- 19 minutes ago
The Keyhole (1933) by Michael Curtiz - Starring Kay Francis, George Brent, Glenda Farrell - Full Movie [Full Movie] [Trending]Full EP - Full
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Short filmTranscript
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00:06:34Oh, Skylar, you frightened me so.
00:06:37I'm sorry. I must have dozed off. I didn't hear you come in.
00:06:41Well, I've been in for some time.
00:06:42You must have come in very quietly.
00:06:45What made you run away so suddenly after dinner?
00:06:47I didn't run away. I was tired and nervous. I just went for a drive.
00:06:52Just for a...
00:06:53Oh, of course. How foolish of me.
00:06:58Good heavens, it's almost ten o'clock and I have a busy day ahead of me.
00:07:02Well, good night.
00:07:07Oh, by the way, why don't you come down and have lunch with me at the office tomorrow?
00:07:11I can't. I'm... I'm lunching with your sister.
00:07:15Sister?
00:07:16Yes.
00:07:17Oh, I see. I...
00:07:19Well, good night.
00:07:20Yeah?
00:07:21Good night, Skylar.
00:07:22Good night.
00:07:24Good night.
00:07:37Good night.
00:08:45She was still wearing her jewelry, her necklace?
00:08:47No, sir.
00:08:49The shower's ready, sir.
00:08:50Thanks.
00:08:55Grover!
00:08:59You should watch your mistress more closely when she's in your care.
00:09:02That's all.
00:09:03Yes, sir.
00:09:08Yes, yes, darling.
00:09:10I'm listening.
00:09:11You say you were just 17 when you met this Maurice.
00:09:14Too young to know anything except that I wanted to dance.
00:09:17He took me as his partner and...
00:09:19And, of course, I fell in love with him.
00:09:22When he saw we were becoming successful, he asked me to marry him.
00:09:26I know now all he wanted was to tie me to him.
00:09:29Oh, it didn't take me long to find out what he really was.
00:09:32It was pretty awful.
00:09:35Anyway, I...
00:09:36I stood it as long as I could.
00:09:38One day I refused to dance.
00:09:40Then he said he wanted to divorce me.
00:09:41Said he was in love with somebody else.
00:09:43Well, I...
00:09:44I told him to go ahead.
00:09:45And while he was getting it, I came back to America.
00:09:47And met Skylar Brooks.
00:09:49Yes.
00:09:50The rest you know.
00:09:52Six months after I was married, Maurice showed up.
00:09:54He hadn't gone through with the divorce.
00:09:56He lied to me.
00:09:57Good heavens.
00:09:58I gave him $10,000 to go back to Europe and complete the divorce.
00:10:01He didn't do it.
00:10:02Now he wants $50,000.
00:10:04The wretch.
00:10:05He's given me a week.
00:10:06I can't raise that amount of money without Skylar knowing about it.
00:10:09Already he's suspicious.
00:10:11He watches every move I make.
00:10:12Cellist, old idiot.
00:10:14All right.
00:10:15We'll get that marriage quietly and all.
00:10:17somewhere out of the country.
00:10:18Paris, Cuba, Mexico.
00:10:20You don't know Maurice.
00:10:21Thank heaven.
00:10:22He'd follow me anywhere.
00:10:24Then that's the solution.
00:10:25What?
00:10:26This Maurice person isn't an American, is he?
00:10:28No.
00:10:28Then if you can get him to follow you out of the States,
00:10:30I'll stop him from ever getting back.
00:10:32You'll stop him?
00:10:33My dear, I haven't been in this social business 40 years for nothing.
00:10:37A man of his character?
00:10:39One little telephone call to Washington would cancel his visa like that.
00:10:47Five, three's at 15, five, nine, nine, one, five, five's at 25, five, six, 30, two at 32, five, five,
00:10:54five, five, two at 10, and two at 12.
00:11:00I'll tell you, Skylar, 10 million is cheap for that string of power companies.
00:11:05I recommend the roast duck, too.
00:11:06In the same breath?
00:11:08You're not eating, dear.
00:11:10I know, but I can't.
00:11:11Oh, come, come.
00:11:12It isn't every day we have a beautiful woman lunching with us, eh, Skylar?
00:11:16What's the matter?
00:11:18Tired, I guess.
00:11:19I wish I could go away somewhere for a while.
00:11:21A wanderlust, eh?
00:11:23How about a chocolate de clare?
00:11:25No, thanks.
00:11:25Perhaps you ought to see Dr. Graham.
00:11:27I'm not ill, darling.
00:11:29Just fidgety and nervous.
00:11:30Yes, I have noticed that.
00:11:33I'm not sleeping well, either.
00:11:35Ever count sheep?
00:11:36That reminds me.
00:11:37Let me have some of that cold lamb.
00:11:41Couldn't we go away together somewhere?
00:11:42Well, not just now.
00:11:44I couldn't, eh, business.
00:11:47Well, uh, would you mind if I went away alone for a couple of weeks?
00:11:52You could join me later.
00:11:55Where would you like to go?
00:11:56Oh, I don't know.
00:11:58Bermuda or Cuba.
00:12:00I think I'd like a banner.
00:12:01If Skylar can't go, how about me, Anne?
00:12:05That would be too perfect.
00:12:07When would you like to go?
00:12:08Anytime.
00:12:09Tomorrow.
00:12:10I could pack in an hour.
00:12:11So soon?
00:12:12The sooner the better.
00:12:13Oh, well, very well, my dear.
00:12:14I'll arrange it.
00:12:16Thank you, darling.
00:12:18Of course, you'll take your maid.
00:12:19No, I think I'd rather go alone.
00:12:21Oh.
00:12:22Very well.
00:12:23Just as you like.
00:12:25And to make it quite perfect, I'd like to go under my own name.
00:12:29That'd be sort of fun.
00:12:30You don't like his?
00:12:32It isn't that.
00:12:33I don't want publicity, that's all.
00:12:35I just want to be plain and valet.
00:12:37I want to get on that big white boat,
00:12:39sit in the deck chair and relax.
00:12:41Forget everything.
00:12:45Well, if I'm really going tomorrow, I have a lot to do.
00:12:48Mind if I run along?
00:12:49No, no, of course not, my dear.
00:12:51Goodbye, darling.
00:12:51Goodbye, dear.
00:12:52See you tomorrow.
00:12:53Yes.
00:12:54Better tell your wife if you really want to come along with me.
00:12:57Goodbye.
00:12:57Yes, goodbye.
00:12:58We'll see about our tickets, won't you, dear?
00:12:59Oh, yes, I'll take care of her.
00:13:01Right.
00:13:03Why, we have connections and agencies all over the world.
