- 5 hours ago
Sherlock-Season 4 Episode 3
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TVTranscript
00:00:28Transcription by CastingWords
00:00:31Mummy?
00:00:45Mummy, wake up! Wake up! Mummy!
00:01:08Mummy, wake up!
00:01:10Wake up!
00:01:12Wake up!
00:01:15Wake up!
00:01:30Help me, please! I'm on a plane and everyone's asleep! Help me!
00:01:34Hello. My name's Jim Moriarty.
00:01:38Welcome to Final Problem.
00:02:15You know I could arrest you.
00:02:16What for?
00:02:17Wearing a dress like that.
00:02:19Would you like me to take it off?
00:02:20Then I'd really have to press charges.
00:02:22Press away?
00:02:23Isn't that how the ego started?
00:02:25Who?
00:02:26Adam and Amy.
00:02:27Oh, them.
00:02:28That turned out okay.
00:02:29You think so?
00:02:30I thought it was supposed to be the beginning of all human misery.
00:02:33Now, what was all that about arresting me?
00:02:36Well, maybe not arresting you.
00:02:37No?
00:02:38I could just keep you on a close watch.
00:02:40Very close.
00:02:41Uh-huh.
00:02:45Shame.
00:02:46I was looking forward to putting myself into the hands of the Osiris.
00:02:49You are?
00:02:50Fingerprinting.
00:02:51Being searched.
00:02:54Thoroughly.
00:03:12Iron Man!
00:03:13Quirk!
00:03:26Neighb長.
00:03:27I kingdoms face a graph.
00:03:27I'm a broke clause.
00:03:33I don't know.
00:04:22Why did you come out and show yourself?
00:04:24I don't have time for this.
00:04:25We have time, brother, dear.
00:04:28All the time in the world.
00:04:39Michael!
00:04:43Who are you?
00:04:44You know who?
00:04:48Impossible.
00:04:49Nothing's impossible.
00:04:52Few of all people know.
00:04:59Coming to get you.
00:05:09You can't have got out.
00:05:10You can't.
00:05:37No use, man.
00:05:39There's no defense and nowhere to hide.
00:05:44No!
00:06:02Sherlock.
00:06:04Help me.
00:06:10Experiment complete.
00:06:12Conclusion.
00:06:13I have a sister.
00:06:15This was you?
00:06:16All of this was you?
00:06:17Conclusion two.
00:06:19My sister, Eurus apparently, has been incarcerated from an early age in a secure institution controlled by my brother.
00:06:24Hey, bro.
00:06:26Why would you do this?
00:06:27This pantomime.
00:06:29Why?
00:06:29Conclusion three.
00:06:30You are terrified of her.
00:06:32You have no idea what you're dealing with.
00:06:34None at all.
00:06:35New information.
00:06:36She's out.
00:06:38That's not possible.
00:06:39It's more than possible.
00:06:40She was John's therapist.
00:06:41Shot me during a session.
00:06:42Only with a tranquilizer.
00:06:44You still have ten minutes to go.
00:06:45Well, we'll see about a refund.
00:06:47Right, you two.
00:06:48Wiggers has got your money by the gate.
00:06:49Don't spend it all in one crack, Dan.
00:06:52Oh, I hope we didn't spoil your enjoyment of the movie.
00:06:54You're just leaving?
00:06:55Well, we're not staying here.
00:06:56Eurus is coming and someone's disabled all your security.
00:07:00Sleep well?
00:07:02Dr. Watson, why would he do that to me?
00:07:05That was insane.
00:07:07Yes, well, someone convinced him that you wouldn't tell the truth unless you were actually wetting yourself.
00:07:12Someone.
00:07:14Probably me.
00:07:14So that's it, is it?
00:07:15You're just going.
00:07:17Well, don't worry.
00:07:18There's a place for people like you, the desperate, the terrified, the ones with nowhere else to run.
00:07:24What place?
00:07:27221B Baker Street.
00:07:29See you in the morning.
00:07:30If there's a queue, join it.
00:07:33For God's sake, this is not one of your idiot cases.
00:07:36You might want to close that window.
00:07:39There is an east wind coming.
00:07:57You have to sit in the chair.
00:07:59They won't talk to you unless you sit in the chair.
00:08:01It's the rules.
00:08:02I'm not a client.
00:08:03Then get out.
00:08:14She's not going to stay there, is she?
00:08:19Do you like a cup of tea?
00:08:22The kettle's over there.
00:08:25So what happens now?
00:08:27Are you going to make deductions?
00:08:28You're going to tell the truth, Mycroft.
00:08:30Pure and simple.
00:08:32Who was it said?
00:08:33Truth is rarely pure and never simple.
00:08:36I don't know and I don't care.
00:08:38So there were three of us.
00:08:39I know that now.
00:08:41You, me, and Eurus.
00:08:47A sister I can't remember.
00:08:51Interesting name, Eurus.
00:08:52It's Greek, isn't it?
00:08:54Yeah, literally the god of the east wind.
00:08:58Yes.
00:08:59The east wind is coming, Sherlock.
00:09:02You used that to scare me.
00:09:04No.
00:09:04You turned my sister into a ghost story.
00:09:08Of course I didn't.
00:09:09I monitored you.
00:09:11You what?
00:09:13Memories can resurface.
00:09:15Wounds can reopen.
00:09:17The roads we walk have demons beneath.
00:09:22And yours have been waiting for a very long time.
00:09:26I never bullied you.
00:09:27I used, at discrete intervals, potential trigger words
00:09:31to update myself as to your mental condition.
00:09:33I was looking after you.
00:09:34Why can't I remember her?
00:09:38This is a private matter.
00:09:40John stays.
00:09:41This is family.
00:09:42That's why he stays.
00:09:50So there were three Holmes kids.
00:09:54What was the age gap?
00:09:55Seven years between myself and Sherlock.
00:09:57One year between Sherlock and Eurus.
00:09:59Middle child explains a lot.
00:10:03So did she have it too?
00:10:05Of what?
00:10:05The deduction thing.
00:10:07The deduction thing?
00:10:10Yes.
00:10:11More than you can know.
00:10:15Enlighten me.
00:10:16You realize I'm the smart boy.
00:10:18As you never cease to announce.
00:10:19But Eurus, she was incandescent, even then.
00:10:23Our abilities were professionally assessed more than once.
00:10:26I was remarkable.
00:10:28But Eurus was described as an era-defining genius beyond Newton.
00:10:34And why don't I remember her?
00:10:37You do remember her, in a way.
00:10:40Every choice you've ever made, every path you've ever taken, the man you are today, is
00:10:46your memory of Eurus.
00:10:52She was different from the beginning.
00:10:55She knew things she should never have known.
00:11:00As if she were somehow aware of truths beyond the normal scope.
00:11:07You look funny, grown-up.
00:11:10What's wrong?
00:11:12Sorry.
00:11:14The memories are disturbing.
00:11:16What do you mean?
00:11:17Examples?
00:11:19They found her with a knife once.
00:11:21She seemed to be cutting herself.
00:11:22Mother and father were terrified.
00:11:24They thought it was a suicide attempt.
00:11:26But when I asked Eurus what she was doing, she said...
00:11:30I wanted to see how my muscles worked.
00:11:34Jesus.
00:11:35So I asked her if she felt pain.
00:11:37And she said...
00:11:38Which one's pain?
00:11:40What happened?
00:11:45Mother's grave.
00:11:49The ancestral home.
00:11:51Where there was always honey for tea.
00:11:53And Sherlock played among the funny gravestones.
00:11:56Funny how?
00:11:58Come on, Sherlock!
00:12:00They weren't real.
00:12:01The dates were all wrong.
00:12:03An architectural joke which fascinated Sherlock.
00:12:07Oh, dear, dear.
00:12:10The devil'soka.
00:12:12It's true?
00:12:13Hope sucker me now.
00:12:15The east wind's perhaps.
00:12:16The east wind's perhaps.
00:12:17The east wind's perhaps.
00:12:18The east wind's perhaps.
00:12:18It's perhaps.
00:12:1816 by 6.
00:12:20And under we go.
00:12:23You're starting to remember.
00:12:25Americans.
00:12:27A beat!
00:12:29Redbeard! Redbeard!
00:12:33Redbeard?
00:12:34He was my daughter.
00:12:35Eurost took Redbeard and locked him up.
00:12:37Somewhere no one could find him.
00:12:40Redbeard!
00:12:40And she refused to say where he was.
00:12:43Redbeard!
00:12:45She'd only repeat that song.
00:12:48Her little ritual.
00:12:51Redbeard!
00:12:51We begged and begged her to tell us where he was.
00:12:54She said...
00:12:55The song is the last.
