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Dummy.2026.540p.X265.AAC [Full Movie] [Hot 2026]Full EP - Full
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Short filmTranscript
00:00:03Now, Bartholomew, it's time for a bit of sophisticated humor.
00:00:08Ahem!
00:00:10Why don't scientists trust atoms?
00:00:14Because they make up everything.
00:00:19Bartholomew, that joke's older than the moon.
00:00:22But it's a classic, Marty.
00:00:25Always lead with a classic.
00:00:28I've heard better jokes than the obituaries.
00:00:32Hmm.
00:00:36Passion Delphine?
00:00:38I feel gas.
00:00:39If someone brings their beers?
00:00:42Because that's what's electrifying the air.
00:00:47County fairs can be so depressing, especially when the entertainment of someone is washed up.
00:00:52Speaking of that, do you remember that one ventriloquist guy?
00:00:57His dummy was named Chucklehead.
00:01:00Oh, Archibald.
00:01:02Yeah, he played at county fair over here.
00:01:05Really?
00:01:06Wow, that's sad.
00:01:08Wasn't he all over late night TV at one point?
00:01:12Yeah, he was everywhere.
00:01:13And then I forget what show he was on, but he bombed horribly.
00:01:17That's right.
00:01:18And then it just kept happening.
00:01:20He just couldn't recover from that.
00:01:22Yeah, he went from being everywhere to pretty much nothing.
00:01:26Hmm.
00:01:28Poor Archibald.
00:01:30Yeah, poor Chucklehead.
00:01:31He was awesome.
00:01:33You would feel sorry for the puppet.
00:01:37He was awesome.
00:01:38Oh, my God.
00:01:38No, no, no.
00:02:03You suck!
00:02:06Hey, which one's the ventriloquist and which one's the dummy?
00:02:12So, Chucklehead, how do cats stop a VCR?
00:02:17I don't know, Archibald.
00:02:19How does a cat stop a VCR?
00:02:22It hits the pause button.
00:02:25I bet that thing is more of a brain left than this one.
00:02:27Yes, I got it.
00:02:29And I hope it ain't contagious.
00:02:31Looks like we're knocking them dead tonight.
00:02:34Dead?
00:02:36Nothing could resurrect your career.
00:02:39Tell me again why I put up with you.
00:02:42I'm part of your work release, remember?
00:02:46You know, Chucklehead, this is our final performance.
00:02:50What are you going to do in retirement?
00:02:52Get as far away from you as possible.
00:02:55Are those jokes from the Stone Age?
00:02:57That's not nice.
00:02:58Why?
00:02:59How would you like my hand up your ass for 20 years?
00:03:03It's been longer than 20 years, Chucklehead.
00:03:07Don't remind me.
00:03:09They say time flies when you're having fun.
00:03:12No wonder our time together feels like an eternity.
00:03:16What are you going to do in retirement?
00:03:21Honestly?
00:03:23I don't know, Chucklehead.
00:03:26I don't know.
00:03:28The ventriloquism is barely passable.
00:03:30It's all been done before.
00:03:32And better.
00:03:33This is just sad.
00:03:35Um...
00:03:36Hey, dummy.
00:03:37Say something.
00:03:43Um...
00:03:44Yes, well...
00:03:46Ladies and gentlemen, as they say in showbiz, that's all, folks.
00:03:53It means it's time to go.
00:03:56Thanks, Archibald.
00:03:59Thanks, Chucklehead.
00:04:14Better luck next time.
00:04:17There isn't going to be a next time.
00:04:20Good night.
00:04:20You too.
00:04:56Good night.
00:06:27Oh, hello, Archibald. How'd your final performance go?
00:06:33As predicted.
00:06:35Oh, don't look so glum. Now you can move on to new and exciting things.
00:06:40Showbiz is all I know. Did you know my family started in vaudeville?
00:06:45No, really?
00:06:47Yes, way back in 1908. Our family even toured with Barnum Bailey. That's how I got Chucklehead here.
