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The Upturned Glass (1947) Full Movie ｜ James Mason, Rosamund John [Full Movie] [Full Series]Full EP - Full
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00:00:05The End
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30Oh, my God.
00:02:05Oh, my God.
00:02:30I'd stay if I were you. He only lectures once a week.
00:02:34Now you've got to stay.
00:02:35Oh, my God.
00:03:03Last Friday, we dealt with the smaller group of strictly moronic criminals.
00:03:09And now we come to that much more interesting phenomenon, the sane criminal.
00:03:15The man who is prepared to pursue his own ethical convictions, even to the point of murder.
00:03:21The man who's punishment is apt to weigh heavily on the conscience of society, because his actions as likely as
00:03:28not have been inspired by just as great an integrity as those of the men who sit in judgment.
00:03:33At worst, he's an irresponsible opportunist.
00:03:37At the best, he's a man with a strong sense of justice, even a mystic.
00:03:45I propose to relate the case history of a murderer of this class.
00:03:48He's a perfectly sane, valuable member of society.
00:03:52You'd better give him a fictitious name.
00:03:56He'd give them all fictitious names, all the characters in this case.
00:04:00He was a surgeon.
00:04:01We'd call him Mr. Joyce.
00:04:05Mr. Michael Joyce.
00:04:07He was well thought of in the medical profession and had a house of his own in Harley Street.
00:04:11His marriage had been an unhappy one.
00:04:14And he'd lived apart from his wife for several years.
00:04:17Consequently, he threw all his energy and interest into his work.
00:04:21As a brain specialist, he operated in three London hospitals and had developed a technique which considerably reduced the mortality
00:04:27rate in this field.
00:04:29He was reserved in his personal relationships and had no close friends.
00:04:34His only relaxation was to sit at home and play the piano or go to an occasional concert.
00:04:40Otherwise, it was a life devoted solely to work.
00:04:43A life that, by normal standards, was unutterably lonely and empty.
00:04:47But he never recognized this himself until he met a woman called Emma Wright.
00:04:52When she first came into his consulting room, he hardly even noticed her.
00:04:56She was just an ordinary middle-class woman who happened to have a daughter who was going blind.
00:05:01Sit down, Mrs. Wright.
00:05:03Here I am. Let's have a look at this head of yours.
00:05:07I gather it was an emergency operation after an air raid.
00:05:10Yes.
00:05:11Now the eyesight's affected.
00:05:13The eye specialist said there was nothing he could do.
00:05:16Can you see well enough to read?
00:05:18Not really.
00:05:19I have the eye specialist report.
00:05:23Early optic atrophy.
00:05:26This is a fairly serious condition, Mrs. Wright.
00:05:28The thing for us to do is to take her into hospital,
00:05:31make a thorough investigation so as to establish the exact cause.
00:05:34You wouldn't mind that, Anne, would you?
00:05:36Would you?
00:05:38Will it hurt?
00:05:38No, we'll take good care of you.
00:05:41Do you want her to go in right away?
00:05:42I think she should.
00:05:45Anne, come over here.
00:05:47Sit down.
00:05:49We don't want the atrophy to become too far advanced.
00:05:53Anne, I'm just going to look into your eyes.
00:05:54See those two figures on the mantelpiece.
00:05:56Keep your eye on them.
00:05:58My face will get in between, but don't look at me.
00:06:02The personality of the child's mother
00:06:03remained for the time being a matter of no great importance.
00:06:07But after the child had been submitted to a series of tests
00:06:10and x-rays had proved that her trouble was due to a small foreign body
00:06:14lodged anteriorly to the optic chiasma,
00:06:16it became obvious that a fairly serious operation was necessary
00:06:19and the relationship between these two became inevitably less remote.
00:06:25Will it be very dangerous, the operation?
00:06:28To her life?
00:06:29There's always a risk with a major operation.
00:06:32How great a risk?
00:06:34The mortality rate with this operation is 1%.
00:06:37And if you don't operate?
00:06:40She'd go blind.