00:12:58But the song made no sense.
00:13:00Brother and under me go.
00:13:04What happened to Redbeard?
00:13:06We never found him.
00:13:08But she started calling him drowned, Redbeard.
00:13:11So we made our assumptions.
00:13:15Sherlock was traumatized.
00:13:17Natural, I suppose.
00:13:19He was, in the early days, an emotional child.
00:13:22But after that, he was different.
00:13:23So it changed.
00:13:25Never spoke of it again.
00:13:27In time, he seemed to forget that Eurost had ever even existed.
00:13:31How could he forget she was living in the same house?
00:13:34No.
00:13:36They took her away.
00:13:38Why?
00:13:40You don't lock up a child because a dog goes missing?
00:13:43Quite so.
00:13:45It was what happened immediately afterwards.
00:13:51She knows where he is.
00:13:53We can't make her tell us.
00:13:55We can't make her do anything.
00:13:57Give me a pen.
00:14:00Give me a pen.
00:14:27The next one.
00:14:28Not suitable enough, however.
00:14:30She died there.
00:14:31How?
00:14:32She started another fire.
00:14:34One, but she did not survive.
00:14:36This is a lie.
00:14:40yes it is also a kindness this is the story i told our parents to spare them further pain
00:14:45and to account for the absence of an identifiable body and no doubt to prevent their further
00:14:49interference well that too of course the depth of eurossa's psychosis and the extent of her
00:14:55abilities couldn't hope to be contained in any ordinary institution uncle rudy took care of
00:15:01things where is she my craft where's our sister there's a place called sherenford an island
00:15:10it's a secure and very secret installation whose sole purpose is to contain what we call
00:15:15the uncontainables the demons beneath the road this is where we trap them sherenford is more
00:15:23than a prison or an asylum it is a fortress built to keep the rest of the world safe from
00:15:28what is
00:15:29inside it heaven may be a fantasy for the credulous and the afraid but i can give you a map
00:15:37reference
00:15:38for hell that's where our sister has been since early childhood she hasn't left not for a single
00:15:45day whoever you both met it can't have been her
00:15:56so
00:16:03so
00:16:18so
00:16:19see that what's it carrying what's that silver thing on top of it my craft it's a dx 707 i've
00:16:27authorized the purchase of quite a number of these colloquially it is known as the patience grenade
00:16:37patience the motion sensor is activated if any of us move the grenade will detonate how powerful
00:16:42you'll certainly destroy this flat and kill anyone in it assuming walls of reasonable strength your
00:16:47neighbors should be safe but as it's landed on the floor i move to wonder if the cafe below is
00:16:51open
00:16:52sunday morning so it's closed what about mrs hudson
00:17:04going by her usual routine i estimate she has another two minutes left she keeps the vacuum cleaner at the
00:17:08back of the flat sir so save her there when she's putting it away look we have to move eventually
00:17:14we
00:17:14should do it when she's safest when the vacuum stops we give her eight seconds to get to the back
00:17:18of the flat she's fast when she's cleaning then we move what's the trigger response time once we're
00:17:24mobile how long before a detonation we have a maximum of three seconds to vacate the blast radius
00:17:30john i will take the windows you take the stairs help get mrs hudson out too me you're closer
00:17:34you're faster speed differential won't be as critical as the distance yes agreed she's further away
00:17:41she's moving to the back just to make me have a minute left is a phone call possible phone call
00:17:47john has a daughter he may wish to say goodbye i'm sorry dr watson any movement will set off
00:17:53the grenade i hope you understand oscar wilde what he said the truth is really pure and never simple
00:18:02it's from the importance of being earnest we did it at school so did we now i recall
00:18:08i was lady bragnell yeah you were great really think so yes i really do well that's good to know
00:18:17i've always wondered
00:18:24good luck boris three two one
00:18:30good luck
00:18:37good luck
00:18:40good luck
00:18:42good luck
00:18:54good luck
00:19:17good luck
00:19:20good luck
00:19:22good luck
00:19:22good luck
00:19:23good luck
00:19:50Just never...
00:20:03What the hell are you?
00:20:05My name's Sherlock Holmes.
00:20:07The detective.
00:20:08The pirate.
00:20:26Golf Whiskey X-Ray, this is a restricted area. Repeat. Restricted area. You are off course. Are you receiving?
00:20:33Golf Whiskey X-Ray, you are off course. Are you receiving?
00:20:37We are receiving you. This is a distress call. Repeat distress call. We're in trouble here.
00:20:41Golf Whiskey X-Ray, what is your situation?
00:20:45Golf Whiskey X-Ray, where are you now?
00:20:47We're headed for the rocks. Are we going to hit?
00:20:53Governor to the control room.
00:20:55Lockdown.
00:20:56Break. Lockdown.
00:20:59Please proceed to the designated red station.
00:21:03Please proceed to the designated red station.
00:21:12Wait, wait, wait, wait!
00:21:14Break!
00:21:15In the shed!
00:21:17In the shed!
00:21:25I need to speak to Mycroft.
00:21:26He's in hospital. There was an explosion.
00:21:28Put me through to the hospital.
00:21:29He's not conscious. He's severely injured.
00:21:32No one is even confident he's going to pull through.
00:21:35Where's his brother? Where's Sherlock Holmes?
00:21:38Missing.
00:21:38No, he's not. He's here.
00:21:40Sir, we found two more from the boat.
00:21:42He stole our boat!
00:21:44It was another fellow, with guns!
00:21:46Where'd you find him?
00:21:48Not sighted yet, I only, sir.
00:21:53Holding cell now.
00:21:55Aye, sir.
00:21:56Lockdown.
00:22:01Lockdown.
00:22:02This is a mistake. I'm the victim here.
00:22:04This man stole my boat. He's a pirate.
00:22:07Yeah, I really am.
00:22:08Please sit down.
00:22:09I don't even know who he is!
00:22:11He's Dr. John Watson, formerly of the 5th Northumberland Fusiliers.
00:22:15What are you doing here?
00:22:16It's a hospital. Any work?
00:22:17It's not a hospital.
00:22:18I want eyes on Eurus Holmes.
00:22:20Go straight to the special unit.
00:22:22Deploy green and yellow shift on my authority.
00:22:24Sir.
00:22:30I'm sparing your blushes, because we're supposed to be on the same side.
00:22:33And frankly, this is embarrassing.
00:22:35Well, get a cavity search.
00:22:37The true art of disguise, according to your famous friend,
00:22:40is not being looked at.
00:22:41But I am looking at you, aren't I, Mr. Holmes?
00:22:46Yes, you are.
00:22:48But that is sort of the point, isn't it?
00:22:52See, you should have been looking at the guy you just gave your pass to.
00:23:06That's the trouble with uniforms and name badges.
00:23:09People stop looking at faces.
00:23:11You'd be better off with clown outfits.
00:23:13At least they'd be satirically irrelevant.
00:23:15Oh, you'll find the real landers on the North Shore tied up with two others.
00:23:19Two others?
00:23:20Hmm.
00:23:20Well, it was trial and error.
00:23:21We had to find the right waistband.
00:23:22This is insane.
00:23:24This is unnecessary.
00:23:25No, your security is compromised and we don't know who to trust.
00:23:27And that justifies dressing up?
00:23:29Yes, it does.
00:23:30Yes, it does.
00:23:32It justifies dressing up or any damn thing I say it does.
00:23:35Now, listen to me.
00:23:36For your own physical safety, do not speak.
00:23:39Do not indulge in any non-verbal signal suggestive of internal thought.
00:23:43If the safety of my sister is compromised, if the security of my sister is compromised, if the incarceration of
00:23:49my sister is compromised, in short, if I find any indication my sister has left this island at any time,
00:23:55I swear to you, you will not!
00:24:00What?
00:24:00Say thank you to Dr. Watson.
00:24:02Why?
00:24:02He talked me out of Lady Bracknell.
00:24:04This could have been very different.
00:24:06Are you in?
00:24:07Just arriving at the secure unit.
00:24:09Explain.
00:24:10Door opening.
00:24:11Prison within a prison.
00:24:13Euross must be allowed the strict minimum of human interaction.
00:24:17Why?
00:24:17Since you're determined to meet her, you're about to find out.
00:24:22Eyes on Euross Holmes.
00:24:24Governor's orders.
00:24:26Answer yes or no.
00:24:28Has there ever been, against my express instructions, any attempt at a psychiatric evaluation of Euross Holmes?
00:24:34Yes.
00:24:34I presume the tapes are in my office.
00:24:36Your office?
00:24:37Cast your mind back.
00:24:38Used to be yours.
00:24:41You haven't been down here before, have you?
00:24:43Silence of the Lambs, basically.