00:06:56Oh, well, maybe it's time that you and that thing take a break.
00:07:02Chucklehead? Him and I will be together forever.
00:07:06Why don't you pass him on to one of your other relatives and show business?
00:07:11Because I'm the only one left. The last of my kind. It's just him and me now.
00:07:17You seem very depressed. I'm sorry. Look, everything will be fine. Be thankful that you can retire. I'll never be
00:07:29able to.
00:07:31I'm going to my room now.
00:07:33Are you sure you don't want something to eat? The dining room will be open for another 30 minutes.
00:07:38No, but I'll see you at breakfast.
00:07:41Will you be checking out in the morning?
00:07:44No, I'm going to stay a few days more. Good night.
00:07:50Good night.
00:08:24Good night.
00:08:26Good night.
00:08:27Good night.
00:08:31Good night.
00:08:33Good night.
00:08:35Good night.
00:08:37Good night.
00:08:38Good night.
00:08:39Good night.
00:08:40Good night.
00:08:41Good night.
00:08:42Good night.
00:08:59Cheers, my friend.
00:09:08Not thirsty tonight?
00:09:10Okay.
00:09:28Oh, how I long for the joy of another world.
00:09:50We should be there shortly.
00:09:53Good. We can check in and get cleaned up before the reunion.
00:10:04How many high school reunions have we been to together?
00:10:08I don't know.
00:10:10About four, maybe. I lose track.
00:10:13I wonder if Maggie will be there.
00:10:15Drop it. You dated her in high school. And you took her to the prom. Big deal.
00:10:21She'll never forget that night. Best five seconds of her life, I'm sure. Every reunion we go to, she's after
00:10:31me. She's just being nice, that's all.
00:10:34Her husband is never too happy to see you. He's a chump. She realized what a mistake she probably made.
00:10:43Right? He's a rich Wall Street banker with a house on Long Island.
00:10:48Big deal. He's got money, so what?
00:10:52Yeah, look, so what? Let's just enjoy the time we have away from our crazy life. These times aren't going
00:10:59to last forever.
00:11:01Amen.
00:11:03Maggie still wants me. I don't care what you guys say.
00:11:06There's a place right there, up ahead.
00:11:09We have arrived.
00:11:24I guess we'll park here for now. Let's check in.
00:11:28And get something to eat?
00:11:30We wouldn't want Maggie thinking you're malnourished.
00:11:49Well, hello there.
00:11:51Hi, guys. What can I do for you?
00:11:53We have a reservation, a room for Alan Duncan.
00:11:57Okay, let me see.
00:11:59Uh, oh, there you are. Room 203.
00:12:04Maybe the rest of our classmates are here, too.
00:12:07Classmates?
00:12:08Oh, we're here for a class reunion. It's here at the high school.
00:12:12Hmm. Well, no one else has checked in and mentioned it, but then I live outside of town, so I
00:12:18don't know what goes on here.
00:12:19How many hotels do you have in this town?
00:12:22Just two.
00:12:25Well, they must be at the other hotel, then.
00:12:27Hmm. How big was your graduating class?
00:12:31Oh, around 128 kids.
00:12:33Hmm. Well, maybe it's only the three of you, then.
00:12:37Here, here's the key.
00:12:40I see you have a dining room. What time do you serve meals?
00:12:44Breakfast is at 8.30, lunch at noon, and dinner is at 5 sharp.
00:12:48We'll see you at lunch, then.
00:12:50Your room is upstairs and to the left.
00:12:52Okay, thanks.
00:12:53Thanks.
00:13:09It'd be odd if you were the only ones here.
00:13:25Hey, you know, this isn't half bad.
00:13:30Very Term of the Fentry charm.
00:13:34I'm starved.
00:13:36I'm starved.
00:13:38I'm starved.
00:13:43I'm starved.
00:13:46I'm starved.
00:13:47I'm starved.
00:13:52I'm starved.