00:06:45Oh, if only my husband were here, he'd know what to do.
00:06:48I'd hate to go ahead without him.
00:06:49We might consider putting it off for a short time
00:06:51if he's coming home soon.
00:06:53Not for several months, I'm afraid.
00:06:55In that case, I shouldn't advise it.
00:06:57Every week that we let it go, it gets progressively worse.
00:07:00I know.
00:07:02I know you're right, but...
00:07:04you don't think she...
00:07:07I mean, she couldn't be among the 1%.
00:07:10In my mind, there's no question at all.
00:07:12I've met this problem before on many occasions,
00:07:14always with complete success.
00:07:16I wish you felt you could trust me.
00:07:18It isn't that.
00:07:21I'll do what you say.
00:07:23Well, I suggest we leave Anne here at the hospital.
00:07:26She's comfortable.
00:07:28Then I'll operate as soon as it can be arranged.
00:07:31All right?
00:07:31All right.
00:07:33There's nothing to it, Anne.
00:07:35We give you something nice to make you go to sleep,
00:07:37and when you wake up again, it's all over.
00:07:40Then you'll be able to see properly again.
00:07:42Oh, Mummy, they want to cut my hair off.
00:07:44But, darling, it'll grow again.
00:07:46Oh, must I stay here, Mummy?
00:07:47Mr. Joyce will take great care of you.
00:07:49Oh, don't go.
00:07:50Please, Mummy.
00:07:51How would you like your mother to stay with you
00:07:53till you go to sleep?
00:07:54Can't you stay with me until I wake up again?
00:07:56She can stay with you all the time, if she likes.
00:07:58Oh, yes, please, Mummy.
00:08:01He says you can.
00:08:02All right, darling, I'll stay.
00:08:05I'll see you later, Anne.
00:08:06I will be a minute.
00:08:35I'll see you later.
00:08:50I'll see you later.
00:09:13I'll see you later.
00:09:54I'll see you later.
00:09:55I'll see you later.
00:10:04I'll see you later.
00:10:33I'll see you later.
00:10:46I'll see you later.
00:11:04There were no complications at all.
00:11:07The child took the anaesthetic easily, and the foreign body was located and successfully removed.
00:11:18The chief sufferer, of course, was the wretched woman who had been pacing up and down the waiting room for
00:11:23two hours.
00:11:24She broke down as soon as Michael Joyce came in and made his report, and only pulled herself together when
00:11:29she remembered rather guiltily the promise she'd made to Anne to stay with her throughout the operation.
00:11:34She was anxious.
00:11:35She was anxious to get back to her before she came out of the anaesthetic.
00:11:40There was another woman in the room with her, whom she introduced as her sister-in-law, a Mrs. Catherine
00:11:44Howard, a rather overdressed young lady who seemed to have very little interest in Anne's welfare.
00:11:51They had to wait some weeks to find out whether the operation had actually succeeded in saving Anne's eyesight.
00:11:57Meanwhile, they shared the daily uncertainties and anxieties.
00:12:02Emma Wright depended more and more on the feeling of confidence which he gave her.
00:12:06When it became obvious that Anne was on her way to recovery, she was tremendously grateful to him.
00:12:12A feeling which Michael Joyce did not mistake, but he knew that his own interest in her was greater than
00:12:17it should be.
00:12:19Without admitting it to himself, he began to dread the day when the job would be completed.
00:12:24The day of the final examination, after which Anne and her mother were to return to their home in the
00:12:28country.
00:12:29Anne and I went to pictures last night. The first time for over a year.
00:12:33It was all coloured.
00:12:37Well, I don't suppose we shall see you again.
00:12:40I hope you will.
00:12:42I hope so, too.
00:12:44Not professionally, of course.
00:12:46The sun's come out, Mummy.
00:12:47We'll go to the park, shall we?
00:12:49Goodbye.
00:12:51Are you really going to the park?
00:12:53Yes, why?
00:12:54Do you mind if I go with you?
00:12:56Of course not.
00:12:59But oughtn't you to tell someone you're going out?
