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The Upturned Glass (1947) Full Movie ｜ James Mason, Rosamund John [Full Movie] [Trending]Full EP - Full
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00:04:04IT quando
00:04:05Mr. Michael Joyce.
00:04:07He was well thought of in the medical profession
00:04:09and had a house of his own in Harley Street.
00:04:11His marriage had been an unhappy one,
00:04:14and he'd lived apart from his wife for several years.
00:04:17Consequently, he threw all his energy and interest
00:04:19into his work.
00:04:21As a brain specialist, he operated in three London hospitals
00:04:25and had developed a technique which considerably reduced
00:04:27the mortality rate in this field.
00:04:29He was reserved in his personal relationships
00:04:31and had no close friends.
00:04:34His only relaxation was to sit at home and play the piano
00:04:37or go to an occasional concert.
00:04:40Otherwise, it was a life devoted solely to work,
00:04:43a life that by normal standards was unutterably lonely and empty.
00:04:47But he never recognized this himself
00:04:49until he met a woman called Emma Wright.
00:04:52When she first came into his consulting room,
00:04:54he hardly even noticed her.
00:04:56She was just an ordinary middle-class woman
00:04:59who happened to have a daughter who was going blind.
00:05:01Sit down, Mrs. Wright.
00:05:03There I am.
00:05:04Let's have a look at this head of yours.
00:05:07I gather it was an emergency operation after an air raid.
00:05:10Yes.
00:05:11Now the eyesight's affected.
00:05:13The eye specialist said there was nothing he could do.
00:05:16Can you see well enough to read?
00:05:17Not really.
00:05:19I have the eye specialist report.
00:05:23Early optic atrophy.
00:05:26This is a fairly serious condition, Mrs. Wright.
00:05:28The thing for us to do is to take her into hospital,
00:05:31make a thorough investigation so as to establish the exact cause.
00:05:34You wouldn't mind that, Anne, would you?
00:05:36Would you?
00:05:37Will it hurt?
00:05:38No.
00:05:39We'll take good care of you.
00:05:41Do you want her to go in right away?
00:05:42I think she should.
00:05:45Anne, come over here.
00:05:47Sit down.
00:05:49We don't want the atrophy to become too far advanced.
00:05:53Anne, I'm just going to look into your eyes.
00:05:55You see those two figures on the mantelpiece?
00:05:56Keep your eye on them.
00:05:58My face will get in between, but don't look at me.
00:06:01The personality of the child's mother remained, for the time being,
00:06:05a matter of no great importance.
00:06:07But after the child had been submitted to a series of tests
00:06:10and x-rays had proved that her trouble was due to a small foreign body
00:06:14lodged anteriorly to the optic chiasma,
00:06:16it became obvious that a fairly serious operation was necessary,
00:06:19and the relationship between these two became inevitably less remote.
00:06:25Will it be very dangerous, the operation?
00:06:27To her life?
00:06:29There's always a risk with a major operation.
00:06:32How great a risk?
00:06:34The mortality rate with this operation is 1%.
00:06:37And if you don't operate?
00:06:40She'd go blind.
00:06:45If only my husband were here, he'd know what to do.
00:06:48I'd hate to go ahead without him.
00:06:49We might consider putting it off for a short time if he's coming home soon.
00:06:53Not for several months, I'm afraid.
00:06:55In that case, I shouldn't advise it.
00:06:57Every week that we let it go, it gets progressively worse.
00:07:00I know.
00:07:02I know you're right, but...
00:07:04you don't think she...
00:07:07I mean, she couldn't be among the 1%.
00:07:09In my mind, there's no question at all.
00:07:12I've met this problem before on many occasions, always with complete success.
00:07:16I wish you felt you could trust me.
00:07:18It isn't that.
00:07:21I'll do what you say.
00:07:23Well, I suggest we leave Anne here at the hospital.
00:07:26She's comfortable.
00:07:28And I'll operate as soon as it can be arranged.
00:07:31All right?
00:07:31All right.
00:07:34There's nothing to it, Anne.
00:07:36We give you something nice to make you go to sleep.
00:07:37And when you wake up again, it's all over.
00:07:40Then you'll be able to see properly again.
00:07:42Oh, Mummy, they want to cut my hair off.