00:13:06With officers in London.
00:13:08Yes, yes, I know.
00:13:08I took the trouble to investigate you before I came.
00:13:11You make the specialty of shadowing women, I understand.
00:13:15We've handled some of the best cases.
00:13:16Yes, yes.
00:13:17This is a very confidential case and requires a special operative,
00:13:20one who is capable of...
00:13:22Uh-huh.
00:13:23You must be a gentleman, of tact, of honesty,
00:13:25one who knows how to approach...
00:13:27I know who you want.
00:13:30Yeah?
00:13:31Hank?
00:13:32Yeah?
00:13:32Come to my office right away, will you?
00:13:33Okay.
00:13:34I got just the man for your case.
00:13:38A gentleman in every respect.
00:13:44Please.
00:13:45Why, what's the trouble?
00:13:46He won't do.
00:13:49Well, you've got me wrong.
00:13:50What do you mean?
00:13:51The man I want ain't here.
00:13:52I gotta send for him.
00:13:55Fine Davis.
00:13:55I don't know where he is, but find him.
00:13:58It's a sench.
00:14:02Sit down.
00:14:03Don't be nervous.
00:14:05Everything's going to be all right.
00:14:113-11?
00:14:12Oh, there's a raid in 4-12.
00:14:14Yeah, okay.
00:14:15Hiya, Joe.
00:14:16Now, don't get worried.
00:14:18Okay.
00:14:192-10, Mr. Smith?
00:14:20Desk clerk calling.
00:14:21Sorry to bother you, but there's a raid on the fourth floor.
00:14:24Yeah, I thought you might like to know.
00:14:365-43, Mr. Smith?
00:14:38There's a raid in 4-12.
00:14:39Yeah, don't get worried.
00:14:41All right.
00:14:471-08, Mr. Smith?
00:14:49Hey, Joe.
00:14:50Same room.
00:14:51There's a raid in the hotel.
00:14:524-4.
00:14:53Okay.
00:14:556-01.
00:14:56Hello, Mr. Smith.
00:14:57There's a raid in 4-12.
00:14:58Fourth, please.
00:14:59Don't worry.
00:14:59All right.
00:15:12Let's go.
00:15:30Pardon me, pardon me, sir.
00:15:32Up or down, Mr. Smith?
00:15:33Down!
00:15:46Well, Governor, there's your evidence.
00:15:48Hiya, Hank.
00:15:48Hiya, George.
00:15:50And I believed in you, and trusted you, and now.
00:15:55Haven't you got anything to say at all?
00:15:56You've been two-timing your husband with every tramp in town, haven't you?
00:16:00Well, I think he's a swell guy, and he deserves a divorce.
00:16:05Goodbye, Mrs. Smith.
00:16:07The boss wants you at the office, Prado.
00:16:09What, again?
00:16:12Someday I'm going to find me a nice monastery
00:16:14where I'll never see another scheming female as long as I live.
00:16:18Hello, Mac. Have you heard from Davis?
00:16:21Oh, yes.
00:16:22Send him in right away.
00:16:24Okay.
00:16:26He'll be in just a minute, Mr. Brooks.
00:16:33Good afternoon, Mr. Davis.
00:16:36How have you been, Mr. Weins?
00:16:38Mr. Davis, Mr. Brooks.
00:16:40How do you do?
00:16:41How do you do?
00:16:42If you two gentlemen will excuse me,
00:16:44I'll leave you to discuss the matter alone.
00:16:49Scram.
00:16:54Sit down.
00:16:54Thanks.
00:17:03You wish to see me?
00:17:04Yes.
00:17:05You, uh, know this woman?
00:17:11That's one I've missed.
00:17:13She's sailing tomorrow evening for Havana.
00:17:15Why?
00:17:16That's the point.
00:17:18I see.
00:17:20Name, please.
00:17:22Anne Valet.
00:17:25Anne Valet.
00:17:27Yes.
00:17:28Miss or Mrs.?
00:17:29Uh, Miss.
00:17:31Suite 7C, Cuban male.
00:17:34Santiago?
00:17:35Yes.
00:17:37I'm, uh, I'm rather interested in this young lady,
00:17:40and as she's sailing alone,
00:17:41I thought it well to have someone
00:17:43who would protect her
00:17:44against, uh, chance acquaintances,
00:17:46emotional accidents.
00:17:47You see, she must have, uh,
00:17:49companionship of some sort,
00:17:50and I prefer to have someone in my employ,
00:17:53someone who could gain her confidence and, uh...
00:17:55And find out whether she's capable
00:17:56of having those, uh, emotional accidents.
00:17:59No, no, certainly not.
00:18:00I trust her, absolutely.
00:18:01Well, who do you suspect?
00:18:02No one.
00:18:03Or everyone.
00:18:03All right, but...
00:18:04Yes, I know, I know.
00:18:05Your world is built on, on chivalry
00:18:08and the fair name of woman.
00:18:09Mine isn't.
00:18:10That's why you're here.
00:18:12You want me to find out something
00:18:13that you yourself don't even dare to think.
00:18:16All right.
00:18:17All I need is an unlimited expense account
00:18:19and time.
00:18:21You'll, uh, send me a report every day?
00:18:23Certainly.
00:18:23I'll give you my private address.
00:18:24You'll be prepared to fly to Cuba
00:18:26for the payoff?
00:18:27For what?
00:18:28Well, you want to be in at the kill, don't you?
00:18:29Uh, I...
00:18:30I don't understand.
00:18:32Well, I mean...
00:18:33seeing is believing.
00:18:35Oh, yes, but there'll be absolutely
00:18:36no necessity for that.
00:18:37Well, just the same.
00:18:38You better keep a suitcase back.
00:18:42This will cover transportation
00:18:43and expenses.
00:18:44Thanks very much.
00:18:48You will come to see me in the morning
00:18:49for final instructions.
00:18:53Sir, good afternoon, Mr. Brooks.
00:18:54Good afternoon, Mr. Davis,
00:18:56and, uh, thank you.
00:18:57You're welcome.
00:19:03When do we sail?
00:19:05Oh, those rubber ears of yours
00:19:07are going to get you into trouble someday.
00:19:08I always wanted to go to Cuba.
00:19:10Well, join the Navy.
00:19:11You got a big expense account
00:19:12and I ain't busy.
00:19:13Now, listen, Hank,
00:19:14you're all right for climbing in windows
00:19:16and breaking down doors,
00:19:17but this isn't that kind of a case.
00:19:18I gotta go.
00:19:20Oh, that dame.
00:19:22Yeah, in a way.
00:19:24Why don't you hire a private detective?
00:19:25Her sister's related
00:19:26to Mickey Walker's sparring partner.