00:13:02I'll tell them when I get back.
00:13:04Then there can be no mistake about it.
00:13:06He should have said goodbye when their relationship came to its natural conclusion.
00:13:11But he couldn't bring himself to.
00:13:13She represented all the things that were so painfully lacking from a life devoted to textbooks and operating theatres.
00:13:19She was so simple and unaffected.
00:13:23She told him about Philip, her husband.
00:13:26How his work as a geologist had kept them apart for years at a time.
00:13:30And now he was going to give it up so that they could be together.
00:13:33She told him how they'd hoped for more children.
00:13:36Having only one, she'd become all the more nervous and possessive about Anne.
00:13:41They went on seeing each other and found they had the same tastes.
00:13:46They both liked music and fell into the habit of going to concerts together.
00:13:51Sometimes she'd come and play the piano at his house.
00:14:21I'll see you next time.
00:14:35I feel awfully guilty making you drive out all this way.
00:14:37It's all right.
00:14:38I really should have stayed in town.
00:14:39Only I hate leaving Anne alone at night.
00:14:41I'm relying on you to show me the way.
00:14:43I don't know this part of the country.
00:14:45Oh, I know the road.
00:14:46Good.
00:14:48Wait a minute.
00:14:50And we lost?
00:14:52Oh, it's all right.
00:14:53That's our chapel.
00:14:54Your chapel?
00:14:55Yes, you can see it from my bedroom window.
00:14:57Draw up when we come to it.
00:14:58I must show it to you.
00:14:59All right.
00:14:59There used to be great ructions in the family about it.
00:15:16When the wind's in our direction, you can hear them singing.
00:15:19I rather like it.
00:15:20The sound drifts across and...
00:15:22Oh, I don't know.
00:15:24It's rather peaceful.
00:15:26Some people hate it.
00:15:27Kate was always trying to get Philip to sell the house.
00:15:29That was before she was married, of course.
00:15:31Then after she came back here, after her husband was killed, she started all over again.
00:15:36She says Clay always plays out of tune.
00:15:38Who's Clay?
00:15:38Our gardener.
00:15:39He plays the organ here.
00:15:41Kate thinks we ought to get rid of him because of it.
00:15:43Why?
00:15:43Does it affect his gardening?
00:15:44Oh, no.
00:15:45It's just that Kate thinks that if he hadn't a job, he might go and live in another district
00:15:49and then there wouldn't be anyone to play the organ.
00:15:50Who's Kate?
00:15:51My sister-in-law, you met her one day at the hospital.
00:15:54Did I?
00:15:56Don't you even remember the people you meet?
00:15:58I remember the important ones.
00:16:01The ones I want to remember.
00:16:05That's our house up there.
00:16:10There's something I've been wanting to ask you all the evening.
00:16:14Yes?
00:16:14It's just...
00:16:15Are you divorced?
00:16:19No.
00:16:20Dana doesn't want a divorce.
00:16:23Why do you ask her?
00:16:25Oh, no reason.
00:16:27I just wondered.
00:16:28We ought to be going.
00:16:29It must be awfully late.
00:16:30I'm not.
00:16:40When Emma came up to London for the day, she made a habit of calling in at Michael's house
00:16:44in Harley Street after the day's shopping.
00:16:47Often they'd have dinner together afterwards.
00:16:58Hello.
00:16:58Hello.
00:17:00Sorry, I had to keep you waiting. I got messed up with my appointments this afternoon.
00:17:03It doesn't matter. Come and listen.
00:17:06What is it?
00:17:07It's a record Anne's made. It almost sounds as though she were a real pianist.
00:17:12I'm trying to think what this is.
00:17:14Madam, will you walk?
00:17:15Oh, yes.
00:17:16It's good. Is that really Anne?
00:17:18Of course it is.
00:17:19Quite a professional job.
00:17:20Shh.
00:17:23Oh, Dad, shh. I'll go back.
00:17:26That was a mistake. She always goes wrong there.
00:17:28But we're going to have another one made without any mistakes.
00:17:32I'm slightly sorry.