00:24:44You what?
00:24:45Keep your distance.
00:24:46Stay at least three feet away from the glass and all that.
00:24:49Why the headphones?
00:24:50She doesn't stop playing.
00:24:51Sometimes for weeks.
00:24:53Beautiful.
00:24:54Kills you in the end.
00:24:55Aye.
00:24:55Still beautiful, though.
00:25:00Too closey.
00:25:00No matter what you want, I have no idea.
00:25:06You don't know why.
00:25:16You won't want to look for me.
00:25:17I'm sorry.
00:25:17No matter what you want.
00:25:18To be honest.
00:25:23You're not there.
00:25:24I'm sorry, I don't want you.
00:25:25I'm sorry.
00:25:25You're my only blue.
00:25:26You're a blue.
00:25:49Why am I here?
00:25:50Why do you see you here?
00:25:52No one ever tells me.
00:26:05Am I being punished?
00:26:07There's no such thing as bad.
00:26:09Good and bad are fairy tales.
00:26:12We have evolved to attach an emotional significance to what is nothing more than the survival strategy of the pack
00:26:18animal.
00:26:19We are conditioned to invest divinity in utility.
00:26:21Good isn't really good, evil isn't really wrong, bottoms aren't really pretty.
00:26:24You are a prisoner of your own meat.
00:26:26Why aren't you?
00:26:29I'm too clever.
00:26:37Did you bring it?
00:26:38Sorry?
00:26:39My hairband, did you bring it like I asked?
00:26:42I'm not one of the...
00:26:44I don't work here.
00:26:45My special hairband.
00:26:47I'm not one of your doctors.
00:26:49The one I made you steal from mummy.
00:26:57It was the last thing I said to you, remember?
00:27:00The day they took me away.
00:27:01No.
00:27:02No?
00:27:03You've spoken since then.
00:27:05You came out to my flat a few weeks back.
00:27:06You pretended to be a woman called Faith Smith.
00:27:09We had chips.
00:27:10Does this mean you didn't bring my hairband?
00:27:12How did you manage to get out of this place?
00:27:14How did you do that?
00:27:15Easy.
00:27:16Look at me.
00:27:18I am looking at you.
00:27:20You can't see it, can you?
00:27:22You try and try, but you just can't see.
00:27:25You can't look.
00:27:25See what?
00:27:27What do you think?
00:27:28Beautiful.
00:27:29You're not looking at it.
00:27:30I meant your play.
00:27:32Oh, the music.
00:27:33You never know if it's beautiful or not.
00:27:35Only if it's right.
00:27:36Often they're the same thing.
00:27:38If they're not always the same thing, what's the point in beauty?
00:27:40Look at the violin.
00:27:42I need to know how you escaped.
00:27:43Look at the violin.
00:27:48It's a Stradivarius.
00:27:50It's a gift.
00:27:51Who from?
00:27:52Me.
00:28:11Why?
00:28:12You play, don't you?
00:28:15What did you know?
00:28:19How did I know?
00:28:22I taught you, don't you remember?
00:28:23How can you not remember that?
00:28:25You're asked, I don't remember you at all.
00:28:28Interesting.
00:28:31Eycroft told me you'd rewritten your memories.
00:28:33You didn't tell me you'd written me out completely.
00:28:34What do you mean, rewritten?
00:28:37You still don't know about Redbeard, do you?
00:28:39Oh, this is going to be such a good day.
00:28:43She smiles at you when you come home.
00:28:45Everyone we sent in there, it's hard to describe.
00:28:49It's like she recruited them.
00:28:51Smiling is appetizing.
00:28:53Enslaved them.
00:28:54She's been capable of that since she was five.
00:28:57She's an adult now.
00:28:59I warned you, I ordered you.
00:29:02She's clinically unique.
00:29:04We had to try.
00:29:05What cost?
00:29:06Happiness is a pop song.
00:29:08Sadness is a poem.
00:29:10What cost?
00:29:13Tell me the worst thing that has happened.
00:29:15She kept suggesting to Dr. Taylor
00:29:18that he should kill his family.
00:29:20And?
00:29:21He said it was like an earworm.
00:29:23Couldn't get her out of his head.
00:29:24And?
00:29:25He left.
00:29:26And?
00:29:27Killed himself.
00:29:31And his family.
00:29:34You're going to cry.
00:29:37It's okay if you cry.
00:29:39I don't need to cry.
00:29:40I can help you cry.
00:29:44Play for me.
00:29:45I need to know how you got out of here.
00:29:47You know already.
00:29:48Look at me.
00:29:50Look and play.
00:29:59No, not Bach.
00:30:00You clearly don't understand it.
00:30:01Play you.
00:30:03Me?
00:30:05You.
00:30:10Oh, have you had sex?
00:30:12Why do you ask?
00:30:14The music.
00:30:14I've had sex.
00:30:16How?
00:30:16One of the nurses got careless.
00:30:18I liked it.
00:30:19Messy, though.
00:30:19People are so breakable.
00:30:20I take it he didn't consent.
00:30:22He?
00:30:22She?
00:30:24Great.
00:30:24I didn't notice in the heat of the moment.
00:30:25And afterwards, well, you couldn't really tell.
00:30:29Is that vibrato or is your hand shaking?
00:30:36I warned you explicitly.
00:30:38No one was to talk to her alone.
00:30:40You spoke to her.
00:30:41I know what I'm doing.
00:30:42You even brought her a visitor on Christmas Day.
00:30:45I took a calculated risk.
00:30:46You gave her a Christmas present.
00:30:49Remember her Christmas present?
00:30:50I am aware of the dangers Euros poses and equipped to deal with them.
00:30:55What dangers?
00:30:56Euros doesn't just talk to people.
00:31:01She reprograms them.
00:31:02Anyone who spends time with her is automatically compromised.
00:31:07I'm only trying to help you.
00:31:09We can help each other.
00:31:10Helping someone is the best way you can help yourself.
00:31:14I don't trust you.
00:31:15So clearly you remember me.
00:31:17I remember everything, every single thing.
00:31:19You just need a big enough hard drive.
00:31:22Shark.
00:31:23Not now.
00:31:24Vatican cameos.
00:31:25In a minute.
00:31:28Let's continue.
00:31:30Did they tell you to keep three feet from the glass?
00:31:32Yes.
00:31:33Be naughty.
00:31:34Step closer.
00:31:35Why?
00:31:36Do it.
00:31:37Step closer.
00:31:41Tell me what you remember.
00:31:44You, me, and Mycroft.
00:31:47Mycroft was quite clever.
00:31:48He could understand things if you went a bit slow.
00:31:50But you, you were my favorite.
00:31:54Why was I your favorite?
00:31:56Because I could make you laugh.
00:31:58I loved it when you laugh.
00:31:59Once I made you laugh all night, I thought you were going to burst.
00:32:02I was so happy.
00:32:04Then mommy and daddy had to stop me, of course.
00:32:06Why?
00:32:08Well, turns out I got it wrong.
00:32:10Apparently you were screaming.
00:32:12Why was I screaming?
00:32:18Redbeard.
00:32:23I remember Redbeard.
00:32:25Do you now?
00:32:26Tell me what I don't know.
00:32:29Touch the glass.
00:32:34I put my trust in you.
00:32:35My implicit trust.
00:32:37As governor of this institution.
00:32:50It's obvious when it all started.
00:32:52But she was never the same after that Christmas.
00:32:54It's as if you woke her up.
00:32:55That is entirely beside the point.
00:32:57You had your orders and failed to act.
00:32:58This is off the tape.
00:32:59Sorry?
00:33:00Do it now.
00:33:01Listen.
00:33:02My sister's methods of...
00:33:03Just listen.
00:33:04You have no idea how I could help.
00:33:07Bring me a wife.
00:33:08I want to meet her.
00:33:10I don't need your help.
00:33:11Redbeard was my dog.
00:33:13I know what happened to Redbeard.
00:33:16Oh, Sherlock.
00:33:17You know nothing.
00:33:19Touch the glass and I'll tell you the truth.
00:33:25I'll touch it too if you're scared.
00:33:28I can fix her for you and then I'll give you a straight back.
00:33:31Good as new.
00:33:32I promise.
00:33:33That's all.
00:33:35What you're proposing is not...
00:33:37It's not...
00:33:38Everyone who went in there got affected.
00:33:41Enslaved, you said?
00:33:42Yes.
00:33:43One after the other?
00:33:44Yes.
00:33:45Doctor Watson, I think it was a...
00:33:47Shut up.
00:33:47Do you trust your wife?
00:33:48One question.
00:33:49That's your voice, isn't it?
00:33:50Really?
00:33:51Do you trust her?
