- 6 hours ago
Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Trending Drama]Full EP - Full
Category
🎥
Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:18Someone took his hand.
08:36What do you got?
08:54L-E-S.
09:06S.R.1
09:24Hey, I thought you might be thirsty.
09:27We'll be together.
09:30Jeanette.
09:34You're getting ready?
09:36Yeah.
09:38You're not scared?
09:41No.
09:43No I am.
09:46But I remember why I'm doing it.
09:50What is, what is Lest's or what?
09:55Lesser one?
09:57It's left, straight forward, stereo on the right, first floor.
10:03My dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:14Because, you know, we moved around a lot, so he always said, no matter where we are, as
10:22long as we're together, we're always, we're always in the studio.
10:31We're always in the studio.
10:49We're always in the studio.
11:12We're always in the studio.
11:16We're always in the studio.
11:33I'm so excited about this guest today.
11:36Super excited.
11:37It's a pleasure to be here with you.
11:39It's your first time with us, right?
11:41Good day, Brazil.
11:43Today I'm going to...
11:44Somos testemunhas de uma crueldade inimaginável.
11:49E nós vamos responder com força total nesse dia tão sombrio na história de nossa nação.
11:55Em que mais de 600 vidas inocentes foram ceifadas por esses crimes abomináveis.
12:01Nós vamos caçá-los.
12:03E o americano John Tracy e as pessoas que o ajudaram.
12:26Looks like a robbery to me.
12:28Who's doing the breadcrumbs?
12:32You're a fool?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38Que foi?
12:47Let's go, everybody, to the van.
12:49Let's go, let's go, let's go, let's go, let's go, let's go, let's go.
12:56Hey, hey!
12:57Go, go!
13:24Go, go, go, go, go, go, go.
13:25Go, go, go, go, go, go, go, go.
14:17Go, go, go, go, go, go, go.
14:23Go, go, go, go, go, go, go, go!
14:30Let's go.
15:02Let's go.
15:27Hey.
15:29Are you okay?
15:30Yeah, fine, fine, fine.
15:36Shit.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I could have handled that.
15:49I could have handled that.
15:51I'm sorry.
15:54Fuck.
15:58It's the way.
16:03It was supposed to be the easy part.
16:14Where's Bo?
16:30Where are you?
16:32Where are you?
16:35This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Davi, give me a shot.
16:46What's the key?
16:48Chrissy hit this place earlier today.
16:52Middle of the city in broad daylight with the entire world looking for him and he robs an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money.
17:02You know, I could think of 20 other ways he could get his hands on cash, right?
17:07Well, then what?
17:13I don't know.
17:17You know,
17:19for all your talk of
17:22understanding how Chrissy operates and all that shit,
17:24you don't seem to be any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39You want to get out of this room,
17:40come talk to him and get some actionable information
17:42because if we don't figure out what Chrissy's up to,
17:45I have a strong feeling he's going to show us
17:47and I don't think we're going to like it.
17:50Bora.
18:11What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I'm just wanting to see their faces again.
18:29Thought it'd make me feel better, but...
18:37I call the memories that have been poisoned.
18:41You're not?
18:46No.
18:53I don't care.
18:59I don't care.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:31Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, and my mom took the camera and just...
20:04She just gave it to a stranger.
20:06Mm-hmm.
20:09That's all he did.
20:15And at the end, when he gave the camera back...
20:19He said we were a beautiful family.
20:36Mm-hmm.
20:39That's not poison.
20:49Everything you care about, it's all still in there.
20:56That doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03Mm-hmm.
21:04Yeah.
21:07He was going to be there.
21:24I will.
21:29Really?
21:30Yeah, that's mine.
21:37Okay.
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Mom.
22:38well
22:41his name is Vico from a local favela
22:44he hasn't said much
22:45and I haven't let the locals ask
22:47what are we waiting for
22:48with all the respect Mr. President
22:50we don't know what Chris may have told him
22:52what's happening and I will interrogate him personally
22:55I want him cut into pieces
22:57until the answers start to flow
22:58I will not tolerate one man
23:01operated with impunity
23:02making a mockery of...
23:03I'll sinto muito senhor
23:04não me interrompe
23:06me desculpa
23:06mas eu tô numa ligação aqui
23:08que eu acho que o senhor vai querer atender
23:10é John Chrissy
23:28Mr. Chrissy
23:30I know you got a lot going on right now Mr. President
23:33so I'm not gonna keep you for too long
23:36I just wanna let you know
23:38that I'm coming to see you
23:40is that so?
23:42unfortunately
23:44when I get there
23:45we won't have much time to talk
23:47you know it's illegal
23:49to make threats like that
23:50even in jest
23:51oh I'm dead serious
23:53I know what you did Mr. President
23:56you
23:57Torres
23:59and Tatner
24:00and I'm gonna make sure
24:01that each one of y'all pay
24:04I just call to make sure
24:05that you have the opportunity
24:07that the Redburns
24:08and all the other families
24:10and that building didn't have
24:11the opportunity
24:12to say goodbye
24:13to the people that you love
24:15because I am coming to see
24:16Mr. President
24:20and by then
24:20it will be too late
24:35I just call to make sure
24:36that you have the opportunity
24:38that the Redburns
24:39and all those other families
24:40and that building didn't have
24:42the opportunity
24:43to say goodbye
24:44to the people that you love
24:46because I am coming to see you
24:48Mr. President
24:49and by then
24:50it will be too late
24:52I want an honest assessment
24:55is this man
24:56actually capable
24:57of making a bid
24:58at an assassination?
