you're not even
00:17:27going to be hungry look these things go into the night plenty of time to eat and for other things
00:17:34too please don't tell us you think you're scoring with maggie tonight who knows dream along with me
00:17:44are you guys ready isn't it a bit early what time did you say this thing started
00:17:50before 30 but i thought we'd get there ahead of time so we could get a good table who's paying
00:18:12have fun tonight you get better honey
00:18:22may i please ask not to be disturbed tonight sure thing thanks
00:18:59hey why don't we walk it's
00:19:01only a few blocks away because i'm not carrying your drunk ass home tonight good point
00:19:37so
00:19:43so
00:20:01It's time, my friend.
00:20:03We knew this day would come.
00:20:08We did give our final performance.
00:20:13Maybe we'll see one another soon.
00:20:38We'll see one another soon.
00:21:02We'll see one another soon.
00:21:09We'll see one another soon.
00:21:15We'll see one another soon.
00:21:49We'll see one another soon.
00:22:22We'll see one another soon.
00:22:55Yeah, but not today.
00:22:57We'll see one another soon.
00:23:29Hey!
00:23:30Hey!
00:23:33Hey!
00:23:38Hey!
00:23:40Hey!
00:23:41Hey!
00:23:46Sorry!
00:23:48Hey!
00:23:49Hey!
00:23:55Hey!
00:23:59Hey!
00:24:06Hey!
00:24:30Hey!
00:24:41Hey!
00:24:42Hey!
00:24:44Hey!
00:24:46Hey!
00:24:48Hey!
00:24:49Hey!
00:24:59Hey!
00:24:59Hey!
00:24:59Hey!
00:24:59Hey!
00:24:59Hey!
00:25:00Hey!
00:25:00Hey!
00:25:19Hey!
00:25:20Hey!
00:25:23Hey!
00:25:36Hey!
00:25:38Hey!
00:25:49Hey!
00:25:50Hey!
00:25:53Hey!
00:25:55Hey!
00:26:01Hey!
00:26:10Hey!
00:26:11I don't know.
00:27:01What the hell?
00:27:35I don't know.
00:27:53Look, I said I was sorry.
00:27:55I made a mistake.
00:27:56I had the wrong date.
00:27:59I'll make it up to you, I promise.
00:28:01How?
00:28:03A week of vacation at the Bahamas?
00:28:06Tickets to a Broadway show.
00:28:08Two hundred dollars of flats at the casino?
00:28:12All right, all right.
00:28:14You're getting a bit carried away.
00:28:16How about dinner on me?
00:28:18Fair enough.
00:28:20You only wasted a week of our vacation time and lots of money.
00:28:26Way to make me feel better.
00:28:28Come on.
00:28:53Have a good night.
00:29:01What have I done?
00:29:22What have I done?
00:29:29What can I do for you?
00:29:31Dinner for three?
00:29:32No.
00:29:32Whatever.
00:29:34Very quiet.
00:29:35No.
00:29:41All right.
00:29:43All right.
00:29:44All right.
00:30:18The Echo and Edge Show presents a fascinating show.
00:30:23Echo's technical skills is undeniable, but Ed the Puppet displays a level of sardonic
00:30:30wit that often upstages his human counterpart.
00:30:34The dialogue crackles with an almost uncomfortable honesty, pushing the boundaries of traditional
00:30:40ventriloquism.
00:30:42While the act is undeniably innovative, certain unease lingers.
00:30:48Ed's cynicism, while often hilarious, boulders on nihilistic.
00:30:53Is this social commentary, or simply shock about you?
00:30:59The jury's still out.
00:31:03Seraphina and Silas is a study in contrast.
00:31:07I guess he is famous.
00:31:09See, I told you so.
00:31:11That was very nice of them to do a farewell piece on his final show.
00:31:16Turned out better than our reunion.
00:31:21Watch it.
00:31:26Now, Reginald, tell the audience about your latest scientific discovery.
00:31:34Well, Professor, it involves a complex algorithm, a quantum entanglement field, and...
00:31:40Oh, look.
00:31:42A butterfly.
00:31:45Reginald, please.
00:31:46This is important research.
00:31:49Important?
00:31:51But butterflies are important.
00:31:53They're like...
