- 21 hours ago
The.Glass.House.2026.S01E06.540p.X265.AAC [Full Movie] [Watch Free Online]Full EP - Full
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Short filmTranscript
00:08Piano music
01:30We're going to help you.
01:31Obviously, it's the principal credit.
01:32They're going to be remboursed first.
01:34Okay.
01:35And the employees, they were paid jeudi.
01:37So, you'll be paid for three days.
01:38Mm-hmm.
01:40It's not your fault, Mr. Joyal.
01:42Okay.
01:44Good luck.
02:14Let's go.
06:11It's the day of the police.
06:25Did you eat it?
06:26Yes.
06:28It's better, I don't want to eat it.
06:32Do you want to help me with a source of the engine?
06:35Yes.
06:36Did you eat it?
06:37Yes.
06:38Okay.
06:39I don't want to worry about it.
06:45How long has the accident been?
06:47It's been six years.
06:50Six years?
06:53When I was out, I was talking about it.
06:58Not really, no.
07:00It's been late.
07:02Yes.
07:05But he's no longer in the coma.
07:06No.
07:07He's in deep sleep.
07:09But if he spoke, he woke up?
07:12What did he say when he spoke?
07:14Oh, he said...
07:17Oh...
07:18Oh...
07:19Oh...
07:21Oh...
07:22Oh...
07:23Oh...
07:23Oh...
07:25Then he was doing a kind of slanty.
07:27Yeah.
07:28But after he was talking, he said?
07:30No.
07:30It was more like...
07:31a sound.
07:34A sound...
07:35A sound of what?
07:36A sound...
07:37A sound of...
07:39Uh, the root of the mouth.
07:51But if he's not in the coma,
07:54and he's wake up, he'll talk to us?
07:55If it's in the films that's happening in real life,
07:58it's not that.
07:59Vincent was in a deep coma,
08:01and he was in a minimal state.
08:04It could take several weeks
08:05before he could have a verbal communication.
08:07Well, it's a long sacrament.
08:09Is it a good news, Scarry?
08:11Well, we'll know later.
08:12There are families who find it more difficult
08:14when they're wake up.
08:1540 days in the coma.
08:18Do you know how it equivocates
08:20to the life of a scarabée?
08:2240 days!
08:23And when you dream of a scarabée...
08:25Dr. Amadie,
08:27we'll meet Christ,
08:28your baby.
08:29Okay.
08:31Oh, you ate?
08:32Yes.
08:33Good.
08:34Let's go.
08:34No, no, no.
08:35We'll talk about two minutes.
08:36I'm just walking a little bit.
08:37No.
08:38It's dangerous,
08:39and you can lose.
08:40No, no, no.
08:40It's not a problem.
08:41I'm going to walk a minute.
08:42There's a street that's going on.
08:43No, I'm not going to lose.
08:46And you're on the trottoir, okay?
08:48Yes, I'm on the trottoir.
08:49I'm not walking in the street.
08:51I'm not calm.
08:53That's correct.
09:03You're on the trottoir.
09:05Yes.
09:07No, no, no.
09:18That's correct.
09:19Do you think it's the owner of Saint-Hubert?
09:20Yes.
09:21It's just that he invests young.
09:24He's the owner of Pi-Serveur.
09:29Where is he?
09:32He just came out.
09:35He can't have a much farther than that.
09:44I don't know who is going to the other side.
09:45No, he's going to the funeral.
10:17Excuse me, everyone.
10:22On a lot of pain today.
10:24The beginning of Roger, it's a big loss.
10:27But you can always be alive in our hearts.
10:32Roger probably won't say it every day,
10:35but he loved each person here.
10:39You can say that the pain we live today,
10:43it's the price to pay for the beautiful moments
10:46that we shared with him.
10:49Yes.
10:51The life of Roger,
10:56it's finished.
10:58It's his memory.
11:01He's here for forever.
11:04Thank you very much.
11:08On the left.
11:10On the left.
11:12There, there...
11:16Where were you?
11:17Where were you?
11:18Where were you?
11:18I don't know.
11:19It's 15 minutes.
11:20Where are you looking for?
11:21I don't know.
11:23Okay, let's go.
11:23I don't know.
11:24I don't know.
11:26I don't know.
11:26I don't know.
11:27I don't know.
11:38I don't know.
11:41I don't know.
12:04I don't know.
12:08I don't know.
12:10I don't know.
12:17I don't know.
12:20I don't know.
12:20I don't know.
12:24I don't know.
12:25I don't know what the hell is available.
12:27I don't know.
12:28No.
12:29It's fine.
12:30You want to breathe in the mouth?
12:32Because it has a little odor.
12:33You want to talk?
12:35Yes, perfect.
12:36Yes, it's for you.
12:38Hey Vincent, you had a visit.
12:40Who is that?
12:41Who is that?
