- 13 hours ago
FBI - Season 8 - Episode 02: Captured
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TVTranscript
00:28For more information visit www.fema.org
00:34NYPD, open up
00:46Got word from our dispatch, your silent alarm tripped
00:49No, I don't think so
00:50Name?
00:52Whitiff, Gary Whitiff, from Night Security here
00:55Everything's fine, officer
00:56We still gotta check the premises
01:08On your knees now
01:11This is a big mistake
01:12I work here
01:14I haven't done anything wrong
01:16Not true
01:18You let us in
01:21Security
01:34You're not gonna be able to get in there
01:37Security system's down
01:37We're good to go
01:52Security system's down
01:52Security system is near
01:55military service
01:55ΠΡΠ΅Π΄ΡΡΠ°Π²ters
01:56Let's go
02:04Oh, my God.
02:27Don't get me wrong. I do enjoy our games, but why do I feel that you've been coming here for
02:34another reason?
02:35You have good stories. I like to hear them. That's all.
02:38You're thinking pawn to F4. My night will take it. You'll recapture and your queen will be exposed.
02:44Oh, my God. Maybe I should stop coming to see you.
02:47Now you're eyeing your bishop.
02:49Peter! Let me play!
02:56Oh, no. Yeah, duty calls.
03:03Oh, we've got a heist at the Rushman Gallery. One dead.
03:07Don't tease me. Come on. Give me a peek.
03:09I can't do that. You don't work for the BAU anymore?
03:12Oh. Retired is retired.
03:14Mm-hmm.
03:14Come on. One little look won't hurt here.
03:18The alarm didn't trip. On-duty guard was murdered, and the thieves made out with five paintings.
03:23All on loan and a cultural exchange from European allies.
03:27Which is why it's in our jurisdiction.
03:29The guard's murder wasn't part of their plan, you know.
03:32Well, I guess we'll see.
03:33Mm-hmm.
03:34Bye, Peter.
03:35Have a good day.
03:40Hey.
03:41Are we inside already?
03:42Yeah.
03:43How are you holding up, since if you know him?
03:45Oh, how have I seen him?
03:46I know. I miss Danny, too.
03:48Look, I'm here to talk, if you want.
03:50Thanks, Maggie.
03:52Probably better to just focus on it day-to-day, though, right?
03:54I hear ya.
03:57I got this.
03:58All right.
03:59Morning.
04:00Special Agent Skola and Bell.
04:02You the owner?
04:03Walter Vasari, yes.
04:06Gary Whittak had been working here going on 13 years.
04:11Kind man.
04:12Loyal.
04:13Father of two.
04:15Sorry for your loss.
04:16It's like he was zip-tied over there.
04:18Must have got out of them and made him run for them.
04:20He really cared about this place.
04:23Maybe too much.
04:25So what did they take?
04:27It's a fiasco.
04:28This exhibit is a high-profile international cultural exchange.
04:32Every painting in here is essentially priceless.
04:35Those were on loan from France, Denmark, Ukraine, and those were lent by the Orsini family in Italy.
04:44Not only did they take out the interior cameras, they also demagnetized the whole system.
04:48All right.
04:49What about the backup to the cloud?
04:50They wiped those two.
04:51So they knew exactly how to stay invisible.
04:53That'd be an inside job, no?
04:55Maybe.
04:56I could take offense to that.
05:01So are we thinking they took Gary's keycard to get in here?
05:03No.
05:04No.
05:04They'd need more than a basic work badge to do that.
05:07Only a few employees can access this gallery after hours.
05:11Upper management.
05:13You upper management?
05:15I wouldn't benefit from this if that's what you're implying.
05:19The lenders retain legal ownership of the pieces, and they all have nail-to-nail policies in place to cover
05:24for any eventuality.
05:27We're going to need the name of every employee who has access.
05:32Good morning, folks.
05:33So last night, thieves broke into the Rushman Gallery and murdered this guy, Gary Whittick, who was the on-duty
05:38guard.
05:39They made off with five paintings and seemed to cover their tracks.
05:42Combined value of the paintings is worth an estimated $31 million.
05:46Yeah, but on the black market, it'd only be worth a fraction of that.
05:49All right.
05:49Well, a fraction of a big number is still big.
05:51And it looks like they came in with a shopping list, which suggests they already had a buyer lined up.
05:56So how do we track down our murderers?