00:13:55I'm starved.
00:13:56I'm starved.
00:13:59I'm starved.
00:14:00I'm starved.
00:14:01I'm starved.
00:14:03I'm starved.
00:14:04I'm starved.
00:14:04I'm starved.
00:14:05I'm starved.
00:14:05I'm starved.
00:14:06Hey, does that guy look familiar?
00:14:09I wonder what the dummy ordered.
00:14:14What can I get you guys?
00:14:17I'll have a Coke and a cheeseburger.
00:14:20I'll have a roast beef sandwich and a glass of water.
00:14:25I'll try the chicken and biscuits and a Coke as well.
00:14:28You got it. I'll put that order right in.
00:14:32Hey, I know who that guy is.
00:14:35He's Archibald the Great.
00:14:37He's a ventriloquist. I saw him on That's Incredible Ones.
00:14:42He doesn't look so great to me.
00:14:45Can't be too famous if he's hanging around this town.
00:14:48Excuse me, sir.
00:14:50Are you Archibald the Great?
00:14:54Why, yes. Yes, I am.
00:14:58How did you know?
00:14:59I saw you on TV when I was a kid.
00:15:02Would you mind having a seat with us?
00:15:11Chucklehead and I have traveled all over the world.
00:15:14We gave our final performance last night.
00:15:16Are you retiring from the business?
00:15:19Yes.
00:15:20I'm afraid people today aren't into my antiquated style.
00:15:24It's time to move on.
00:15:25I can't believe you don't have your own reality TV show.
00:15:30Have you always performed with Chucklehead?
00:15:33Yes, since the very beginning.
00:15:36That's cool.
00:15:37Would you mind if I asked you for an autograph?
00:15:40I would be delighted.
00:15:50Thanks so much.
00:15:52It was a pleasure talking with you, but we must be going.
00:15:55Take care.
00:16:07Thanks again.
00:16:14How cool was that?
00:16:16Well, has-been entertainer signed your napkin.
00:16:22Hope this isn't the high point of our trip.
00:16:24Come on.
00:16:26We made the guy's day.
00:16:40Archibald, I have your fresh towels.
00:16:44Where is that weirdo?
00:16:46I'm keying in.
00:17:00Fuck you.
00:17:04Fuck you.
00:17:18That was damn good.
00:17:20Listen, we're eating dinner at the reunion.
00:17:24You ate so much.
00:17:26You're not even going to be hungry.
00:17:29Look, these things go into the night.
00:17:31Plenty of time to eat and for other things, too.
00:17:35Please don't tell us you think you're scoring with Maggie tonight.
00:17:39Who knows?
00:17:41Dream along with me.
00:17:44Are you guys ready?
00:17:46Isn't it a bit early?
00:17:48What time did you say this thing started?
00:17:50Before 30, but I thought we'd get there ahead of time so we could get a good table.
00:17:55Who's paying?
00:18:12Have fun tonight.
00:18:14You get better, honey.
00:18:22May I please ask not to be disturbed tonight?
00:18:26Sure thing.
00:18:27Thanks.
00:18:59Hey, why don't we walk?
00:19:01It's only a few blocks away.
00:19:02Because I'm not carrying your drunk ass home tonight.
00:19:05Good point.
00:19:08Good point.
00:19:13Good point.
00:19:14Let's go.
00:20:01It's time, my friend.
00:20:03We knew this day would come.
00:20:08We did give our final performance.
00:20:13Maybe we'll see one another soon.
00:20:42We'll see one another soon.
00:21:02We'll see one another soon.
00:21:36We'll see one another soon.
00:21:47We'll see one another soon.
00:21:48Party time.
00:21:49Looks like we're the only one there.
00:21:52Thanks to Mr. Early Bird.
00:21:54Let's go check it out.
00:21:55Hey.
00:22:19What the hell?
00:22:20What time did you say this starts?
00:22:23See?
00:22:255.30?