00:07:44But, darling, it'll grow again.
00:07:46Oh, must I stay here, Mummy?
00:07:47Mr. Joyce will take great care of you.
00:07:49Oh, don't go. Please, Mummy.
00:07:51How would you like your mother to stay with you till you go to sleep?
00:07:53Can't you stay with me until I wake up again?
00:07:56She can stay with you all the time, if she likes.
00:07:58Oh, yes, please, Mummy.
00:08:01He says you can.
00:08:02All right, darling, I'll stay.
00:08:05I'll see you later, Anne.
00:08:06I won't be a minute.
00:08:24I won't be a minute.
00:08:31Thanks, baby.
00:08:36I'll see you next time.
00:08:37I'll see you later.
00:08:37I'll see you later.
00:08:37Bye-bye.
00:08:39Bye-bye.
00:08:42Bye-bye.
00:08:45Bye-bye.
00:08:46Bye-bye.
00:08:47Bye-bye.
00:08:49Bye-bye.
00:09:53The surgeon who is about to operate is often as nervous as a prima donna.
00:09:58This was exaggerated in the present case by the feverish devotion of the child's mother,
00:10:02which had conveyed itself to Michael Joyce and robbed him of that cold detachment which is the doctor's great strength.
00:10:10Never before had he been so acutely aware of the identity of the piece of human material he was working
00:10:15on
00:10:16as he took the scalpel and made the first incision and as the sister handed him the artery forceps.
00:10:47Congratulations, Paul.
00:11:04There were no complications at all.
00:11:07The child took the anesthetic easily and the foreign body was located and successfully removed.
00:11:18The chief sufferer, of course, was the wretched woman who had been pacing up and down the waiting room for
00:11:23two hours.
00:11:24She broke down as soon as Michael Joyce came in and made his report
00:11:27and only pulled herself together when she remembered rather guiltily the promise she'd made to Anne to stay with her
00:11:32throughout the operation.
00:11:34She was anxious to get back to her before she came out of the anesthetic.
00:11:40There was another woman in the room with her, whom she introduced as her sister-in-law, a Mrs. Catherine
00:11:44Howard,
00:11:46a rather overdressed young lady who seemed to have very little interest in Anne's welfare.
00:11:51They had to wait some weeks to find out whether the operation had actually succeeded in saving Anne's eyesight.
00:11:57Meanwhile, they shared the daily uncertainties and anxieties.
00:12:02Emma Wright depended more and more on the feeling of confidence which he gave her.
00:12:06And when it became obvious that Anne was on her way to recovery, she was tremendously grateful to him.
00:12:12A feeling which Michael Joyce did not mistake,
00:12:14but he knew that his own interest in her was greater than it should be.
00:12:19Without admitting it to himself, he began to dread the day when the job would be completed.
00:12:24The day of the final examination,
00:12:26after which Anne and her mother were to return to their home in the country.
00:12:30Anne and I went to pictures last night.
00:12:31The first time for over a year.
00:12:33It was all coloured.
00:12:37Well, I don't suppose we shall see you again?
00:12:40I hope you will.
00:12:42I hope so, too.
00:12:44Not professionally, of course.
00:12:46The sun's come out, Mummy.
00:12:47We'll go to the park, shall we?
00:12:50Goodbye.
00:12:51Are you really going to the park?
00:12:53Yes, why?
00:12:55Do you mind if I go with you?
00:12:56Of course not.
00:12:59But oughtn't you to tell someone you're going out?
00:13:02I'll tell them when I get back.
00:13:04Then there can be no mistake about it.
00:13:06He should have said goodbye when their relationship came to its natural conclusion.
00:13:11But he couldn't bring himself to.
00:13:13She represented all the things that were so painfully lacking from a life devoted to textbooks and operating theatres.
00:13:19She was so simple and unaffected.
00:13:23She told him about Philip, her husband, how his work as a geologist had kept them apart for years at
00:13:28a time.
00:13:30And now he was going to give it up so that they could be together.
00:13:33She told him how they'd hoped for more children.
00:13:36Having only one, she'd become all the more nervous and possessive about Anne.
00:13:41They went on seeing each other and found they had the same tastes.