00:19:30You know anything about being a valet?
00:19:32Who, me?
00:19:33Say, I'm the last word in valets.
00:19:36Well, you'll have to sleep
00:19:37in the steerage with the other servants.
00:19:38Get me out of town
00:19:39and I'll sleep with the yanker.
00:19:44That's all, Lucille.
00:19:45I'll finish the rest.
00:19:46Very well, madam.
00:19:49Now, don't worry.
00:19:50Our strategy can't fail.
00:19:52I've planned it all
00:19:52as carefully as a field marshal.
00:19:54I suppose I'd better take
00:19:55all these letters and papers
00:19:56for the attorney down there
00:19:57in case I...
00:19:57Yes, of course.
00:19:58Certainly, certainly.
00:19:59Take everything
00:20:00and put them away very carefully.
00:20:03Wait a minute.
00:20:04That may be Maurice.
00:20:09Hello?
00:20:10Mrs. Brooks?
00:20:11Who's calling, please?
00:20:14Well, I'm sorry,
00:20:15but she's not here.
00:20:16She'll talk to me.
00:20:18Just tell her who's calling.
00:20:19I'm sorry,
00:20:20but I don't think I can reach her.
00:20:22She's sailing this evening for Cuba.
00:20:24Cuba?
00:20:27Why, yes, of course.
00:20:29What boat is she sailing on?
00:20:32I'd like to send her some flowers.
00:20:34On the Cuban mail.
00:20:35The Santiago, I believe.
00:20:37Yes, that's right.
00:20:40All right.
00:20:41Goodbye.
00:20:42Is it all right?
00:20:44Your dear Mr. Maurice
00:20:45will be on that boat in person
00:20:46or I don't know my men.
00:20:52Oh, my God.
00:21:03Come here.
00:21:04Come here.
00:21:13ALL RIGHT.
00:21:31May I see the passenger list, please?
00:21:32Why, certainly.
00:23:34Thank you very much.
00:23:36Is this it?
00:23:37No.
00:23:38I had five bags.
00:23:39There are only four here now.
00:23:40It's a small tan suitcase about this size.
00:23:43The same kind of leather as that one.
00:23:44I tell you, it isn't here.
00:23:46Very well.
00:23:46I'll look for it.
00:23:47I beg your pardon.
00:23:48Is this what you're looking for?
00:23:49Yes, of course it is.
00:23:50Thank you so much.
00:23:51You got into my state room by mistake.
00:23:53I was just on my way to return to the person's office.
00:23:55Oh, I'm terribly sorry to have caused you so much trouble.
00:23:57Quite all right.
00:23:58No trouble at all.
00:24:00Only...
00:24:00Well, you can imagine my embarrassment when my valet opened it.
00:24:03And then .
00:24:09How are you?
00:24:10How do you do, sir?
00:24:12How do you know when you're twelve miles out?
00:24:14By the passengers.
00:24:17Make mine a big whiskey and a small soda.
00:24:20Just a minute, sir.
00:24:22Is it gonna be rough?
00:24:24I think it will be.
00:24:31So that's the drinking signal.
00:24:33The bell!
00:24:39Saved by the bell.
00:24:45Blue diamond fizz. Not too much sugar.
00:24:48A what, madam?
00:24:49Blue diamond fizz. I don't want it too sweet.
00:24:51I don't think I ever heard of that.
00:24:53I can make you a New Orleans fizz, or...
00:24:55Oh, the service on this line is like a cattle boat.
00:24:57Well, if you give me an idea of what it's made of...
00:24:59Never mind, never mind. I'll have an ordinary champagne cocktail.
00:25:02You've heard of that, haven't you?
00:25:04Yes, madam.
00:25:06Tell me, is the Duke of Wessex aboard?
00:25:09I don't think he's with us on this trip.
00:25:11Oh, perhaps it's just as well.
00:25:14The Duchess gets so jealous every time Robert speaks to me.
00:25:20How's that, madam?
00:25:22Atrocious.
00:25:23What kind of champagne?
00:25:25Paul Roger, 1915.
00:25:27Would be on this tub.
00:25:28I don't suppose you have any Veuve Clicquot 1906?
00:25:30I'm sorry.
00:25:32Well, can you change a hundred dollar bill?
00:25:35No, madam, I can't.
00:25:37Really, this is intolerable.
00:25:38How can you expect people...
00:25:39Pardon me.
00:25:42Would you allow me, madam?
00:25:44Allow you to do what?
00:25:45I mean, as long as you have no small change on you,
00:25:48I thought I might sort of buy you a drink.
00:25:53If you wish.
00:25:59Are you traveling by yourself?
00:26:03Mm-hmm.
00:26:04So am I.
00:26:05That's swell.
00:26:07What swell?
00:26:09Nothing.
00:26:11Let's skip it.
00:26:13Ah, the bell again.
00:26:15Happy days.
00:26:16You're a droll person.
00:26:18You said it.
00:26:18A laugh a minute.
00:26:19That's me.
00:26:20Never a dull moment when I'm around.
00:26:24Oh, keep the change, my man.
00:26:26Thanks.
00:26:28Certainly, my good man.
00:26:29Keep the change.
00:26:44Here it is, miss.
00:26:45Isn't there someplace where I could be alone?
00:26:47I'm sorry, miss, but it's very difficult.
00:26:48Well, you may move mine, Stuart.
00:26:50Doesn't matter to me where I sit.
00:26:51I guess this will be all right.
00:26:52Please don't let me disturb you.
00:26:54Thank you, uh...
00:26:57Miss Valet.
00:26:59Not at all.
00:27:09You know, this is twice that you've been very nice to me.
00:27:11That makes the score two to nothing in your favor.
00:27:13Not quite.
00:27:14No?
00:27:15No, I have a confession to make.
00:27:19Yes, the woman who sat next to me talked too much.
00:27:23I see.
00:27:25Hope you don't mind.
00:27:26No, no, no, not at all.
00:27:27The feeling is quite mutual.
00:27:29I love silence.
00:27:32The score's even.
00:27:53I wish Crap caught.
00:27:55Do you have to have to be innocent?
00:27:59The question was due.
00:28:00It is, brother.
00:28:01Hank Wales, USA.
00:28:05Well, as I was saying, Mr. Wales,
00:28:07a wealthy woman alone, unprotected,
00:28:09knowing nothing of the world,
00:28:10everyone preys on her.
00:28:12The rats.
00:28:13Oh, but let's not talk about me anymore.
00:28:15Let's talk about you.
00:28:16What business did you say you were in?
00:28:19Well, I'm, uh, I'm associated with my father.
00:28:23Your father?