00:17:34She can play it, really. This is where she goes wrong.
00:17:47She used to play very well.
00:17:50After the accident, of course, she had to play from memory.
00:17:53I made her go on practicing.
00:17:56Emma, do you love your husband?
00:18:02Well, do you?
00:18:05I don't know how to answer that question.
00:18:07But you know why I asked.
00:18:10Oh, Michael, I don't know what to say.
00:18:13Philip and I have been together for so long.
00:18:16I love you, Emma.
00:18:19You shouldn't have told me.
00:18:22If we'd kept quiet about it, we might have gone on seeing each other.
00:18:27I suppose not.
00:18:28I wanted you to know.
00:18:32I did know, Michael.
00:18:39I've tried not to recognize it.
00:18:41I tried to tell myself that something would happen to make it all right.
00:18:44Though I knew nothing could.
00:18:46It can never be all right.
00:18:48Neither of us is free or ever likely to be.
00:18:52There's nothing we can do about it.
00:18:54We won't see each other again after today.
00:18:57No.
00:19:00I'll miss you.
00:19:02Oh, Michael, so shall I.
00:19:05Dreadfully.
00:19:32It became more and more difficult for them to end their association.
00:19:35Neither was happy about it.
00:19:38Emma's husband was giving up the work he liked so as to be with her.
00:19:42And she was torn between her loyalty towards him and her love for Michael Joyce.
00:19:48Finally, she decided to write to her husband and explain what had happened.
00:19:52And to ask him to release her.
00:20:03I can't send it, can I?
00:20:05No, you can't.
00:20:07It would be too unfair.
00:20:10It's Anne I'm thinking of, of course.
00:20:12Yes, well, there's your answer.
00:20:14Certainly wouldn't be fair to her.
00:20:17There's only one thing for us to do, I'm afraid.
00:20:23Goodbye, Michael.
00:20:31No, don't come near me.
00:20:33We must never see each other again.
00:20:51And they never did see each other again.
00:21:15Good morning, Mr. Joyce.
00:21:17Good morning.
00:21:18Isn't it terrible about Mrs. Wright?
00:21:21Mrs. Wright.
00:21:23What?
00:21:23You remember.
00:21:24The mother was a little girl.
00:21:26Come on.
00:21:27I'm having fun.
00:21:28Oh, will you come in?
00:21:33Will you take a seat in here, please?
00:21:38What about her?
00:21:39Who?
00:21:40Oh, Mrs. Wright.
00:21:41She fell out of a window and broke her neck.
00:21:55It was established at the inquest that the fatal fall took place at about six o'clock in the evening.
00:22:02The only other people in the house at the time were the child, Anne, and a housemaid,
00:22:07who testified that earlier in the afternoon, Mrs. Catherine Howard had visited the house.
00:22:13Did you see Mrs. Howard leave?
00:22:15Yes, sir.
00:22:16I saw her get into a car and drive away.
00:22:18At about what time?
00:22:19A little before six, I should say, sir.
00:22:21And it was some minutes later that you heard a noise as of someone falling.
00:22:26Yes.
00:22:27That will be all, Miss Bond.
00:22:38Repeat after me.
00:22:39I swear by Almighty God
00:22:41I swear by Almighty God
00:22:42that I will speak the truth
00:22:43that I will speak the truth
00:22:44the whole truth
00:22:44the whole truth
00:22:45and nothing but the truth
00:22:46nothing but the truth
00:22:47You are Mrs. Catherine Howard?
00:22:49Yes.
00:22:50And your address is?
00:22:50I live at the Arcadia Hotel.
00:22:52Yes.
00:22:53And what was your relationship to the deceased?
00:22:56She was my sister-in-law.
00:22:57She was married to my brother Philip.
00:22:59When did you last see Mrs. Wright alive?
00:23:01About six o'clock on the evening of the accident.
00:23:04I was with her for about an hour.
00:23:05You had an engagement with her?
00:23:08Well, not exactly an engagement.
00:23:10But she knew that I might stop by.