00:13:46They both liked music and fell into the habit of going to concerts together.
00:13:51Sometimes she'd come and play the piano at his house.
00:13:53Sometimes she'd come and play the piano at his house.
00:14:35I feel awfully guilty making you drive out all this way.
00:14:37It's all right.
00:14:38I really should have stayed in town.
00:14:39Only I hate leaving Anne alone at night.
00:14:41I'm relying on you to show me the way.
00:14:43I don't know this part of the country.
00:14:45Oh, I know the road.
00:14:46Good.
00:14:48Wait a minute.
00:14:50And we lost?
00:14:52Oh, it's all right.
00:14:53That's our chapel.
00:14:54Your chapel?
00:14:55Yes, you can see it from my bedroom window.
00:14:57Draw up when we come to it.
00:14:58I must show it to you.
00:14:59All right.
00:14:59There used to be great ructions in the family about it.
00:15:16When the wind's in our direction, you can hear them singing.
00:15:18I rather like it.
00:15:20The sound drifts across and, oh, I don't know.
00:15:24It's rather peaceful.
00:15:26Some people hate it.
00:15:27Kate was always trying to get Philip to sell the house.
00:15:29That was before she was married, of course.
00:15:31Then after she came back here, after her husband was killed, she started all over again.
00:15:36She says Clay always plays out of tune.
00:15:38Who's Clay?
00:15:38Our gardener.
00:15:39He plays the organ here.
00:15:41Kate thinks we ought to get rid of him because of it.
00:15:43Why?
00:15:43Does it affect his gardening?
00:15:44Oh, no.
00:15:45It's just that Kate thinks that if he hadn't a job, he might go and live in another district and
00:15:49then there wouldn't be anyone to play the organ.
00:15:50Who's Kate?
00:15:51My sister-in-law.
00:15:52You met her one day at the hospital.
00:15:54Did I?
00:15:56Don't you even remember the people you meet?
00:15:58I remember the important ones.
00:16:01The ones I want to remember.
00:16:05That's our house up there.
00:16:10There's something I've been wanting to ask you all the evening.
00:16:14Yes.
00:16:14It's just, are you divorced?
00:16:19No.
00:16:20Diana doesn't want a divorce.
00:16:23Why do you ask her?
00:16:25Oh, no reason.
00:16:27I just wondered.
00:16:28We ought to be going.
00:16:29It must be awfully late.
00:16:40When Emma came up to London for the day, she made a habit of calling in at Michael's house in
00:16:45Harley Street after the day's shopping.
00:16:47And often they'd have dinner together afterwards.
00:16:58Hello.
00:16:59Hello.
00:17:00I'm sorry I had to keep you waiting.
00:17:01I got messed up with my appointments this afternoon.
00:17:03It doesn't matter.
00:17:04Come and listen.
00:17:07It's a record Anne's made.
00:17:09It almost sounds as though she were a real pianist.
00:17:12I'm trying to think what this is.
00:17:14Madam, will you walk?
00:17:15Oh, yes.
00:17:16It's good.
00:17:17Is that really Anne?
00:17:18Of course it is.
00:17:19Quite a professional job.
00:17:20Shh.
00:17:23Oh, Dash.
00:17:24I'll go back.
00:17:26That was a mistake.
00:17:27She always goes wrong there.
00:17:28But we're going to have another one made without any mistakes.
00:17:32I'm slightly sorry.
00:17:34She can play it, really.
00:17:36This is where she goes wrong.
00:17:47She used to play very well.
00:17:50After the accident, of course, she had to play from memory.
00:17:53I made her go on practicing.
00:17:56Emma, do you love your husband?
00:18:02Well, do you?
00:18:05I don't know how to answer that question.
00:18:07But you know why I asked.
00:18:10Oh, Michael, I don't know what to say.
00:18:13Philip and I have been together for so long.
00:18:16I love you, Emma.
00:18:19You shouldn't have told me.
00:18:22If we'd kept quiet about it, we might have gone on seeing each other.
00:18:27I suppose not.
00:18:29I wanted you to know.
00:18:32I did know, Michael.
00:18:39I've tried not to recognize it.
00:18:41I tried to tell myself that something would happen to make it all right.
00:18:44Though I knew nothing could.
