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We deliver full episodes of top drama series across romance, thriller, mystery, crime, and emotional storytelling. From Turkish dramas and Asian series to global hits, our content is carefully selected to match what audiences are searching for right now.
SeriesVerse Global specializes in multi-language subtitles, including English Sub, Español Sub, and Arabic Sub, helping viewers from all over the world enjoy their favorite shows without language barriers.
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TVTranscript
00:27Two bodies have been found alive.
00:32Turn that shit off.
00:34Is that a gem?
00:35She's too mad.
00:41Show a little respect.
00:43This driver doesn't deserve respect.
00:45Well, then your mother does.
00:47Not my mother.
00:49I came here tonight, didn't I?
00:56I came here.
01:00You know, you had the voice of an angel.
01:04Don't you remember?
01:06Our last year in London, you were in the Nutcracker.
01:10I mean, the chorus, of course.
01:13Oh, you could hear your voice above all the other little hymns.
01:18You were a cherub.
01:22Cute and round and...
01:26And you had a little solo.
01:28Oh, God, your voice.
01:40You really don't remember?
01:43Not at all.
01:47Well, that's a shame.
01:51It's a good memory.
01:54One of the few.
02:07If he was here for us, he'd put us over.
02:16He's on radio.
02:18Smile.
02:19What?
02:22Smile.
02:23Smile.
02:24Smile.
02:28Smile.
02:29Smile.
02:31Smile.
02:41Smile.
02:47Smile.
02:51Smile.
02:51Smile.
02:53Smile.
03:06what the fuck did you just do things change quickly when you have a man in the trunk of
03:10your car he was a kid he was a cop there are cameras on every street corner in no time
03:16they'll
03:16identify the make and model of the unmarked vehicle near the plymouth estate at the time
03:21of paulo braga's kidnapping it won't be long before they use those cameras to track us where
03:25we're heading you want your wife back your boy had to die it's maths
03:37your weak need like your father at least kyle is
03:45thankfully mason's here to get kyle's wife back at least he takes after me he's a fucking monster
03:51the thing about monsters is we get things done god this was a mistake
03:58coming back to you trusting you again
04:03we never learn in this family
04:18what the fuck happened lisa
04:19mason took paulo he's gonna use him as leverage to get abby back
04:23what the fuck could you let him take him don't you fucking put this on me you brought him back
04:27god damn it
04:33hutch
04:34yo tell me you have edison we lost edison
04:37no paulo just killed edison
04:40that's not edison
04:42it's the wife
04:44she's the hacker what are you talking about now i'm confused
04:47i may have fudged the truth a little bit
04:50you fudged the truth a little what
04:52that person i have beached to get soon
04:54we'll find her
04:56dick
04:57we lose paulo and this is over
05:03what the fuck you mean he's gone
05:06kane took him
05:08where
05:09we don't know
05:10is he hurt
05:12we don't know
05:16i want you to call him
05:18every fucking favor
05:20mr. police
05:2210 downing
05:25i don't give a fuck
05:27call them all
05:28yes ma'am
05:30now
05:32now
05:38fuck
05:46fuck
06:05fuck
06:06fuck
06:17Your friends or his will find us here.
06:22I'd say we have two hours till they do.
06:25Why don't you go and clean up?
06:44Where would Mason go?
06:45He's laying low until they fly Abbey to London to make the exchange.
06:49How did he disappear so quickly?
06:52Coming in, there was a car parked.
06:54Just off the road, it was a gray Fiat, but I didn't get the plates.
06:57Well, I got some friends at the Met. They might be able to help with that.
07:00You think he stole the car?
07:02Or someone else was waiting there for him.
07:05Search all property records in London, ever owned by a Dahlia Archer or a Thomas Kane.
07:10Yep, you got it.
07:29Look at you bringing us back together.
07:32Mending old wounds.
07:37You know this is suicide.
07:39How does this play out?
07:41Get in touch with your people.
07:43Make a trade.
07:44I get my wife to get you.
07:47There's one big problem with the offer.
07:49I don't even know if she's still alive.
07:51It would be very bad for you if she isn't.
07:54It would be very bad for you if anything's happened to her.
07:57He has a son.
08:01Must be what?
08:03Ten by now?
08:05Yeah.
08:07I would bring him his wife.
08:10I know you have little regard for children, seeing as you once tried to kill your own.
08:15But if you ever speak about my son again, I will burn you to death like your husband.
08:24We're out of time.
