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Man.On.Fire.S01E02.540p.X265.AAC [Full Movie] [Full Series]Full EP - Full
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00:28Transcription by CastingWords
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02:36because
02:38when everything is on the line
02:40you always do better with someone
02:41that's trying to solve you
02:43than someone that's trying to save you
02:47I know that this is hard
02:49but for right now
02:51we're going to put all of our emotions
02:53behind and we're going to go out there
02:56and we're going to be a couple
02:58of surgeons
03:02surgeons
03:03surgeons
03:05Jokes.
03:36It's not a moral.
03:37It's not a moral.
03:39You'll be separated five minutes after the other.
03:49When you're in position, you don't do anything.
03:51You're going to send.
04:07Why haven't you asked me about what I saw?
04:10Time comes, I will.
04:14I would like to make sure you only have to relive that once.
04:39You're going to go.
04:40They're going to be left.
04:41How far is it that way?
04:42One time later, buddy.
04:52Here, buddy.
04:58We're still waiting.
05:00How far is it that way?
05:03We're going to be able to fuel the ship.
05:04How far is it going?
05:05It's not going to be out.
05:05What are we going to do?
05:05This is the best.
05:21Are they with us?
05:22Hey, we need to divert them.
05:24What?
05:24They're on the buildings and we got a car pacing us about a block away.
05:27The route is compromised.
05:29Divertment.
05:29Now.
05:34What's your diversion target?
05:36They've got a military facility on secure lockdown.
05:38Distance?
05:3912 kilometers.
05:40We need to drive.
05:42We need to drive.
05:45Are we good?
05:47Just keep your eyes real.
05:48That doesn't sound like an answer to my question.
05:51Mr. Mantenham as posições.
05:58We have only a search team.
06:08It's happening.
06:09You decide immediately.
06:10Come to the park.
06:11Come to the park on the right.
06:12On the right.
06:13On the right.
06:18On the right.
06:20Send the one.
06:21He's saying.
06:24We have to go.
06:25This is to the level of our utility department.
06:27Swish.
06:30Stand complete.
06:31The Competitor.
06:33The rappelle.
06:47The布 an 사람이 on the right.
06:48The future has been completed.
06:48It's gone.
06:49The future has been cleaned, so to the right.
06:51The future has been cleaned, so to the right.
06:51The future has been cleaned.
06:51The future has been cleaned, so to the right.
07:18My sincere apologies.
07:21Sadly, even after yesterday's act of violence, we still continue to receive threats from
07:26the FRP, given the circumstances.
07:28It seems prudent to conduct the interview here, and then we've arranged a military transport
07:32to fly directly back to the U.S., okay?
07:39In there?
07:40Yes.
07:44Go on, Paul.
07:46We're just gonna chat for a second.
07:53You can record the interview.
07:55I'll make sure all your questions get asked, but I don't want anyone else in the room when
07:58I'm talking to them.
07:59You seem to be under the impression that you have some authority here, Mr. Chrissy.
08:04You know, regardless of what you decided when you met me, you need to recognize that not
08:09only am I offering you my help, but that you need it.
08:13They had men staged all along the convoy route.
08:15That's a clear indication that there's a leak somewhere in your chain of command, and if
08:21you can't trust the men below you, you'd do well to reconsider the man in front of you.
08:31Would you trust the person I saw in that interview the other day?
08:37Job interviews are not my specialty.
08:41Unfortunately, this has turned into something I'm much more familiar with.
09:03I know that thinking about what happened is painful, so just for the moment, let's not.
09:11As much as you can, I want you to stick to how you felt and what you saw before anything
09:18happened at the building before.
09:21That's where all the information that we need is waiting.
09:24Do you understand?
09:26Good.
09:28So when you woke up, you were at your boyfriend's?
09:30He's not really who I am, but yeah, he snuck out.
09:41I wasn't planning on staying out, but then when I woke up, I realized if I didn't rush,
09:49Dad will be awake, and...
09:51Stay at number four.
10:00So you had to get on.
10:02I took Liam's motorcycle.
10:06I remember thinking I was going to make it.
10:09The streets were empty.
10:10I was going fast.
10:12And I was coming through this last turn.
10:14I mean, I had the light, but it's like I just sent something coming before I saw it.
10:20So I slammed the brakes, and then these two fans, they just came flying through the intersection.
10:27And then a motorcycle, like a sport one, or a racing one.
10:32Tell me more about the motorcycle.
10:35I think it was black.
10:38Like everything.
10:39The writer was in black clothes, black helmet.
10:43Yeah, that's all I remember.
10:45What about the vans?
10:47White.
10:48They look new or old?
10:49New?
10:50They look like work vehicles or some personal vehicles.
10:52Look, I don't know.