00:23:12Was she actually expecting you to stop by?
00:23:16Well, she wasn't exactly expecting me.
00:23:18But since my husband was killed
00:23:20I've been in the habit of popping in and out whenever I was nearby.
00:23:23What happened when you arrived?
00:23:25Nothing.
00:23:26Did you talk?
00:23:27Yes, we chatted for a while.
00:23:29About anything in particular?
00:23:31No, just talk.
00:23:33Did she seem worried?
00:23:35On the contrary.
00:23:36She was very cheerful.
00:23:37She was looking forward to her husband coming home.
00:23:40Had she been suffering from ill health?
00:23:42Not at all.
00:23:44Then there was nothing in her manner to suggest that anything was wrong?
00:23:47Certainly not.
00:23:48Oh, but she did have a great fear of heights.
00:23:50She had a great fear of heights?
00:23:53Do you mean that she mentioned it on this particular afternoon?
00:23:57Well, no.
00:23:58Why did you mention it just now?
00:24:00Well, it seemed to me the only possible explanation
00:24:02for her falling out of the window.
00:24:04I see.
00:24:06What was Mrs. Wright doing when you left her?
00:24:08She was in her room.
00:24:10I think she was going to turn out her stocking drawer.
00:24:13Thank you, Mrs. Howard. That will be all.
00:24:29Come over here by me.
00:24:36Now, Anne, you understand what it meant by telling the truth, don't you?
00:24:41Yes.
00:24:42It's very important that you do because I'm going to ask you a few questions
00:24:45and I want you to answer them truthfully.
00:24:48Tell me, when did you last see your mother?
00:24:52It was a little while before I went to bed.
00:24:56Where was your mother?
00:24:58In her room.
00:24:59Did you go in to talk to her?
00:25:02I went to say goodnight.
00:25:05And did you say goodnight?
00:25:07Yes.
00:25:08Did your mother seem normal?
00:25:13Yes.
00:25:15Tell me, Anne, was there anyone with your mother?
00:25:27No.
00:25:28Nothing happened that seemed unusual to you?
00:25:31No.
00:25:33That will be all.
00:25:42Repeat after me.
00:25:43I swear by almighty God.
00:25:45I swear by almighty God.
00:25:46That I will speak the truth.
00:25:47That I will speak the truth.
00:25:48The whole truth.
00:25:48The whole truth.
00:25:49And nothing but the truth.
00:25:50And nothing but the truth.
00:25:53And nothing but the truth.
00:25:54The whole truth.
00:25:55Do you practice in Darnborough?
00:25:57Were you called in this case?
00:25:59Yes.
00:25:59What time did you get there?
00:26:01About 6.30 a minute.
00:26:15To see you, she said it was a trick.
00:26:16We have now done anything.
00:26:18I have never heard your mother.
00:26:20I have never heard her.
00:26:21You have never heard her.
00:26:21I have never heard her.
00:26:23I have never heard her.
00:26:25We were taught her.
00:26:28I have never heard her.
00:26:30I have never heard her.
00:26:32I have not seen the truth.
00:26:40Was there anyone with you, Mother?
00:26:52Will you be in to dinner tonight, sir?
00:26:56No. No, I've got to go.
00:26:58Very good, sir.
00:27:02This is Catherine Howard.
00:27:04Yes.
00:27:05Your address is...
00:27:05I live at the Arcadia Hotel.
00:27:09I live at the Arcadia Hotel.
00:27:48This is Catherine Howard.
00:27:51The party is in Mrs. Davis' suite, room 29.
00:27:53The party?
00:27:54I'm sorry, sir.
00:27:56I thought perhaps you were one of the guests.
00:27:57Yes, yes, I am.
00:27:59Room 29, second floor.
00:28:19Oh, I'm so glad you were able to come.
00:28:26We're in such a muddle.
00:28:27Everybody seems to be here.
00:28:28I won't have to introduce you.
00:28:30Oh, look, there's Joan Scott Potter.
00:28:31Joan, I want you to meet Mr...
00:28:33How do you do?