12:42I don't know.
12:43I don't know.
12:44Pinette.
12:45Benoit Pinette.
12:46Ah, yes.
12:47Yes.
12:48Who is that?
12:49Pinette.
12:50You were going to school with.
12:51Ah, yes.
12:52Okay.
12:53Do you remember?
12:53No.
12:55Was it fun?
12:56T'as bien aimé ça.
12:57Il a mĂȘme dit qu'il va peut-ĂȘtre revenir cet automne.
13:00T'sais, ça va te faire deux visites.
13:03Ăa, c'est pas beaucoup.
13:06Mes amis, ils viennent pas me boire.
13:09Charles pis Luc, toi, t'es bous-tu, toi?
13:12Euh, non, pas vraiment.
13:13Je pense qu'ils vivent leur vie, lui.
13:16Hey, hey, hey!
13:17Comment est-ce qu'il va, mon Vincent préféré?
13:19Hey, hey!
13:19Ah, ben, regarde, ça, ça va se visite pour toi.
13:21Ăa arrĂȘte pas.
13:21Hey, t'es faite des beaux gĂąteaux comme tel.
13:23Yes!
13:25Ben oui, c'est sûr, on était dans le coin.
13:27On livrait des fleurs au salon funéraire à cÎté.
13:28Il paraĂźt que c'est vraiment beau ce que t'as dit, ce monsieur Dupuis.
13:32C'est qui, ce monsieur Dupuis?
13:34Ben, au funéraire, là , tantÎt.
13:36J'ai pas été à des funéraires.
13:38Hein?
13:39Asti, c'est lĂ qu'ils Ă©taient.
13:41Mais elles sont vraiment bon.
13:43Qu'est-ce que tu mets dedans?
13:44Ah, ça, c'est mon secret.
13:45Tu peux me dire, je vais l'oublier.
13:51Ah, viens-tu souper?
13:53Ben non.
13:55On n'est plus ensemble, ça fait 6 ans, tu le sais.
13:57Ah oui, ah oui.
14:00LĂ , t'as-tu une blonde?
14:02Ben oui, c'est sa range.
14:04AllĂŽ, Vincent?
14:06AllĂŽ!
14:11What are you doing?
14:14I'm going to live here.
14:17Yes.
14:18There's a chance that we're not in the same chalet.
14:20We're always trying to love you.
14:22Do you remember the movie?
14:23Well, the least possible, I tell you.
14:25Do you always love with my parents?
14:27They're all those days.
14:28I don't want to know, I tell you.
14:30I'm going to eat it when it's hot, my grand.
14:32Yes, yes.
14:33François, do you want me to pass the sel, please?
14:35Mm-hmm.
14:38Who is it?
14:40François, the chum d'Alain?
14:41Yes.
14:43Did you tell me that?
14:44It's the tapet.
14:45It's true.
14:47It's always jokes, it's the tapet.
14:48Yes, but no.
14:49What's the joke of the intellectuals?
14:52What's the difference between an intellectual and a gay?
14:55The intellectuals have the little Larousse in the head
14:57and the gay has the big Robert in the queue.
15:01Yes, yes.
15:02Yes, yes.
15:02But there, André, he doesn't make a joke of the same.
15:04Yes, no.
15:05He understood that it was a blessing and that it didn't happen.
15:07Yes, we change, we evolve.
15:09Okay?
15:10Okay.
15:12Well, in any case, it's really good.
15:14Yes.
15:14Yes, really.
15:16Yes, Vincent.
15:17What do you think?
15:17What do you think of that?
15:18It's not a bad thing.
15:19It's not a bad thing.
15:19It's not a bad thing.
15:19It's not a bad thing.
15:20It does not knowâŠ
15:33How do you?
15:35It's not a bad thing.
15:36It's not Buket.
15:38Do you want to do that?
15:58Hey, what do you do, man?
16:01What? I'm piss?
16:02What do you do?
16:03I don't want to do that!
16:03I don't want to do that!
16:05I don't want to do that!
16:06Why do you do it and not me?
16:07Because you're not an animal!
16:09LĂšve your clothes and it's time!
16:10It's not correct!
16:12The normal world doesn't do that!
16:14No, the normal world doesn't do that!
16:18We're going to see the places he has proposed.
16:20Okay?
16:20We need help.
16:26I'm not able to do that.
16:30Excuse me, I'm a retard.
16:37Hello!
16:38Hello!
16:41Hello!
16:41Hello!
16:41It's been a difficult week.
16:44Listen...
16:47We can't do it anymore.
16:49We need help.
16:51We need help.
16:54We need help.
16:54We have had a barrage like...
16:56We need help, we need help.
16:58Yeah, we need help.
17:01We need help to provide a barrage.
17:04We need help.
17:05We need help.
17:06We need help.