10:53Work, maybe.
10:55Okay, let's come back to that.
10:57What happened after they passed?
10:59I took the bike around the corner.
11:03Maybe another half block, and I parked it.
11:07I was basically staring right at the building.
11:11But he was there.
11:14Who?
11:18My dad.
11:20He was getting in his car, and he saw me.
11:26And he was calling me, and then...
11:28Okay, okay, let's stop right there.
11:30That's good.
11:31That's very good.
11:32Let's take a little break.
11:35It's not worth it.
11:39You didn't even ask her about the bombing.
11:41The suspects were gone before the bombing.
11:43Unless we do it the right way, strong emotions can warp memories.
11:46If I bring all her feelings up to the surface, that's likely to get us less useful intel, and not
11:51more.
11:51I'm going to get everything that we need.
11:55Right now, what I need from you are pictures of the most common white van sold in the last five
12:01years.
12:02I'm asking you for a little faith here.
12:06You think you want to get these people any more than I do any more than she does?
12:11If you still have questions after I come out, I won't say anything if you want to go in and
12:16ask for yourself.
12:17Is that fair?
12:23I'm also going to need a couple of rags or a small towel.
12:30What are we doing?
12:33I want you to think back to being on that bike.
12:39Now, 20 minutes ago, you were asleep.
12:43But from the minute you realized you had to get home, you've been wide awake, adrenaline pumping, yes?
12:49Yes.
12:50All right, and now you're so close.
12:52You reach that intersection, and then you slam on the brakes.
12:56Because you sense something coming out, does that make you feel?
12:58How does what make me feel?
13:00Something coming out of nowhere. You have to stop or you're going to get smashed.
13:03How do you feel?
13:07Shocked. Surprised.
13:13Point to the van you saw.
13:15Look and point, don't think, just remember.
13:43All right, now I'm watching it.
13:58I saw his face.
14:08The writer just for a second, but I saw it.
14:12OK, OK, good, Paul.
14:15Now just hold the story right there.
14:18Stay with the writer.
14:20Stay with the writer, Paul.
14:26Oh.
14:35Oh, Paul.
14:36Oh, Paul.
14:43They're good.
14:48What about these sketch artists?
14:50Sketch artists can be hit or miss.
14:52They end up creating false memories just as often as they bring something back.
14:56CIA has a good one she can sit with.
14:58For now, we should pull the traffic and security cameras in the area from the morning of the bombing.
15:03Maybe we get not only a sighting, but a plate.
15:06I'll put the word out immediately.
15:08Yeah, see, but that's the thing.
15:09How do you run down the lead when you know you got a leak somewhere?
15:12I'm due to brief President Carmo personally.
15:14We will hand select a small team and make sure to keep the circle as tight as possible.
15:18For now, the plane is fueling and we'll be ready to return Paul to the U.S. within an hour.
15:23I can't help but notice you only mentioned Paul.
15:26Given there is a leak, I can see the potential value in having an outsider assistance.
15:32But you need to understand that I am in charge.
15:36Listen, we both want the same thing.
15:38I can't help but notice that you didn't acknowledge that I will be in charge.
15:43You will be in charge.
15:45I'll have a transport arranged for you after I brief the President.
16:00You know your friend Rayburn said you would see that having something to fight for would bring out the best
16:06in you.
16:09Did you believe?
16:12I have seen many situations, Mr. Creasy, where having something to fight for is what brings out the worst in
16:19people.
16:21And I suppose that's what continues to trouble me.
16:49Why can't you just come with me?
16:51No, you don't want that.
16:52I do.
16:54I promise I do have work to do here.
16:57But you...
16:58You're not only going to make it home safe, you're going to have a long life ahead of you.
17:02But for that to turn out well, you're going to have to find a way to leave all this behind.
17:05The way to do that, it starts right now.
17:07You get on that plane with your best memories, and you leave everything else, including me, right here.
17:16Never to be thought of again.
17:21You moved there when...
17:24When I didn't have anyone else.
17:29It's not something I plan on forgetting.
17:37Okay, time for you to go.
18:00Okay.
18:27I'm coming back.
18:29I'm coming back.
18:31I'm coming back.
18:57Get down!
18:59Get down!
18:59Get down!
19:13Get out! Get out! Get out!
19:15Decoa! Decoa!
19:17Levanta as estadas!
19:19Abaixa! Get down!
19:51Decoa!
19:53Decoa!
20:00Decoa!
20:37Decoa!
20:38Why is he turning?
20:43Deco.
20:44Decoa!
20:44Let's go! Let's go!
20:46Let's go!
20:57Jesus!
21:29Let's go!
21:31Oh!
21:44Ah!
21:45Ah!
21:47Ah!