00:28:25Oh, and what does he do?
00:28:28He's, uh, retired.
00:28:29You don't say.
00:28:31My father's retired, too.
00:28:33Now, ain't that a coincidence?
00:28:34Just a couple of lonely souls whose parents have retired.
00:28:39It's a sad thought.
00:28:43Oh, the bell again.
00:28:45Oh, Garcon?
00:28:46Yes, ma'am.
00:28:46Two more.
00:28:48Two champagne cocktails.
00:28:49So you're going to Cuba to look over the family tobacco plantation.
00:28:53Oh, what a bore.
00:28:55But at that, it isn't as bad as our mines in Alaska
00:28:57or our mahogany forests in Yucatan.
00:28:59Far aside, though.
00:29:00We had some spruce land in Oregon,
00:29:02but father swapped them in for a couple of old banks just before he retired.
00:29:07Oh, tell me, dear, Mr. Wales,
00:29:09where is your family home?
00:29:12Well, we sort of, uh, move around.
00:29:15Every fall, we go to the springs.
00:29:17And every spring, we go to the falls.
00:29:20You naughty, naughty boy.
00:29:21You're spoofing.
00:29:22You're spoofing me.
00:29:23Oh, now remember, I'm paying for this round.
00:29:25Not a chance.
00:29:26Don't even mention it.
00:29:27I insist.
00:29:28Can you change a hundred dollar bill?
00:29:29I don't think so, madam.
00:29:31Keep the change, my good man.
00:29:32Oh, thank you, sir.
00:29:35You must never offer to pay for anything else again when I'm around.
00:29:38There hasn't been a gigolo in the Wales family for generations.
00:29:42Here we go, laughing and scratching.
00:29:45Here we go.
00:29:48Join me in the cocktail.
00:29:50No, thank you.
00:29:52Pardon me.
00:29:53What is it?
00:29:55Oh, who is that good-looking man?
00:29:58He's my valet.
00:30:00He's always spying on me.
00:30:01I wanted to fire him,
00:30:02but he's been in the family for years and years and years.
00:30:05I'll see you tonight.
00:30:07See you later, perhaps.
00:30:08Perhaps.
00:30:15Give me a straight whiskey.
00:30:17Don't you lose him?
00:30:18Lose him?
00:30:18Me?
00:30:19Boy, the only way they get away from me is to jump overboard.
00:30:22I thought you always went first class.
00:30:24What are you doing with that slug?
00:30:26The depression hit me.
00:30:28Come on, give.
00:30:29Nix, wait till we dock.
00:30:31Give.
00:30:32Twenty champagne cocktails at two bucks a smash and about thirty bucks in tips.
00:30:35And don't be holding out on me,
00:30:37or I'll switch him back to whiskey at half a buck a snort.
00:30:42You didn't get away with it, my dear.
00:30:46Doesn't look that way, does it?
00:30:47Just what do you think you're going to do now?
00:30:50I give in.
00:30:51You win.
00:30:53Smart girl.
00:30:55Well, I have much money with me now,
00:30:56but I'll manage to cash a check as soon as we land.
00:30:59Can I depend on that?
00:31:00You have me cornered.
00:31:01What else can I do?
00:31:03You can add an extra couple of thousand to the original amount
00:31:06for the expenses of this trip and for trying to run out on me.
00:31:09Meantime, maybe we can act like human beings
00:31:11and enjoy this little voyage together.
00:31:14You'll get your money when I land, and that's all.
00:31:17Another one, please.
00:31:18Yes, sir.
00:31:19Very dry.
00:31:20What about that cocktail?
00:31:21Huh?
00:31:22Make it two, please.
00:31:23Sit down, won't you?
00:31:24Yes.
00:31:26So you changed your mind.
00:31:27Do that often?
00:31:29Often.
00:31:30Why don't you say I've asked you to have dinner with me?
00:31:33I'd probably say no.
00:31:34Oh.
00:31:37What's the matter?
00:31:38Something wrong?
00:31:40You know, I think I'll tell you the truth.
00:31:42There's a certain man on this boat that I don't like.
00:31:46Who, me?
00:31:48No.
00:31:49Oh.
00:31:50Are you good at rescuing ladies?
00:31:52Oh, yes.
00:31:54Who's the man?
00:31:55Stranger.
00:31:56So am I.
00:31:58Yes, but you're the lesser of two evils, Mr. Davis.
00:32:04Miss Valet.
00:32:07Clover club, please.
00:32:20What about that dinner?
00:32:21Thanks.
00:32:26Got my things ready?
00:32:29The book says a valid place, a necessary studs and shirts.
00:32:36Say, boss, what's in a champagne cocktail?
00:32:39Here.
00:32:40Look in the book.
00:32:42Up the bell.
00:32:49I can't keep up with that guard on, pal.
00:33:042 p.m., she is not interested in boat flirtation.
00:33:085 p.m. cocktails together.
00:33:10She has a lovely smile.
00:33:15I don't know.
00:33:16She doesn't love it.
00:33:17I don't know.
00:33:19I don't know.
00:33:29I don't know.
00:33:57Nice tune, isn't it?
00:34:03Looking at the moonlight, stars?
00:34:07No, I was listening to the music.
00:34:10It is a nice tune.
00:34:13Funny thing, big boat and all a little world in itself.
00:34:20The world made of steel plates,
00:34:22a scant half-inch between us and the bottom of the sea.
00:34:25Sounds dangerous.
00:34:29It is dangerous.
00:34:32Perhaps it's a good thing we're arriving at Havana tomorrow.
00:34:37But there will be moonlight and music and stars after tomorrow.
00:34:42Won't there?
00:34:44I'm afraid not.
00:34:46Not after tomorrow.
00:34:49I was pretty good at the walls too.
00:34:51But I never liked the rubber.
00:34:53I think you have to be Spanish to like it, don't you?
00:34:56Oh, really, you are a scream.
00:35:00Isn't it romantic up here in the moonlight and all that?
00:35:04Yeah.
00:35:05Oh, you do say such utterly charming things.
00:35:09Say, that's a swell hunk of ice.
00:35:11Oh, that? That's been in my family for years.
00:35:13Abraham Lincoln gave it to my grandmother.
00:35:15A historical ruin, huh?
00:35:17Huh?
00:35:17Not your grandmother.
00:35:19The ring.
00:35:21Arthur gave it to me when I graduated from the convent last year.
00:35:24Abraham Lincoln.
00:35:25Now, who would have thought?
00:35:29Your ring, I dropped it.
00:35:30Your what?
00:35:31It went overboard.
00:35:32My ring.
00:35:33My beautiful, lovely ring.
00:35:35Oh, my heart's broken.