17:06he was going to go to the park while he was going to go to the house,
17:08he was going to go to the house, he was going to go to the house.
17:09But, he will say something, he will understand.
17:25That's the big sense.
17:30I'm going to put a x on it.
17:33Because for Vincent, if he's the same thing for you,
17:35he doesn't have a filter, he doesn't have a memory.
17:38He's like that now.
17:40Okay.
17:42Well, I want to go, but...
17:46What do we do now, what do we do?
17:48Don't do it.
17:52Don't do it. Don't do it.
17:53Don't do it alone.
17:55What you live, it's not easy.
18:00No, but what we say is that we're not capable.
18:03There must be places that can be taken care of like him.
18:12Malheureusement, no.
18:18There must be places that will be taken care of like him.
18:19Yeah, it's in the house, Vincent.
18:21The police knew me.
18:23I was going to call him directly.
18:26Where do you go?
18:27At my room, just like it.
18:29Where is the room?
18:30Where is it?
18:32You want to see?
18:33You want to see?
18:35Okay.
18:35Ha ha ha, that's it.
18:39Wait a minute.
18:40Ta barouette.
18:43Hey kaĂŻ kaĂŻ kaĂŻ kaĂŻ.
18:46This is pretty big.
18:48How many times do you have?
18:50Uh, three thousand.
18:52And it's all sold?
18:54Yeah.
18:55How many times do you have here?
18:57It's my thirty-five.
18:59Hey kaĂŻ kaĂŻ.
19:01How many times do you have?
19:04That's enough to pay my mortgage. I should be correct.
19:08I have no jambes and no one's in it. How do you do it?
19:13They put it in my pants, so when I'm in my clothes,
19:18it goes in my clothes and it doesn't appear too much.
19:21For real? You don't have a blank or a figé?
19:26It's always a couple of times that I do my show.
19:29If I have a blank, I'll tell you and we'll cry.
19:33Do you know? What?
19:36Like if there was someone, tell me what.
19:39Good evening. I won't talk a long time ago.
19:42I didn't put my little fio.
19:45But I'm not very proud of my son.
19:52Yeah.
19:56Hey, Gary.
19:58So that's right.
19:59I took a bill tonight.
20:00I went to the top corner.
20:02The last corner.
20:03Yes, that's right.
20:04The bottom corner.
20:05The bottom corner.
20:06That's right.
20:07That's where you go.
20:08More expensive?
20:09That's right.
20:11I thought you were happy.
20:12Yes, yes, yes.
20:17I'm going to go here?
20:19Yes.
20:23Yes, yes.
20:24Oh my God.
20:25Yes.
20:27Yes.
20:27My name is Alexandra.
20:29Have you met her?
20:31It's been five years since we've been together,
20:33so you've met her a lot.
20:37I love having a blonde.
20:44Maybe...
20:45Maybe because of how I am,
20:48I don't know.
20:52I don't have a blonde.
20:53I don't have a job.
20:57I wonder if it's going to continue.
21:05Maybe...
21:06Maybe it's a job.
21:09But a blonde...
21:12It will never be.
21:14Why?
21:19It's a bit gĂȘnant for me to say that,
21:23but...
21:25It's...
21:25You put your feet, my guy,
21:27but at another level.
21:29It's...
21:30It's insupportable.
21:32You're kidding.
21:33It's gotta tell you.
21:35It's the truth.
21:37Do you remember our Stan Smiths in the second half?
21:39Yes.
21:41You found my Stan Smiths?
21:43Yes.
21:44It's a bit of a sweat.
21:45It's a bit of a sweat.
21:47It's a bit of a sweat.
21:47It's not a sweat.
21:49It's a bit of a sweat.
21:49You jumped your feet in two small cans.
21:51He he he, he he.
22:03On a quelle date?
22:05On est le 8 juillet.
22:31Maiza?
22:36Maiza?
22:39Maiza?
22:47Maiza?
22:51Vincent? Vincent?
22:58So, Philippe Joyal, is it going to be nerveux to be 10 minutes before entering the scene?
23:13No, I don't think it's going to be nervous.
23:16It's going to be a interview like just before, it's super nice.
23:19But no, it's going to happen.
23:21I'm sure that this interview, it's going to be great.
24:01Hey! Hello! What's that coming?
24:07Why?
24:08Well, it's your face, you've beaten it.
24:11No!
24:13It's funny you say that, for example, because I'm really bad here.
24:17How?
24:18You don't know what's that coming?
24:20No?
24:21It's funny you say that, because I'm really bad here.
24:23And here?
24:24Yeah!
24:25You said something?
24:26Yeah.
24:28He went to search for cigarettes at the scene.
24:29He came back five minutes later.
24:31He didn't remember what happened.
24:32He didn't know what happened.
24:34He didn't know what he did.
24:35He didn't even go into the scene.
24:36I'm going to go for two hours with my baseball bat.