21:49No!
21:54Ah!
22:05Sorry.
22:07No, no!
22:17I'm trying to take out the engine.
22:19Hold on tight.
22:20Why?
22:21No.
22:30Oh, for good.
22:31Creasy.
22:35Creasy.
22:37Creasy.
22:37Oh, my God.
22:43Creasy.
22:44Creasy, Creasy.
23:03Cor, Creasy, you are.
26:39All sorts of things.
26:40So can you help me, so can you help me, or should I find somebody else?
26:51What if I ask for something, what if I ask for something that's not money?
27:54Hello?
28:03Hello?
28:06Hello?
28:20Hey.
28:22Hey.
28:43All I'm asking, I told you, I told you.
29:07All I'm asking, I told you.
29:13I'm going to call you, I'm going to call you, I'm going to call you.
29:45I'm going to call you, I'm going to call you, I'm going to call you, I'm going to call you,
29:52I'm going to call you, I'm going to call you, I'm going to call you, I'm going to call you,
29:52I'm going to call you, I'm going to call you, I'm going to call you, I'm going to call you,
29:55I'm going to call you, I'm going to call you, I'm going to call you, I'm going to call you,
29:58I'm going to call you, I'm going to call you, I'm going to call you.
30:12everything. Okay. Well, then, John, I think you need to ask yourself, is she really safe
30:19with you? I mean, this is fucking Rayburn's daughter. We're moving to another car. If
30:34you bang on the trunk, it'll be the last thing that you do.
30:47You know what we need? Music. What do you like? Pop, maybe?
30:55I can't turn it off. You don't like this one? I do. I just, I don't want to take songs
31:02I like and
31:04have them remind me of this.
31:15If you don't want to associate any of this with songs you like, maybe we'll switch it up.
31:25Well, the midnight headlight, find you on a rainy night, steep grade, up ahead, slow me down, make it more
31:31time.
31:33I gotta keep rolling.
31:37I throw the windshield wipers, slapping out of tempo, keeping perfect rhythm with the song on the radio.
31:43I throw the windshield wipers, slapping out of tempo, keeping perfect rhythm and moving forward.
32:11Don't worry, you're safe here.
32:13The favela has its own police, and my cousin's an important member.
32:22You're gonna have to pay for this.
32:27Mr. Roger, it might not work.
32:34Welcome to a new home.
33:08He's safe.
33:25Make yourself comfortable.
33:33I'm gonna go talk to my cousin.
33:35I'll be right back.
33:38Are you sure about this?
33:42Be safe.
33:43Places like this are completely off the radar.
33:46You should try to get some sleep.
33:49All right, it's tough to most of the drive here.
33:51Apparently, country music has a sedative effect on me.
34:04God, not you too.
34:07My dad always used to try to get me to play.
34:11Who do you think taught me?
34:14He talked about chess like it was a religion.
34:16No, not a religion.
34:18A metaphor.
34:22You have a plan, the other guy has a plan.
34:25And when you get surprised, you see who's smarter.
34:28Who reacts, who attacks.
34:32You learn to play chess.
34:34You learn to play life.
34:42I think that might be the first time I've seen you smile.
34:50You could play.
34:53If you, um...
34:55If you want.
34:58You need to settle in.
34:59I'll be back.
35:00You're gonna leave?
35:02Yeah, I gotta go take care of a few things.
35:06Are you talking about the man on the trunk?
35:10Yes.
35:12Can you just stay?
35:14I'll be more useful out there, not so much in here.
35:18Are you gonna kill him?
35:20No.
35:22Just...
35:23Just talk to him.
35:25Like a surgeon?
35:29Something like that.
35:31Would he have killed me?
35:34Absolutely.
35:46Then I'll see you when you get back.
35:47Uh...
35:52I couldn't...
35:54No.
36:06What are you talking about?
36:07To be honest.
36:08Right, you can't.
36:09Right here.
36:13I'm not.
36:14I'm not.
36:14I'm not.
36:15I'm not.
36:16I'm not.
36:16But...
36:17I'm not.
36:20Crazy. There's a place that you can work two blocks away. Did Poe eat anything?
36:30Other than American fast food she hasn't eaten since she got to Brazil.
36:34A hard case. My favorite.
36:40I have a daughter. And when my husband was killed, I had a neighbor who would come over to just
36:47talk to her.
36:49Talking is how she processed things. I think Poe is just like my daughter.
36:55If you want, I'm happy to stay with her. And just listen.
37:03All right, then.
37:04But you? You're just like me.
37:09When things are bad, what we seek is silence.
37:16Out of shop. Just around the corner. See you later.
37:36Hey.
37:39I brought something for you to eat.
37:44I'm not really hungry.
37:49Don't worry.