00:22:27Yeah.
00:22:28But not today.
00:22:29Next week.
00:22:31What?
00:22:32Oops.
00:22:34You've got to be kidding me.
00:22:36You've got to be kidding me.
00:23:03We've got to be kidding me.
00:23:04We've been worse scrapes.
00:23:05Right?
00:23:06Come on.
00:23:07I'm sorry.
00:23:07You've got to be kidding me.
00:23:08You certainly are.
00:23:10Let's just get out of here.
00:23:12You've got to be kidding me.
00:23:35I'm sorry.
00:23:35I'm sorry.
00:23:38I'm sorry.
00:23:41I'm sorry.
00:23:42I'm sorry.
00:23:49I'm sorry.
00:23:52I'm sorry.
00:24:07I'm sorry.
00:24:16Come on.
00:24:36We'll be kidding me.
00:24:43I don't know.
00:25:14Hey, that was quick!
00:25:19Jane Bat gave us the wrong date.
00:25:22It's next week, not this week.
00:25:34Ooh, they don't seem too happy.
00:25:36Jane, it was an honest mistake.
00:25:39Well, buy them dinner tonight and they'll forgive you.
00:25:42Yeah, I'm going to have to do something.
00:25:43I'm going to have to do something.
00:26:43I'm going to have to do something.
00:27:01What the hell?
00:27:14What the hell?
00:27:53Look, I said I was sorry.
00:27:55I made a mistake.
00:27:57I had the wrong date.
00:27:59I'll make it up to you, I promise.
00:28:01How?
00:28:03A week of vacation at the Bahamas?
00:28:06Tickets to a Broadway show.
00:28:09$200 a slot at the casino?
00:28:12All right, all right.
00:28:14You're getting a bit carried away.
00:28:16How about dinner on me?
00:28:18Fair enough.
00:28:20You only wasted a week of our vacation time and lots of money.
00:28:26Way to make me feel better.
00:28:28Come on.
00:28:30Come on.
00:28:52Have a good night.
00:29:01What have I done?
00:29:29What can I do for you?
00:29:31Dinner for three?
00:29:32No.
00:29:34No.
00:29:35No.
00:29:36No.
00:29:38No.
00:29:39No.
00:29:50No.
00:29:52No.
00:29:54No.
00:29:55No.
00:29:58No.
00:30:01No.
00:30:06No.
00:30:06No.
00:30:18The Echo and Ed show
00:30:20presents a fascinating
00:30:22documentary.
00:30:23Echo's technical skills
00:30:25is on the novel, but Ed the Puppet
00:30:28displays a level of sardonic
00:30:30wit that often upstages
00:30:32his human counterpart.
00:30:34The dialogue crackles with an almost
00:30:36uncomfortable honesty
00:30:38pushing the boundaries of traditional
00:30:40ventriloquism.
00:30:41While the act is
00:30:43undeniably innovative,
00:30:47certain unease lingers.
00:30:49Ed's cynicism, while often
00:30:50hilarious, borders on
00:30:52nihilistic.
00:30:53Is this social commentary
00:30:56or simply shock
00:30:58about you?
00:30:59The jury's still out.
00:31:02Seraphina and
00:31:04Silas is a study in
00:31:06contrasts.
00:31:07I guess he is famous.
00:31:08See, I told you so.
00:31:11That was very nice of them
00:31:12to do a farewell piece
00:31:14on his final show.
00:31:16Turned out better than our reunion.
00:31:21Watch it.
00:31:22Hunting ants of light
00:31:24and shadow.
00:31:25Silas, the dummy,
00:31:27is a revelation.
00:31:29Now, Reginald,
00:31:30tell the audience about your latest
00:31:32scientific discovery.
00:31:33Well, Professor,
00:31:35it involves a
00:31:36complex algorithm,
00:31:38a quantum entanglement
00:31:39field, and
00:31:40oh look,
00:31:42a butterfly.
00:31:45Reginald, please,
00:31:46this is important research.