00:28:34Albert, but I can't bear to see people that I didn't need their hands.
00:28:37There.
00:28:39Oh, dear, I might have known she'd turn up.
00:28:41Oh, darling, I'm so glad you were able to come.
00:28:46These are the ones we ought to avoid.
00:28:48All right, what's wrong with them?
00:28:49After Jenny Deva's last party, Judy Hammond went blind.
00:28:52Permanently?
00:28:53No, she's over there somewhere.
00:28:55There's Kate Howard, and on the day of the inquest,
00:28:58would she do it?
00:28:59Put the stamp for me somewhere, will you?
00:29:01And you.
00:29:08Excuse me.
00:29:10You're being very unsociable.
00:29:12There's someone here I know you'll adore.
00:29:14She's longing to meet you.
00:29:15Sylvia, darling, you don't know Peter, do you?
00:29:17I'm dying to meet you.
00:29:18You've got a drink?
00:29:19Good.
00:29:20What on earth is that waiter doing?
00:29:24Is your name really Sylvia?
00:29:26What's wrong with Sylvia?
00:29:28Nothing at all.
00:29:29Only mine isn't Peter.
00:29:30Excuse me, I must take this drink to someone.
00:29:33I just love that hair.
00:29:34Hello.
00:29:35Hello.
00:29:35That's the new window.
00:29:36Why, hello, Doctor.
00:29:37I never expected to find you at a cocktail party.
00:29:39I hardly expected to find myself at one.
00:29:41Have you been here long?
00:29:42No, I've only just arrived.
00:29:43You're looking very well.
00:29:44Oh, I'm an absolute dread.
00:29:45I've been having the most awful time.
00:29:46I expect you read about it.
00:29:47My sister-in-law, Emma Wright, you know.
00:29:50She fell out of a window and got killed.
00:29:51Yes, I did hear about it.
00:29:52I've just come straight from the inquest.
00:29:54I wonder if I'd dare try one of these.
00:29:56I shall never think what's in it.
00:29:58Catherine, you're poor.
00:29:58No, of course she didn't.
00:30:00Is one of them all.
00:30:03You saved my life.
00:30:04I think you ought to keep moving if you don't want her to catch you again.
00:30:08Kate, my dear.
00:30:09You must give me the lowdown.
00:30:11My husband's...
00:30:12It's all been hushed up.
00:30:14Come in the corner in the quiet.
00:30:15I can't bear it.
00:30:16I can't, dear.
00:30:17Haven't you got to telephone your mother?
00:30:18My mother?
00:30:20Oh, yes.
00:30:21I've got to phone my mother.
00:30:22See you later, dear.
00:30:23Excuse me.
00:30:28Kate, my dear.
00:30:29You're not going.
00:30:30Darling, I must.
00:30:31They're too gruesome.
00:30:32You're staying here for dinner.
00:30:34Well, don't rely on me.
00:30:35Oh, quick.
00:30:36There's that awful woman.
00:30:37See you later, dear.
00:30:37You're a menace.
00:30:38Catherine.
00:30:39Darling.
00:30:40You haven't got a drink.
00:30:41No.
00:31:08So, call me if it's still a drink.
00:31:14We don't.
00:31:29You're a menace.
00:33:48It's a test.
00:33:50It's a test.
00:33:51It's a test.
00:33:52It's a test.
00:33:54Okay, now I have to speak with this, I have to speak.
00:34:00I have to speak with this, I can show you how to speak.
00:34:09I also have to speak with this, I can say.
00:34:13My name is Keirnar, I can say.
00:34:15I know it's all the time.
00:34:19Like you, he says he says.
00:34:20What's up?
00:34:26What's up?
00:34:34What is it?
00:34:36Why are you so happy about your life?
00:34:37What is it?
00:34:39Why are you so happy?
00:34:40Why are you so happy?
00:34:44What's up?
00:34:45Of course, I did not see it again.
00:34:49This one was really bad for you.
00:34:56I have no choice, but at the same time.