00:18:46It can never be all right.
00:18:48Neither of us is free or ever likely to be.
00:18:52There's nothing we can do about it.
00:18:54We won't see each other again after today.
00:18:58No.
00:19:00I'll miss you.
00:19:03Oh, Michael, so shall I.
00:19:06Dreadfully.
00:19:10Dreadfully.
00:19:32It became more and more difficult for them to end their association.
00:19:35No, neither was happy about it.
00:19:38Emma's husband was giving up the work he liked so as to be with her.
00:19:42And she was torn between her loyalty towards him and her love for Michael Joyce.
00:19:48Finally, she decided to write to her husband and explain what had happened.
00:19:52And to ask him to release her.
00:20:03I can't send it, can I?
00:20:05No, you can't.
00:20:07It would be too unfair.
00:20:10It's Anne I'm thinking of, of course.
00:20:12Yes, well, there's your answer.
00:20:14Certainly wouldn't be fair to her.
00:20:17There's only one thing for us to do, I'm afraid.
00:20:23Goodbye, Michael.
00:20:30No, don't come near me.
00:20:33We must never see each other again.
00:20:51And they never did see each other again.
00:21:15Good morning, Mr. Joyce.
00:21:17Good morning.
00:21:18Isn't it terrible about Mrs. Wright?
00:21:22Mrs. Wright.
00:21:23You remember, the mother of the little girl.
00:21:26Come on, have fun.
00:21:28Oh, will you come in?
00:21:33Will you take a seat in here, please?
00:21:38What about her?
00:21:39Oh, oh, Mrs. Wright.
00:21:41She fell out of a window and broke her neck.
00:21:55It was established at the inquest
00:21:58that the fatal fall took place at about six o'clock in the evening.
00:22:02The only other people in the house at the time
00:22:04was a child, Anne,
00:22:05and a housemaid
00:22:07who testified that earlier in the afternoon
00:22:09Mrs. Catherine Howard had visited the house.
00:22:13Did you see Mrs. Howard leave?
00:22:15Yes, sir.
00:22:16I saw her get into a car and drive away.
00:22:18At about what time?
00:22:19A little before six, I should say, sir.
00:22:22And it was some minutes later
00:22:23that you heard a noise as of someone falling?
00:22:26Yes.
00:22:27That will be all, Miss Bond.
00:22:38Repeat after me.
00:22:39I swear by Almighty God
00:22:41I swear by Almighty God
00:22:42that I will speak the truth
00:22:43that I will speak the truth
00:22:44the whole truth
00:22:45the whole truth
00:22:45and nothing but the truth
00:22:46nothing but the truth.
00:22:47You are Mrs. Catherine Howard?
00:22:49Yes.
00:22:50And your address is?
00:22:51I live at the Arcadia Hotel.
00:22:52Yes.
00:22:53But what was your relationship to the deceased?
00:22:56She was my sister-in-law.
00:22:57She was married to my brother, Philip.
00:22:59When did you last see Mrs. Wright alive?
00:23:01About six o'clock on the evening of the accident.
00:23:04I was with her for about an hour.
00:23:05You had an engagement with her?
00:23:08Well, not exactly an engagement
00:23:09but she knew that I might stop by.
00:23:13Was she actually expecting you to stop by?
00:23:15Well, she wasn't exactly expecting me
00:23:18but since my husband was killed
00:23:20I've been in the habit of popping in and out
00:23:21whenever I was nearby.
00:23:23What happened when you arrived?
00:23:25Nothing.
00:23:26Did you talk?
00:23:28Yes, we chatted for a while.
00:23:29About anything in particular?
00:23:31No, just talk.
00:23:33Did she seem worried?
00:23:35On the contrary.
00:23:36She was very cheerful.
00:23:37She was looking forward to her husband coming home.
00:23:40Had she been suffering from ill health?
00:23:42Not at all.
00:23:44Then there was nothing in her manner
00:23:45to suggest that anything was wrong.
00:23:47Certainly not.
00:23:48Oh, but she did have a great fear of heights.
00:23:50She had a great fear of heights.
00:23:53Do you mean that she mentioned it
00:23:54on this particular afternoon?
00:23:57Well, no.
00:23:58Why did you mention it just now?