00:31:55flying flowers.
00:31:57His voice, a low and resonant timbre, seems to emanate from a place beyond the stage.
00:32:05It's a performance that transcends mere ventriloquism,
00:32:11venturing into the realm of theatrical possession.
00:32:27Where the hell is that waitstaff person?
00:32:54What makes someone want to get into a profession like Archibald?
00:32:58He probably found joy in making other people happy.
00:33:01What are you getting at?
00:33:02I think it takes an odd person to hang out with a ventriloquist, dummy.
00:33:07Odd, but probably wealthy.
00:33:10You can only be so lucky.
00:33:12When he sat down next to us, I couldn't ignore the air of sadness around him.
00:33:19Well, he gave his final performance.
00:33:22I'm sure it was an emotional couple hours for him.
00:33:26It's a lot for one person to deal with, especially an entertainer.
00:33:30They're used to being a center of attention.
00:33:35It's a lot to have to deal with.
00:33:37Still, stop playing psychologist and go back to your video game.
00:33:43Striking out all over the place.
00:33:46Funny.
00:33:58Have a great night.
00:34:00Good night.
00:34:14Hello, Bassinet Inn.
00:34:15How can I help you?
00:34:21Okay, let me take a look.
00:34:27Thanks for waiting.
00:34:28Yes, we have availability on the 15th and 16th.
00:34:32Okay, how would you like to pay for that?
00:34:35Credit card?
00:34:35May I have a credit card number, please?
00:34:41Okay.
00:34:43And an email address, please?
00:34:50Okay.
00:34:52You should be receiving a confirmation shortly.
00:34:55And we'll see you soon.
00:34:56Ha, ha, ha, ha.
00:34:58Ah!
00:35:01Oh!
00:35:02Oh!
00:35:02Oh!
00:35:03Oh!
00:35:04Oh!
00:35:06Oh!
00:35:09Oh!
00:35:09Oh!
00:35:11Oh!
00:35:11Oh!
00:35:12Oh!
00:35:12Oh!
00:35:13Oh!
00:35:14Oh!
00:35:16Oh!
00:35:17Oh!
00:35:20Oh!
00:35:21Oh!
00:35:26Oh!
00:35:33Alistair and imagination is a variable question
00:35:37he takes on the intellectual that I'm thrilled with at.
00:35:42Alistair is like his father.
00:35:45Measured.
00:35:46Compose.
00:35:47Always in control.
00:35:50you know guys i miss high school do you i don't miss it at all all the clicks and pettiness
00:35:59life's better on the outside you make it sound like jail it was just legalized
00:36:06how about you trey did you miss school i went out on the school thing maggie didn't change
00:36:12your mind oh yeah maggie she made every day worth it till you got beat up in the locker
00:36:19room i think i slugged a few times but i always hit back remember george watson and his gang
00:36:27sure do you mopped his ass up in the cafeteria that day and his puffy their reputation got
00:36:35ruined and all i got was in school suspension yeah they never bothered anyone ever again
00:36:41most people when they think of the idea of talking through someone else think ventriloquism
00:36:46which these days is just prop comedy oh look there's our friend yeah someone about a minute
00:36:52ago down the hallway wasn't looking too good yeah he's probably just tired talking through
00:36:58someone else like having a dummy or a puppet speak for you more often is a symptom of mental
00:37:03illness sometimes it's a reaction to something like social anxiety some people act one way
00:37:08because that's how they feel they're expected to act or because they're too scared to be
00:37:11themselves and they use that other self to let their real personality shine through they
00:37:16act how they want and if other people get upset they can just blame it on the dummy for others
00:37:21it's a symptom of some deeper mental illness like dissociative identity disorder think arnold
00:37:26wesker and scarface from the batman series wesker was a criminal genius but weak and inept
00:37:31so scarface was a separate personality that manifested itself and wesker created the scarface dummy
00:37:36so they could look and play the part more so talking through someone else uses a sign that
00:37:40it's time to seek some professional help unless of course you're stuck in a horror movie in which
00:37:45case the other self will slaughter your friends your family your neighbors and that you're date to
00:37:49the senior prom in horrible and gruesome ways
00:37:53so
00:37:55oh
00:37:57oh
00:37:58oh
00:38:00oh
00:38:06oh
00:38:08oh
00:38:10oh
00:38:12oh
00:38:12oh
00:38:12oh
00:38:13oh
00:38:15oh
00:38:16oh
00:38:16oh
00:38:18oh
00:38:19oh
00:38:19oh
00:38:21oh
00:38:21oh
00:38:29Why?
