- 6 hours ago
The Crown S03E01 [Full Movie] [Trending Drama]Full EP - Full
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08:40From a Jack
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15:18Just one of those
16:12Jesus Christ
16:13As a large majority
16:43of those things
17:13the people of the people of the newidad
17:13and the States we are doing to solche squabour's
17:14and social hopefuls and sSF, the people of the new national collaboration and students and they are and, and, and,
17:23and, and, and, and, and, and, but, and, and, and, and, and, and, and.
17:52Sir, the protocol is as follows.
17:54When you're announced, you bow from the neck.
17:56First time you see the queen, you say, your majesty.
17:58After that, it's man.
17:59Runs with hand until you leave.
18:01Then it's your majesty again.
18:02Don't sit until her majesty does.
18:04Don't talk until she does.
18:05Absolutely no physical contact other than taking a hand if and only if she offers it.
18:10No small talk unless she invites it.
18:12And at the end, she'll buzz and I'll come and get you.
18:15Bow from the neck and walk back towards me.
18:29The leader of the opposition, your majesty.
18:33Mr. Wilson.
18:42Your majesty.
18:44The country's spoken.
18:46Your party has won the election.
18:48The duty befalls me as sovereign to ask you to form a government in my name.
18:54Congratulations, Prime Minister.
19:10Well, I suppose I should kick things off with an apology.
19:14Whatever for?
19:15Winning.
19:17I'm aware of your affection for my predecessor, and doubtless you'd have preferred him to
19:20have continued in office.
19:22It is my duty not to have preferences.
19:25Well, we all do, though, don't we?
19:26We can't help it.
19:27It's human nature.
19:29And I can see the attraction of someone like Boshalik.
19:32Someone you can chat with about the racing.
19:34Someone well-bred, high-born, who knows how to hold his cutlery as opposed to a ruffian like me.
19:40Hardly.
19:40Still, the country said otherwise.
19:43They'd had enough of the mess those conservatives left us, and the havoc they wreaked.
19:49Soaring land and house prices, race riots, sex scandals, large-scale unemployment, rejection
19:55from the EEC, and an annual trade deficit of 800 million pounds.
20:02Yes, it's an unenviable legacy.
20:06What will you do about the balance of payments?
20:08Will you devalue?
20:09No, ma'am.
20:12A Labour government devalued the pound once before, with little success, and my party
20:17cannot risk being seen as the party of devaluation.
20:22It is also a matter of national pride.
20:25This is still a great country, and the pound is a powerful symbol.
20:33Can't have been an easy one to get used to.
20:36What's that?
20:37Were you being part of that symbol, your face on every coin and banknote?
20:43No.
20:45I remember seeing my father's face on a shilling for the first time, and thinking how odd
20:49it looked.
20:51At the same time realizing I would probably one day have to look at my own face.
20:56But one never knows what destiny has in store for one.
21:00Did you ever imagine you'd be Prime Minister?
21:02Goodness, no.
21:04How could you have done?
21:06Mr. Gateskill was still such a young man.
21:08He was.
21:10No one could possibly have foreseen his death.
21:13No.
21:14So sudden?
21:15Yes.
21:17And unexpected?
21:18Yes.
21:20Still, we make of our destiny what we can.
21:23Indeed.
21:27I'm not sure what I was expecting.
21:29Each of his predecessors, Churchill, Eden, Macmillan, even Ellick, each in their own way, was formidable.
21:37Statesman-like.
21:39But Wilson is neither old nor young, tall nor short, loud nor quiet, warm nor cold.
21:48He seems to have come from nowhere, and is entirely unremarkable.
21:52Best qualities in a spy.
21:54What did you say?
21:56Aren't those the best qualities in a spy?
21:59Well, it should be forgettable, unremarkable, not stand out in a crowd.
22:04We used to say that about Henry, didn't we, dear?
22:06What?
22:07That you would have made the perfect spy, because no one could remember having met you.
22:11Well, I'd say that was marginally better than everyone having nightmares having met you.
22:30Of course, we do tease each other.
22:32With Tony, one never knows quite whom one's going to get from one moment to the next.
22:37It's changeable.
22:38It goes from loving to hating.
22:41Mummy, you're not listening.
22:43Of course I am, darling.
22:46Tony doesn't hate you.
22:48I think he may be starting to.
22:50You must try not to let him consume you like this.
22:55Two of you have your trip to America coming up.