00:33:52You've got to stop saying these things.
00:33:54If Eurus has enslaved you, then who exactly is in charge of this prison?
00:33:58It's completely inappropriate.
00:34:00I'm sorry.
00:34:02No.
00:34:03Very, very sorry.
00:34:04No.
00:34:05No.
00:34:16You think it's a trick?
00:34:19You look so...
00:34:21Unsure.
00:34:22You're not used to being unsure, are you?
00:34:25It's more common than you'd think.
00:34:26Look at you.
00:34:29The man who sees through everything is exactly the man who doesn't notice.
00:34:37When there's nothing to see through.
00:34:43Do you see how it was done?
00:34:45I know you like explanations.
00:34:49Science, you suspected the science.
00:34:51And my voice.
00:34:52Throat mic.
00:34:54Puts me through the speakers.
00:34:55Don't you think it's clever?
00:34:57Simple but clever.
00:34:59Transparent.
00:35:00Well, you do keep asking me how I got out of here.
00:35:07Like this.
00:35:14Get in here, all of you!
00:35:17Stop me getting in!
00:35:19No, no.
00:35:20Stop me in a minute.
00:35:25Red Alert!
00:35:26Red Alert!
00:35:27Big Red Bouncy Red Alert!
00:35:29Dr. Morrison.
00:35:29Convention!
00:35:30Attacking Lower Decks!
00:35:31Also Cowboys in black hats!
00:35:33Darth Vader!
00:35:34Don't be alert!
00:35:35I'm here now!
00:35:36I'm here now!
00:35:37Did you miss me?
00:35:38Did you miss me?
00:35:39Miss me?
00:35:40Miss me?
00:36:03I want to break free
00:36:07I want to break free
00:36:11I want to break free from your lies
00:36:15You're so self-satisfied I don't need
00:36:20I've got to break free
00:36:26God knows
00:36:28God knows I want to break free
00:36:33I've fallen in
00:36:48Mr. Boreotti, Big G
00:36:51Big G means governor
00:36:53Street speak
00:36:55I'm a bit down with a kid, you know
00:36:59Unrelatable, that word
00:37:01Do you like my boys?
00:37:03This one's got more stamina
00:37:05But he's less caring in the afterglove
00:37:10This way, please
00:37:28Smell all that insane criminality
00:37:32Do you have cannibals here?
00:37:34Yes
00:37:34How many?
00:37:35Three
00:37:35That's good
00:37:38People leave their bodies to science
00:37:40I think cannibals would be so much more grateful
00:38:08Shhh
00:38:10Shhh
00:38:12Oh, isn't that sweet?
00:38:15Why don't you sit down?
00:38:16I wrote my own version of the nativity when I was a child.
00:38:19The hungry donkey.
00:38:21It was a bit gory.
00:38:22But if you're going to put a baby in a manger, you're asking for trouble.
00:38:29You know what this place is, of course.
00:38:31Of course.
00:38:33So am I under arrest again?
00:38:35You remain a person of interest, but until you commit a verifiable crime, you are.
00:38:39I regret at liberty.
00:38:41Then why am I here?
00:38:42You're a Christmas present.
00:38:44Ah.
00:38:45How do you want me?
00:38:47There is, in this facility, a prisoner whose intellectual abilities are of occasional use to the British government.
00:38:55What, for, like, really difficult sons, long division, that sort of thing?
00:38:59She predicted the exact dates of the last three terrorist attacks on the British mainland after an hour on Twitter.
00:39:05That sort of thing.
00:39:06In return, however, she requires treats.
00:39:10Last year it was a violin.
00:39:13This year?
00:39:14Five minutes unsupervised conversation with you.
00:39:21Me?
00:39:26With me?
00:39:27She has noted your interest in the activities of my little brother.
00:39:32So, what's she got to do with Sherlock Holmes?
00:39:40Whatever you're about to tell me, I already know it's going to be awesome.
00:39:47What's up?
00:40:14Merry Christmas, Brent.
00:40:33Merry Christmas, Brent.
00:41:01How are you?
00:41:05Bit of a lump.
00:41:06True that, but you have your uses.
00:41:09You see your sister?
00:41:10Yes.
00:41:11How was that?
00:41:13Family's always difficult.
00:41:14Is this an occasion for banter?
00:41:17Case in point.
00:41:19Are you phoning someone?
00:41:20Apparently.
00:41:21What's he doing here?
00:41:23As he is told, Eurus is in control.
00:41:27Help me.
00:41:28Please, I want to play them with you, please.
00:41:31Help me.
00:41:32Hello.
00:41:34My name's Jim Moriarty.
00:41:36Welcome to the final problem.
00:41:40It's okay, he's dead.
00:41:41He doesn't sound dead.
00:41:43This is a recorded announcement.
00:41:45Please say hello to some very old friends of mine.
00:41:48Hello.
00:41:49I can hear you talking.
00:41:50Please help me.
00:41:51I'm on a plane and it's going to crash.
00:41:53What is this?
00:41:54We can't do this.
00:41:55Do shut up, dear.
00:41:55Someone there.
00:41:56Is this supposed to be a game?
00:41:58Be quiet.
00:41:58Please help me.
00:42:00Oh, hello.
00:42:02Try to stay calm.
00:42:04Just tell me what your name is.
00:42:06I'm not supposed to tell my name to strangers.
00:42:08Of course not.
00:42:09Very good.
00:42:09But, um, I'll tell you mine.
00:42:11My name is.
00:42:14Hello.
00:42:15Oh, dear.
00:42:17We seem to have lost the connection.
00:42:19How have you done this?
00:42:20How is any of this possible?
00:42:22You put me in here, my...
00:42:23You brought me my treats.
00:42:26What treats?
00:42:33Clever urines.
00:42:35You good, girl.
00:42:36How can that be, Moriarty?
00:42:38Oh, he recorded lots of little messages for me before he died.
00:42:42Loved it.
00:42:44Did you know his brother was a station master?
00:42:46I think he was always jealous.
00:42:47A girl.
00:42:48Where is she?
00:42:49Can I talk to her again?
00:42:51Poor little thing.
00:42:52Alone in the sky in a great big plane with nowhere to land.
00:42:56But where in the world is she?
00:42:59It's a clever little puzzle.
00:43:00If you want to apply yourself to it, I can reconnect you.
00:43:03But first...
00:43:08That's my wife.
00:43:11That's my wife.
00:43:14Oh, God.
00:43:15That's my wife.
00:43:16I'm going to shoot the governor's wife.
00:43:17Please.
00:43:18No.
00:43:19Please.
00:43:20Help her.
00:43:21In about a minute.
00:43:24Bang.
00:43:25Dead.
00:43:26Please don't do that.
00:43:27Well, you can stop me.
00:43:29No.
00:43:29There's a gun in the hatch.
00:43:31Take it.
00:43:36If you want to save the governor's wife, choose either Dr. Watson or Mycroft to kill the governor.
00:43:42Oh, God.
00:43:47You can't do it, Sherlock.
00:43:48If you do it, it won't count.
00:43:49I'll kill her anyway.
00:43:51It has to be your brother or your friend.
00:43:55You have to do this.
00:43:58Eurus will kill her.
00:44:02It doesn't appear we have a choice.
00:44:04Right then.
00:44:06Countdown's starting.
00:44:08How long?
00:44:09No, no, no.
00:44:10The countdown is for me.
00:44:13Withholding the precise deadline will apply the emotional pressure more evenly.
00:44:16Where possible, please give me an explicit verbal indication of your anxiety levels.
00:44:20Because I can't always read them from your behavior.
00:44:23I can't do this.
00:44:25You can't.
00:44:26It's murder.
00:44:27This is not murder.
00:44:28This is saving my wife.
00:44:30I'm particularly focused on internal conflicts where strategizing around a largely intuitive moral code appears to create a counterintuitive result.
00:44:39I will not kill.
00:44:41I will not have blood on my hands.
00:44:43Yes, very good.
00:44:45Killing my wife is what you're doing.
00:44:51Okay, fine.
00:44:55John.
00:44:58Dr. Watson, are you married?
00:45:01I was.
00:45:02What happened?
00:45:04She died.
00:45:06What would you give to get her back?
00:45:08I mean, if you could, if it was possible, what would you do to save her?
00:45:12Eurus will kill me.
00:45:15Please save my wife.
00:45:17There will, I'm afraid, be regular prompts to create an atmosphere of urgency.
00:45:25Dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink,
00:45:29dink, dink, dink.
00:45:41What's your name?
00:45:43David.
00:45:43Are you sure about this, David?
00:45:45Of course I'm bloody sure.
00:45:46Dink, dink.
00:45:49Right, do you want to pray or anything?