08:25We need to call you people.
08:27We need a number.
08:28How do I know you'll hold up your end of the portal?
08:30You don't.
08:33Number.
08:49How do you want to play this?
08:52There's a corner shop half a mile from here that sells prepaid mobiles.
08:58You stay here, I'll make the call.
09:24We have Addison now.
09:26So all this, it's meaningless.
09:29Unfortunately for you, I don't give a fuck about your satellites.
09:31Or the assassin, or anything else.
09:34I'm just here for my wife.
09:37And you really trust your mother to make the call?
09:42Maybe she's negotiating for something more and will sell you out in the process.
09:46At least she's not here negotiating with you.
09:49So you don't trust her?
09:58I've been looking for you for a while now.
10:01And here you are.
10:04Here I am.
10:05I mean, you have to wonder.
10:08Maybe I wanted to be here.
10:11Tied up.
10:13Mono-mono.
10:14To finally have a private audience with Mason Kane.
10:18I felt a kind of kinship with you.
10:23Kinship.
10:24We both have parents that wanted the worst for us.
10:27I'd fucking applaud you if my hands weren't tied.
10:33You want to give to your daughters, to your wife, a life worth living.
10:41Listen, that's what I want for my boy.
10:45I've been looking for you not to kill you.
10:47I want to make you an offer.
10:50You and I can create peace.
10:55A world free from war, violence, greed.
11:01Isn't that what we want for our children?
11:03For Asha.
11:04For Hendrix.
11:12Don't talk about my kids.
11:15Not interested in your offering.
11:36Who is this?
11:37Joanna.
11:38Lovely to hear your voice, dear.
11:40Though you do sound a little stressed.
11:42Listen, if you want him back, bring Abby Conroy to London immediately.
11:47This is you, Dahlia.
11:49Well?
11:50When your kid's in a pickle.
11:51We have everyone on this.
11:53We'll find you within the hour.
11:55So I suggest you bring him back to us before we do find you.
12:00I'll make sure that they don't...
12:01Make my death quick and painless?
12:03No, you really are out of your depth, you ridiculous twat.
12:07I'll call back with a location.
12:27Time to go.
12:33Is that you, Chris?
12:35How's it going, Frank?
12:37Frank Sharp.
12:40Sharp.
12:41The name's Sharp.
12:43No, it's not ringing any bells.
12:45Okay, that's fine.
12:46Nothing on Mason yet.
12:49Hello, can I just get a picture, please?
12:51You let him get you.
12:53It's Francis Sharp.
12:55Yeah, I'll say it again.
12:56Francis Sharp.
12:57I don't.
12:57If you didn't keep your daughter's very existence from him...
13:02Not a long time ago.
13:03All right.
13:03First of your family.
13:04He never would have fallen off the handle.
13:07And he never, ever would have betrayed Citadel.
13:12And we would not be in all of this shit.
13:16You are to blame.
13:18You created him.
13:20You did...
13:20What's the first rule of the agency?
13:22Do not get involved with another agent.
13:25Oh.
13:25And you two were fucking around like it was fucking spring break.
13:30You compromised everything.
13:32Is your mother there?
13:33Sure.
13:34Everything that I built, you compromised.
13:36And had you not murdered his father and created him, maybe the agency would still be standing today.
13:41I'm sorry.
13:41I'm sorry.
13:41I'm sorry.
13:42I'm sorry.
13:42Why did you bring him into this, Bernard?
13:44You knew he was a mole.
13:45You knew he was unpredictable.
13:47He's the best killer I have.
13:49You have five killers, including yourself and me, and that Paddington bear-shaped motherfucker.
13:53So why did you bring him into this?
13:54He was supposed to work!
14:05He's still...
14:08Fuck.
14:21The things you build are flawed, because you are flawed.
14:35Is that you, Malcolm?
14:36You lazy-eyed bastard.
14:39It's Frank Sharp.
14:42He's hung up.
14:44Oh, no, he's back.
14:45Frank Sharp.
14:46No, he's hung up.
15:06You always did have a temper.
15:08What'd they say?
15:09Can they get off the ground now?
15:11Go and pick up your mess.
15:30They're en route.
15:32We should burn the car, steal another one to transport him.
15:35You'll probably be better at that than me.
15:38You got him?
15:40Don't worry.
15:41Gorgeous young men like him don't excite me like they used to.
15:45Yes, I've got him.
15:47You go.
15:49Time's ticking.
16:16Did you charm him with your wiles?