05:57Well, the special exhibit is protected by a laminated glass door to maintain environmental conditions for art preservation.
06:02It can only be unlocked with a designated keycard.
06:05But the thieves wiped the gallery's security system.
06:07Except that this keycard reader stores all data on an internal drive.
06:11I was able to access the log and see who swiped in last night.
06:14At 1.41 a.m., the door was unlocked by Teresa Almonte, special exhibit director at the Rushman.
06:20Okay.
06:21What do we know about her?
06:22Teresa started at the Rushman right out of grad school.
06:24Ph.D. in art history, had several essays published in respected academic journals.
06:29Doesn't exactly scream criminal mastermind.
06:32Well, three months ago, she defaulted on her student loans.
06:35The DOE default resolution group came knocking, demanding payment.
06:39Jacked up her interest rates.
06:41Last week, the government started garnishing her wages.
06:44So she followed her passion.
06:45Next thing she knows, she's bankrupt.
06:47That's the hat trick.
06:48Means motive and opportunity.
06:50Let's bring her in.
06:52I can't believe this is happening.
06:56Is Gary really dead?
07:00Yeah, I'm afraid so.
07:01I was tutoring him in art history.
07:04Anything I gave him to read, he just...
07:08Oh, God.
07:10These poor kids.
07:12We're aware of your financial situation.
07:15You think I had something to do with this?
07:17Your key card was used to open the special exhibit last night.
07:20That's not right.
07:21Your wages are being garnished.
07:22Your back's up against the wall.
07:24Makes sense that you throw these guys your key card.
07:27In return, they give you a cut of the money.
07:29No, no, no.
07:29I have my key card right here.
07:31I have it on me.
07:32Bruce, it doesn't make a difference, okay?
07:35They could have used it last night, given it back to you this morning.
07:37No, listen, I went into debt getting an advanced degree because to do what I do, you need one.
07:44Now I earn $64,000 a year between bills and my student loans.
07:49It's not enough to live on, but the Rushman Gallery is my whole life.
07:54I would never do anything to jeopardize my position there.
08:04What?
08:06I think I know who did this.
08:10A few days ago, I was walking the gallery, and this guy was, like, lingering, just looking.
08:20But on his way out, he started flirting with me.
08:26So?
08:28Men don't generally flirt with me, Agent Scola.
08:32But he talked my ear off, asking me all about my job and the special exhibit and the gallery.
08:40His name was Cooper.
08:42He said he liked my laugh.
08:44We even swapped phone numbers, but later, when I tried to text him, it just bounced back.
08:50Yeah.
08:54You know about what time Cooper stopped by the gallery?
08:58All right, folks, so Teresa Amante said a suspicious man came into the gallery asking questions.
09:02I know our thieves wiped the security feed from that night, but can we pull any footage from three days
09:07earlier?
09:07Uh, yeah, we should have access.
09:10Yeah?
09:11Yeah, here we go.
09:12All right, good news.
09:15This is three days earlier, right?
09:17That's, uh, scrubbed to midday.
09:18She said it was right after her lunch.
09:23Okay, stop it there.
09:24Let's watch.
09:28That guy's looking suspicious to me, right?
09:30Yeah, he's aware of the camera.
09:31He's not giving us much for facial rec.
09:33Yeah, and what is he doing with his hand there?
09:35Zoom in?
09:38Looks like he's scanning our key card.
09:40He's making a dupe.
09:42Right, how do you do that?
09:42Well, it used to be you needed an RFID reader, but now there are apps that can do it.
09:46Kept Teresa talking, she didn't even notice.
09:48Yeah, yeah, yeah.
09:49Okay, Mr. Suspect, you gonna show us your face?
09:53Come on, look up here.
09:58Yes, here we go.
09:59That could be enough.
10:00Hang on.
10:01Got it.
10:03Jasper Ray, a known art thief with a record of burglaries, trafficking in stolen goods, and a penchant for sex
10:10workers.
10:10And he's about to add a murder rap to that list.
10:12Bing his phone.
10:14Not finding him on any of the major providers.
10:16Uh, he's got an alias, Cooper Mott.
10:19Still nothing?
10:20Okay, every database in here.
10:22Cooper Mott, Jasper Ray.
10:23If either of those names have popped up in the last 12 hours, I want to hear about it.
10:27Got a hit.