00:31:49Important?
00:31:51But butterflies
00:31:52are important.
00:31:53They're like
00:31:54flying flowers.
00:31:57His voice,
00:31:59a low and
00:32:00resonant timbre
00:32:01that seems to emanate
00:32:03from a place
00:32:03beyond the stage.
00:32:06It's a performance
00:32:07that transcends
00:32:08mere ventriloquism,
00:32:11venturing into the realm
00:32:12of theatrical
00:32:13possession.
00:32:27Where the hell
00:32:28is that
00:32:29waitstaff person?
00:32:54what makes
00:32:55someone want
00:32:55to get into
00:32:56a profession
00:32:56like Archibald?
00:32:58He probably
00:32:58found joy
00:32:59in making
00:32:59other people
00:33:00happy.
00:33:01What are you
00:33:01getting at?
00:33:02I think it takes
00:33:03an odd person
00:33:04to hang out
00:33:04with a ventriloquist,
00:33:06dummy.
00:33:07Odd,
00:33:07but probably
00:33:08wealthy.
00:33:10You can only
00:33:10be so lucky.
00:33:12When he sat
00:33:13down next to us,
00:33:14I couldn't ignore
00:33:14the air of
00:33:16sadness
00:33:17around him.
00:33:19Well,
00:33:20he gave his
00:33:20final performance.
00:33:22I'm sure it was
00:33:23an emotional
00:33:23couple hours
00:33:24for him.
00:33:26It's a lot
00:33:26for one person
00:33:27to deal with,
00:33:28especially
00:33:29an entertainer.
00:33:31They're used
00:33:32to being
00:33:32a center
00:33:33of attention.
00:33:35It's a lot
00:33:36to have to deal
00:33:36with.
00:33:37Still,
00:33:39stop playing
00:33:40psychologist
00:33:40and go back
00:33:41to your video game.
00:33:43Striking out
00:33:44all over the place.
00:33:46Funny.
00:33:58Have a great night.
00:34:00Good night.
00:34:01Good night.
00:34:26Thanks for waiting.
00:34:28Yes,
00:34:28we have availability
00:34:30on the 15th
00:34:30and 16th. Okay. How would you like to pay for that? Credit card? May I have the credit
00:34:36card number, please? Okay. And an email address, please. Okay. You should be receiving a confirmation
00:34:54shortly, and we'll see you soon.
00:35:33Alistair is like his father. Measured, composed, always in control.
00:35:50You know, guys, I miss high school. Do you? I don't miss it at all. All the clicks
00:35:58and pettiness. Life's better on the outside. You make it sound like jail. It was. Just
00:36:05legalized. How about you, Trey? Did you miss school? I went out on the school thing. Maggie
00:36:12didn't change your mind? Oh, yeah, Maggie. She made every day worth it. You got beat up
00:36:18in the locker room. I got slugged a few times, but I always hit back. Remember George Watson
00:36:26and his gang? Sure do. You mopped his ass up in the cafeteria that day. And his posse.
00:36:33Their reputation got ruined, and all I got was in-school suspension. Yeah, they never bothered
00:36:40anyone ever again. Most people, when they think of the idea of talking through someone else,
00:36:44think ventriloquism, which these days is just prop comedy. Oh, look. There's our friend.
00:36:51Yeah, I saw him about a minute ago down the hallway. Wasn't looking too good. Yeah, he's probably just
00:36:56tired. Talking through someone else, like having a dummy or a puppet speak for you, more often is a
00:37:02symptom of mental illness in adults. Sometimes it's a reaction to something like social anxiety.
00:37:06Some people act one way because that's how they feel they're expected to act, or because they're too
00:37:11scared to be themselves. And they use that other self to let their real personality shine through.
00:37:16They act how they want, and if other people get upset, they can just blame it on the dummy.
00:37:20For others, it's a symptom of some deeper mental illness, like disassociative identity disorder.