22:58Yes.
22:59You'll be with each other round the clock, working together as a team.
23:02Your father and I always found those trips very bonding.
23:08I hope you're right.
23:10All right.
23:12All right.
23:14All right.
23:15All right.
23:16All right.
23:27I love it, want it, you're the last on the wrong, you're the last on the wrong, I love it.
23:58Margo.
24:02How did you know?
24:03Margo.
24:0417 minutes door to door, I'm claiming that as a land speed record.
24:08Is there any food left, or have you eaten at all, your majesty?
24:14Your majesty, a thousand apologies.
24:17Happy birthday, Henry.
24:19Tony, where were you?
24:20Hello, darling.
24:24Tony, darling, come and sit next to your wife.
24:26Why would I do that?
24:27I see her all the time.
24:29She was just saying she sees you none of the time.
24:31Because he's always working, travelling or water skiing.
24:36It's my new passion, ma'am.
24:37Your majesty, there's a telephone...
24:39Oh, it's lovely.
24:41Actually, there's a ghastly little pond.
24:43I think it's fine.
24:45I think it's fine, you're singing.
24:47What do you know?
24:47You don't have to wind it down.
24:54Charming, thank you so much.
24:55It's really jealous.
24:58Happy birthday to you.
25:01Is it my word?
25:02Happy birthday to you.
25:05Happy birthday, dear Henry.
25:10Happy birthday to you.
25:14Oh, thank you.
25:15Hurrah!
25:15Turn up.
25:16Shh, shh, shh, shh.
25:17Winston is dead.
25:40Fire!
25:43времени toCS
25:43Oh my god.
25:45Oh
25:46Oh my god.
26:07Oh yeah.
26:07I don't know.
26:38Sir, the CIA's director of counterintelligence on the phone.
26:43I'll call him back.
26:43He called on Juliet, sir.
26:48Heads of states from around the world are arriving,
26:51crowding in to this great mother church of the Commonwealth.
27:19Jim?
27:21Martin.
27:22A man by the name of Michael Strait has surrendered himself to us at the DOJ.
27:28He claims to be a sleeper agent working for the Russians.
27:31He says he has information that will uncover a senior KGB mole
27:35at the top of the British establishment.
27:58Where is he now?
27:59Washington.
27:59We can have him flown into you by tomorrow.
28:03We are assembled here as representing the people of this land
28:09to join in prayer on the occasion of the burial of a great man
28:14who has rendered memorable service to his country
28:18and to the cause of freedom.
28:24We shall think of him with thanksgiving
28:26that he was raised up in our days of desperate need
28:31to be a leader and inspirer of the nation
28:35for its dauntless resolution and untowling vigilance.
28:41My name is Michael Strait.
28:43And since all men are subject to temptation and error,
28:49we pray that we, together with him,
28:53may be numbered among those whose sins are forgiven
28:58and have a place in the kingdom of heaven.
29:02I attended Cambridge University,
29:06and it was during this time that I was first approached
29:10by members of the Communist Party.
29:23Right.
29:31Right.
29:33I'll confirm with her majesty
29:35and come back to you straight away.
29:46Director-General of MI5, Mr. Furnival Jones, your majesty.
29:55Your majesty, thank you for seeing me.
30:06It gives me no pleasure to tell you that we have been approached
30:09by a former Russian agent
30:11who has identified a mole at the top of the British establishment.
30:16So it's true.
30:18Ma'am?
30:19I'd heard the rumours.
30:21Initially, I dismissed them.
30:22But spending time with him personally, in close proximity,
30:26one had become more and more suspicious.
30:29Indeed.
30:30And that he should have been able to carry on for so long,
30:34undetected,
30:35is a subject of enormous embarrassment to all of us.
30:39This obviously needs to be handled very delicately.
30:42That's what I've come to talk to you about,
30:44to see if we might find a way to contain it.
30:48What?
30:50We can't do that.
30:52Have a Russian spy in Downing Street?
30:56Oh, those rumours.
30:58You were talking about Harold Wilson.
31:00Yes.
31:02I'm so sorry, ma'am.
31:03Yes, it's widely accepted that repeated attempts were made
31:07by the KGB to recruit Wilson when he was younger,
31:10working on trade missions.
31:11He travelled to Russia a great deal in those years.
31:14But the evidence for the Russians having succeeded is so weak.
31:18We discounted it some time ago.