00:45:51With Eurus Holmes in the world, what the hell would I pray to?
00:45:55You, you are a good man, and you are doing a good thing.
00:45:58So are you.
00:45:59I'll spend the rest of my life telling myself that.
00:46:11Please.
00:46:32I know that you're scared, but you should also be very proud.
00:46:36Just do it.
00:46:38Be quick.
00:46:41Dink, dink, dink.
00:46:42Dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink,
00:46:47dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink,
00:46:48dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink,
00:46:54dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink, dink
00:47:12Remember me?
00:47:22You all right?
00:47:25Interesting.
00:47:27All right, there you go.
00:47:29You got what you wanted.
00:47:30And he's dead.
00:47:31Dead or alive.
00:47:33It really wasn't very interesting,
00:47:35but you three, you three were wonderful.
00:47:41You see what you did, Dr. Watson,
00:47:44specifically because of your moral code,
00:47:46because you don't want blood on your hands.
00:47:48Two people are dead instead of one.
00:47:51Two people.
00:47:52Yes.
00:47:53Sorry.
00:47:54Hang on.
00:48:07What advantage did your moral code grant you?
00:48:10Is it not, in the end, selfish to keep one's hands clean at the expense of another's life?
00:48:15You didn't have to kill her!
00:48:18The condition of her survival was that you or my croft had to kill her husband.
00:48:24This is an experiment.
00:48:26There will be rigor.
00:48:28Shut up.
00:48:29Pick up the gun.
00:48:30It's your turn next.
00:48:31When I tell you to use it, and I will...
00:48:34Remember what happened this time.
00:48:36What if I don't want a gun?
00:48:37Oh, the gun is intended as a mercy.
00:48:40For whom?
00:48:41You.
00:48:42How so?
00:48:43Someone else had to die.
00:48:44Would you really want to do it with your bare hands?
00:48:47Would waste valuable time.
00:48:54It probably is just taken.
00:49:03There's only one bullet left.
00:49:05You will only need one.
00:49:06But you will need it.
00:49:11Please.
00:49:12Go through.
00:49:14There's a few tasks for you and a girl on a plane who's getting very, very scared.
00:49:24Treats.
00:49:25Just, you know.
00:49:27A violin.
00:49:29In exchange for?
00:49:30She's very clever.
00:49:32I'm beginning to think you're not.
00:49:35Come on, now.
00:49:36All aboard.
00:49:39Choo-choo.
00:49:40Choo-choo.
00:49:42Choo-choo.
00:49:44Choo-choo.
00:49:46Choo-choo.
00:49:48Choo-choo.
00:49:53Someone's been redecorating.
00:49:56Is that allowed?
00:49:57She's literally taken over the asylum.
00:49:58Then we have more to worry about than a choice of color scheme.
00:50:01Barely dry.
00:50:02Recent.
00:50:03And it's for our benefit.
00:50:05Are you motivated to your continued cooperation?
00:50:09I'm now reconnecting you.
00:50:11Fasten your seatbelts.
00:50:13It's gonna be a bumpy night.
00:50:16Are you still there?
00:50:17Yes, hello.
00:50:19Hello, we're still here.
00:50:20Can you hear us?
00:50:21Yes.
00:50:22Everything's gonna be all right.
00:50:24I just need you to tell me where you are outside.
00:50:26Is it day or night?
00:50:28Night.
00:50:29That certainly narrows it down to half the planet.
00:50:31What kind of a plane are you on?
00:50:33I don't know.
00:50:34Is it big or small?
00:50:35Big.
00:50:36Lots of people on it?
00:50:37Lots and lots.
00:50:38But they're all asleep.
00:50:39I can't wake them up.
00:50:40Where did you take off from?
00:50:41The driver's asleep.
00:50:42Now, I understand, but where did you come from?
00:50:45Where did the plane take off?
00:50:47From my naps.
00:50:48And where are you going?
00:50:49Hello.
00:50:50No, I mean, what airport are you...
00:50:51Hey, not for now.
00:50:52Time to play a new game.
00:50:54Look on the table in front of you.
00:50:57Open the envelope.
00:50:58If you want to speak to the girl again, earn yourself some phone time.
00:51:02This is inhuman.
00:51:03This is insane.
00:51:04Mycroft.
00:51:05We know.
00:51:07Six months ago, a man called Evans was murdered unsolved, except by me.
00:51:12He was shot from a distance of 300 meters with this rifle.
00:51:17But if the police had any brains, they'd realize there are three suspects, all brothers, Nathan Garrydeb, Alex Garrydeb and
00:51:25Howard Garrydeb.
00:51:26All these photos are up to date, but which one?
00:51:30Hold the trigger, Sherlock.
00:51:33Which one?
00:51:34What's this?
00:51:35We're supposed to solve this based on what?
00:51:38This is all we get.
00:51:40Please, make use of your friends, Sherlock.
00:51:43I want to see you interact with people that you're close to.
00:51:46Also, you may have to choose which one to keep.
00:51:50What do you make of it?
00:51:51Am I being asked to prove my usefulness?
00:51:53Yes, I should think you are.
00:51:54I would not be manipulated like this.
00:51:56Bye.
00:51:57John.
00:51:58John.
00:52:00Yeah, I think I've seen one of these.
00:52:01It's a Buffalo gun.
00:52:03I'd say 1940s, old-fashioned sight, no crosshairs.
00:52:08Glasses, glasses.
00:52:10Nathan wears glasses.
00:52:12Evans was shot from 300 meters.
00:52:14I'll kick back from a gun with this caliber.
00:52:20Massive.
00:52:22No cuts, no scarring.
00:52:24Not Nathan, then.
00:52:25Who's next?
00:52:25Well done, Dr. Watson.
00:52:26How useful you are.
00:52:27Do you have a suspicion we're being made to compete?
00:52:30No, we're not competing.
00:52:30There's a plane in the air that's going to crash.
00:52:32So what we're doing is actually trying to save a little girl.
00:52:35Today we have to be soldiers, Mycroft.
00:52:37Soldiers.
00:52:37And that means to hell with what happens to us.
00:52:41My priorities do you credit.
00:52:43No, my priorities just got a woman killed.
00:52:45Now, as I understand it, Sherlock, you try to repress your emotions to refine your reasoning.
00:52:50I'd like to see how that works.
00:52:52So if you don't mind, I'm going to apply some context to your deductions.
00:52:59Oh, dear God.
00:53:01Two of the Gary Debs work here is orderly, so getting a third along really wasn't too difficult.
00:53:06Once you bring in your verdict, let me know, and justice will be done.
00:53:12Justice?
00:53:12What will you do with her?
00:53:13Early release.
00:53:15You'll drop them into the sea.
00:53:16Sink or swim?
00:53:18They're tied up.
00:53:19Exactly.
00:53:20Now there is context.
00:53:22Please continue with your deductions.
00:53:24I'm now focusing on the difference to your mental capacity a specified consequence can make.
00:53:29Why should we bother?
00:53:30What if we're disinclined to play your games, little sister?
00:53:34I have, if you remember, provided you with some motivation.
00:53:40We're getting through the clouds like cotton wool.
00:53:42Oh, that's nice.
00:53:44Try to tell me more about the plane.
00:53:45Why was my mummy winged up?
00:53:50So it's got to be one of the other two.
00:53:52Now, Howard.
00:53:55Howard's a lifelong drunk pallor of his skin.
00:53:57Temalujan blossoms on his red nose.
00:53:59And terror notwithstanding the pair case of the DTs.
00:54:06There's no way he could have taken that shot from 300 meters away.
00:54:09Somebody's just an annex.
00:54:11Invitations on the temple suggest he habitually wears glasses.
00:54:13Brown lines suggest a lifetime appearing.
00:54:15He's short-sighted, or he was.
00:54:17His recent laser surgery's done the trick.
00:54:18The laser surgery.
00:54:19Look at his clothes.
00:54:20He's made an effort.
00:54:22It's very good.
00:54:23Excellent.
00:54:24Suddenly, he sees himself in quite a different night, now that he's done the specs.
00:54:27Ethan has a spray tan.
00:54:28But he's clearly not used to his new personal grooming ritual.
00:54:31That can be told by the state of his fingernails and the fact that there's hair growing in his ears.
00:54:35So it's a superficial job then.
00:54:37But he got his eyes fixed.
00:54:38His hands were steady.
00:54:39He pulled the trigger.
00:54:40He killed Evans.
00:54:41Are you ready to condemn the prisoner?
00:54:44Sherlock, we can't do this.
00:54:45Plain, remember?
00:54:46Sherlock, are you ready?
00:54:52Alex.
00:54:53Say it.
00:54:54Condemn him.