24:38I'm going to be the one who made it.
24:39He's going to tell you that he was a lot more bad than your brother.
24:41I guarantee you.
24:42It's now that we can't let you do it.
24:46Claremment, you're not.
24:46I'm going to beat you, but you're not in trouble.
24:48But no.
24:51You would find a place.
24:53But it's that.
24:54There's no place.
24:55That's the problem.
24:56And I'm going to talk to your mother.
24:58I want to talk to you too.
24:59But that's your brother.
25:01What we could do is we could share our guard with you.
25:04I can't do that.
25:05I don't know what you need to take care of him.
25:06But you're the best solution?
25:08Yes.
25:09We could open up houses for you.
25:11You're not going to start with that.
25:12That's the idea of clouds.
25:13Okay?
25:14That's a million and never will happen.
25:19You'll never change.
25:21You've passed your time to say to me, 25,
25:22you didn't have to inform the office.
25:24You didn't have to change the way to do it.
25:27Look where it came from.
25:31The first thing you told me when I told you that I wanted to be humorist,
25:33it's that...
25:34that it would help me.
25:35That it's my fault.
25:39Really?
25:41Well, you're not going to lie there,
25:45but I told you that it would help me.
25:51You're right.
25:52You're right, it's a good idea.
25:52You're just that we need...
25:56He's right there.
26:08Vincent, put on the chapeau if you were in the middle of the house.
26:12We are in a cul-de-sac.
26:14If you find a place for him, we don't have what to do to keep him.
26:17I understand.
26:19What you live, it's very difficult.
26:22Don't let him help.
26:26Don't let him go.
26:26But with what just happened, don't let him go.
26:30Don't let him go.
26:30Don't let him go.
26:31We can't go with him.
26:32We can't go with him.
26:35You're not the only one in this situation, I understand, but there's just no place for him.
26:39Okay.
26:39We're going to go with him.
26:41What do you do with him?
26:43Mr. Joyer...
26:43We're going to go with him!
26:45What's going on with him?
26:51He would be placed in CHSB.
26:55We don't have the resources to take care of him.
26:58So it would have to be extremely medical.
27:07He would have to take care of him?
27:09How long?
27:11He would have to take care of him.
27:12What Gain did he keep raising his hand?
27:39I don't know.
27:43I don't know.
28:20I don't know.
28:21I don't know.
28:25I don't know.
28:26I don't know.
28:27I don't know.
28:28I don't know.
28:29I don't know.
28:30I don't know.
28:31I don't know.
28:32I don't know.
28:33I don't know.
28:38I don't know.
28:42I don't know.
28:45I don't know.
28:46I don't know.
28:48I don't know.
28:50I don't know.
28:51I don't know.
28:57I don't know.
29:02I don't know.
29:04I don't know.
29:07I don't know.
29:09I don't know.
29:17I don't know.
29:18I don't know.
29:19I don't know.
29:21I don't know.
29:21I don't know.
29:44I don't know.
29:50I don't know.
29:52I don't know.
29:53I don't know.
30:14I don't know.
30:14I don't know.
30:15I don't know.
30:21I don't know.
30:22I don't know.
30:34I don't know.
30:35Why do you know that?
30:36May I leave you?
30:38It's over.
30:38No, it's over.
30:39No, it's over.
30:41All right.
30:42Hope.
30:53There are moments so wonderful that we would like the time to stop.
31:02That the horrors of this place are quiet a little, quiet a little.
31:12We are looking for the little flower, impossible.
31:22If you are in your hands, it will be a day tomorrow.
31:28You know, we are not here.
31:30We are here.
31:34There are nights so sad that we would like the time to explode.
31:42We are looking for the semblance of two in an illusion of a dark corner.
31:51You are in your hands, you are in your hands.
32:01You are in your hands, you are in your hands, you are in your hands.
32:27You are in your hands, you are in your hands.
32:31And my father, even more because he had a company and I worked for him.
32:35When I gave him my attention, I laughed when I gave him my attention.
32:40When I gave him my attention, he said,
32:41My son, the important thing is to do what you love, Henry.
32:44I was happy but very surprised.
32:46After that, he said,
32:47I'm sure if you want to continue to work here, you will always have your place.
32:49But if you don't want to have a company that would allow you to do a luxury life,
32:53that I would have spent my life for you,
32:55the sweat of my front, go in the humor.
32:58My father knew that when he was afraid, it's not hard.
33:00He said, I'm not afraid.
33:01The contrary to what he thinks.
33:02He said, you know, Martin, you can't do it again.
33:04Come on, you can't do it again.
33:05That's clear, that's it.
33:06You're the worst.
33:06You're the best.
33:07You're the best.
33:07You're the best.
33:08You're the best.
33:09You're the best.
33:09You're the best.
33:11You're the best.
33:12You're the best.
33:15You're the best.
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