00:37:25Think Arnold Wesker and Scarface from the Batman series. Wesker was a criminal genius, but weak and
00:37:30inept. So Scarface was a separate personality that manifested itself, and Wesker created the Scarface
00:37:36dummy so that could look and play the part more. So talking through someone else, usually a sign that
00:37:40it's time to seek some professional help. Unless, of course, you're stuck in a horror movie. In which
00:37:45case, the other self will slaughter your friends, your family, your neighbors, and that you're
00:37:49date to the senior prom in horrible and gruesome ways.
00:38:30Why? Why are you doing this?
00:38:33Death. This is what you wanted. I never wanted death. Death is a part of revenge. I never wanted
00:38:47revenge. You did. You did. I did? For all the failures. The people who cheated you. The people
00:39:01who laughed at you. Those people? Yes. But these aren't those people. All people are those
00:39:12those people. Revenge.
00:39:27Revenge.
00:39:28Damn. I need ice, and there's no ice here. No, I thought I saw an ice machine in the lobby.
00:39:37I didn't go get some. No, I'll go get it. Be right back.
00:40:07Hello? Hello?
00:40:08Hello? I need some ice. Is anyone here? I am never staying at this hotel again. I don't
00:40:28even see an ice machine. Those guys are whacked.
00:40:41Anyone? Anyone?
00:40:42Anyone?
00:41:05This is ridiculous.
00:41:20No, don't go down there.
00:41:25Who's there?
00:41:39Hello?
00:41:47Don't do it.
00:41:49Don't do it.
00:41:49Don't do it.
00:41:50Don't do it.
00:41:50Don't do it.
00:41:52Don't do it.
00:41:55Don't do it.
00:41:55Don't do it.
00:42:13Don't do it.
00:42:22Don't do it.
00:42:25Don't do it.
00:42:38Don't do it.
00:42:49Don't do it.
00:42:49Don't do it.
00:42:50Don't do it.
00:43:02Don't do it.
00:43:08Don't do it.
00:43:08Don't do it.
00:43:31Don't do it.
00:43:46Don't do it.
00:43:48Don't do it.
00:44:06Don't do it.
00:44:06Don't do it.
00:44:07Don't do it.
00:44:32Don't do it.
00:44:33Don't do it.
00:44:39Don't do it.
00:44:50Mic up Patricia. Let's see what she says.
00:44:53Um, I have no clue why it's called a dummy.
00:44:57It's, I mean, puppet, mannequin, dummy, what do you think?
00:45:00Institutional bias.
00:45:03I can't postulate why they're called dummies with our eyes just staring at me.
00:45:08It feels very judgmental.
00:45:10Like, anything I say could be, like, offensive.
00:45:12I don't know if I want to offend our new third co-host.
00:45:15Maybe it makes you feel like a dummy because you don't know what to say.
00:45:18You know, maybe it's a feedback loop.
00:45:20Maybe we call them dummies and it, you know, insults them on a molecular level
00:45:24and they have to lash out in the form of murder.
00:45:29Oh, yeah, let's, uh, all right.
00:45:31Goodbye, Patricia.
00:45:33So, anyway, what movie are we going to watch this week?
00:45:36Silas and Shadow is a departure from traditional ventriloquism.
00:45:41Silas's intense focus and Shadow's unsettling pronouncements
00:45:45create an atmosphere of palpable tension.
00:45:48Shadow, the dummy, is a chilling presence.
00:45:51His voice, a low and guttural rumble, seems to come from a place of darkness.
00:45:58The act is less a performance and more a ritual,
00:46:01leaving the audience with a sense of unease.
00:46:04Hey, boy, you ready to rock this joint?
00:46:06Ready to rock this joint?
00:46:07Let's get in line and break something.
00:46:09All right, try not to break everything.
00:46:11We still got to get paid.
00:46:12Details, rusty details.
00:46:14I'll get in, Mike.
00:46:14Oh, Shaq.