00:54:56Condemn him in the knowledge of what will happen to the man you name.
00:55:03I condemn Alex, Gary, don't you?
00:55:06Yeah.
00:55:06Why the girl?
00:55:08Congratulations.
00:55:09You got the right one.
00:55:11Now, go through the door.
00:55:13He dropped the other two.
00:55:14Why?
00:55:15Interesting.
00:55:16Why?
00:55:16Does it really make a difference killing the innocent instead of the guilty?
00:55:21Let's see.
00:55:22The train has left the station.
00:55:26No.
00:55:26That felt pretty much the same.
00:55:29John.
00:55:30Don't let it distract you.
00:55:32Distract me.
00:55:32Soldiers today.
00:55:57One more minute on the phone.
00:55:59Frightened.
00:55:59I'm really frightened.
00:56:01It's okay.
00:56:01Don't worry.
00:56:01I don't have very long with you, so I just need you to tell me what you can see outside
00:56:04the plane.
00:56:06Just the sea.
00:56:07I can see the sea.
00:56:08Are the ships on it?
00:56:10No ships.
00:56:11I can see light in the distance.
00:56:12Is it a city?
00:56:13I think so.
00:56:15She's about to fly over a city in a pilotless plane.
00:56:17We'll have to talk her through it.
00:56:19Through what?
00:56:20Hello?
00:56:20Are you still there?
00:56:21Still here.
00:56:21Just give us a minute.
00:56:23Getting the plane away from any mainland, any populated areas, it has to crash in the sea.
00:56:27What about the girl?
00:56:28Well, obviously, Dr. Watson, she's the one who's going to crash it.
00:56:31No, we could help her land it.
00:56:33And if we fail, she crashes into a city.
00:56:35How many will die then?
00:56:36How are we going to get her to do that?
00:56:39I'm afraid we're going to have to give her hope.
00:56:41Is there really no one there that can help you?
00:56:44Have you really, really checked?
00:56:46Everyone's asleep.
00:56:47Will you help me?
00:56:48We're going to do everything that we can.
00:56:50I'm scared. I'm really scared.
00:56:52It's all right.
00:56:53I...
00:56:53Now, back to the matter in hand.
00:56:55Coffin.
00:56:57Problem, someone is about to die.
00:56:59It will be, as I understand it, a tragedy.
00:57:01So many days not lived.
00:57:03So many words unsaid, et cetera, et cetera, et cetera, et cetera.
00:57:08Yes, yes, yes. And this, I presume, will be their coffin.
00:57:11Whose coffin, Sherlock?
00:57:14Please, start your deductions.
00:57:16I will apply some context in a moment.
00:57:19Well, allowing for the entirely pointless courtesy of headroom,
00:57:22I say this coffin is intended for someone of about five foot four,
00:57:24makes it more likely to be a woman.
00:57:26Not a child.
00:57:26Child's coffin would be more expensive.
00:57:28This is in the lower price range, and we're still best available in that bracket.
00:57:31The lonely night on Google?
00:57:32This is a practical and informed choice.
00:57:34Balance of probability suggests that this is for an unmarried woman
00:57:37distant from her close relatives.
00:57:39That much is suggested by the economy of choice,
00:57:41acquainted with the process of death,
00:57:42but unsentimental about the necessity of disposal.
00:57:44Also, the lining of the coffin...
00:57:45Yes, very good, Sherlock.
00:57:46We could just look at the name on the lid.
00:57:52Only it isn't a name.
00:57:54So, it's for somebody who loves somebody.
00:57:57It's for somebody who loves Sherlock.
00:57:58And this is all about you.
00:58:00Everything here.
00:58:02So, who loves you?
00:58:03I'm assuming it's not a long list.
00:58:06Irene Adler.
00:58:07Don't be ridiculous.
00:58:08Look at the coffin.
00:58:11Unmarried.
00:58:12Practical about death.
00:58:13Alone.
00:58:16Molly.
00:58:16Molly Hooper.
00:58:18She's perfectly safe.
00:58:20For the moment, her flat is rigged to explode in approximately three minutes.
00:58:24Unless I hear the release code from her lips.
00:58:26I'm calling her on your phone, Sherlock.
00:58:29Make her say it.
00:58:30Say what?
00:58:31Obviously, Shirley.
00:58:32No.
00:58:33Yes.
00:58:36A one important restriction you're not allowed to mention in any way at all that her life is in danger.
00:58:41You may not at any point suggest that there is any form of crisis if you do.
00:58:45I will end this session and her life.
00:58:48Are we clear?
00:59:03What's she doing?
00:59:05She's making tea.
00:59:06Why isn't she answering her phone?
00:59:08You never answer your phone.
00:59:09It's me calling.
00:59:16Hi, this is Molly at the dead center of town.
00:59:20Leave a message.
00:59:22Okay, okay.
00:59:24Just one more time.
00:59:29Come on, Molly. Pick up.
00:59:31Just bloody pick up.
00:59:44Hello, Sherlock.
00:59:45Is this urgent because I'm not having a good day?
00:59:48Molly, I just want you to do something very easy for me and not ask why.
00:59:51Oh, God. Is this one of your stupid games?
00:59:53No, it's not a game. I need you to help me.
00:59:57Look, I'm not at the lab.
00:59:58It's not about that.
01:00:01Well, quickly then.
01:00:05Sherlock.
01:00:06Where is it? What do you want?
01:00:09Molly, please, without asking why, just say these words.
01:00:13What words?
01:00:14I love you.
01:00:17Leave me alone.
01:00:18Molly, no, please, no, don't hang up. Do not hang up.
01:00:20Calmly, Sherlock, or I will finish her right now.
01:00:24Why are you doing this to me? Why are you making fun of me?
01:00:26Please, I swear you just have to listen to me.
01:00:29Softer Sherlock.
01:00:30Molly, this is for a case. It's a sort of experiment.
01:00:35You're not an experiment, Sherlock.
01:00:38No, I know you're not an experiment. You're my friend.
01:00:40We're friends, but please, just say those words for me.
01:00:44Please don't do this. Just, just, don't do it.
01:00:48It's very important. I can't say why, but I promise you it is.
01:00:53I can't say that. I can't... I can't say that to you.
01:00:57Of course you can. Why can't you?
01:00:58You know why.
01:01:00No, I don't know why.
01:01:04Of course you do.
01:01:09Please, just say it.
01:01:12I can't. Not to you.
01:01:15Why?
01:01:17Because...
01:01:18Because it's true.
01:01:20Because it's true, Sherlock.
01:01:24It's always been true.
01:01:27If it's true, just say it anyway.
01:01:32You bastard.
01:01:34Say it anyway.
01:01:36You say it. Go on.
01:01:38You say it first.
01:01:39What?
01:01:40Say it.
01:01:41Say it like you mean it.
01:01:45Final 30 seconds.
01:01:54I...
01:01:58I love you.
01:02:03I love you.
01:02:08I love you.
01:02:14Molly, please.
01:02:24I love you.
01:02:37Sherlock, however hard that was.
01:02:39Yours, I won. I won.
01:02:42Come on, play fair. The girl on the plane. I need to talk to her.
01:02:47I won. I saved Molly Hooper.
01:02:52Saved her?
01:02:53From what?
01:02:54I'll do be sensible. There were no explosives in a little house.
01:02:57Why would I be so clumsy?
01:02:59You didn't win.
01:03:00You lost.
01:03:02Look what you did to her.
01:03:03Look what you did to yourself.
01:03:04All those complicated little emotions.
01:03:06I lost count.
01:03:07Emotional context, Sherlock.
01:03:09It destroys you every time.
01:03:12Now, please, pull yourself together.
01:03:14I need you at peak efficiency.
01:03:15The next one isn't going to be so easy.
01:03:18In your own time.
01:03:36No, no.
01:03:40No, no.
01:03:44No, no, no.
01:04:15I know this is difficult, and I know you're being tortured, but you've got to keep it together.
01:04:20This isn't torture, this is vivisection. We're experiencing science from the perspective of lab rats.
01:04:33Soldiers. Soldiers.
01:04:42Tick-tock tickets, please!
01:04:45Hey, sis, don't mean to complain, but this one's empty.
01:04:48What happened? Did you run out of ideas?
01:04:50It's not empty, Sherlock. You've still got the gun, haven't you?
01:04:54I told you you'd need it because only two can play the next game.
01:04:57Just two of you go on from here, your choice.
01:05:00It's make-your-mind-up time.
01:05:02Whose help do you need the most, John or Mycroft?
01:05:06It's an elimination round. You choose one and kill the other.
01:05:10You have to choose family or friend, Mycroft or John Watson.
01:05:17You're off enough!