00:24:00Well, it seemed to me the only possible explanation
00:24:02for her falling out of the window.
00:24:04I see.
00:24:06What was Mrs. Wright doing when you left her?
00:24:08She was in her room.
00:24:10I think she was going to turn out her stocking drawer.
00:24:13Thank you, Mrs. Howard.
00:24:14That will be all.
00:24:29Come over here by me.
00:24:36Now, Anne,
00:24:37you understand what it meant
00:24:39by telling the truth, don't you?
00:24:41Yes.
00:24:42It's very important that you do
00:24:43because I'm going to ask you a few questions
00:24:45and I want you to answer them truthfully.
00:24:48Tell me,
00:24:49when did you last see your mother?
00:24:52It was a little while before I went to bed.
00:24:56Where was your mother?
00:24:58In her room.
00:24:59Did you go in and talk to her?
00:25:02I went to say goodnight.
00:25:05And did you say goodnight?
00:25:07Yes.
00:25:08Did your mother seem normal?
00:25:13Yes.
00:25:15Tell me, Anne,
00:25:17was there anyone with your mother?
00:25:27No.
00:25:28Nothing happened that seemed unusual to you?
00:25:31No.
00:25:33That will be all.
00:25:42Repeat after me.
00:25:43I swear by Almighty God
00:25:45I swear by Almighty God
00:25:46that I will speak the truth
00:25:47that I will speak the truth
00:25:48the whole truth
00:25:48the whole truth
00:25:49and nothing but the truth
00:25:50and nothing but the truth.
00:25:51Dr. Reynolds
00:25:52is your name William Gawd Reynolds?
00:25:55Yes.
00:25:55Do you practice in Darnborough?
00:25:57Were you called in this case?
00:25:59Yes.
00:25:59What time did you get there?
00:26:01About 6.30 a minute.
00:26:39Was there anyone with your mother?
00:26:42Was there anyone with your mother?
00:26:53Will you be in to dinner tonight, sir?
00:26:55No.
00:26:57No, I've got to go.
00:26:58Very good, sir.
00:27:02Mrs. Catherine Howard?
00:27:04Yes.
00:27:05Your address is...
00:27:06I live at the Arcadia Hotel.
00:27:09I live at the Arcadia Hotel.
00:27:34I live at the Arcadia Hotel.
00:27:48Is Mrs. Catherine Howard in?
00:27:51The party's in Mrs. Davis' suite.
00:27:52Room 29.
00:27:53Party?
00:27:54I'm sorry, sir.
00:27:56I thought perhaps you were one of the guests.
00:27:57Um, yes.
00:27:58Yes, I am.
00:27:59Room 29.
00:28:00Second floor.
00:28:23Oh, I'm so glad you were able to come. We're in such a muddle. Everybody seems to be here. I
00:28:28won't have to introduce you. Oh, look, there's Joan Scott-Cotter. Joan, I want you to meet Mr. Albert. I
00:28:35can't bear to see people that I didn't put in their hands. Oh, dear, I might have known she'd turn
00:28:41up. Oh, darling, I'm so glad you were able to come.
00:28:46These are the ones we ought to avoid. All right, what's wrong with them? After Jenny Deva's last party, Judy
00:28:51Hammond went blind. Permanently? No, she's over there somewhere. There's Kate Howard and on the day of the inquest, would
00:28:58she do it? Put the stamp for me somewhere, will you? Yes. Excuse me. You're being very unsociable. There's someone
00:29:12here I know you'll adore. She's longing to meet you.
00:29:15Sylvia, darling, you don't know Peter, do you? I'm dying to meet you. Got a drink? Good. What on earth
00:29:20is that waiter doing?
00:29:25Is your name really Sylvia? What's wrong with Sylvia? Nothing at all. Only mine isn't Peter. Excuse me, I must
00:29:31take this drink to somebody.
00:29:33I just love that hat. Hello. Hello. That's the new window. Why, hello, Doctor. I never expected to find you
00:29:38at a cocktail party.
00:29:39I hardly expected to find myself at one. Have you been here long? No, I've only just arrived. You're looking
00:29:43very well.
00:29:44Oh, I'm an absolute dread. I've been having the most awful time. I expect you read about it.