10:28Mr. Cooper Mott just checked himself into the penthouse suite at the Revelle Hotel.
10:32The Revelle?
10:33Feeling flush.
10:34Let's grab him.
10:39FBI, open up!
10:41Just open it.
10:50Clear.
10:52Clear.
10:57Come on, check it out.
11:00Must have been the key card he made.
11:02Yeah, but this is a 9mm.
11:04That doesn't match the caliber of the gun that was used to kill the guard.
11:07He could have had another weapon.
11:10Wow.
11:11That is a lot of cash.
11:14You think they offloaded the paintings already?
11:16Maggie.
11:18And I was thinking we wanted some room service to, you know, rehydrate before round two.
11:23FBI, Jasper Ray, hands where we can see them.
11:26I'm on.
11:40Jasper!
11:42It's over.
11:44We know that you broke into that gallery.
11:46We know that you killed that guard.
11:47No, no, no, no.
11:47That wasn't me.
11:48I didn't kill him.
11:49Okay.
11:49That's good.
11:50We just want to talk to you.
11:53You're not going to believe me.
11:55We just want to hear what happened.
11:56This wasn't my fault, okay?
11:59We didn't have any time to plan.
12:01They pushed us to do it this week.
12:04Who did?
12:04No.
12:06We have no idea what these people are capable of, all right?
12:08Then tell us.
12:10We can help you.
12:12Stop.
12:13Stop.
12:13No, it's okay.
12:14Don't come forward!
12:15Jasper.
12:16You can't help me!
12:19No one can.
12:22Hey, no!
12:24Jasper!
12:31What the hell just happened?
12:34Why would he jump over some paintings?
12:37There's something else going on here.
12:39Something bigger.
12:50All right, people.
12:51There's more to this robbery than just stolen paintings, and we need to figure out what it is.
12:56Now, unfortunately, Jasper Ray, our only suspect, elected to jump to his death rather than rat out the people who
13:01hired him.
13:02Ballistics confirmed Jasper's gun wasn't used to kill Gary Whittick.
13:05Well, it sounds like he had a partner.
13:07This was definitely a two-man job.
13:08Okay, so Jasper's partners are best bet to track down the buyers, so how can we ID him?
13:12Hey, uh, just got off the phone with the art crimes team.
13:15Um, this is Cecil LaFont.
13:18He was a highline fence until he started working for us.
13:21They say if anybody knows who Jasper's been working with these days, it'd be LaFont.
13:25All right, let's put that to the test.
13:31Well, the interrogation room.
13:35This venue meant to frighten me?
13:38Could have just asked if you needed help on the nastiness that went down with the rushman.
13:43An innocent guard was killed during that robbery.
13:46Yeah, I heard.
13:47It's a tragedy.
13:48Well, we know one of the thieves was Jasper Ray, but we actually think it was his partner who pulled
13:52the trigger.
13:53Jasper's a small time.
13:56Yeah, he's good with tech, but, uh, not a murderer.
14:00We were told that you might know who Jasper's been running with?
14:02Hmm, one thing at a time.
14:05My, um, cooperation agreement has become a burden.
14:10So this information, if I have it, will complete our arrangement.
14:18And I would like a guarantee that I have satisfied our deal.
14:23Why would we do that?
14:25Oh.
14:26A source may have told me one of the rushman pieces is already on the market.
14:35Who's trying to move it?
14:36Hmm?
14:38He doesn't meet with strangers.
14:40He's twitchy.
14:41He's paranoid.
14:42Believe me when I tell you, you could never get close.
14:46But he would meet with you.
14:49Hmm.
14:54All right, this guy's going to be here in any second, so let's go over the details again.
14:58This is Evan Hessel, our second gallery thief, and Jasper Ray's partner in crime.
15:02Hessel did a seven-year bid for armed robbery of a museum back in 2010.
15:06He's known to be smart but violent.
15:08Right now, he is our best chance at IDing whoever is behind this heist.
15:11Right.
15:11Now, cooperator, set up this in-person meeting with Evan Hessel under the guise of a black market sale.
15:16If Hessel's willing to sell one of the rushman paintings, he will know where the others are stashed.
15:19Exactly.
15:21Only question is, do we have the right guy playing our crooked buyer?
15:24Come on, now.
15:26I was born for this.
15:28Where's your buddy here?
15:29He's already, what, ten minutes late?
15:31Let's show him.