01:05:18Not yet, I think. But nearly.
01:05:22Remember, there's a plane in the sky and it's not going to land.
01:05:28Well?
01:05:29Well, what?
01:05:30We're not actually going to discuss this, are we?
01:05:33I'm sorry, Dr. Watson. You're a fine man in many respects.
01:05:37Make good goodbyes and shoot him.
01:05:41Shoot him, what?
01:05:43Shoot Dr. Watson.
01:05:45There's no questioning who has to continue from here.
01:05:48It's us. You and me.
01:05:49Whatever lies ahead requires brain power, Sherlock.
01:05:52Not sentiment.
01:05:53Don't prolong his agony. Shoot him.
01:05:55Do I get a say in this?
01:05:57Today we are soldiers.
01:05:59Soldiers die for their country.
01:06:01I regret, Dr. Watson, that privilege is now yours.
01:06:05Shit. He's right.
01:06:09He is, in fact, right.
01:06:11Make it swift.
01:06:12No need to prolong his agony.
01:06:14Get it over with, and we can get to work.
01:06:21Oh, God.
01:06:23I should have expected this.
01:06:26Pathetic.
01:06:26You always were the slow one.
01:06:28The idiot.
01:06:29That's why I've always despised you.
01:06:31You shame us all.
01:06:33You shame the family name.
01:06:35And for once in your life, do the right thing.
01:06:38Put this stupid little man out of all our misery.
01:06:41Shoot him.
01:06:42Stop it.
01:06:43Look at him. What is he?
01:06:45Nothing more than a distraction,
01:06:46a little scrap of ordinariness for you to impress,
01:06:49to dazzle with your cleverness.
01:06:51You'll find another.
01:06:52Please, for God's sake, just stop it.
01:06:54Why?
01:06:55Because, on balance,
01:06:56even your Lady Bracknell was more convincing.
01:07:00Nor everything he just said.
01:07:01He's being kind.
01:07:02He's trying to make it easy for me to kill him.
01:07:06Which is why this is going to be so much harder.
01:07:11You said you liked my Lady Bracknell.
01:07:13Joe, don't.
01:07:14It's not your decision, Dr. Watts.
01:07:17Not in the face, sir.
01:07:19Please.
01:07:19I promised my brain to the Royal Society.
01:07:22What would you suggest?
01:07:24Well, I suppose there is a heart somewhere inside me.
01:07:27I don't imagine it's much of a target, but...
01:07:31Why don't we try for that?
01:07:33We won't allow this.
01:07:35This is my fault.
01:07:38Moriarty.
01:07:39Moriarty?
01:07:40A Christmas treat.
01:07:42Five minutes conversation with Jim Moriarty five years ago.
01:07:46What did they discuss?
01:07:49Five minutes conversation.
01:07:54Unsupervised.
01:08:05Goodbye, brother of mine.
01:08:10No flowers.
01:08:14My request.
01:08:18Jim Moriarty thought you'd make this choice.
01:08:21He was so excited.
01:08:24And here we are.
01:08:26The end of the line.
01:08:29Homes killing homes.
01:08:36This is where I get off.
01:08:43Five minutes.
01:08:46It took her just five minutes to do all of this to us.
01:08:58Not on my watch.
01:09:00What are you doing?
01:09:02A moment ago, brave man asked to be remembered.
01:09:05I'm remembering the governor.
01:09:07Ten.
01:09:09No, no, Sherlock.
01:09:11Nine.
01:09:12Eight.
01:09:13I can't.
01:09:14Seven.
01:09:15You don't know about Redbeard yet.
01:09:16Six.
01:09:17Sherlock!
01:09:18Five.
01:09:19Sherlock, stop it at once!
01:09:21Four.
01:09:23Three.
01:09:44Hello?
01:09:49Hello? You still there?
01:09:51Yes.
01:09:52No, no.
01:09:52I'm still here.
01:09:53I'm here.
01:09:54You went away.
01:09:56You said you'd help me and you went away.
01:09:57Yes, I know.
01:09:58Well, I'm sorry about that.
01:09:59We must have got cut off.
01:10:04How long was I away?
01:10:06Hours.
01:10:07Hours and hours.
01:10:09I don't grown-ups tell the truth.
01:10:10I am telling the truth.
01:10:12You can trust me.
01:10:14Where did you go?
01:10:15I'm not completely sure.
01:10:19Um.
01:10:20Now, I tell you what.
01:10:20You've got to be really, really brave for me.
01:10:23Can you go to the front of the plane?
01:10:26Can you do that?
01:10:27The front?
01:10:28Yes, that's right.
01:10:29The front.
01:10:30You mean where the driver is?
01:10:31Yes, that's it.
01:10:32Okay.
01:10:34I'm going.
01:10:38Are you there yet?
01:10:40Yeah, I'm here.
01:10:42John.
01:10:42Yeah.
01:10:43Where are you?
01:10:44I don't know.
01:10:45I've just woken up.
01:10:45Where are you?
01:10:46I'm in another cell.
01:10:47I just spoke to the girl on the plane again.
01:10:48We've been out for hours.
01:10:50Was she still out there?
01:10:51Yes.
01:10:51The plane will keep flying until it runs out of fuel.
01:10:53Is Mycroft with you?
01:10:55I have no idea.
01:10:55I can hardly see anything.
01:10:56Mycroft.
01:10:58Mycroft.
01:10:59Are you okay?
01:11:00Yeah.
01:11:02All right.
01:11:02We'll just keep exploring.
01:11:03Tell me anything you can about where you are.
01:11:04The walls are rough.
01:11:06They're a rock, I guess.
01:11:07What are you standing on?
01:11:08Uh, stone, I think.
01:11:11But listen, there's about two feet of water.
01:11:15Chains.
01:11:17Yeah, my feet are chained up.
01:11:19I can feel something.
01:11:26Bones, Sherlock.
01:11:28There are bones in here.
01:11:29What kind of bones?
01:11:32Uh, I know.
01:11:35Small...
01:11:40Redbeard.
01:11:41Who's Redbeard?
01:11:43Oh, hello.
01:11:44Are you at the front of the plane now?
01:11:46Yeah.
01:11:46I still can't wake the driver up.
01:11:48That's all right.
01:11:49What can you see now?
01:11:50We can see a river.
01:11:52There's...
01:11:52There's a big wheel.
01:11:53All right.
01:11:55Well, you and I are gonna have to drive this plane together.
01:11:58Just you and me.
01:11:59We are?
01:12:00Yeah.
01:12:01There's nothing to it.
01:12:01We just need to get in touch with some people on the ground.
01:12:04Now.
01:12:05Um, can you see anything that looks like a radio?
01:12:09No.
01:12:10That's all right.
01:12:11Well, we...
01:12:11Keep looking.
01:12:12We've got plenty of time.
01:12:15What's wrong?
01:12:15The whole plane's shaking.
01:12:17It's just turbulence.
01:12:18There's nothing to worry about.
01:12:20My ears hurt.
01:12:21Does the river look like it's getting closer?
01:12:24A little bit.
01:12:25All right, then.
01:12:26That means you're nearly home.
01:12:28Sherlock.
01:12:30I'm in a well.
01:12:33That's where I am.
01:12:34I'm in the bottom of a well.
01:12:38Why would there be a well in Sherriford?
01:12:41Why is there a draught?
01:12:46Who's got a tractor after you've painted them?
01:12:50Not real ones.
01:12:56I'm home.
01:12:58Musgrave Hall.
01:12:59Me and Jim Moriarty.
01:13:00We got on like a house on fire.
01:13:02Which reminded me of home.
01:13:04Yeah, it's just an old building.
01:13:05I don't care.
01:13:05The plane.
01:13:06Tell me about the plane.
01:13:07Now.
01:13:07Sweet Jimmy.
01:13:08He was never very interested in being alive.
01:13:10Especially if it could make more trouble being dead.
01:13:13Yet still not interested.
01:13:14The plane.
01:13:15You knew he'd take his revenge.
01:13:17His revenge apparently is me.
01:13:19Yoros, let me speak to the little girl.
01:13:21No, but I know I'll play any game you like.
01:13:23First, find Redbeard.
01:13:26I'm letting the water in now.
01:13:28You don't want me to drown another one of your pets, do you?
01:13:31At long last, Sherlock Holmes, it's time to solve the Musgrave ritual.
01:13:36Your very first case.
01:13:39And the final problem.
01:13:42Bye-bye.
01:13:42Sherlock!
01:13:48Sherlock!
01:13:54John!
01:13:56John!
01:13:57John!
01:13:58Can you hear me?
01:14:00John!
01:14:01Please!
01:14:02Help me!
01:14:02Help me, please!
01:14:04John!