00:29:48My sister-in-law, Emma Wright, you know, she fell out of a window and got killed.
00:29:51Yes, I did hear about it. I've just come straight from the inquest.
00:29:54I wonder if I dare try one of these. I shall not think what's in it.
00:29:57Catherine, you've wanted. Oh, of course she didn't.
00:30:00Is one of them all.
00:30:03You saved my life. I think you ought to keep moving if you don't want her to catch you again.
00:30:08Kate, my dear, you must give me the lowdown. My husband's... It's all been hushed up.
00:30:14Come in the corner in the quiet. I can't bear it.
00:30:16I can't, dear. Haven't you got to telephone your mother?
00:30:18My mother? Oh, oh, yes. I've got to phone my mother. See you later, dear.
00:30:23Excuse me.
00:30:28Kate, my dear, you're not going.
00:30:30Darling, I must. They're too gruesome.
00:30:32You're staying here for dinner.
00:30:34Well, don't rely on me.
00:30:35Oh, quick, there's that awful woman. See you later, dear.
00:30:37You're a menace.
00:30:39Catherine.
00:30:40Darling, you haven't got a drink.
00:30:41No.
00:32:04I don't know if you're a half.
00:32:09I don't know anything.
00:32:11I can't believe that.
00:32:13I don't know anything.
00:32:16I don't know anything.
00:35:33Oh
00:35:37Oh
00:35:39Oh
00:35:40Oh
00:35:40Oh
00:35:40Oh
00:36:03What?
00:36:05What?
00:36:06What?
00:36:10What?
00:36:18What?
00:36:20What?
00:36:21What?
00:36:23What?
00:36:25What?
00:36:28What?
00:36:29What?
00:36:34What?
00:36:34What?
00:36:34What?
00:36:36What?
00:36:40What?
00:36:51I am going to sleep very quickly.
00:36:54Sweet.
00:36:56Godو, why are you?
00:37:21T.
00:37:22C.
00:37:23C.
00:37:29C.
00:37:29C.
00:37:29C.
00:37:30C.
00:37:30you
00:37:35you
00:37:36you
00:37:36you
00:37:37you
00:49:10That was an ugly mess.
00:49:15This was the whole thing about a cafe and the house.
00:49:17And it's too late to go and see what he's doing.
00:49:20He does not just a game.
00:49:23It's a hell of a new place to go and see what he's doing.
00:49:36He doesn't want to talk to little people about it.
00:49:39What's wrong with a man?
00:49:41She's a child.
00:49:47No, it will be a futile.
00:49:49She's a man.
00:49:50She's a man.
00:49:53She's an end.
00:50:10He's like a cat.
00:50:17You're so quiet.
00:50:19If it's a cat.
00:50:24If it's a cat.
00:50:33It's okay.
00:50:34I stuck a cat.
00:50:35But he thought this was wild.
00:50:39I think that's cool.
00:50:39Three.
00:50:42Three.
00:50:46One.
00:50:48One.
00:51:00One.
00:51:00Two.
00:51:00格 ibergaardupupup
00:53:44What did he say to you?
00:53:51I'm a little bit nervous.
00:53:53It's time to stop.
00:54:15I'm not sure what's doing, I don't wanna know.
00:54:19It's easy to do, I'm not sure what you're saying.
00:54:19But I agree, if it's just fine, you're not just fine.
00:54:24You're hard to do it.
00:54:34I love you too.
00:54:40No.
00:54:45What does the fact that I want to make sure that this girl is a scribe?
00:54:51He says he can do this.
00:54:57He says he can do this.
00:55:00Oh
00:55:01Oh
00:55:02Oh
00:55:02Oh
00:55:02Oh
00:55:03Oh
00:55:04Oh
00:55:05Oh
00:55:28Oh
00:55:32Oh
00:55:33Oh
00:55:34Oh
00:55:34Oh
00:55:34Oh
00:55:38Oh
00:55:59Oh
00:55:59Oh
00:55:59Oh
00:55:59Oh
00:55:59Oh
00:56:00Oh
00:56:00Oh
00:56:00Oh
00:56:00Oh
00:56:00Oh
00:56:00Oh
00:56:01Oh
00:56:01Oh
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