00:38:31Why are you doing this?
00:38:34This is what you wanted.
00:38:38I never wanted death.
00:38:41Death is a part of revenge.
00:38:46I never wanted revenge.
00:38:49You did.
00:38:51You did.
00:38:53I did?
00:38:54For all the failures.
00:38:57The people who cheated you.
00:39:00The people who laughed at you.
00:39:03Those people.
00:39:04Yes.
00:39:06But these aren't those people.
00:39:10All people are those people.
00:39:14Revenge.
00:39:27Revenge.
00:39:28Damn.
00:39:31I need ice.
00:39:32And there's no ice here.
00:39:34No, I thought I saw an ice machine in the lobby.
00:39:37I can go get some.
00:39:38No, I'll go get it.
00:39:40Be right back.
00:40:07I'll go get that.
00:40:07Hello.
00:40:12I need some ice. Is anyone here?
00:40:24I am never staying at this hotel again. I don't even see an ice machine. Those guys are whacked.
00:40:40Anyone? Anyone?
00:41:04This is ridiculous.
00:41:20No. Don't go down there.
00:41:25Who's there?
00:41:39Hello?
00:41:47Don't do it.
00:41:48Don't do it.
00:41:55Don't do it.
00:41:58Don't do it.
00:42:12Hello? Is anyone here? I need some help. Stop screwing around.
00:42:30What the hell was that?
00:42:38Who's down here?
00:42:39I need some help.
00:43:46You've got to be kidding me.
00:44:12I see the cracks, Silas.
00:44:14The fractures and their carefully constructed realities.
00:44:17I see the void, Silas.
00:44:19The emptiness they try so desperately to ignore.
00:44:22And it calls to us.
00:44:23Hey, uh, uh...
00:44:25Patrick, were you expecting a package anytime soon?
00:44:29Because I got something delivered to me, but it had your name on it.
00:44:32I don't think so.
00:44:33I don't know, but it said, say hello to Patricia.
00:44:38How do they know my track name?
00:44:39I don't know where it came from.
00:44:40I don't know why it is.
00:44:42But it's just a little dummy head.
00:44:45Yeah.
00:44:47Do we need a third mic-er?
00:44:50Mic up Patricia.
00:44:51Let's see what she says.
00:44:53Um, I have no clue why it's called a dummy.
00:44:57It's, I mean, puppet, mannequin, dummy.
00:44:59What do you think?
00:45:00Institutional bias.
00:45:03I can't postulate on why they're called dummies with our eyes just staring at me.
00:45:08It feels very judgmental.
00:45:10Like, anything I say could be, like, offensive.
00:45:12I don't know if I want to offend our new third co-host.
00:45:15Maybe it makes you feel like a dummy because you don't know what to say.
00:45:18You know, maybe it's a feedback loop.
00:45:20Maybe we call them dummies and it, you know, insults them on a molecular level and they have to lash
00:45:25out in the form of murder.
00:45:29Oh, yeah, let's, uh, all right.
00:45:31Goodbye, Patricia.
00:45:33So, anyway, what movie are we going to watch this week?
00:45:35Silas and Shadow is a departure from traditional ventriloquism.
00:45:40Silas' intense focus and Shadow's unsettling pronouncements create an atmosphere of palpable tension.
00:45:48Shadow, the dummy, is a chilling presence.
00:45:51His voice, a low and guttural rumble, seems to come from a place of darkness.
00:45:58The act is less a performance and more a ritual, leaving the audience with a sense of unease.
00:46:04Hey, boy, you ready to rock this joint?
00:46:06Ready to let her be?
00:46:07Let's get in line and break something.
00:46:09All right, try not to break everything.
00:46:11We still got to get paid.
00:46:12Details, rusty details.
00:46:14I'll get in, Mike.
00:46:15Oh, Shuck.
00:46:17Darling, do you feel the electricity in the air?