00:46:16Darling, do you feel the electricity in the air?
00:46:20The sheer passion of our performance?
00:46:24Passion, Delphine?
00:46:26I feel gas.
00:46:28Did someone bring the beans?
00:46:30Because that's what's electrifying the air.
00:46:33Shaq, show some restraint.
00:46:36We are artists.
00:46:40Artists who need to eat.
00:46:42I hope we have some good dippers in the audience.
00:46:47Shadow, do you see what I see when I look at them?
00:46:51I see the cracks, Silas.
00:46:53The fractures in their carefully constructed realities.
00:46:58And what do those cracks reveal, Shadow?
00:47:02I see the void, Silas.
00:47:04The emptiness they try so desperately to ignore.
00:47:07The puppet's got more life than you do.
00:47:09And he's made of wood.
00:47:13Enough about Archibald.
00:47:16Gosh, it'd taken Alan a long time to get that ice.
00:47:21Maybe he got lost.
00:47:23This place is too small to get lost.
00:47:26Maybe he went to the corner store to get some.
00:47:29I'm gonna take a nap.
00:47:31I'm tired.
00:47:32I'm gonna go see if I can see where he wandered off to.
00:47:35Well, okay.
00:48:00He's waiting for you.
00:48:16Please.
00:48:17Please.
00:48:18Be warned.
00:48:24Hey, anyone here?
00:48:31Oh, Archibald.
00:48:33Have you seen Alan?
00:48:33My heart.
00:49:56Hey, Archibald, I'm talking to you.
00:50:06Man, you look like shit.
00:50:09It's too late for Alan.
00:50:11What?
00:50:13Gather your other friend and leave.
00:50:16You're not making any sense.
00:50:18Let's find a place to sit down and chat.
00:50:21Maybe we can get you some help.
00:50:22It's too late for me.
00:50:25Chucklehead is loose in this hotel, and now he wants to kill everyone.
00:50:31Look, you're taking this doll thing way too seriously.
00:50:35I know you might be in the dumps about quitting your act, but...
00:50:38It's alive.
00:50:39I am not.
00:50:40My negative energy filled the dummy after I took my life, and now it wants to kill everyone.
00:50:49What?
00:50:51All my negative energy over the years filled the dummy, and now it is exacting retribution
00:50:57on everyone.
00:50:59Be warned.
00:51:05Did I see what I think I saw?
00:51:08No.
00:51:21No.
00:52:16Hey, what's wrong?
00:52:19We gotta go.
00:52:20I can't find Alan.
00:52:21And Archibald's a ghost or something.
00:52:24He said Alan is dead.
00:52:26Are you nuts?
00:52:29I'm being honest, I swear.
00:52:31He says his dummy chucklehead is alive and killing people.
00:52:36Listen to what you're saying.
00:52:38Are you getting even because we were mad at you?
00:52:42I wish it was.
00:52:44There's only one way to find out.
00:52:47How's that?
00:52:47Let's go to Archibald's room and see.
00:52:50He's probably watching TV.
00:52:53All right, let's go.
00:53:04Archibald!
00:53:04We need to have a word with you.
00:53:06Archibald!
00:53:07I told you he wasn't there.
00:53:21Archibald!
00:53:22I told you the dude's dead.
00:53:24He's not here.
00:53:31Over there.
00:53:39Oh my God.
00:53:41I told you he was dead.
00:53:43How did you see him moving around?
00:53:45It was his ghost.
00:53:46I told you that.
00:53:48Well, let's get out of here.
00:53:49That dummy's lurking around here somewhere.
00:54:05Let's get out of here.
00:54:09I can't make it down the stairs.
00:54:11My leg hurts so much.
00:54:13The room.
00:54:27My leg!
00:54:29We should be safer now.
00:54:31We have to stop the bleeding.
00:54:34This should help.
00:54:37Thanks.
00:54:38This is so unbelievable.
00:54:41Well, believe it.
00:54:42Look at this happening.