15:32He trusts me.
15:37No sign of Evan Hessel yet.
15:42Wait.
15:43Is that him?
15:45Yep.
15:46We have eyes on the target.
15:48He's about 15 seconds away from you.
15:50Yep.
15:50Copy that.
15:51Remember, we just need to confirm Hessel is in possession of any of the rushman paintings,
15:54and then we follow him to his stash house.
15:59Ah.
16:00Here he is.
16:02Evan.
16:06This better be worth it.
16:07I am a habit of wasting your time.
16:13Sick.
16:16This is my client, Mr. Forsyth.
16:20So are you a private equity guy?
16:23$765 million.
16:24Under management, looking to expand my collection.
16:28Sotheby's not good enough?
16:29What can I say?
16:30Tiesel said that you came into some pieces.
16:32I was intrigued.
16:34What firm?
16:35Offshore Capital.
16:37Never heard of it.
16:45How are we looking here?
16:46He's on our site.
16:47While he's browsing, I'll backdoor into his contacts, pull his text conversations.
16:50One for extra credit.
16:52I like it.
17:02You want my colleagues' transcripts as well?
17:05Serious here?
17:05Let have them, please.
17:07Mr. Forsyth's pedigree is beyond reproach.
17:13Who's in your collection?
17:14What?
17:14You want to know how many original Colta Biancos I have?
17:17This is ridiculous.
17:19I don't need this.
17:19Cecil, call me later.
17:21Wait.
17:21Wait.
17:23I do have an early 20th century piece I could part with.
17:32All right.
17:32He bought it.
17:34One.
17:35Come on.
17:35But you said he had five.
17:36No.
17:37I heard he had five.
17:44Four are already spoken for.
17:46But I am willing to part with the Freedland.
17:48My price is two mil.
17:49Gallery would charge twelve.
17:51Okay.
17:51Hessel just confirmed.
17:52He's still in possession of the stolen paintings.
17:54Maggie 08, get ready to tail this guy to his stash house.
18:01We're on the board.
18:05Two millions.
18:06There's a deal, Stuart.
18:10I take it.
18:13All right.
18:14I'm going to need to see the condition of the piece.
18:15You got a photo so I can check the extent of the damage?
18:18Money first, ma'am.
18:21Okay.
18:22I'm not going to hand you two million dollars out here on the street.
18:25You know that.
18:28Just show them the photos, Evan.
18:30His money is green.
18:47Heading to the river.
18:48We'll double back.
19:02Evan Hessel, you're under arrest.
19:09Interstate transport of stolen property.
19:11It's ten years theft of major artwork.
19:14Ten years violation of the International Cultural Treaty.
19:19That's the judge's discretion, but spoiler alert.
19:23Minimum, ten years.
19:25We can place you at the gallery.
19:27And ballistics confirmed that the round that killed Gary Wittick was, in fact, from your gun.
19:31That's murder during the commission of a federal felony.
19:33We have you dead to rights, Evan.
19:35So, really, the only question is, are you going to do the smart thing and tell us what's going on?
19:43Come on.
19:44Who are your buyers?
19:47Okay, why did you have to rob the gallery this week?
19:50Well, what was the rush?
19:50I can't help you.
19:52Okay, clearly you're in a tough position.
19:54I mean, we know that Jasper was afraid of your buyers.
19:57That's why he jumped off the roof of a building earlier today.
20:03Yeah.
20:05We want to protect you, Evan, but we can't do that unless you tell us who they are.
20:13They sent me a picture of my son.
20:19Your buyer's dead?
20:21Yeah.
20:24Walking up to our apartment, Eli's seven.
20:30They knew his name.
20:31They knew everything about me.
20:33They made it clear, hit up the rushman this week, or they'd hurt me, my family.
20:40I didn't know what else to do.
20:44No idea what they had on Jasper, but it was something we knew we had to work quick and never
20:50look back.
20:52Did you meet your buyers in person?
20:54Did you ID a photo?
20:55No, we never met.
20:57They cold contacted us over signal.
20:59No number.
21:00No name.
21:02Offered 75k each in cash, up front, plus a shopping list.
21:06Even told me I could keep the free lend for myself.
21:09What did you do with the paintings?
21:11Where are they now?
21:12We dropped them at a storage unit.
21:16The second half of our cut was there.
21:18That's all I know.
21:20I swear.
