05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48What are you going to say.
05:50What are you going to say.
05:51What are you going to tell me about that?
05:53What are you going to tell me about that?
05:54I was wondering when you noticed.
05:57It's a cyanide rose finch.
06:09Hey, you're going to say, you're going to see me.
06:27That's a little bit too late in the night.
06:28I'm going to say, hey, you're going to see.
06:29I'm going to say, I'm going to tell you.
06:29Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians, just the usual.
06:40Five stars on Yelp, highly recommend.
06:48Well, I have some news.
06:51I got offered a teaching position, associate professor of archaeology.
07:00Princeton.
07:02Oh, my God. Alice, I mean, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted. I'm so proud of you.
07:11So.
07:14So.
07:15I'm going to have an apartment, you know, a place on campus from which you and I could live together.
07:23Yes, sir.
07:28I know it's going to be hard to leave all the dysentery. I totally understand.
07:32No, no, um, no, no, no, no, no, no, that, that, that is, uh, big, um.
07:41Big?
07:42No, um.
07:43Wow, for a man with an English literature degree, you really have a way with words.
07:47I know, I know. It's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually want
07:57to have sex with each other all the time.
07:59Um, but, I want this job.
08:05You know, I want to build a life that's mine, not just uncovering other people's.
08:13We have to make a decision, you and me.
08:16Like, Tom, I, I love you so much and I want to keep loving you and I'd like to do
08:23it while I'm actually looking at you.
08:30And, I love you, Alice Munro.
08:38And, I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
08:49Oh.
09:04Hey, what time is it?
09:11Tom?
09:16Tom?
09:19Hey.
09:22Hey.
09:23Hey.
09:23Hey.
09:23It's Uncle Brian. He's in London.
09:25Oh.
09:25Why don't you go downstairs, order some breakfast?
09:29The train's at 10.30.
09:52Merci.
09:53Merci.
10:01Wow.
10:05Hi.
10:07Sorry.
10:09Brian talks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project and Brian
10:27has called in a favor.
10:30Oh my God.
10:31Are you kidding?
10:32Mm-hmm.
10:33Can we get massages and lay by the pool?
10:35Yes.
10:35Yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh.
10:39I love you.
10:42What I feel is very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:58Don't.
10:59Just stay there.
11:00We're almost over.
11:11That's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:23Okay.
11:24Okay.
11:24True income?
11:25Oh my God, no.
11:26Nine.
11:27For you all.
11:43Hi.
11:44Hello.
11:46Uh, sorry, I can't, I can't hear you.
11:50Can you, can you repeat that?
11:51Pas de téléphone.
11:57One second.
11:58Yeah.
11:59All right, one second.
12:03Vous êtes en vacances avec votre mari?
12:05Ah, ouais.
12:07Nous salons Aro.
12:09Yeah.
12:10And he's not my husband, he's my boyfriend.
12:16Oh my God.
14:03Did my boyfriend return?
14:06Mon ami?
14:08Did he...
14:13So weird. Where are you?
14:23Hi, this is Tom Parker, watching some unavailable, leave a message after the time.
14:39Tom?
15:10This is Tom Parker, which is why we do this.
15:12It's been a since then for a long time.
15:14We are a little bit more than a twin.
15:36I don't know.
16:06I don't know.
16:15Tom.
16:17Hey.
16:18Very funny.
16:20I have been looking all over this trip.
16:22Oh my God.
16:22I'm sorry.
16:23No, Desolée, I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:38Excuse me.
16:41Excuse me.
16:42Excuse me.
16:42Did you see him walking?
16:43No.
16:47Excuse me.
16:54Il y a un problème, madame?
16:55My...
16:55Mon ami?
16:58He's gone.
16:59He's...
17:00I can't find him.
17:01He kind of...
17:02Desperou.
17:03Il est peut-être descendu à Avignon.
17:05No, we're supposed to go to Arl.
17:06Est-ce que vous avez essayé de l'appeler?
17:09De l'appeler?
17:10May I help you?
17:11Yes, please.
17:12He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:20But if he was leaning against a door and maybe fell under the track, is that possible,
17:24en fait, elle s'inquiète de savoir s'il aurait pu, éventuellement, s'appuyer contre
17:27la porte et tomber sur les voies?
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43OK.
17:43They only open at this point.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
17:47Je comprends très bien, ça, madame.
17:50Continue à l'appeler.
17:51Je suis sûr qu'il va finir par vous répondre.
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est réservé au personnel.
18:07OK.
18:08It's in...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire, Adjad, c'est un oeil, c'est à la rassurance.
18:17C'est le règlement, c'est comme ça, c'est tout, elle n'a pas le droit.
18:23Monsieur Giroux.
18:24Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:27C'est contre-lange, je me l'ai dit.
18:32Oh, my God.
18:36Tom, I've been looking all over from you.
18:41Tom, are you there?
