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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Trending Drama]Full EP - Full
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Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:18Someone took a cell.
08:36What do you got?
08:40What's...
08:54L-E-S-R-1
09:12L-E-S-R-1
09:23Hey, I thought you might be thirsty.
09:28Obrigada.
09:29De nada.
09:33You getting ready?
09:36Yeah.
09:38You're not scared?
09:41No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is...
09:52What is L-E-S-R-1?
09:55L-E-S-R-1?
09:57It's left, straight forward, stereo on the right, first four.
10:02Well, my dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:14Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always...
10:26We're always in the studio.
10:46...
10:53Quack.
10:58Here.
11:03I don't know.
11:31I don't know.
12:25I don't know.
12:28Who's doing the breadcrumbs?
12:32You a fool?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38You're for you.
12:47Let's go, everybody to the van.
12:49Let's go, let's go, let's go, let's go, let's go, let's go, let's go.
12:55Go, go.
12:58Go, go.
13:54Go, go, go, go.
14:05What are you doing?
14:07As pistas.
14:09We didn't leave anything.
14:10This will not work.
14:12What are you doing?
14:16Pico!
14:18Go, go, go!
14:22Oh, fuck!
14:23Wait, wait, wait, wait, wait, wait!
15:03Forget it!
15:03Watch it.
15:04No second flopping!
15:06Sort the pin!
15:12Don't go!
15:13Or that belt!
15:16OLD CAPTAINищ.
15:18Stayed around.
15:19Stayed back.
15:27Hey, are you okay?
15:30Yeah, fine, fine, fine.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I couldn't handle that.
15:49I couldn't handle that.
15:50I'm sorry.
15:54Fuck.
15:58It's the way.
16:02That was supposed to be the easy part.
16:14Where's Poe?
16:30Do you know?
16:39This is bullshit, you know, you can't just keep me here like a prisoner
16:45Davi, give me a shot here
16:48Chrissy hit this place earlier today
16:52In the middle of the city in broad daylight with the entire world looking for him and he robes an
16:55apartment
16:57Whatever was in here he thought was worth the considerable risk
17:01Money
17:02I could think of 20 other ways he could get his hands on cash
17:07Well then what?
17:13I don't know
17:16You know, for all your talk of understanding how Chrissy operates and all that shit
17:24You don't seem to be any better at figuring out his next move than the rest of us
17:31Prepara todo mundo que a gente vai sair
17:34We picked up one of the guys that hit the condo with Chrissy
17:39We wanna get out of this room, come talk to him and get some actionable information
17:42Because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show us
17:47And I don't think we're gonna like it
17:50Bora
18:10What's going on?
18:14I got in
18:17You found a password?
18:19That's a good thing, man
18:23I just wanted to see their faces again
18:29Thought it'd make me feel better, but uh
18:37I think all the memories have been poisoned
18:39I know
18:41How did you grow the world to see her?
18:58I don't know
19:00I don't know
19:01I don't know
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, and my mom took the camera and just...
20:04She just gave it to a stranger.
20:06Mm-hmm.
20:09That's all he does.
20:15And at the end, when he gave the camera back,
20:20he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56That doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03You don't have to go through that alone.
21:03Mm-hmm.
21:04Yeah.
21:07I was gonna be there.
21:24I will.
21:28Really?
21:31Really?
21:31Yeah, it's mine.
21:37Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it,
22:02they could walk the call back to Rio,
22:04but nothing closer, untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Mom.
22:38Well?
22:41His name is Vico from a local favela.
22:44He hasn't said much, and I haven't let the locals ask.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President,
22:51we don't know what Chris may have told him.
22:53It's happening and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity,
23:02making a mockery of...
23:04Don't interrupt me.
23:06Don't interrupt me.
23:06I'm sorry, but I'm in a connection here
23:08that I think you'll want to help.
23:10It's John Creasy.
23:28Mr. Creasy.
23:30I know you got a lot going on right now, Mr. President,
23:33so I'm not going to keep you for too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatna.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity.
24:07That the Redburns and all the other families in that building didn't have.
24:11The opportunity to say goodbye to the people that you love.
24:15Because I am coming to see you, Mr. President.
24:20And by then it will be too late.
24:35I just called to make sure that you have the opportunity that the Redburns and all those other families in
24:40that building didn't have.
24:42The opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:02But...
25:04I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's gonna kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:32Sir.
25:34We will get this handle.
25:36I can assure you.
25:49Sir.
25:52Sir.
25:53Sir.
25:54Sir.
26:09Sir.
26:11Sir.