00:46:20The sheer passion of our performance?
00:46:24Passion, Delphine?
00:46:26I feel gas.
00:46:28Did someone bring the beans?
00:46:30Because that's what's electrifying the air.
00:46:32Oh, Shuck, show some restraint.
00:46:36We are artists.
00:46:40Artists who need to eat.
00:46:42I hope we have some good dippers in the audience.
00:46:47Shadow, do you see what I see when I look at them?
00:46:51I see the cracks, Silas.
00:46:53The fractures in their carefully constructed realities.
00:46:58And what do those cracks reveal, Shadow?
00:47:02I see the void, Silas.
00:47:04The emptiness they try so desperately to ignore.
00:47:07He's got more life than you do.
00:47:09Ha!
00:47:10And he's made of wood!
00:47:12Ha ha ha ha!
00:47:13Enough about Archibald.
00:47:16Gosh.
00:47:17It'd taken Alan a long time to get that ice.
00:47:21Maybe he got lost.
00:47:23This place is too small to get lost.
00:47:26Maybe he went to the corner store to get some.
00:47:29I'm going to take a nap.
00:47:31I'm tired.
00:47:32I'm going to go see if I can see where you wandered off to.
00:47:35Well, okay.
00:47:37Okay.
00:47:42Okay.
00:48:00He's waiting for you.
00:48:16Please be warned.
00:48:24Hey, anyone here?
00:48:31Oh, Archibald.
00:48:33Have you seen Alan?
00:48:35Oh, Archibald.
00:48:55Have you seen Alan?
00:48:55Oh, Archibald.
00:48:59Oh, my God.
00:49:03Oh, my God.
00:49:08Oh, my God.
00:49:10Oh, my God.
00:49:56Hey, Archibald, I'm talking to you.
00:50:06Man, you look like shit.
00:50:08It's too late for Alan.
00:50:11What?
00:50:13Gather your other friend and leave.
00:50:16You're not making any sense.
00:50:18Let's find a place to sit down and chat.
00:50:21Maybe we can get you some help.
00:50:23It's too late for me.
00:50:25Chucklehead is loose in this hotel, and now he wants to kill everyone.
00:50:31Look, you're taking this doll thing way too seriously.
00:50:35I know you might be in the dumps about quitting your act, but...
00:50:38It's alive.
00:50:39It's alive.
00:50:39I am not.
00:50:40My negative energy filled the dummy after I took my life, and now it wants to kill everyone.
00:50:49What?
00:50:50All my negative energy over the years filled the dummy, and now it is exacting retribution
00:50:57on everyone.
00:50:59Be warned.
00:51:04Whoa.
00:51:06Did I see what I think I saw?
00:51:09Oh, my God.
00:51:10Oh, my God.
00:51:23Oh, my God.
00:51:26Oh, my God.
00:51:27Oh, my God.
00:51:29Oh, my God.
00:51:29Oh, my God.
00:51:30Oh, my God.
00:51:34Oh, my God.
00:51:52Oh, my God.
00:52:16Hey, what's wrong?
00:52:19We gotta go.
00:52:20I can't find Alan.
00:52:21And Archibald's a ghost or something.
00:52:24He said Alan is dead.
00:52:26Are you nuts?
00:52:29I'm being honest, I swear.
00:52:31He says his dummy chucklehead is alive and killing people.
00:52:36Listen to what you're saying.
00:52:38Are you getting even because we were mad at you?
00:52:42I wish it was.
00:52:44There's only one way to find out.
00:52:47How's that?
00:52:48Let's go to Archibald's room and see.
00:52:50He's probably watching TV.
00:52:53All right, let's go.
00:53:04Archibald!
00:53:04We need to have a word with you.
00:53:07I told you he wasn't there.
00:53:21Archibald!
00:53:22I told you the dude's dead.
00:53:24He's not here.
00:53:31Over there.
00:53:39Oh, my God.
00:53:41I told you he was dead.
00:53:43How did you see him moving around?
00:53:45It was his ghost.
00:53:47I told you that.
00:53:48Well, let's get out of here.
00:53:49That dummy's lurking around here somewhere.
00:54:09I can't make it down the stairs.
00:54:11My leg hurts so much.