00:35:37Oh, my ring, my ring.
00:35:38Now, wait a minute, Dot.
00:35:39Don't get all hysterical.
00:35:40Oh, what did father say?
00:35:41He'll never forgive me.
00:35:42I'll buy you a new one in Havana.
00:35:44Oh, my...
00:35:44I'll buy you a bracelet, earrings.
00:35:46The whole jewelry store.
00:35:47Don't get sore at me.
00:35:51I gotta go.
00:35:53What's happened?
00:35:54I gotta feed my goldfish.
00:35:55I love goldfish.
00:35:57No, you stay here.
00:35:58My goldfish is afraid of strangers.
00:36:01Are you the kind of person who always leaves a little champagne in the bottom of the glass?
00:36:06Meaning what?
00:36:07Meaning you're leaving half a night full of moonlight, music, untouched.
00:36:14Are you afraid to empty the glass?
00:36:16No.
00:36:17No.
00:36:18But I don't like hangovers.
00:36:30Good night, Mr. Davis.
00:36:32Oh, good night, Miss Fairley.
00:36:35I, uh...
00:36:35Mary, uh...
00:36:40Oh, good night.
00:36:40Where are you?
00:36:41No.
00:36:43No.
00:36:56No.
00:36:58No.
00:36:58No.
00:37:00No, no.
00:37:00No.
00:37:00No.
00:37:01No.
00:37:02No.
00:37:02No.
00:37:05No.
00:37:1410 a.m. conversation, 12.30 p.m. lunch, 4 p.m. cocktail, 7 p.m. dinner, 9 p.m.
00:37:19danced, 11 p.m. went to bed alone.
00:37:36As soon as we dock, I'll get a taxi and, uh...
00:37:39You're very kind, but I think you'd better say goodbye here.
00:37:42I don't see why.
00:37:43Many reasons.
00:37:45Won't you even let me see you to your hotel?
00:37:49As a matter of fact, I'm going to visit friends on a plantation out of town.
00:37:54That's funny. I'm headed for a plantation, too.
00:37:57Really? Where?
00:37:59Uh, just north of Havana.
00:38:02Oh, that's too bad.
00:38:04My friends are just south of the city.
00:38:06Oh, I see.
00:38:08Goodbye, Mr. Davis.
00:38:10Good luck, Miss Malloy.
00:38:19Have you all my bags here?
00:38:20Yes, madame. Are they all tagged?
00:38:22Yes, Hotel Metropole.
00:38:23Any other wish, madame?
00:38:24That's all, thank you.
00:38:31Did you get it?
00:38:32Yeah, Hotel Metropole.
00:38:33That's where we go. Send the baggage.
00:38:34Okay.
00:38:38Hello, hey.
00:38:39Hello, Doc.
00:38:39I'm very sorry, miss, but it wouldn't mean to be...
00:38:41What's the matter? What's the matter?
00:38:41Oh, Doc, I have no change.
00:38:43Have you any money with you?
00:38:44Sure. How much you need?
00:38:45Fifty dollars. Just a few telegrams, radios, and so on.
00:38:47It's a pleasure.
00:38:49Oh, thank you, sir.
00:38:50What hotel are you going to have?
00:38:51Hotel Metropole.
00:38:52What a coincidence, so am I.
00:38:53Yeah? That's swell. I'll see you later.
00:38:59Hotel Metropole.
00:39:06Hotel Metropole.
00:39:16Hotel Metropole.
00:39:17Hotel Metropole.
00:39:23Hotel Metropole.
00:39:25Hotel Metropole.
00:39:29Hotel Metropole.
00:39:34Hotel Metropole.
00:39:35Hotel Metropole.
00:39:36Hotel Metropole.
00:39:39Hotel Metropole.
00:39:39Hotel Metropole.
00:39:41Hotel Metropole.
00:39:43Hotel Metropole.
00:39:48Hotel Metropole.
00:40:22Hello?
00:40:23Greetings, my dear.
00:40:25No, I'm not at the Metropole.
00:40:27I couldn't afford it.
00:40:28So I found a very comfortable little place just around the corner,
00:40:31where I can always be nearby.
00:40:33I've already cabled New York.
00:40:35The money should be here in less than a week.
00:40:37No, now please don't come here.
00:40:39You'll spoil everything.
00:40:42Call me today or so, and I'll have some news for you.
00:40:45You know I can't run away again.
00:40:47Where should I run to?
00:40:49Now don't be impatient, Maurice.
00:40:52Goodbye.
00:41:20Hey, boss, she just sent a cable grab.
00:41:23Where?
00:41:23Somebody in New York.
00:41:24I couldn't catch the name.
00:41:25Okay, beat it.
00:41:45Are you you?
00:41:46I'm afraid I am.
00:41:47I don't believe it.
00:41:48You're supposed to be with friends on a plantation somewhere.
00:41:51They went fishing.
00:41:53Oh, fishing.
00:41:55They won't be back for a week.
00:41:58But where did your friends go?
00:42:01Fishing.
00:42:05Let me see what you've got here.
00:42:07Oh, that's awful.
00:42:08Take it away.
00:42:08Leave it there.
00:42:09That's terrible.
00:42:09Take that away.
00:42:10Break the whole thing away.
00:42:12Ma, signore, questo ĆØ il miglior cibo che abbiamo in l'hotel.
00:42:13Never mind that.
00:42:14Never mind that.
00:42:14You idiot.
00:42:15What am I going to do with you?
00:42:16Have to end up with me.
00:42:17Here.
00:42:17Bring that table over here.
00:42:20Gino, bring la nava di servizio qua.
00:42:23Hope you don't mind.
00:42:25Well, I don't see what I can do about it.
00:42:27Exactly.
00:42:27But I've ordered something special that I'm sure you're going to like.
00:42:30You like squab?
00:42:31No.
00:42:31I thought so.
00:42:33Are we going to start this all over again?
00:42:35No, we're going to go on from where we left off.
00:42:37You know, you're a most annoying person, Mr. Davis.
00:42:39I don't really know what to say to you.
00:42:40Call me Neil.
00:42:41That's my first name.
00:42:43Oh, Pedro.
00:42:44Windless, please.
00:42:44Si, signore.
00:42:47Thank you very much.
00:42:48No.
00:43:33These things are all so lovely.
00:43:35But that ring, oh, that's just too divine.
00:43:37You like it?
00:43:38Yes, but...
00:43:39Then it's yours.
00:43:40Let's see that one.
00:43:45It's simply exquisite.
00:43:47But, Hank, dear, I couldn't accept this kind of a present from you.
00:43:49Sure you can.
00:43:50But think of my reputation.
00:43:52What would Father say?