00:34:59I O
00:34:59I O
00:35:00N
00:35:00N
00:35:00N
00:35:01N
00:35:01N
00:35:01N
00:35:02N
00:35:02N
00:35:02N
00:35:06Tveina, where is it?
00:35:10Tvile was the most, with real estate.
00:35:11Tvile is the same, where is it?
00:35:14Tvile, how did you go to変a?
00:35:17Tvile?
00:35:21Tvile, it's time to train us.
00:35:24Tvile is the same, no.
00:35:25Tvile, it is a little a little, niðan!
00:35:28Tvile, he says he says he said he'll join us,
00:35:31Tvile, it's time to do this,
00:35:33Tvile, it's time to learn what to do this.
00:35:33Forgive me.
00:35:37I'll see you now.
00:35:39I'll see you next time.
00:35:43How are you doing?
00:35:45What do you do?
00:35:46She's doing it.
00:35:50I will see you next time.
00:35:52I'll see you next time.
00:35:53I will see you next time for a while.
00:35:57I'll see you next time again.
00:36:03Behold, that's the only one I have.
00:36:09You don't know what to do.
00:36:12You don't know how to do it.
00:36:15Behold, you don't know if you don't know what to do.
00:36:33How did this sign?
00:36:37You heard me?
00:36:39How did it?
00:36:40F plusieurs times.
00:36:42She's been waiting for a year!
00:36:48She's after a good year he was a Okama.
00:36:51He's hoping to find him a while soon.P
00:36:52What did you scare me? Thanks
00:37:00to everyone! Paisal
00:37:03and his name is from Awesome Wooc.
00:37:04Good evening.
00:37:10Good evening.
00:37:14Good evening.
00:37:17I'm back.
00:37:21I'm back.
00:37:26Good evening.
00:37:34Do it.
00:37:39Do it through a mouth.
00:37:40Do it?
00:37:41Do it.
00:37:42Do it.
00:37:44Do but a quote.
00:40:49It
00:40:51I just wanted to have to take a while.
00:40:57I don't know how to make a good job.
00:41:01I don't know how to make a good job.
00:41:04It's a pleasure to be with this country.
00:41:13Hope you'll be fine.
00:41:15You will be fine.
00:41:17I'll be fine.
00:41:25I'll see you later.
00:41:28Hey, folks.
00:41:30Hey, having a 빵 party in the crowd?
00:41:32Hey, how'd you do this?
00:41:35Hey, I'm a bane!
00:41:37Hey, Ane!
00:41:38Hey, I'm a bane!
00:41:39Hey, it's a hat!
00:41:40Hey, a little?
00:41:41Hey, I'm a bane!
00:41:42It's a hat!
00:41:45Hey, I'm a bane!
00:41:49Hey, thanks!
00:41:49Hey, I'm a bane!
00:41:50Hey, I'm a bane!
00:41:55Hey, hey, hey!
00:42:04I don't know.
00:42:29Orpheus Mális嚯thúrfúða
00:42:31Meðrín Meðrín
00:42:33Emí að Þá
00:42:34er Þetta
00:42:37er Er Þá
00:42:38er Ég Dem
00:42:38Tíð En Ég
00:42:39Það er
00:42:52er Það
00:42:55er
00:42:58He told me that he was growing up and making money, and I was still thinking about it.
00:43:03He said to me, I don't know if you were a girl.
00:43:07He told me that he was a girl.
00:43:12And he told me that she was a girl, and I told her.
00:43:22He said, I am not a girl, and I am a girl, and I am a girl.
00:43:28Have a good day.
00:43:31Love you too.
00:43:35Bye bye.
00:43:37Bye bye.
00:43:57I don't know how to work.
00:44:01It's my own friends and friends and family.
00:44:09We have to do this.
00:44:11We have to do this.
00:44:12I don't know what to do.
00:44:14I don't know what to do.
00:44:28What is he doing?
00:44:29It's a long time.
00:44:31It's a long time.
00:44:36It's a long time.
00:44:37It's a long time.
00:44:40It's a long time.