00:54:13The room.
00:54:19Oh, my God.
00:54:20Oh, my God.
00:54:21Oh, my God.
00:54:26Oh, my leg.
00:54:29We should be safer now.
00:54:31We have to stop the bleeding.
00:54:34This should help.
00:54:37Thanks.
00:54:38This is so unbelievable.
00:54:41Well, believe it.
00:54:42It's good that it's happening.
00:54:44It's happening.
00:55:13It's not working.
00:55:14Let me see your phone.
00:55:20It's no good.
00:55:22Well, we're in the middle of nowhere.
00:55:24It's not that.
00:55:26The dummy must have tampered with the router.
00:55:28How could it know to do that?
00:55:31Because it possesses human knowledge.
00:55:33Everything Archibald knew transferred to the dock.
00:55:37Why would the dummy be killing people?
00:55:39Because now it has all of Archibald's pent-up rage and anger at its fuel.
00:55:44That's why it's full of hate and rage.
00:55:46What do we do now?
00:55:48We'll try to get out of here.
00:55:49I can't go anywhere on this way.
00:55:53Then I'll have to go.
00:55:57Damn.
00:55:58Too high to climb down.
00:56:01What are you going to do?
00:56:02You stay put.
00:56:03You'll be safe here.
00:56:05Please hurry.
00:56:06It really hurts.
00:56:07And I feel lightheaded.
00:56:09You're losing a lot of blood.
00:56:11I will hurry back.
00:56:12I'm back.
00:56:41I'm back.
00:56:48Hey! I need help!
00:56:50Something serious is happening here!
00:56:58Oh no!
00:57:00No!
00:57:30No, I need help!
00:57:34I need help!
00:57:39You're right, I need help!
00:57:47I don't know.
00:58:19Alan is dead.
00:58:20We're going to have to try to get you out.
00:58:24Oh, no.
00:58:27Fucker, come on out,
00:58:30chucklehead knucklehead.
00:58:42I don't know.
00:58:47What the hell?
00:58:48I don't know.
00:59:18Let's go.
01:00:05What in the name of Caesar are you all in a state about?
01:00:09I know this is going to sound incredible, but I'm being chased by a living dummy.
01:00:14Dummy? Are you drunk?
01:00:16No. It's Chucklehead. The dummy Archibald used during his final performance?
01:00:23Yeah, I know him.
01:00:24He was here about a night ago. Really poor turnout.
01:00:28But I got overtime, so who cares?
01:00:31We need to call the police.
01:00:34Well, the phone's over there.
01:00:38Oh, my God.
01:00:39Oh, my God.
01:00:44Oh, my God.
01:00:55Oh, my God.
01:00:57Oh, my God.
01:00:58Oh, my God.
01:01:02Oh, my God.
01:01:21I don't know.
01:01:37Oh, my God.
01:02:06Oh, my God.
01:02:45Oh, my God.
01:02:47Oh, my God.
01:03:17Oh, my God.
01:03:37Oh, my God.
01:03:42Oh, my God.
01:03:44Oh, my God.
01:04:04Oh, my God.
01:04:13I take back any negative energy I unwittingly gave you.
01:04:25It is time, my friend.
01:04:27It is time, my friend.
01:04:55Good luck, Archibald, wherever you are.
01:04:58Oh, my God.
01:05:37Oh, my God.
01:05:47Oh, my God.
01:05:54Oh, my God.
01:06:03That's all, folks.
01:06:04Oh, my God.
01:06:38Oh, my God.
01:06:40Oh, my God.
01:07:08Oh, my God.
01:07:14Oh, my God.
01:07:24Oh, my God.
01:07:26Oh, my God.
01:07:29Oh, my God.
01:07:31Oh, my God.
01:07:45I can't hear you, I can't hear you
01:07:59I can't hear you, I can't hear you
01:08:42I can't hear you
01:08:45I can't hear you
01:09:15I can hear you
01:09:49They say time flies when you're having fun
01:09:52No wonder our time together feels like an eternity
01:09:57What are you going to do in retirement?
01:10:01Honestly?
01:10:02I don't know, Chucklehead
01:10:05I don't know
01:10:14Um, hey dummy, say something
01:10:23What would you say?
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