21:23All right, talk to me about the storage unit in Little Haiti.
21:26Yeah, unit F938, but the name on the rental agreement's a fake.
21:29We checked it against every database we can think of coming up empty.
21:31Yeah, they paid for the unit in cash.
21:32There's no way to ID the people who commissioned the robbery.
21:35Which led to the murder of Gary Wittick.
21:36What about eyes on the unit?
21:37They have an older model CCTV feed.
21:39I'm piggybacking it now.
21:41Okay, I'm into the cloud backup.
21:44Yeah, this is from 3 a.m. last night.
21:47That is unit F938 on the left.
21:49Yeah, okay, there they are.
21:51Our two thieves, Jasper Ray and Evan Hassel, dressed up as NYPD.
21:54Explains how they got in the gallery without tripping the alarm.
21:57They dropped the paintings, pick up the payments.
21:59In and out, less than three minutes.
22:00Scrub forward, maybe we were lucky enough to catch our buyers picking up the paintings.
22:13When was this?
22:1518 minutes ago.
22:17I want eyes on every road leading out of that storage facility.
22:20Send Maggie and OA to that location now.
22:37Jubal, we're outside of the unit.
22:39No sign of the buyers.
22:40Well, they must have grabbed the paintings and slipped to a blind spot.
22:43See if you can find any evidence we can use to ID them.
22:46Open it.
23:00It's them.
23:01What?
23:02They're all here.
23:04These buyers went through a lot of trouble to get these paintings.
23:07And we know they were just here.
23:09This doesn't make sense, Maggie.
23:11What are we missing?
23:22So, you recovered the missing paintings, you prevented an international fiasco, and you solved the murder.
23:31Yet, something's bothering you.
23:33The buyers knew everything about this heist crew.
23:37They leveraged them to rob the gallery on their timetable.
23:40They were meticulous, motivated.
23:43They were careful every single step of the way.
23:45They were even at the storage unit before we were.
23:48They could have taken the paintings.
23:50They didn't.
23:51How do you explain that?
23:54Behavioral anomaly.
23:56Well, either your meticulous buyers made one big mistake.
24:02Or they let us find the paintings on purpose.
24:10So, what exactly are we looking for?
24:13I'm not sure.
24:15We know that there was 31 minutes between when the buyers cut the CCTV feed and we arrived.
24:21That is more than enough time to take the paintings and go.
24:23Maybe they were being extra cautious.
24:25Kill the cameras, come back later for the art.
24:26I don't think so.
24:28Look, they cut these four paintings out of their frames, but then for some reason left this one intact.
24:33The knife grinder, painted in 1912 by Ukrainian artist Kazimir Malevich, who founded the Suprematism style.
24:42What was going on here?
24:44Looks like discoloration.
24:46Yeah, the edges of the canvas were more saturated.
24:49Could have sustained damage over the years.
24:51Can you pull up a photo of it hanging in the gallery?
24:53Sure, hang on.
24:59No discoloration.
25:00How's that possible?
25:03Do you see that this frame is narrower than that one?
25:08You're right.
25:09We're talking only a fraction of an inch, but those frames aren't the same width.
25:13What if they use that 31 minutes to swap the frame?
25:16So the frames were switched.
25:17And then the new frames exposed paint that had been covered up for years, so it never faded.
25:22Okay.
25:22I need you to pull this from evidence.
25:24I want to check it out myself.
25:25We don't have it anymore.
25:28Why?
25:29It was returned to the lender, the Ukrainian consulate.
25:32The Ukrainian consulate.
25:34The buyers took the painting on purpose, swapped the frame because they knew we were going to return it.
25:39And these other four were just decoys.
25:41What if they put something in the frame?
25:42A Trojan horse.
25:43Could be a surveillance device.
25:45That is a massive play.
25:46Smuggling something into a foreign consulate on U.S. soil.
25:49Okay, we need to run this up the ladder.
25:53Hey, this is Anna Vorp, a counterintelligence officer from OGA, Special Agent Bell, and Zidane.
25:59Pleasure.
26:00OGA, other government agency.
26:03Indeed.
26:03Isabelle has sung her praises.
26:05How's my girl doing?
26:07She's getting better every day.
26:09Good.
26:10She knows how this game is played.
26:12So, I understand that you're concerned about some dusty old paintings, and for some reason you need counterintelligence to weigh
26:19in.