25:00absolutely
25:02but
25:04I don't think
25:05that's what's happening here
25:06what does that mean?
25:08hmm
25:09and Creasy doesn't phone you up
25:11to tell you
25:11he's gonna kill you
25:13he just kills you
25:15something's not right
25:16I want this dealt with
25:18once and for all
25:19we didn't come this far
25:21to let one man
25:21screw it all up
25:22you're absolutely right
25:23Mr. President
25:24I think it's time
25:27we pay a visit
25:28to the member of Creasy's crew
25:29you picked up
25:30yes
25:32sir
25:34we will get this handle
25:35I can assure you
25:38you're not going to do it
25:55you're not going to do it
25:56I can't pay this
25:57I can't pay it
26:01I can't pay it
26:04you're not going to pay it
26:06I can't pay it
26:09There was only a key to a bank box.
26:13I'm sure.
26:14I opened the box and there was a key to it.
26:18I was wondering how they would pay with this shit.
26:22They were hoping to find money in the box.
26:26And now they're hoping to find money in this box.
26:31It wasn't money, it was something they wanted to sell.
26:33I didn't understand.
26:36I don't know, but I heard them talking about a recording.
26:43Or a fita.
26:45Yeah.
26:47From the crazy guy talking to the President.
26:49President Carmo?
26:51Was it President Carmo?
26:52Yes, it was President Carmo.
26:54Who was the crazy guy?
26:55Ferraz.
26:58Ferraz.
26:59Tell me.
27:01Are you sure that it was a recording of the President Carmo with Ferraz?
27:05I don't know.
27:06What?
27:06What the hell is that?
27:15Put the whole team up now and send them to the B.C.I.
27:18B.C.I.
27:194488.
27:20Go.
27:22Go.
27:24Go.
27:36Go.
27:39Move it.
27:40Go.
27:41There is a place here.
27:41volunteer meetings, go up.
27:48Go.
27:49Go, go, go.
27:51Ask him many men.
27:52Go.
27:53Call him!
27:54guessed himы.
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:17What?
29:21Now, you might be feeling a slight burnish insulation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:33It's toxic!
29:35Come on now!
29:53Mellow, come in.
29:56Yeah.
29:57Gracie.
29:58Gloria.
30:00Our success targets are incoming.
30:02Copy that.
30:18You know your part?
30:21Yeah.
30:22I go in.
30:23I make sure they see me and draw security so they can get to happen.
30:28I have a girl.
30:33Everyone in place?
30:35Yeah.
30:36You were and I are set.
30:48Hey, I'll be okay.
30:59Gracie, check in.
31:03Alright, reset, reset, reset.
31:34We're here.
31:41Let's go in.
31:43Close the perimeter.
31:45Nobody enters.
31:47Hurry, hurry.
31:52Let's go.
31:57We're dealing with you here.
31:59We're dealing with you.
32:01We need to deal with you.
32:21What's happening here?
32:22Please, someone found me, but they're not here yet.
32:26All right, just walk away. We'll find something else.
32:28Just give me a second, okay?
32:33Poe, get up. Get up.
32:36I can't.
32:37I can't.
32:37No, I can do this.
33:11Fuck you.
33:13Go for it!
33:15Fire!
33:16No, no, no, no, no!
33:16Get up!
33:25What's the location, Poe?
33:44Poe, that's your location, Poe.
33:47Poe!
33:48Damn, my nigga!
33:49To the left.
33:51Go!
33:53Poe, you can hear me on one more way?
33:58Stand down, Chris. You have got her. Security's been drawn off. You have the green light for Tapp and Velo.
34:02We're headed to the staircase.
34:04Okay, go.
34:05Caralho.
34:22Porra, Vico!
34:26Como você saiu?
34:27Eu sou foda, porra. Desci pra isso.
34:31We're moving to the meeting point.
34:33Seja fasta, seja fasta, seja fasta!
34:35Hey, if Poe's here...
34:37And then so is greasy.
34:40This is a fucking sham.
34:44Moment, what's happening?
34:50Alright, lock it down. Get on the radio, lock it down!
34:53I'll go back.
34:54I'll go back!
34:55What's happening?
34:56We're sitting here, mom!
35:07Let's go back, let's go back.
35:15Wait, let's go back.
35:22What am I gonna do?
35:23Let's go.
36:07Let's go.
36:25Let's go.
36:38Headed out now.
36:43Let's go.
36:45Exit block, pole 9, floor 2.
36:47We're at northwest.
36:48We will be resistance.
36:49Okay.
36:50We're on our way.
37:11Let's go.
