- 12 hours ago
Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Ranked]Full EP - Full
Category
🎥
Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:18Somebody was supposed to sell him.
08:36What do you got?
08:40I'm sorry.
08:54L. E. S. S. R. 1.
09:23Hey, I thought you might be thirsty.
09:33You getting ready?
09:36Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is...
09:51What is less...
09:54or what?
09:55Lesser one?
09:57It's left, straight forward,
10:00stereo on the right, first four.
10:02Well, my dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we moved around a lot.
10:16So, he always said,
10:19no matter where we are,
10:21as long as we're together,
10:23we're always...
10:26we're always in the studio.
10:27We're always in the studio.
10:30Yes, I'm happy.
10:36We're always in the studio.
10:38Yes, I'm happy.
10:43Yes, I'm happy.
10:49You're welcome.
10:51Yes, I'm happy.
11:02I don't know.
11:31I don't know.
12:24I don't know.
12:27to me. Who's doing the breadcrumbs? You a fool? Yeah, yeah. Fudeu, fudeu!
12:38What? Let's go, everybody to the van. Let's go, let's go, let's go, let's go,
12:50let's go, let's go, let's go.
12:55Hey, hey, go, go.
12:58Go, go.
13:08Go, go.
13:09Come, let's go.
13:18Where is he?
13:19Creepy!
13:20Creepy!
13:21No, no, no.
13:22Creepy!
13:23Creepy.
13:24Go, go, go, go, go.
13:34Were they seeing me?
13:40He said he'd make his way back to school.
14:06What are you doing?
14:07The tracks. We didn't leave anything.
14:10If this doesn't work, it won't work.
14:14What are you doing?
14:16Pickle!
14:18Go! Go! Go!
14:22Fuck!
14:23Go!
14:36Go!
14:39Go!
14:51Go!
14:54Go!
15:00Come on!
15:02Come on, come on!
15:04Get that out of your arm.
15:05Get that out!
15:09Get it six.
15:09Now stay through and by the way,
15:15listen it out!
15:21Here, here.
15:22Keep going!
15:27Hey!
15:29Are you okay?
15:30Yeah, fine, fine, fine.
15:32Get x4.
15:38Where's Vico?
15:40He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I could have handled that.
15:49I could have handled that.
15:51I'm sorry.
15:54Fuck.
15:59It's the way.
16:03It was supposed to be the easy part.
16:14Where's Poe?
16:30Where's Poe?
16:34Where's Poe?
16:35Go.
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Davi, let me take a photo.
16:48Chrissy hit this place earlier today.
16:52The middle of the city in broad daylight with the entire world looking for him and he robes an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money.
17:02I could think of 20 other ways he could get his hands on cash.
17:07Well, then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit,
17:24you don't seem to be any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We want to get out of this room, come talk to him and get some actionable information
17:42because if we don't figure out what Chrissy's up to,
17:45I have a strong feeling he's going to show us.
17:47And I don't think we're going to like it.
17:50Bora.
18:10What's going on?
18:14I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I'm just wanting to see their faces again.
18:29Thought it would make me feel better, but...
18:37I like all the memories that have been poisoned.
18:39I like it.
18:48I like it.
18:59I like it.
19:05I like it.
19:07Yeah.
19:07Like, all the memories critiquing about it.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:31Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, and my mom took the camera and just gave it to a stranger.
20:09It's all I've done.
20:15And at the end, when he gave the camera back, he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56And that doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03Yeah.
21:07I was going to be there.
21:24I will.
21:29Really?
21:30Yeah, it's mine.
21:37Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Well?
22:38Well?
22:41Well?
22:41His name is Vico from Aloko Favela.
22:44He hasn't said much and I haven't let the locals ask.
22:47What are we waiting for?
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53What's happened and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I'm sorry, sir.
23:05Don't interrupt me.
23:06I'm sorry, but I'm in a connection here that I think the senhor will want to help.
23:10It's John Chrissy.
23:28Mr. Chrissy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately.
23:44When I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:56You.
23:56You.
23:59And Tatna.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity.
24:07That the Redburns and all the other families in that building didn't have.
24:20I just called to make sure that you have the opportunity.
24:22That the Redburns and all those other families in that building didn't have.
24:23I just called to make sure that you have the opportunity, that the Redburns and all those other families in
24:40that building didn't have.
24:42The opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:02But...
25:04I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:19We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:32Sir.
25:34We will get this handled.
25:35I can assure you.
25:49Zora.
25:51Sit down.
25:53It's crazy.
25:56I didn't pay any money.
26:00Did you pay?
26:02Hey, answer.
26:05They paid me to buy a coffin.
26:07What was there in the coffin?
26:09There was only a key to a bank box.
26:13I'm sure.
26:13It was me.
26:15I opened the coffin.
26:16And there was a key to it.
26:18I was even wondering how they would pay with this shit.
26:22They were hoping to find money in the coffin.
26:26And now they're hoping to find money in this box.
26:31It wasn't money.
26:32It was something they wanted to sell.
26:36Like?
26:36I don't know.
26:38I'm not sure.