18:51Tom, are you there?
18:54Tom, are you there?
18:56Tom, are you there?
19:28do you know marseille uh no no but it's
19:33i'll be fine i'm okay thanks what are you going to do
19:38i don't know we're supposed to go to aural but
19:42maybe i'll go to the police do you need me to take you
19:46no no i'm you've been you've been so helpful thank you i'm just kind of
19:50i'm um where is the police station
19:53uh it you go down the hill it's on your right you can't miss it
19:58but are you sure i can take you no i'm fine
20:01i'm positive this is all a big misunderstanding so
20:12you know
20:15if you need help
20:16i'm helen alice thanks
20:26so good luck alice
20:29and don't worry it's going to be okay
20:33bye bye
20:35Bye.
21:14Sous-titrage Société Radio-Canada
21:36It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:51Just one second.
22:04I don't... I don't understand.
22:11How long have you known your boyfriend?
22:15Um, well, we've been dating for four years.
22:20We met in Jordan. That's where he heads the region for SOS Global.
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist. I'm a...
22:37Who told you a fight?
22:40What?
22:42Fights, disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And he agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:19So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so he got off the train at Avignon without telling you, eh, voila?
23:29He would never do that. You don't know Tom.
23:32I am no man.
23:37Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
24:13All the time, us get up with people.
24:18Yes, needed to brasile for inside of Motherbug.
24:24I'll never do it.
24:24Oh yes, tan relações.
24:27Yeah, man I think that's it.
24:30I think so came along.
24:30Oh yes, being there.
24:33Yeah.
24:33Oh and a daddy.
24:34Dad.
24:34Hey man I am by the monarch.
24:35The Patent Beyer قال.
24:36Your dad went to Hong Kong.
25:37Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid. Sorry.
25:50Right.
25:51What's in there?
25:53Uh, vaccines.
25:56Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:02Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:09It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you'd better hop in.
26:30Thank you. Thank you.
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You, too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:14What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:54Don't be afraid to go.
27:59Okay.
28:15Let's go.
28:20I know how to get dirty, right?
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see the play.
28:54Let's see the play.
29:33Let's see the play.
30:20Let's see the play.
30:33Let's see the play.
30:42Let's see the play.
31:28Let's see the play.
31:43Oh my God, it's Tom.
32:12Let's see the play.
32:21Let's see the play.
33:08Let's see the play.
33:08Let's see the play.
33:31Let's see the play.
34:04Let's see the play.
34:37Let's see the play.
34:43Let's see the play.
35:00Let's see the play.
35:07Let's see the play.
35:14Let's see the play.
35:16Let's see the play.
36:26Mr. Tom!
36:28Mr. Tom!
36:29I want you to hear!
36:30All right.
36:31Salma, Salma, one sec.
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me, right?
36:35They need to be in the fridge right away.
37:08Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:17What's he doing?
37:19Stop!
37:20Go, stop, go, stop.
37:22Hey, hey, hey!
37:23You're not taking him.
37:24You're not taking him!
37:25You're not taking him!
37:28Oh, God.
37:31You're not taking him!
37:32I'm not taking him!
37:34You're not taking him!
37:37You're not the best of me.
37:45I'm not!
37:51who are they local bandits i think no one will notice missing refugees from syria
37:58take them down to tripoli sell them to traffickers for a king's ransom
38:04he stopped them before he may be useless with cars but he could talk a dog off a meat truck
38:20so
38:48You look like you need a drink.
38:53Something must have happened to Tom before it happened, Jan.
38:56I just feel like the conductor had something to do with it.
38:58I mean, you saw him yourself, the way he was acting, all shifty.
39:01What do you think happened?
39:04Okay, this is going to sound insane, but I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Are you rich?
39:14No.
39:14So why would someone kidnap him?
39:18Maybe it's not about money.
39:20It's always about money.
39:27What is...
39:29Oh, diabetes.
39:32Wow.
39:36Okay, so what do I do?
39:38The police are either useless or corrupt.
39:42And if you're really lucky, they're both.
39:45Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archaeologist.
39:56Yes.
39:56You're like me.
39:57You look for clues in the past to tell you about the future.
40:02You know Tom better than anyone, so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:17Who has he been in touch with lately?
40:19Who has he been in touch with lately?
40:34Find something more than a piece of twinkle man.
40:37Maybe I can help.
40:41I'm a witness.�
40:58All right. I
40:59know. Let's
41:03do it. I know.
41:05I know.
41:06I know.
41:07I know.
41:22It's Uncle Brian.
41:25He's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:21It's a semi-rose finch.
42:23It reminds me of you.
42:25It reminds me of you.
42:39It reminds me of you.
42:41It reminds me of you.
43:06It reminds me of you.
43:07It reminds me of you.
43:11It reminds me of you.
43:20It reminds me of you.
43:51Transcription by CastingWords
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