16:20That's right.
16:26Good to see you again.
16:31It's been a while since you signed my death warrant.
16:38You're looking more and more like your father.
16:44Oh.
16:49Chin Chin.
16:54What's he needs for you?
16:57Helping him.
17:00Oh.
17:03Love.
17:09Love.
17:13Maybe I wanted to make amends to him.
17:19I was a manticore mole in the highest echelons of British government.
17:26He knew what I did.
17:29He could have posed a threat.
17:31So you wanted him killed.
17:36I had something greater to protect.
17:40I was helping to build a safer world.
17:42Oh.
17:43Where the things that happened to my family, to good innocent people, would never happen
17:49again.
17:50That's why I built Manticore.
17:53You built Manticore to set the world on fire.
17:56Just like they did to your husband, so the world could know your pain.
17:59You, my father rescued you.
18:04I'm here to do it again.
18:15I'm here to help my son.
18:21But I don't have you gagged, do I?
18:35Is that claw with the curved cock?
18:38Good.
18:39It's Frank Sharp.
18:41Yeah.
18:42Yeah, that Frank Sharp.
18:43I'm good.
18:44How are you?
18:45Listen, I need a favor.
18:47I need eyes on the Plymouth Estate of Windsor.
18:51It's a great Fiat at around 10.20 this evening.
18:54You can thank me later.
18:55Well, you haven't done anything yet.
18:56Except finally get someone to remember your name.
18:58Fiat 95.
18:59Great, yeah.
19:00That's it.
19:01The Plymouth Gallery to Croydon.
19:03Okay, thanks very much.
19:05The camera's lost a car on the outskirts of Croydon, but it's definitely there.
19:08Okay.
19:14Here.
19:1537.
19:16Saint Anne's Way.
19:32I'm in here, love.
19:42What's this?
19:50Well, I'm starving.
19:53You must be famished.
19:55No?
19:57I thought it would be nice, you know, a little, um, family dinner.
20:04Not sure when we get the chance again.
20:07Come on.
20:08I'll be landing in an hour.
20:09Sit.
20:10Eat.
20:16I remember the smell.
20:19Your chicken.
20:20His favourite.
20:23Smells never leave you.
20:26Chicken cacciatore.
20:29Drugstore perfume.
20:32Burning flesh.
20:42For the moment I met your father, I knew he was the love of my life.
20:49It wasn't an act or a decision.
20:54It just was.
20:56He was brilliant and intoxicating.
21:03And certain.
21:08And he was dishonest and cruel.
21:12And small.
21:16And I loved him.
21:18Not because of all, despite those things, but because one to one, I was his and he was
21:28mine.
21:31And here you are, risking the woman you love for the woman you married.
21:36I love Abby.
21:39Do you?
21:42She's my wife.
21:43Hmm.
21:45Doesn't mean that you love her.
21:49Nadia?
21:56You're fucking with me.
21:58Excuse me?
22:01You're fucking with me.
22:06No, dear.
22:07I'm...
22:07Yes, dear.
22:11I...
22:11I'm simply not.
22:13I can't.
22:13Did you make a deal with him?
22:18Of course not.
22:20He tried to kill me.
22:21Yeah, you tried to kill me.
22:23A few times.
22:29We entered negotiations, but a deal I didn't make.
22:38Eat up.
22:40And then I'll call Joanna.
22:44And you can get him ready.
22:52Smells just like I remember.
22:54Hmm.
23:02You're looking more and more like your father.
23:07Not a shred of me.
23:12.
23:39You're looking more like...
23:40...
23:58you're making a mistake
24:00under the Hamas bridge
24:02East End
24:034am
24:05don't be late
24:16so you tried to cut a deal with her
24:20no
24:21I didn't try to cut a deal with her
24:24she tried to cut one with me
24:26but it didn't make
24:27is that what she said?
24:32I'm playing with you
24:35I wanted something
24:36she wasn't willing to give
24:40or maybe she gave it
24:47is that your father?
24:50do you often think of him?
24:54no
24:55I dream of my father sometimes
25:00it's the same dream
25:04we're in the ocean
25:06off the coast of St. Louis
25:08it's just him
25:10me
25:14we have drawn me
25:18the boat is out in the distance
25:22closer and closer the boat comes
25:27and just as
25:28my father realizes
25:31that the boat sees us
25:33will save us
25:39I push him
25:42under the water
25:44hold down
25:47his skull
25:51until
25:53he goes
26:14it was cancer that took him
26:19not in the dream
26:22pancreatic
26:24never thought that fair
26:27not that it took him
26:29just
26:32I wasn't the one to do it
26:37I heard once that
26:41we become our true selves
26:44when our father dies
26:50I suppose you had a lot more time than me
26:52to figure out who that is
27:01your father was
27:03a saint
27:05what was that like?