31:21And the poisoning of Gateskill?
31:23Gateskill wasn't poisoned.
31:25He died of lupus.
31:26The fact is, even if the Russians had poisoned Gateskill,
31:30the most likely beneficiary would have been George Brown,
31:33not Harold Wilson.
31:34Wilson was not favourite to take over the leadership at the time.
31:38We don't have a Russian spy in Downing Street?
31:41No.
31:44But it seems...
31:46we do have one in Buckingham Palace.
31:53We look at a painting and immediately want to know it,
31:57understand it.
31:59But can anything ever be fully understood?
32:05Take our bearded trickster here.
32:07A Venetian card sharp originally ascribed to Titian
32:12until new evidence came to light proving the painting
32:15is actually by Lorenzo Lotto.
32:17As time passes, so we learn.
32:22Truths are revealed.
32:24In the late Renaissance,
32:26painting after painting,
32:27masterpiece after masterpiece,
32:28seem full of hidden intentions,
32:31multiple meanings.
32:36Annibale Caracci's Allegory of Truth and Time,
32:39painted in 1584 or 1585.
32:42This winged figure here
32:45rescues a young woman,
32:48his daughter,
32:49from the darkness.
32:50He is time,
32:52she is truth.
32:53And this figure below,
32:57trampled by truth,
32:58is deceit.
33:01Caracci's message is clear.
33:06Be patient.
33:07The truth will out.
33:09I'm afraid I can now confirm
33:10that the surveyor of the Queen's pictures,
33:13Sir Anthony Blunt,
33:15was the fourth man in the Cambridge spy ring.
33:18The message encoded in the painting
33:21is repeated in reality.
33:23As with the Lotto,
33:24time passed and the painting was restored
33:26to reveal deceit is two-faced.
33:30She has a second monstrous visage.
33:34And that alongside conducting
33:36a distinguished career as an art historian
33:38and member of the royal household,
33:41he spent 15 years as an active KGB mole
33:45and passed almost 2,000 documents
33:48of sensitive military secrets
33:49to the Kremlin.
33:51Truth may lie beneath the surface,
33:54buried, forgotten,
33:56but time has a way of uncovering it.
34:00One thinks of the Merchant of Venice.
34:04Truth will come to light.
34:07Murder cannot be hid long.
34:10A man's son may,
34:13but at the length,
34:15truth will out.
34:35We had initially hoped
34:36the information was false.
34:38We get these sorts of claims all the time,
34:40but we subsequently detained
34:44and interviewed Blunt
34:45and I'm sad to say
34:49he has confessed
34:52in full.
35:02What's the next step?
35:04Well, as a traitor to his country,
35:07he should have caused down trial,
35:08be put in prison
35:09and the key thrown away,
35:11quite frankly.
35:12Unless it was felt
35:14that exposure of Blunt's treachery
35:16could cause even more damage.
35:19What, then keeping it silent?
35:22How?
35:23Apparently it could have
35:24a catastrophic effect
35:25on the reputation
35:26of our intelligence services.
35:28The fact that he had gone
35:29undetected for so long,
35:31which could in turn
35:32seriously affect
35:33our relationship
35:34with the Americans.
35:35we're on our last reserves
35:37of goodwill with them
35:38as it is.
35:39One more operational failure
35:41and our credibility
35:41would be completely shot.
35:43What are they suggesting?
35:45That we turn a blind eye
35:47and allow a traitor,
35:49an enemy of this country,
35:51to remain free
35:51with his career
35:53and reputation intact?
35:55just a spare MI5's blushes.
36:01The man should be shot.
36:02I agree.
36:04But instead,
36:04I have to get up
36:05and pay tribute to him
36:06at this exhibition.
36:08How am I supposed
36:09to get through my speech?
36:11I might choke on my words.
36:27We stand here tonight
36:29surrounded by some
36:31of the royal collection's
36:32greatest treasures
36:33to admire the genius
36:35of Rubens,
36:36Titian,
36:37Rembrandt
36:37and Helbach.
36:39But we are able
36:40to make sense of it all,
36:41appreciate it,
36:43understand it.
36:44It speaks to the genius
36:46of another man
36:46whose exceptional scholarship
36:48and vision
36:50have brought us together today.
36:52Sir Anthony Blount.
37:00It is he
37:01who has curated this exhibition
37:03and given meaning to mystery
37:05and revealed what really does
37:07lie beneath the surface.