26:11Sir.
26:13Sir.
26:14Sir.
26:18Sir.
26:21Sir.
26:35Sir.
26:46Sir.
26:47Sir.
26:58Sir.
26:59Sir.
27:00Sir.
27:01Sir.
27:02Sir.
27:03Sir.
27:04Sir.
27:05Sir.
27:05Sir.
27:07Sir.
27:14Sir.
27:15Join the whole team now and send them to the BCI Bank 4488.
27:20Go!
27:24Take care of him.
27:47Take care of him.
27:49Take care of him.
28:23Take care of him.
28:33Fuck!
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now you might be feeling a slight burnish insulation in your nostrils.
29:25I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:34It's toxic!
29:35Come on now!
29:53Come on!
29:55Come on!
29:57Chrissy!
29:58Go in!
30:00I'll success targets you're incoming!
30:03Copy that!
30:19You know your part?
30:21Yeah.
30:22I go in.
30:23I make sure they see me and draw security so they can get to happen.
30:27I have a girl.
30:33You ever want a place?
30:35Yeah.
30:36You were and I are set.
30:48Hey, I'll be okay.
30:49Wait who asks.
30:52Hey, is that guy?
30:53Perfect.
30:57Jack with me.
30:59It's not creepy, I know you did.
30:59You're gonnaém!
31:00Crazy, check in.
31:03Alright, reset.
31:04We'll be set.
31:05We'll be set.
31:05We'll be set.
31:10You afterρ.
31:11And it's gonna liveмо.
31:12To see a Brenda,
31:14it's just gonna lie!
31:17So, one of the trees in your eyes..
31:27Oh
31:35Here
31:52Oh
31:57Oh
31:58Oh
31:59Oh
31:59Oh
31:59Oh
32:19Come in
32:22Someone found me but they're not here yet
32:26Just walk away we'll find something just give me a second, okay?
32:37No
32:38I can do this
33:11Fuck you
33:25What's the location for?
33:42Oh
33:44Oh
33:44It's your location, bro
33:49Oh
33:50Let's get it
33:52Let's get it
33:53Oh, you can hear me on one more way
33:58Stand down Chris. You have got her security has been drawn off. You have the green light for tap and
34:01Bella
34:02We're headed to the staircase
34:03Okay
34:05Okay
34:21Oh
34:22Oh
34:22Oh
34:23Oh
34:23Oh
34:30We're moving to the meeting point
34:35Hey
34:36Hey
34:36If Poe's here
34:37The insult's crazy
34:40This is a fucking sham
34:44Moment what's happening
34:50All right lock it down
34:51Get on the radio
34:52Get on the radio lock it down
34:55What is this?
34:57What is this?
34:59What is this?
35:01What is this?
35:27What is this?
35:29Who is this?
35:31Who is this?
35:34OhPRESS
35:40Theيعwhat
35:45critical
35:46Oh
36:16Go, go, go, go, go, go!
36:22Okay.
36:26Let's go.
36:39Headed out now.
36:41Shit!
36:43Major!
36:45Exit 1, pole 9, floor 2. Headed northwest. We will be resistance.
36:49Okay. We're on our way.
37:20Stop fucking shooting!
37:33Get out of the way!
37:35Get out of the way!
37:39Get out of the way!
37:42Get out of the way!
37:43Get out of the way!
37:47Get out of the way!
37:51Stop!
37:56Let's go with the girl!
37:58Kill everyone!
38:01Get out of the way!
38:03Get out of the way!
38:14Are you okay?
38:16Yeah!
38:16Stay here!
38:28Crissy!
38:29Crissy!
38:29We're pinned to the second floor of the section area.
38:32We're gonna run out of ammo before they do.
38:34Can you get to us?
38:47Are you okay?
38:48Yeah.
39:23We can either hold them or the grenade.
39:25We can't do both.
39:46Hold on, hold on.
39:48This is not fire.
40:14I gave it to you.
40:15That tape?
40:17That tape was some expired shit.
40:20That's the crazy I used to know.
40:23One who I had high hopes for.
40:25Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with you?
40:41Yeah.
40:42I think you should be.
41:02by the way.
41:04I'm out of hand!
41:05Come to me!
41:07Come on, come on, come on!
41:19Come on, come on, come on!
41:21Greta, you've got to hurt!
41:26Greta!
41:34I don't want to die!
41:37Greta!
41:38Greta!
41:38No!
41:41No!
41:43No!
41:44Greta!
41:48Greta!
41:53Greta!
41:55Greta!
42:02Greta!
42:03Greta!
42:19Greta!