37:20Stop fucking churning!
37:23I'm shooting!
37:24I'm shooting!
37:33Get out of the way!
37:35Go!
37:35Take it away, go!
37:42Let's go with the girl!
37:44Kill everybody!
37:56Are you okay?
37:58Go, go, go, go, go!
38:15Are you okay?
38:16Yeah!
38:16Stay here!
38:28Chrissy, Chrissy, we're pinned to the second floor in the southern area.
38:32We're gonna run out of ammo before they do.
38:34Can you get to us?
38:35Yeah!
38:46Are you okay?
38:48Yeah.
38:52Are you okay?
39:02Yeah.
39:15Give me a grenade!
39:17Come here!
39:21Here's the grenade!
39:23We can either hold them or the grenade!
39:25We can't do both!
39:26Save me!
39:27Melo, now!
39:28Go!
39:28Go, go, go!
39:43Melo, fight!
39:44Let's get out there!
39:45Get!
39:46Melo!
39:46Hold on, hold on!
39:48This is not fire!
40:14I gotta give it to you.
40:15That tape...
40:17That tape was some inspired shit.
40:20Yeah, that's the Chrissy I used to know.
40:21You know?
40:24One who I had high hopes for.
40:25So Mexico City got you all fucked up.
40:28So let's think about it.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with you?
40:41Yeah.
40:42I think you should be.
41:20Georgiaville, you've got her!
41:23I'm a couple kids!
41:25Brenda!
41:34I don't want to die!
41:37Let's go! Let's go!
41:39No!
41:41No!
41:44Breezy!
41:47Breezy!
41:49Breezy!
41:50Breezy!
41:55Brenda!
42:32You're there!
42:33They're not there!
42:35You're in the back of my car!
42:40It's time to write down the car!
42:52Let's go! Let's go!
42:54Let's go!
42:59This is for my brother.
43:14Let's go!
43:21Let's go! Let's go!
43:30Let's go!
43:45Let's go!
44:10She shut her mouth!
44:21I don't know.
44:53I don't know.
45:25I don't know.
45:35I don't know.
45:35Go, go, go, go!
45:40Go left, go left.
45:43Ah!
45:45Shit!
45:47Just go.
45:47Creasy.
45:48Just go, I'll be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Go on, Paul.
45:51No.
45:52Shit!
45:58No.
46:01No.
46:03No.
46:04No.
46:14No.
46:15No.
46:17No.
46:17No.
46:24No.
46:26No.
46:27No.
46:38Stop right there.
46:40Don't move.
46:44No.
46:52No.
46:55No.
46:59No.
47:01No.
47:04No.
47:14No.
47:27No.
47:29No.
47:30No.
47:37Good boy.
47:46Oh, my God.
48:08Oh, my God.
48:48Oh, my God.
49:09Oh, my God.
49:11Oh, my God.
49:13Oh, my God.
49:14Okay, just stay with me, okay?
49:15Okay, you're okay?
49:18No, just stay with me, it's okay.
49:21Oh, my God.
49:23Oh, my God.
49:25Oh, my God.
49:33Oh, my God.
49:48Oh, my God.
50:08Oh, my God.
50:11Oh, my God.
50:11Oh, my God.
50:12Oh, my God.
50:13Oh, my God.
50:14Oh, my God.
50:15Oh, my God.
50:16Oh, my God.
50:16Oh, my God.
50:18Oh, my God.
50:19Oh, my God.
50:20Oh, my God.
50:25Oh, my God.
50:29Oh, my God.
50:31Oh, my God.
50:34Oh, my God.
50:39Oh, my God.
50:44Oh, my God.
50:47Oh, my God.
50:48Oh, my God.
50:49Ivan said you need to work on your English before anything else.
51:01If you prefer to learn Russian, that would work, too.
51:04Oh, my God.
51:22The last time I saw my family, I wasn't at my best.
51:28And sometimes it feels like that regret is going to swallow me whole.
51:35Because of what happened to them, I have nothing to bury.
51:41No ashes to spread.
51:44But I've come around to the idea that because they raised me the way they did, my family ultimately left
51:54me with all that I could have asked for.
51:58You don't always realize what you have until somebody tries to take it away.
52:08And you don't always realize what you need until you're facing something too big to tackle alone.
52:20What my family has given me is the strength to go on.
52:27And what I've learned from my friends is that I never have to do so alone.
52:32That is what you have to do.
52:33I have to do so.
52:39That I can't do so much.
52:45You know?
52:50That's my strength.
52:54You're so weak.
53:02Hey.
53:03Hey.
53:05You know, if you want, you can just stay here,
53:09have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs.
53:41I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do,
53:46and a fair amount of egg on my face and one of our guys...
53:49That's just the reason you had to do it.
53:51Okay.
53:52Well, I...
53:55I accept your apology.
53:56Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys for that?
54:06I do, but they're actually long listening to that.
54:09No one else has had, uh, first-hand experience with these guys.
54:13And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something, you're ready to revisit.
54:27Send me what you got.
54:29I do.
54:57I'll see you soon.
Comments