00:54:46What?
00:54:50This is happening.
00:54:55Ah!
00:54:59Oh!
00:55:00Oh!
00:55:04Oh!
00:55:13It's not working, let me see your phone.
00:55:20It's no good.
00:55:22Well we're in the middle of nowhere.
00:55:25It's not that, the dummy must have tampered with the router.
00:55:29How could it know to do that?
00:55:31Because it possesses human knowledge.
00:55:33Everything Archibald knew transferred to the dock.
00:55:37Why would the dummy be killing people?
00:55:39Because now it has all of Archibald's pent up rage and anger at its fuel.
00:55:44That's why it's full of hate and rage.
00:55:46What do we do now?
00:55:48Try to get out of here.
00:55:50I can't go anywhere on this way.
00:55:53Then I'll have to go.
00:55:58Damn, too high to climb down.
00:56:01What are you going to do?
00:56:02You stay put.
00:56:03You'll be safe here.
00:56:05Please hurry.
00:56:05It really hurts.
00:56:07And I feel lightheaded.
00:56:10You're losing a lot of blood.
00:56:11I will hurry back.
00:56:13I will hurry back.
00:56:31You're losing a lot of blood.
00:56:37I can't go anywhere.
00:56:39I have to go anywhere.
00:56:41I will be safe.
00:56:42I can't give up.
00:56:48Hey! I need help!
00:56:50Something serious is happening here!
00:56:58Oh no!
00:57:00No!
00:57:12No!
00:57:14No!
00:57:18No!
00:57:22Oh no!
00:57:24No!
00:57:25No!
00:57:32Huh.
00:57:42I don't know.
00:58:19Alan is dead.
00:58:20We're going to have to try to get you out.
00:58:24Oh, no.
00:58:28Fucker, come on out,
00:58:30chucklehead knucklehead.
00:58:41Get out of here.
00:58:43Come on out, chucklehead.
00:58:47Come on out.
00:58:48Come on out.
00:58:53Come on out.
00:58:54Come on out.
00:59:00Come on out.
01:00:05What in the name of Caesar are you all in a state about?
01:00:09I know this is going to sound incredible, but I'm being chased by a living dummy.
01:00:14Dummy? Are you drunk?
01:00:17No. It's Chucklehead.
01:00:19The dummy Archibald used during his final performance?
01:00:23Yeah, I know him.
01:00:24He was here about a night ago.
01:00:26Really poor turnout.
01:00:28But I got overtime, so who cares?
01:00:31We need to call the police.
01:00:34Well, the phone's over there.
01:00:36Oh, my God.
01:00:45Oh, my God.
01:01:39Oh, my God.
01:01:46Oh, my God.
01:02:38Oh, my God.
01:02:41Oh, my God.
01:02:47Oh, my God.
01:03:22Oh, my God.
01:03:27Oh, my God.
01:03:42Oh, my God.
01:03:43Oh, my God.
01:04:39Oh, my God.
01:04:42Oh, my God.
01:04:48Oh, my God.
01:05:18Oh, my God.
01:05:48Oh, my God.
01:05:57Yes, well, ladies and gentlemen, as they say in showbiz, that's all, folks.
01:06:34Oh, my God.
01:07:01Oh, my God.
01:07:33Oh, my God.
01:07:47Oh, my God.
01:07:51Oh, my God.
01:08:21Oh, my God.
01:08:58Oh, my God.
01:09:06Oh, my God.
01:09:10Oh, my God.
01:09:11Oh, oh, oh, oh, oh.
01:09:49They say time flies when you're having fun.
01:09:52No wonder our time together feels like an eternity.
01:09:55What are you going to do in retirement?
01:10:01Honestly?
01:10:03I don't know, Chucklehead.
01:10:06I don't know.
01:10:14Um, hey dummy, say something.
01:10:26I don't know.
01:10:27I don't know.
01:10:27I don't know.
01:10:28I don't know.
01:10:28You
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