00:43:53Oh, I owe you this.
00:43:54Didn't I lose your other ring?
00:43:55Yes, but after all...
00:43:56You like it?
00:43:57I adore it.
00:43:57Then we'll take it.
00:43:58How much?
00:43:59$500.
00:44:02Oh, a magnificent bargain, sir, I assure you.
00:44:05Why, the setting alone is worth twice that.
00:44:07You know, I really shouldn't do this.
00:44:10Me neither should I.
00:44:11Huh?
00:44:12However...
00:44:13You're such a sweet, generous ducky-wocky.
00:44:16Let's go to some nice, quiet place where I can really thank you.
00:44:21Why not?
00:44:24Good day, my good man.
00:44:25Good day, madame.
00:44:27Good day, sir.
00:44:29Thank you so much.
00:44:31I'd like to have you come in again sometime.
00:44:55Forgive me.
00:44:56I had to do that.
00:44:59Why?
00:45:00Because you're lovely.
00:45:02It would have happened anywhere.
00:45:03Believe me.
00:45:06This isn't going to work out so well.
00:45:08Oh, don't.
00:45:10Don't go.
00:45:11It's been so beautiful.
00:45:13Let's not spoil it.
00:45:14Think how much more beautiful it would be
00:45:16riding along the old sea wall.
00:45:18Neil, please.
00:45:19Or walking down those old twisted streets,
00:45:21all full of moonlight and guitars.
00:45:23I've got to go.
00:45:24But don't.
00:45:25Please, don't.
00:45:28I've got to go.
00:45:48I don't want to go.
00:45:49I don't want to go.
00:45:51Have you another suite available, on a different floor?
00:45:56Yes, thank you.
00:45:58Could you move me right away?
00:46:00Right now, yes.
00:46:02Thank you so much.
00:46:51Sent cable to New York this evening.
00:46:54Did I get a cable from Mrs. Brooks today?
00:46:56No, sir.
00:46:57Hmm.
00:46:58I wonder who did.
00:47:00Another cold towel, sir.
00:47:02Bring a dozen.
00:47:03Yes.
00:47:07It's over here.
00:47:11Not a thing, she'll be right up.
00:47:33Listen, young man.
00:47:34If you don't quit cutting up die doors on my front porch, I'll call the manager.
00:47:45Hey, Hank. Hank.
00:47:48Come on, get up, get up.
00:47:50What for? It ain't noon yet.
00:47:52She's gone.
00:47:53Who, Doc?
00:47:53No, Miss Valet.
00:47:55She slipped out during the night.
00:47:56Now come on, get your clothes on and meet me downstairs in the lobby.
00:47:58I'm all in. I had a tough night.
00:48:00You'll have a tougher day if you don't get up.
00:48:01I'm quitting this to take the racket anyway.
00:48:03There's nothing in it, boss.
00:48:05Your what?
00:48:06I'm going where I'm really appreciated.
00:48:08I'm gonna marry about 10 million bucks and be a gentleman.
00:48:12Say, how about wiring Brooks for more expense money?
00:48:14What?
00:48:15How much money we got left, Mr. Treasurer?
00:48:18Oh, plenty, plenty.
00:48:19Look, we run short, I'll supply the deficiency.
00:48:21Oh, don't talk like a sap.
00:48:23Come on, get up.
00:48:24You think I'm kidding?
00:48:25Last night she asked me to manage your estates for her.
00:48:28James, hand me my socks.
00:48:31Boy, I'll hand you a sock if you don't get up.
00:48:34Oh, she won't disappear.
00:48:36You act like you were stuck on the day.
00:48:38You're a sap.
00:48:38Why don't you be like me?
00:48:41Nonchalant.
00:48:46Has Miss Valet gone out?
00:48:48Look and see if her key is there, will you please?
00:48:54No, sir.
00:48:55She's nothing.
00:48:56What's her number?
00:48:56I'd like to call her on the phone.
00:48:58621.
00:48:59I'll start phone right across the lobby.
00:49:22Any answer?
00:49:24Tell him...
00:49:25Yes, madame.
00:49:27Tell him that I...
00:49:28Look, don't tell him anything.
00:49:29No.
00:49:30Yes, madame.
00:49:32Hello?
00:49:32Do you realize that I've been waiting for you for over 15 minutes?
00:49:35Now, this won't do at all.
00:49:36Well, how dreadful.
00:49:37Oh, please go right ahead.
00:49:39No, no, I don't eat lunch.
00:49:41Besides, I'm not dressed.
00:49:42Fine, I'll be right up.
00:49:44No, no, no, no, don't do that.
00:49:45Oh, now, what do you want to hang around a hotel room for?
00:49:48When we can get into one of those nice old carriages
00:49:50and ride along by the sea wall, palm trees rustling and...
00:49:54Huh?
00:49:54Sure they rustle.
00:49:56It's absolutely impossible.
00:49:57I tell you, I can't go.
00:49:59No.
00:49:59No.
00:50:00No.
00:50:05Quaint streets.
00:50:06Genuine antiques.
00:50:08Discovered by Columbus in 1492, huh?
00:50:12How much longer is this going to go on?
00:50:13Oh, we'll be out of this pretty soon.
00:50:15You're persistent, aren't you?
00:50:16Have you noticed that?
00:50:18Who are you?
00:50:19What are you?
00:50:20I'm your shadow.
00:50:23What an amusing occupation.
00:50:24Mm-hmm.
00:50:25I'm enjoying it.
00:50:26Aren't you?
00:50:27Well, you're doing very well at it.
00:50:29Amateur or professional?
00:50:30What do you think?
00:50:31I don't know.
00:50:32When did you start?
00:50:33First day I saw you on the boat.
00:50:35You been following me ever since?
00:50:37Why, sure.
00:50:37I've watched every move you've made.
00:50:39Why?
00:50:41That's my business.
00:50:50Tired?
00:50:51No, I wouldn't admit that for worlds.
00:50:52It was worth coming all the way down here just to see you.
00:50:55You're not afraid of me anymore now, are you?
00:50:57It's not you I'm afraid of.
00:50:59Well, you sound as though you were running away from something.
00:51:02I am.
00:51:03A beautiful fugitive, eh?
00:51:06You know, men have died for things like that.
00:51:08It'll be dark by the time we get back.
00:51:10I'll order a little Cuban twilight.
00:51:12Do you mind?
00:51:13Hey, Gus.
00:51:14The Hotel Metropole.
00:51:16He's in the office.
00:51:18I've ordered dinner on my balcony for exactly 7.30.
00:51:21You're awfully sure of yourself, aren't you?
00:51:24You're not very sure of yourself, are you?