37:51I asked my daughter what an American who doesn't like Brazilian food would eat.
38:00These are Cushina.
38:03It's kind of like a...
38:05It's kind of like what you call a nugget.
38:09She came nugget, right?
38:11Hmm.
38:12Yeah.
38:19It's okay with me if you don't eat them.
38:21I never get to tell my daughter she's wrong, so it's almost better if you refuse them.
38:47She might be right.
38:48She might be right.
38:55How old are you?
38:58Sixteen.
39:01And coming to Brazil wasn't something you were excited about?
39:07You have me tell.
39:11Well, when you drive a car, you're not just meet lots of different people.
39:18You learn to really see them.
39:26What else do you see?
39:30Someone who needs a friend.
39:31What else do you think of Spanish?
39:44Yes.
39:47Do you like the movies?
39:51How do you realize when someone has seen a lot of movies?
39:59Oh.
40:05That's bullshit.
40:07Car battery never broke nobody.
40:09You want information?
40:11It's not the battery that's key.
40:13It's what's inside.
40:18Acidofutico.
40:21I'll mess you up.
40:24That'll take time.
40:26And if you mix it,
40:30the hydrogen peroxide,
40:32makes something they call
40:33jugo de piraña.
40:47They got everything out of me.
40:53There's one scar right here.
40:57Put this on your forehead.
41:01It's gonna eat away at your skin.
41:03Then slowly drip down.
41:06Once it gets into your eyes,
41:08it's lights out.
41:10I need that, I mean anything.
41:14Once it's on, you got about two minutes
41:15before it gets into your eyes.
41:17So talk fast.
41:19Hey!
41:20Hey!
41:21Move like that if you're gonna get this all over.
41:22Hey!
41:25What's up?
41:26What's up?
41:27Hey, what's up?
41:29Hey!
41:29Hey!
41:31Hey!
41:32Hey!
41:32Hey!
41:33Hey!
41:34Hey!
41:36Hey!
41:36I'm going to try, but you're going to make me feel like I'm sure you're going to do it.
41:41Is it clear?
41:42Yes.
41:44What's your name?
41:46Chiangco.
41:47Who hired you to kill us?
41:49I don't know. I don't know. I don't know.
41:55He just told me that we could call him, okay?
41:58But I don't think it's a real name.
42:04You helped him with the bombardment too.
42:09Bombardment. Bombardment.
42:11I don't know about bombardment. I don't know about bombardment.
42:24The clock is ticking now, Chiangco.
42:28You better come up with some answers.
42:29No, no, no, no, no, orno.
42:30Who cares?
42:31Who cares?
42:31Who cares?
42:33Who cares?
42:34Who cares too?
42:35Who cares like us?
42:37Who cares he lives?
42:38I know we were looking for the family.
42:41I was working lakea proud of them.
42:45Who cares how much were.
42:49Who cares what a dollar wealth?
42:53Who cares how much were the Cons finiog me?
42:55Who cares at that thing?
42:57The person who took care of me are made some more than you guys
42:59He said that the base would be where he would want.
43:03Please. Please.
43:05He said that he would be with little personal
43:07for the threats that he was doing all parts.
43:11Please.
43:12Please.
43:14Please.
43:15Please.
43:17Please.
43:18Please.
43:19Please.
43:32The issue here is this Mr. Creasy.
43:35I need your assurance that he's being extracted as well.
43:38It's one thing when he was offering to work with us.
43:41It's another to have a loose cannon who's gone completely unresponsive
43:44while I'm having to deal with terrorists and tragedy.
43:47Not to mention an upcoming election.
43:49Honestly, President Carmo, I spoke to Creasy,
43:52and right now he doesn't trust anyone.
43:54Even if Creasy delivers us the girl,
43:56well, everything I know about him leads me to believe
43:58that he's not leaving
43:59until the people that brought that building down are dead.
44:06Director Moncrief,
44:08I wonder how your government would react
44:10if you had a foreign national on the loose in your country,
44:13operating independently, without authority,
44:16and in a way that potentially jeopardized your investigation
44:19and response to a massive terror attack.
44:26I'm sure we would contain him
44:27using whatever means necessary.
44:33Hey, how did he go?
44:35I made a car.
44:36Why? What happened?
44:38There's a way I can get this guy
44:39to lead us to the people coming after Poe.
44:41So she's not going home?
44:42No.
44:43Not until I know everything we're up against.
44:45Okay, let's see what I can get.
44:49How is it?
44:52Not well.
44:54Which is in good hands.
45:12Is it time to go?
45:17Not sure.
45:28I need your help
45:29or something first.
45:31What?
45:35How do you feel about the sight of blood?
45:38Oh, yeah.
45:38Yeah.
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