26:19Did I get that right?
26:20Well, we suspect someone hit a surveillance device inside a painting's frame to spy on the Ukrainian consulate.
26:28And we were wondering if we didn't just stumble over another three-letter agency's op.
26:33I know you don't speak for all of them, but...
26:34No, I can, actually, and the answer is no.
26:37If the U.S. wanted to spy on the Ukrainians, we wouldn't need a painting to do it.
26:41We'd have planted microphones in the walls when we renovated their buildings seven and a half years ago.
26:46But I admit that the timing is concerning.
26:50Why's that?
26:51Well, there's a rumor that earlier this week the Ukrainians picked up Igor Petrovich in the city.
26:58A rumor?
26:59A highly verified rumor.
27:02They still have Petrovich detained at their consulate.
27:05So, are we talking about the Russian warlord?
27:06Yeah, he's, uh, head of the Strauss Group.
27:09They're a well-funded private army full of ruthless mercenaries wanted by at least a dozen countries.
27:14So you're saying he's been here in New York?
27:16We had a special unit hunting for him on an ICC warrant, but...
27:20They handed to the Ukrainians. They got to him first.
27:22Well, that makes sense.
27:23He ordered a massacre in a Ukrainian town full of women and children.
27:27Yeah.
27:27He's a real shoot-first-think-later kind of monster.
27:30So if the Ukrainians scooped him up, they're going to want to fly him home to make him face charges
27:34on their soil, right?
27:35So let's say there's no listening device in the frame.
27:37But what if there is an explosive?
27:38And one of Petrovich's enemies is trying to take him out.
27:47All right, people. Eyes up.
27:49This is Anna Vorp with OGA.
27:51She'll be running point with us.
27:52Now listen, right now, Igor Petrovich, the Russian warlord and head of the notorious Strauss Group,
27:58is being held captive in the Ukrainian consulate.
28:01And to make matters worse, we believe an unknown third party is planning to assassinate him on U.S. soil.
28:08That would have major geopolitical ramifications.
28:10The whole world wants this monster, dead or alive, so let's be the team that finally brings him in once
28:16and for all.
28:17I'm on hold with the Ukrainian consulate general, just to give him a heads up.
28:19Okay, our team is en route to the consulate, just in case.
28:21Okay, great. NSA, liaise with GCHQ.
28:24DOJ, hey, wake up our legal attachΓ©s in London and Brussels.
28:27See if they have any intel as to who could be behind this play.
28:30That's a dice roll. Strauss Group has mercs in Nigeria, Sudan, Libya.
28:34There's no shortage of enemies who want to take this guy off the board.
28:36Jubal, phone line just went dead.
28:38What? You trying to back?
28:40I can't get through.
28:43Okay, what's going on here, people?
28:44Okay, boss, yeah, it looks like there was a power outage, some kind of surge.
28:48It's isolated, though. It just hit one building.
28:50Ukrainian consulate.
28:51Yeah.
28:52All right, talk to me. What could do this?
28:53A low-yield, short-range, custom-built EMP.
28:56That must have been what was hidden in that frame.
28:58Well, whatever it is, it just blew out every circuit in that building.
29:01Whoever's coming to take out Petrovich, it's happening now.
29:04Ward our field teams.
29:18Maggie?
29:21FBI, don't move!
29:24We've got eyes on Petrovich.
29:36Let's go!
29:42AK-47.
29:47Where are they taking him?
29:49He's free now.
29:50You'll never find him.
29:53Russian.
29:54From the Strauss Group.
29:55This wasn't an assassination.
29:57No.
29:58It was a rescue mission.
30:08Our two Russian mercs just ripped Igor Petrovich out of Ukrainian custody in broad daylight.
30:14Now, where the hell did they go?
30:15Come on.
30:16It turns out the plates on the van were stolen, but we issued a bolo based on the van's description.
30:20These guys did their homework.
30:21Whatever route they're taking, they're not showing up on traffic cams.
30:23Yeah, well, the Strauss Group is well-funded and trained in urban warfare.
30:26We are not letting them get away.
30:27Jubal, they finished processing the Russian that Maggie wounded.
30:30Okay, thank you.
30:31Keep looking!
30:32You coming?
30:33Why not?
30:35Sneaking a custom EMP into a foreign consulate.
30:38Human smuggling of a wanted Russian warlord.