01:14:05John!
01:14:05John!
01:14:06Yeah, it's flooding!
01:14:06The world is flooding!
01:14:08Try as well as possible not to drown.
01:14:10What?
01:14:11I'm going to find you.
01:14:13I am finding you.
01:14:13Hurry up, please!
01:14:14Because I don't have luck!
01:14:16Yeah!
01:14:16He's leaning over the whole plane!
01:14:21Hi.
01:14:22He's not going to be here.
01:14:30You're us.
01:14:31You said the answers in the song.
01:14:32But I went through the song line by line all those years ago.
01:14:35And I found nothing.
01:14:36I couldn't find anything.
01:14:37There was a beech tree in the grounds and I dug.
01:14:39I dug, I dug, I dug, I dug, I dug, I dug.
01:14:4116 feet by 6, 16 yards, 16 meters, and I found nothing.
01:14:47No one.
01:14:48Sherlock?
01:14:49It was a clever little puzzle, wasn't it?
01:14:54So why couldn't you work it out, Sherlock?
01:14:57Sherlock, there's something you need to know.
01:15:00Emotional context.
01:15:02And here it comes.
01:15:06Sherlock?
01:15:07The bones I've found.
01:15:09Yes.
01:15:10The dog's bones, that's Redbeard.
01:15:12My croft's been lying to you.
01:15:14To both of us.
01:15:15They're not dog's bones.
01:15:18Remember daddy's allergy?
01:15:19What was he allergic to?
01:15:21Well, would he never let you have all those times you begged?
01:15:24Well, he'd never let you have a dog.
01:15:30Come on, let me.
01:15:33Your funny little memory, Sherlock.
01:15:39You were upset, so you told yourself a better story.
01:15:47But we never had a dog.
01:16:08Victor.
01:16:10Now it's coming.
01:16:13Victor Trevor.
01:16:17We played pirates.
01:16:20I was Yellowbeard and he was...
01:16:25He was Redbeard.
01:16:26You were inseparable.
01:16:28But I wanted to play too.
01:16:34Oh, God.
01:16:39What?
01:16:43What did you do?
01:16:44I that am lost...
01:16:48Oh, who will find me...
01:16:52Deep down below the ocean...
01:16:55Please let me out!
01:16:57Please, someone help me!
01:16:58Please!
01:17:08Please...
01:17:09You are a loser!
01:17:09Come on, Becky!
01:17:11Come on!
01:17:21Victor...
01:17:22Deep water, Sherlock, all your life...
01:17:25In all your dreams, deep waters.
01:17:31You killed him.
01:17:37You killed my best friend.
01:17:39I never had a best friend.
01:17:43I had no one.
01:18:00No one.
01:18:01Plow with me, Sheldon. Plow with me.
01:18:06No one.
01:18:10No one.
01:18:14No one.
01:18:16Okay.
01:18:18Okay, let's play.
01:18:31Hello. Are you there?
01:18:33I just need your help. I'm trying to solve a puzzle.
01:18:35But what about the plane?
01:18:36Well, the puzzle will save the plane.
01:18:39The wrong dates.
01:18:41Choose the wrong dates on the gravestones as the key to the cipher,
01:18:43and the cipher was the song.
01:18:44Is this extremely relevant?
01:18:47Yes, it is. I'll be with you in a minute.
01:18:58The lights are getting closer.
01:19:00Us not working.
01:19:01Let's number the words of the song.
01:19:04Then we erase the numbered words to match the sequence on the gravestones.
01:19:14I am lost.
01:19:17Help me, brother.
01:19:19Save my life before my doom.
01:19:23I am lost without your love.
01:19:28Save my soul.
01:19:29Seek my womb.
01:19:34Oh, God.
01:19:39You did crash.
01:19:41You did die.
01:19:47I think it's time you told me your real name.
01:19:49I'm not allowed to tell my name to strangers.
01:19:54But I'm not a stranger, am I?
01:19:59I'm your brother.
01:20:04I'm here. It's yours.
01:20:16You're playing with me, Sherlock.
01:20:18We're playing the game.
01:20:19The game, yes. I get it now.
01:20:22The song was never a set of directions.
01:20:23I'm in the plane.
01:20:25I'm going to crash.
01:20:27And you're going to save me.
01:20:29Look how brilliant you are.
01:20:31Your mind has created the perfect metaphor.
01:20:34You're high above us all, alone in the sky, and you understand everything except how to land.
01:20:39Now, I'm just an idiot.
01:20:41I'm on the ground.
01:20:43I can bring you home.
01:20:45No.
01:20:46No, no.
01:20:48It's too late now.
01:20:49No, it's not. It's not too late.
01:20:51Every time I close my eyes, I'm on the plane.
01:20:56I'm lost.
01:20:57Lost in the sky.
01:20:58And no one can hear me.
01:21:06Open your eyes.
01:21:09I'm here.
01:21:13You're not lost anymore.
01:21:20Now, you just went the wrong way last time, that's all.
01:21:26This time, get it right.
01:21:28Tell me how to save my friend.
01:21:32You're lost.
01:21:34Help me save John Watson.
01:21:49I just spoke to your brother.
01:21:52How is he?
01:21:53He's a bit shaken up, that's all.
01:21:54She didn't hurt him, she just locked him in her old cell.
01:21:57What goes around comes around.
01:21:59Yeah, give me a moment, boys.
01:22:01Um, Mycroft, make sure he's looked after.
01:22:05He's not as strong as he thinks he is.
01:22:06Yeah, I'll take care of it.
01:22:07Thanks, Greg.
01:22:12The helicopter ready?
01:22:14Let's move her then.
01:22:16Is that him, sir?
01:22:17Is that him, sir?
01:22:17Sherlock Holmes?
01:22:18Fan, are you?
01:22:19Well, he's a great man, sir.
01:22:21No, he's better than that.
01:22:24He's a good one.
01:22:29You okay?
01:22:30I said I'd bring her home.
01:22:33I can't, can I?
01:22:35Well, you gave her what she was looking for.
01:22:38Context.
01:22:40Is that good?
01:22:41It's not good, it's not bad.
01:22:45It is what it is.
01:22:48Alive for all these years?
01:22:52How is that even possible?
01:22:54What Uncle Rudy began, I thought it best to continue.
01:22:59I'm not asking how you did it, idiot boy.
01:23:02I'm asking how could you?
01:23:04I was trying to be kind.
01:23:06Kind?
01:23:08Kind?
01:23:09You told us that our daughter was dead.
01:23:13Better that than tell you what she had become.
01:23:17I'm sorry.
01:23:18Whatever she became, whatever she is now, Mycroft,
01:23:23she remains our daughter and my sister.
01:23:27Then you should have done better.
01:23:29He did his best.
01:23:30Then he's very limited.
01:23:33Where is she?
01:23:35Back in Sherinford.
01:23:37Secure this time.
01:23:39People have died.
01:23:41Without doubt she will kill again if she has the opportunity.
01:23:45There's no possibility she'll ever be able to leave.
01:23:48When can we see her?
01:23:51There's no point.
01:23:53How dare you say that?
01:23:56She won't talk.
01:23:57She won't communicate with anyone in any way.
01:24:00She has passed beyond our view.
01:24:03There are no words that can reach her now.
01:24:07Sherlock.
01:24:12Well, you were always the grown-up.
01:24:16What do we do now?
01:24:41There are no mistakes ever.
01:24:43Let's go first.
01:24:48The young girl.
01:24:48The young girl.
01:25:01You was so tired.
01:26:04Uh, yeah. I think you'd better get round here.
01:26:29P.S.
01:26:32I know you two.
01:26:34And if I'm gone, I know what you could become.
01:26:37Because I know who you really are.
01:26:40A junkie who solves crimes to get high.
01:26:43And the doctor who never came home from the war.
01:26:53Will you listen to me? Who you really are? It doesn't matter.
01:26:57It's all about the legend.
01:26:59The stories.
01:27:01The adventures.
01:27:11There is a last refuge for the desperate, the unloved, the persecuted.
01:27:18There is a final court of appeal for everyone.
01:27:43There is a final court of appeal for the people who never came home from the war.
01:27:46There is a final court of appeal for the people who never came home from the war.
01:27:52There is always one last hope.
01:27:56When all else fails, there are two men sitting arguing in a scruffy flat.
01:28:02Like they've always been there, and they always will.
01:28:06The best and wisest men I have ever known.
01:28:13My Baker Street boys.
01:28:17Sherlock Holmes.
01:28:19And Dr. Watson.
01:28:20We'll see you next time.
01:28:27Thanks.
01:28:38Valerie.
01:29:07Transcription by CastingWords
01:29:09Transcription by CastingWords
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