42:20Greta!
42:22Greta!
42:23Greta!
42:24Greta!
42:25Greta!
42:26Greta!
42:26Greta!
42:27Greta!
42:28Greta!
42:29Greta!
42:29Greta!
42:31Greta!
42:33Get out of the way, dad!
42:33Get out of the way!
42:52Get out of the way!
42:59This is for my brother.
43:15Get out of the way!
43:16Get out of the way!
43:21Get out of the way!
43:22No way!
43:22No way!
43:23No way!
43:33Get out of here!
43:34What?
44:10Shut her mouth.
44:37Shut her mouth.
45:04Shut her mouth.
45:35Go, go, go, go.
45:36Go, go, go, go.
45:40Go left.
45:40Go left.
45:42Go left.
45:43Ah!
45:44Ah!
45:47Just go.
45:47Creasy.
45:48Just go.
45:48I'll be right there.
45:49No, Creasy.
45:50I can't just leave you like this, Creasy.
45:51Just go on, Paul.
45:52Shit.
45:59No, no, no.
46:06Oh, man.
46:07I don't know.
46:39Stop right there.
46:40Don't move.
46:45You shoot her, you're dead.
46:46One second.
46:50Yes, I know.
46:53Even that, you've killed Teppan.
46:55I'm not seeing a lot to look forward to.
46:59So,
47:02drop your fucking gun
47:04or the last thing you see
47:05will be another dead Rayburn.
47:09Drop it!
47:25Good boy.
47:28Now,
47:30stand up.
47:32I'll give you the honor of going first.
47:37Stand up!
47:47No!
48:03No!
48:04No!
48:04No!
48:05No!
48:05No!
48:11Oh, my God.
48:36Oh, my God.
48:41Oh, my God.
49:11Oh, my God.
49:13Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17You're okay?
49:18No, just stay with me.
49:19It's okay.
49:21Oh, my God.
49:23Oh, my God.
49:30You did good?
49:33Oh, my God.
49:35Oh, my God.
49:38Oh, my God.
50:05Oh, my God.
50:12Oh, my God.
50:13Oh, my God.
50:15Tudo bem?
50:15Tudo bem, e você?
50:16Tudo bem, bom te ver.
50:17Tava falando pra Marina que eu não acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura é essa?
50:24Você acha uma loucura?
50:25Imaginei eu.
50:27Escuta, e que boato é esse de vocês que estão indo embora?
50:29Ah, não.
50:30A gente não vai pra lugar nenhum.
50:32Então, vocês acham que as coisas vão melhorar com a saída do Carmo?
50:35Acho difícil de acreditar, hein?
50:36Tô preocupado.
50:38Eu também.
50:38Mas se todo mundo ficar preocupado, as coisas vão melhorar, né?
50:42Grande esmerda.
50:45Lembração.
50:47Não foi pra ser flangarinha de Carmo, não.
50:49Ivan disse que você precisa trabalhar em inglês antes de qualquer coisa.
50:56Você que não fala porra nenhuma de inglês.
50:58E vagabundo tá cagando pra isso.
51:01Se você preferir aprender russo, isso vai trabalhar, também.
51:22A última vez que eu vi a minha família, eu não estava no melhor.
51:28E às vezes, eu me sinto que o desculpe vai me derrubar.
51:35Porque o que aconteceu com eles, eu não tenho nada a cagarrar.
51:41Não os esforços para exprimir.
51:44Mas eu venho ao fato da ideia de que, porque eles me criaram como eles fizeram,
51:51minha família me deixou de me dar tudo que eu poderia ter pedido.
51:56Eu não tenho certeza o que você tem,
52:02até que alguém tenta tirar isso.
52:08E você não sempre percebe o que você precisa,
52:12até que você enfrenta algo muito grande para terem.
52:16O que minha família me deu,
52:24é a força para continuar.
52:27E o que eu aprendi de meus amigos,
52:30é que eu nunca tenho que fazer isso de pessoa.
52:31alone.
53:02Hey. Hey.
53:05You know if you want, you can just stay here,
53:09have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18I could use some time away from Grandma's house.
53:21Yeah? Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs,
53:41and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do,
53:46and a fair amount of egg on my face at one of our guys.
53:49That's the reason you had to do it.
53:51Okay. Well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:03I'm pretty sure you already have guys for that.
54:06I don't, but they're actually long listened to that.
54:09And no one else has had, uh, first-hand experience with these guys.
54:13And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something, you're ready to revisit.
54:27Send me what you got.
54:28You're welcome.
54:30.
54:31.
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