37:10I, for one,
37:11had never thought
37:12of art history
37:13in that way
37:13as the art
37:15of investigation,
37:16solving riddles,
37:18finding clues,
37:20unlocking secrets.
37:22It's been quite
37:23an education.
37:25I particularly enjoyed
37:26the portrait
37:27which turned out
37:28to have another person
37:29lurking beneath the surface.
37:35Have I described that
37:36correctly, Sir Anthony?
37:37Or am I stumbling around
37:38in the dark as usual?
37:40Not another person, ma'am.
37:42The same person.
37:44It was not uncommon
37:45in the early modern period
37:46for an artist
37:47to finish a portrait
37:48and the patron
37:49would take a look
37:50and ask for a more
37:51flattering version
37:52of themselves
37:54and the artist
37:55would paint another version
37:56over it.
37:59So not two different people?
38:01Two different versions
38:02of the same person.
38:04Which might as well
38:05be two different people.
38:08The idealized version
38:09of themselves
38:10they want to be seen
38:11and the less desirable person
38:13they rarely are
38:14hidden away.
38:16There's even a word for it.
38:18Pelimpsest.
38:19That generally applies
38:21to manuscripts, ma'am.
38:22Pentimento for paintings.
38:25Pentimento.
38:26Well, I think I speak
38:28for everyone here
38:29when I say none of us
38:30will be able to trust
38:31or look at anything
38:33in the same way
38:34ever again.
39:05Prime Minister.
39:08Your Majesty.
39:09I'm so glad you came.
39:11It gives me the chance
39:12to apologize in person.
39:15What for?
39:16There's no need to understand
39:17all you need to know
39:19is that I misjudged you
39:20terribly
39:21and I'd like to take
39:22this opportunity
39:22to say sorry.
39:29Are you an art man?
39:31Art?
39:33Yes, art.
39:33Paintings.
39:34Well, actually, no.
39:36No.
39:37I'm an economist.
39:39A statistician
39:40at heart.
39:41I'm happiest
39:42with numbers.
39:44You can trust numbers.
39:45They're honest.
39:48There's no mystery
39:50or deception
39:51or allegory.
39:54You know where you stand.
39:57What you see
39:58is what you get.
40:01I prefer things that way.
40:04I quite agree.
40:15Excuse me a moment.
40:21Excuse me a moment.
40:27Ready, sir?
40:39And the very least you could do is quietly crawl away, not force us to live with you
40:47under the same roof.
40:49Doing the right thing, the decent thing, the honorable thing, you know the faintest idea
40:57what that was.
41:00Well, I am going to be watching you on one wrong step, you treacherous snake, and I will expose
41:09you and have you thrown in jail.
41:12I would think long and hard before I did that, sir.
41:18You would do well to reflect on your own position.
41:22What are you talking about?
41:27You may remember, at the height of the Profumo sex scandal, there was talk of a member of
41:33the royal family being involved.
41:35No one knew who, but it was rumored to be a senior member of the royal family.
41:41Very senior.
41:45When the osteopath at the center of the scandal, Stephen Ward, took his own life, there was
41:53speculation that a number of portraits of that senior member of the royal family had been
41:57found in his apartment.
41:59Naturally, a great many people were keen to get their hands on those portraits.
42:05Mercifully, someone respected and well-connected in the art world was able to make sure they
42:12didn't fall into the wrong hands.
42:14I never saw Stephen Ward in any capacity other than as an osteopath.
42:19If he made drawings of me, he would have done so from photographs.
42:24We all tell ourselves all sorts of things to make sense of the past, so much so that our
42:32fabrications, if we tell them to ourselves often enough, become the truth in our minds and
42:39everyone else's.
42:41And believe you me, I'm happy for your truth to be the truth.
42:47It would be better for everyone.
42:50Imagine how awful it would be, for example, if those pictures saw the light of day now,
42:57a storm it would create.
43:00And for what?
43:03It's the past.
43:27It's the past.
43:32Would you excuse me?
43:33Of course.
43:34Yeah, I'm just kidding.
43:35Let's go.
44:05Let's go.
44:35Let's go.
45:49Let's go.
46:16Let's go.
46:28Let's go.
46:40Let's go.
46:43Let's go.
46:44Let's go.
47:14Let's go.
47:15Let's go.
47:16Let's go.
47:16Let's go.
47:39Let's go.
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