00:51:32Come in.
00:51:42And you look gorgeous.
00:51:44Oh.
00:51:45Sit down, won't you, and I'll be with you just as soon as I finish this love letter.
00:51:50Love letters don't look so well on a typewriter, you know.
00:51:53Well, this is an elderly person who wants to know all my secrets every day.
00:51:57Send him my love.
00:51:58Oh, it's a he.
00:51:59No.
00:52:00Send him my love.
00:52:01All right, I will.
00:52:04Oh.
00:52:22Hey, Gus, or Pedro, whatever your name is.
00:52:25Pronto.
00:52:25You savvy Western Union?
00:52:26Si.
00:52:27Send that right away, will you please?
00:52:28Si, si, si.
00:52:29Good boy.
00:52:39Here you are.
00:52:43What do you see?
00:52:45Beautiful, isn't it?
00:52:45The house is so white, the way off there somewhere is New York.
00:52:51Why mention that?
00:52:53Because I'm conscious of it.
00:52:54I feel it watching, waiting, spying on everything I do.
00:52:59Silly, isn't it?
00:53:01Yes, very.
00:53:04I have to go back in a few days.
00:53:07Why?
00:53:08Because I must.
00:53:11You know, I'm...
00:53:12Sometimes you're very mysterious.
00:53:18Let's, let's have dinner in, in one of those strange restaurants in the old town, shall we?
00:53:24And forget New York.
00:53:27And forget New York.
00:53:36Let's go.
00:53:55Let's go.
00:53:56Let's go.
00:54:01All right.
00:54:08You have to come.
00:54:09Here's a job.
00:54:09All right.
00:54:16Here's a job.
00:54:34Looks promising. She is dining with me in my room this evening. Stop. Here she is now. Stop. She sends
00:54:40you her love. Joke.
00:54:4310 a.m. conversation, 12.30 p.m. lunch, 4 p.m. cocktail, 7 p.m. dinner, 9 p.m.
00:54:48dance, 11 p.m. went to bed alone.
00:54:50Private detective indeed, you old fossil. She did it for me. Good heavens, what have I done to her? Why
00:54:56didn't you tell me of this before?
00:54:57You wouldn't have understood. That's why she went to Cuba. And now you ought to be ashamed of yourself.
00:55:02I've got to get to her at once before it's too late.
00:55:04Well, it serves you right, hiring a detective to see if your wife is fatal. I always said you were
00:55:09an old fool.
00:55:09Please, please, I must get to her.
00:55:13Edward, get me the airport on the telephone at once. And get me Western Union, please.
00:55:18Right, sir.
00:55:21If I can get a special plane the first thing in the morning, will you go with me?
00:55:25Why, I wouldn't fly across the street for any woman's honour.
00:55:48Well, I'll stay, Neil. I'm going back tomorrow.
00:55:52To formal dinners, boring teas and society.
00:55:57I'd like to sink every New York boat in the harbour.
00:56:00I'd still have to go back.
00:56:01I'll go with you.
00:56:02That's just it. You can't.
00:56:04Who's going to stop me?
00:56:08Neil, I haven't been very honest with you.
00:56:10At first, it didn't matter much, but I found something here that I've always been looking for.
00:56:17I can't go on with this any longer.
00:56:19Why don't you tell me what it's all about?
00:56:22Oh, I guess there are plenty of women married to one man, playing around with another, but...
00:56:26Are you married?
00:56:28Yes.
00:56:29Well, I didn't know that.
00:56:31To whom?
00:56:33Ever hear of Skylar Brooks?
00:56:35Is he your husband?
00:56:41Oh, I see.
00:56:43Now you understand why I have to go back alone.
00:56:46But why are you so unhappy?
00:56:50You see, Neil, six months after I married Skylar...
00:57:10Well, that's the story.
00:57:12There's still Maurice.
00:57:13And a rotten blackmail plot.
00:57:15Sounds like a nightmare, doesn't it?
00:57:19You called me a fugitive once, remember?
00:57:22What makes you trust me so much?
00:57:24I don't know.
00:57:26I just do.
00:57:29Let's get married right away.
00:57:31What are we waiting for, huh?
00:57:32Now, darling, you must give me time to notify my family.
00:57:36Think of the shock to father.
00:57:38Why, he'd cut off my stipend.
00:57:40Oh, we can't let that happen.
00:57:41Oh, you're such a lamb.
00:57:43And so good to poor little me.
00:57:45Father will simply adore you.
00:57:47By the way, speaking of father,
00:57:49did your allowance check come?
00:57:51Oh, well, not yet.
00:57:53But as soon as it does,
00:57:54I'm going to pay you back
00:57:55all that money you loaned me for my hotel bill.
00:58:00Oh, I beg your pardon.
00:58:03What did you have to come back for?
00:58:05Well, I'm sorry, but I live here.
00:58:07I want to see you.
00:58:08Oh, me?
00:58:08Not you, dear.
00:58:10Come on, Hank.
00:58:10I want to see you.
00:58:11That guy's getting in my hair.
00:58:13I'm going to fire him.
00:58:15Oh, I wouldn't do that.
00:58:17He's really awfully good-looking.
00:58:19Now I am going to fire him.
00:58:25This is Mr. Davis in 214.
00:58:27Any messages for me, please?
00:58:29A cable grant.
00:58:30Well, I didn't receive any cable grant.
00:58:33Oh, you gave it to Mr. Wales.
00:58:35I say thank you.
00:58:37I've been sort of busy today.
00:58:38I guess I forgot to give it to you.
00:58:39Forgot to give it to me?
00:58:41But a swell detective you turned out to be.
00:58:43Don't say anything about me being a detective.
00:58:45She might hear you.
00:58:45A detective.
00:58:47Then maybe she wouldn't marry me.
00:58:49I can always be a detective,
00:58:51but I can't always marry a million bucks.
00:58:53Arriving 6.30 this evening by plane.
00:58:55Brooks.
00:58:56You ain't sore at me, are you?
00:58:57Get a loss.
00:58:58Someday you're going to drop dead from brain fatigue.
00:59:00Say, what's the matter with you?
00:59:02You act like you'd fallen for the dame.
00:59:03I have, sucker.
00:59:08He's fired, honey.
00:59:09Come on.
01:00:17Neil, I didn't hear you.
01:00:28You're right on time.
01:00:32Well...
01:00:33And?
01:00:48It's addressed to you.
01:00:50He doesn't know you.
01:00:54Or does he?
01:00:58Neil, does he?
01:00:59Yes, he does.
01:01:01What?
01:01:03He'll be here in a moment.
01:01:04And I can't go through with it.
01:01:06I can't.
01:01:07What are you talking about?