00:45:25it's a
00:45:27For you Oh
00:45:28Oh
00:45:28Oh
00:45:29Hey
00:45:30Hey
00:45:32Hey
00:45:32My
00:45:32Hey
00:45:36Hey
00:45:37Hey
00:45:38Are you feeling this?
00:45:40Get off me.
00:45:43It's hard to inform you.
00:45:46It's hard to know.
00:45:49It felt like smoking.
00:45:52Why did these do?
00:45:53Look at that.
00:45:55In the side of this scene,
00:45:57it's hard to believe.
00:45:58Okay, let's go.
00:46:29Guð, Guð, Guð, Guð, Guð, Guð,enni Ertuða, ねk?
00:46:36Guð, Guð, Guð, Guð, Guð, Guð, Guðnurmi, fyrir við um hann séu og að enn ætlu.
00:46:44Guð, Guð, Guð, Guð, Guð, Guð, elsku lýst í að hérna.
00:46:48Guð, Guð, Guð, Ég er að hvitað, ljóða og það.
00:46:52Guð, Guð, Guð, Guð, Guð, Guð, Guð, Guð, Guð, Guð.
00:46:56The
00:46:57The
00:46:57The
00:46:58Hvað er það?
00:47:00Hvað er það?
00:47:01Hvað er það?
00:47:31I don't know, I'm a good girl.
00:47:33What if they had a guy who would like me to see you?
00:47:34I don't know, but I don't know a lot!
00:47:39He can also hear a song.
00:47:43I don't know, I don't know.
00:47:43What if he did the song I feel like?
00:47:46Oh, I don't know!
00:47:51He just had a song with us!
00:47:54Practice, listen!
00:47:56Yes, exactly!
00:47:57I don't know what's happening.
00:47:58I will join the club as well.
00:48:03My name is the club.
00:48:05I will join the club.
00:48:07My name is the club at the club.
00:48:11My name is the club.
00:48:15My name is the club.
00:48:29What is it?
00:48:30What is it?
00:48:34If you hit a keeper, I don't like a child.
00:48:37What is it?
00:48:38What's it?
00:48:40Really?
00:48:42What's this?
00:48:44What is it?
00:48:48What's it?
00:48:50What is it?
00:48:51What is it?
00:48:51What is it?
00:48:52What is it?
00:48:58Good luck.
00:49:00Good luck.
00:49:02Good luck.
00:49:06They were both in the room and in the room and at home.
00:49:07Good luck.
00:49:09Good luck.
00:49:15Good luck.
00:49:19Yourself would have done it.
00:49:19Good luck.
00:49:20It's a good one.
00:49:25Good luck.
00:49:28What are you saying?
00:49:32I, let me call this rind, let me call this urn.
00:49:34What are you saying?
00:49:39What are you saying?
00:49:42I thought I was saying what's happening
00:49:44and I was saying that have got me wrong.
00:49:46What are they saying?
00:49:48I said, I think she is a problem.
00:49:50What are they saying?
00:49:52What are they saying now?
00:49:56I'm wondering why not.
00:49:59It's time to go.
00:50:02It's time to go.
00:50:06It's time to go.
00:50:08It's time to go.
00:50:30It's time to go.
00:50:34It's time to go.
00:50:35It's time to go.
00:50:37It's time to go.
00:50:38There it is.
00:50:43We can't do this.
00:50:46Let's go.
00:50:48Love you.
00:50:51Love you.
00:50:53Love you.
00:50:55Love you.
00:50:56Love you.
00:50:59There was an odd one, I couldn't deny this .
00:51:05I can tell if Gribbs was a little too odd.
00:51:10He came in the rain and開.
00:51:15There were a lot of signs to do this.
00:51:18I think that's what this is.
00:51:21It was a stormy place where the sun has been,
00:52:53It's more than ever.
00:52:56That was very open.
00:52:59It would be the answer.
00:53:03The answer is...
00:53:14It's for sure.
00:53:16Welcome.
00:53:23Congratulations.
00:53:32Welcome to the show.
00:53:36This is the answer to the question.
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