27:07I'm done talking about my father
27:08why?
27:09I find that it's so
27:11interesting that
27:14your father was killed
27:16with
27:16hundreds of others
27:19and then you killed
27:20thousands
27:21to avenge his death
27:26do you think he will be proud of you
27:28of what you did for him?
27:30is this
27:31don't you think you're gonna get to me?
27:33I don't think you have any intention of following through on
27:36your end of this bargain
27:40I think I leave here
27:42with that man
27:45so you please
27:48flat rate didn't work earlier
27:50I'm thinking maybe
27:53guilt could
28:11we can remake the world the way your father saw it
28:14I told you I'm done talking about my father
28:17because he would be ashamed of you
28:19that you're his son
28:21because he would be
28:24I'm giving you a choice
28:25to absolve yourself from what you've done
28:28to reject what you are
28:32that's why he became a spy isn't it?
28:35because it was the only way to hide your true nature
28:38your true soul
28:40it was survival
28:41wasn't it?
28:43to hide even you from yourself
28:45because if you saw what you really were
28:47you wouldn't be able to go off
28:50you've brought only pain and death
28:53to everyone who loved you
28:56and your daughters
28:57who grow up
28:58and they'll have to spend the rest of their lives
29:01scrubbing themselves
29:02of any residue of you
29:04so horrified that they're yours
29:07that they'll dream about drowning you out in an ocean
29:10and wonder why the world didn't allow them to chest
29:15to kill you themselves
29:33oh god
29:41Bob?
29:48Bob?
29:54fuck
29:54fuck
29:56fuck
29:57fuck
30:03Mm.
30:10It's not easy.
30:13Yeah, it's not easy.
30:59This was Grandpa Arthur's chair, right?
31:03I remember him. Bad breath.
31:08How'd he die?
31:10He shot himself.
31:14To spite my mother who loved him.
31:17And did it in that chair to spite me who loved that chair.
31:33You may have just killed your wife.
31:39What are we gonna do?
31:49What size suit you were?
32:11The lights are on.
32:21What size suit you were going to do?
32:42I don't know.
33:18It's still warm.
33:23Not a bad cook.
33:29Yeah, Edison's gone.
33:32They flew her out.
33:59What?
34:00Change of plan.
34:02No, no change of plan.
34:03I'm speaking now.
34:05Charing Cross Tube Station, old Platform 3.
34:07Only ten minutes.
34:27Once you've caught her, get out of there.
34:30No matter what happens.
34:33Just keep her safe.
34:35Understand?
34:36And if this exchange happens to go pear-shaped, you be sure to make way for Mason.
34:43We're going to need every bit of him.
34:46I don't think there's much of Kyle left.
34:49It looks that way.
34:56Let's do this.
34:57Let's finish.
34:58Let's do this.
35:15Let's do this.
35:44Let's do this.
35:50For this.
36:26Let's do this.
36:32I don't know.
37:11Stop that!
37:12Joe, don't pull anything.
37:14No one's doing anything.
37:18Where's Mason?
37:19Someone has to keep eyes. I'm certain you're doing the same.
37:26Just the two of you. Slowly.
37:56Just know.
37:58I go.
38:01He goes.
38:03She's not fucking around.
38:04Shut up!
38:06Okay, let's just relax.
38:13A girl walks to me, and I let Paolo go.
38:19No.
38:20You let him go first.
38:22No, that's not happening. I'll kill him where he stands.
38:24And I'll kill her.
38:25I will fucking do it!
38:28Help me!
38:28Sing, darling.
38:29What's my guarantee, dear?
38:31What's mine, Dahlia?
38:32You let her go.
38:35No, no.
38:41I'll kill you.
38:47No, no.
38:50No, no.
38:51No, no.
38:57Okay.
39:03you're smart moves
39:05always a pleasure, don't you?
39:20alright, go
39:23you're safe now
39:24am I?
39:56you're safe now
40:14I told you to go
40:16fuck off
40:22down
40:28you're hit
40:31I'm fine
40:33you mean Celeste?
40:47I'm fine
40:48I'm fine
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