01:01:09Don't you realize what I am?
01:01:12Can't you see that ever since you left New York,
01:01:14I've been following you?
01:01:16Don't you understand?
01:01:19Neil.
01:01:21Neil, you...
01:01:23Oh, no.
01:01:25Anne, I...
01:01:27There's...
01:01:47You, it's over.
01:01:48Oh, no.
01:01:49Tell me if you have a man...
01:01:50No, I can help you.
01:01:50David, I don't know.
01:01:50Oh, very much, I know.
01:01:51Mother, allura...
01:01:51You, hoo.
01:01:52Dolly.
01:01:53I don't know.
01:01:54And all wipe out.
01:01:55you really that...
01:02:01Listen, Anne, all the while we've been together I've been a paid spy and the employee of that man, sent
01:02:07a following to make your acquaintance and report your actions and tell him what kind of a woman you really
01:02:11are.
01:02:12Now in a few moments there'll be a knock on that door and he'll walk in and find us. I'm
01:02:16supposed to hold you in my arms just as he walks in. That's what he paid his money to see.
01:02:20But Anne, I can't do it. I'm not a private detective anymore. I'm not a sneak. I'm just someone who
01:02:27loves you. Believe me, I do love you.
01:02:57Maurice!
01:03:29Maurice!
01:03:32Mr. Brooks!
01:03:33Why, yes, how do you do?
01:03:34How do you do?
01:03:36Where is she?
01:03:37Oh, I, uh, why, she's in her room, alone.
01:03:40Tell me quickly, is it too late? You know what I mean? You haven't, uh...
01:03:43Oh, that, why, no, you've been quite mistaken about Mrs. Brooks.
01:03:47Oh, then you know that she's my...
01:03:48Yes, yes.
01:03:49Oh.
01:03:50Well, I'll go to her.
01:03:51No, just a moment, just a moment.
01:03:52Suppose you were to find out that I was a private detective hired by you to, uh, well, to frame
01:03:57her.
01:03:57She must never know that. I depend upon you to keep it a secret.
01:03:59Well, then you must let me see her first.
01:04:01Three minutes is all I need just to tell her that I've been called away and to say goodbye and
01:04:05then she won't be suspicious.
01:04:07Then you can happen along and she won't be any the wiser.
01:04:09All right, all right, but be quick about it.
01:04:10All right, just three minutes.
01:04:12Yes.
01:04:16Maurice, stop it, you're drunk!
01:04:17I'll take these to start with.
01:04:19Let go of me.
01:04:20Neil!
01:04:22Ah, so that's the way it is.
01:04:23Who is he? Quick.
01:04:24Maurice.
01:04:25I thought so.
01:04:25Listen, your husband is on his way here now and he's got to find you alone.
01:04:31You heard me. Get out!
01:04:33What for?
01:04:34Why, I...
01:04:41Just as you wish.
01:04:50Of course, if you were smart, you'd realize that if Mr. Brooks catches you here, it's all over with you
01:04:55and your little game.
01:04:56You think so?
01:04:57That's the trouble with you amateur blackmailers. You're always spilling the beans too soon.
01:05:02You're well informed, aren't you? That's my business.
01:05:10Yes.
01:05:10What is this? A frame up?
01:05:11Yes, and you fell for it.
01:05:13Listen, you mug, I've been trailing you for weeks.
01:05:15Now that I've found you, I've got to let you go.
01:05:17Not because I'm big hearted, but to save that woman.
01:05:19Now, I'll give you 30 minutes head start.
01:05:21You haven't even got a warrant.
01:05:23Warrant?
01:05:23I've got a couple of cops coming up here with Mr. Brooks, and if you don't clear out by that
01:05:27time...
01:05:37Out that window and across to the next room. Quick! It's a cinch.
01:05:52I've got to go now. Goodbye and good luck.
01:05:55Wait a moment.
01:05:56What?
01:06:01Come in.
01:06:06Anne!
01:06:10This was what you paid your money to see, wasn't it?
01:06:13I wouldn't disappoint you for anything, Skylar.
01:06:16You double-crossing...
01:06:18Now, wait a moment.
01:06:18You keep out of this.
01:06:29I tried to be fair, but you've hounded me and spied on me since the first day we married.
01:06:33Then you deliberately put someone in front of me whom you thought that I might fall in love with.
01:06:37Hoping that I wouldn't because you still wanted to keep me.
01:06:39And yet, down in your dirty little mind, wondering if I would.
01:06:42But, Anne, you're my wife.
01:06:44If your sister told you everything, you know that I'm not your wife.
01:06:46Yes, but my lawyer can arrange all that.
01:06:48You don't believe in evidence, do you?
01:06:50Evidence?
01:06:50Yes.
01:06:51What you saw when you came into this room is true.
01:06:54Mr. Brooks.
01:06:54I'll pay you off.
01:06:55And now, please get out.
01:06:56I'm sorry.
01:06:57You don't owe me a thing.
01:06:58And as long as Anne has seen Fischer...
01:07:00Shut up!
01:07:02I picked you up out of nothing.
01:07:04You can go back to nothing for all I care.
01:07:11I don't know what to say.
01:07:15I...
01:07:15I feel that I'm to blame for the whole mess.
01:07:21No one's to blame.
01:07:23It just had to happen, I guess.
01:07:26Funny thing.
01:07:27We worry and struggle and try to work out our little problems.
01:07:33And all of a sudden, it's over.
01:07:35Like that.
01:07:38It just doesn't seem possible.
01:07:48Hello, Mr. Brooks.
01:07:49How have you been?
01:07:50Fancy meeting you here.
01:07:51Why you...
01:07:52You...
01:07:53Get out of my way.
01:07:54Get out of my way.
01:07:56Well, that's life.
01:07:58Here today.
01:07:58Gone tomorrow.
01:08:09It's Maurice.
01:08:11Oh.
01:08:12Oh, how awful.
01:08:15Listen, Anne.
01:08:16The police will be here in a few moments and they'll want explanations and we'll have to give them.
01:08:19Where are those documents?
01:08:20Quick.
01:08:22Hurry.
01:08:22They're right here where I left them.
01:08:27There you are.
01:08:28Where's that suicide note you told me about?
01:08:34Well, here it is.
01:08:35Dearest Anne.
01:08:36Life holds nothing for me but humiliation and poverty.
01:08:38I prefer to die by my own hand.
01:08:40Maurice.
01:08:41That's what I need.
01:08:55Oh, my God.
01:08:57You can't die.
01:08:59Oh, my God.
01:09:01You can't die.
01:09:05I'm going to die by my own hand.
01:09:05You can't kill me, you know.
01:09:06That's the love.
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