26:40But I heard them talking about a recording.
26:43Or a vita.
26:45Yeah.
26:47Of the crazy guy talking about the President.
26:49President Carmo?
26:51Was it President Carmo?
26:52Was it President Carmo?
26:54Who was the crazy guy?
26:55Ferraz.
26:58Ferraz.
26:59Look at me.
27:01Are you sure it was a recording of the President Carmo with Ferraz?
27:05I don't know.
27:06Wolko?
27:06Why don't you go there?
27:15I'm going to call him the whole team now.
27:17With the whole aim of the BCI.
27:18We are at 4488.
27:20Go!
27:24Let him be careful.
27:36Out!
27:39Come on, come on, come on!
28:57Hello, gentlemen.
29:00I know this isn't a voice that you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burnish insulation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:33It's toxic!
29:35Let's go now!
29:50Let's go now!
29:54Mello, come in.
29:56Yeah.
29:57Chrissy.
29:58Go in.
30:00Our success targets are incoming.
30:03Copy that.
30:19You know your part?
30:21Yeah.
30:22I go in.
30:22I make sure they see me and draw security so they can get what to happen.
30:28I have a girl.
30:33Everyone in place?
30:35Yeah.
30:36You've ruined I a set.
30:47Hey, I'll be okay.
30:49I'll be okay.
30:52I'll be okay.
30:59I'll be okay.
31:00I'll be check-in.
31:03All right.
31:04We set.
31:04We set.
31:05We set.
31:06We set.
31:27We set.
31:34We're here.
31:37We're here.
31:58We need to fight.
31:59We're here.
32:00We're here.
32:01We're here.
32:01We're here.
32:02We're here.
32:11You're here.
32:23We're here.
32:26We need more fighting.
32:28Just give me a second, okay?
32:33Get up, get up.
32:37No, I can do this.
33:11Fuck you.
33:14Fire!
33:25What's the location for?
33:32What the fuck?
33:42What the fuck?
33:44What's your location, Paul?
33:48Get down, menina!
33:49Let's get them.
33:51Vamos!
33:52Paul, you can hit me on my way.
33:58Stand down, Christy. I've got her.
33:59Security's been drawn off.
34:00You have the green light for Tap and Bella.
34:02We're headed to the staircase.
34:03Okay, come on.
34:10What?
34:16What?
34:22What?
34:22Oh, Vico!
34:26How did you get out of here?
34:27I'm a bitch, bitch.
34:29I'm leaving for this.
34:31We're moving to the meeting point.
34:35Hey, if Poe's here.
34:38The insult's crazy.
34:40This is a fucking sham.
34:44Moment, what's happening?
34:50All right, lock it down.
34:51All right, lock it down.
34:52Get on the radio.
34:52Lock it down.
34:55It's a fucking sham.
34:56What is this?
34:57The
34:58you're just when you're with a kitchen.
35:01What's happening?
35:01You're on the road to the floor.
35:02You're on the road.
35:03You're on the road.
35:06You're on the road.
35:08You're on the road.
35:14Let's go.
36:04Let's go.
36:26Let's go.
36:26Let's go.
36:27Let's go.
36:27Let's go.
36:27Let's go.
36:27Let's go.
36:27Let's go.
36:28Let's go.
36:28Let's go.
36:38Let's go.
37:07Let's go.
37:40Let's go.
37:43Let's go.
38:19Let's go.
38:40Let's go.
39:13Let's go.
39:15Let's go.
39:16Let's go.
39:25Let's go.
39:27Let's go.
40:01Let's go.
40:29Let's go.
40:53Let's go.
41:01Let's go.
41:03Let's go.
41:36Let's go.
42:31Let's go.
43:00Let's go.
43:14Let's go.
43:21Let's go.
43:57Let's go.
44:35Let's go.
45:00Let's go.
45:01Let's go.
46:00Let's go.
46:06Let's go.
46:08Let's go.
46:08Let's go.
46:09Let's go.
46:09Let's go.
46:11Let's go.
46:11Let's go.
46:11Let's go.
46:13Let's go.
46:14Let's go.
46:15Let's go.
46:23Let's go.
46:23Let's go.
46:25Let's go.
46:26Let's go.
46:48Let's go.
47:18Let's go.
47:46Let's go.
47:57Let's go.
47:59Let's go.
48:03Let's go.
48:05Let's go.
48:35Let's go.
49:24Let's go.
49:54Let's go.
50:07Let's go.
50:10Let's go.
50:12Let's go.
50:42Let's go.
50:45Let's go.
51:36Let's go.
51:40Let's go.
51:55Let's go.
52:03Let's go.
52:12Let's go.
52:15Let's go.
52:22Let's go.
52:48Let's go.
52:49Let's go.
53:19Let's go.
53:49Let's go.
54:23Let's go.
54:26Let's go.
54:27Let's go.
54:58Let's go.
55:29Let's go.
55:57Let's go.
56:27Let's go.
56:57Let's go.
57:27Let's go.
57:57Let's go.
58:27Let's go.
58:57Let's go.
Comments