30:41Attempted murder on federal agents.
30:42I'm not going to lie to you, Andre.
30:44This is going to land on you like a hammer.
30:47Unless you talk to me.
30:49How are you planning on getting your friend out of the country?
30:53You're asking me to kill my own brother.
30:56No, I'm asking you to cooperate.
30:59You don't understand.
31:02I did not free Petrovich out of loyalty.
31:05This man is nobody's friend.
31:06He rules with money and cruelty.
31:09Wait, so what does this have to do with your brother?
31:13Mikhail is in Belarus.
31:15Petrovich could get to him easily.
31:18It's his insurance policy.
31:22He saw me fall today.
31:24He knows you have me.
31:26If I give up Petrovich now,
31:28he will have Mikhail killed.
31:34I cannot help you.
31:36You cannot help me.
31:45What if I can guarantee your brother's safety?
31:50You cooperate with us,
31:51and we will get him out of Belarus.
31:55Who is she?
31:57Nobody.
32:05Okay, so listen up.
32:06One of Petrovich's men just revealed
32:08they're moving their boss to a private airfield
32:10somewhere outside of the city.
32:11Unfortunately, he was never told the exact name.
32:13There are at least a half dozen options.
32:15All right, so let's narrow that down.
32:16I want everyone on this.
32:17We know they were driving a black sprinter van,
32:19stolen plates.
32:20We should be up on traffic cams on every highway,
32:22heading out of the city.
32:24Hey, I think I got him.
32:25Yeah?
32:25Heading towards the 59th Street Bridge.
32:27Yeah, yeah, yeah.
32:28Okay, so what is in that direction?
32:30Liberty Airport in Long Island is their best bet.
32:32That's got to be it.
32:33Okay, sending our team to head him off.
32:43Maggie.
32:43Yep, see it?
32:46Eyes on the van.
32:51Well, they know we're on their town now.
33:15We got him pinned in.
33:18We got him pinned in.
33:23Moving west on Queens Plaza.
33:30Going east.
33:31Jubal, suspects are fleeing on foot.
33:33We're in pursuit.
33:39The van is clear.
33:40Hey, keep this place locked down.
33:58Don't move.
34:02It's not him.
34:06I don't have him.
34:08I don't have him.
34:08I don't have him.
34:10I don't have him.
34:11Hey, Maggie, you know I got the mercs.
34:14Skola, you were on Petrovich.
34:15Be careful.
34:16He is dangerous.
34:20Petrovich!
34:21It's over.
34:22Show me your hands.
34:23Hands!
34:31Hey, Jubal, it's not him.
34:33That's not Petrovich either.
34:34No, that's Ronan Vithnoboy, another one of his private soldiers.
34:37Right, but Maggie saw three men get into that van.
34:40Two mercs and Petrovich.
34:41Something's not adding up.
34:43How the hell did we lose him?
34:44I don't get it.
34:45I'm looking at traffic cams.
34:46The van never stops after leaving the consulate.
34:48There was no time to drop him off anywhere.
34:52The van.
34:53Heads up, Petrovich never got out of the van.
34:55He is still in there.
35:00Go away?
35:01Yeah, I heard that.
35:03Hey, take it.
35:11An oxygen tank.
35:13We have two officers down setting an end to our location.
35:16What the hell happened?
35:17Petrovich was hiding in a false compartment.
35:19So they could smuggle him into the airport.
35:20Jubal, we lost Petrovich.
35:22Hey, did you see someone?
35:26Which way did they go?
35:27He ran that way.
35:28Okay.
35:29Wait with them.
35:31Let's move.
35:38Jubal, we think that Petrovich came into the food market.
35:41We need to set up a perimeter.
35:42Yeah, I'm already on it.
35:43This is not good.
35:44This place is packed with civilians.
35:46Yeah, he did this on purpose.
35:48The group kills civilians as a tactic.
35:50You need to approach with extreme caution.
35:52Okay?
35:52I'll go around, flank them from the other side.
35:54Let's move.
36:05Boy, I think I see him.
36:07On the left.
36:13Nobody down!
36:16Shot fired, shot fired.
36:18Move, move, move.
36:24Is this the only angle we have?
36:25The market has limited cameras.
36:27I want every view you can find.
36:28We need eyes at the market.
36:29Jubal, he won't care how many people he kills.
36:32Send every resource we have, all right?
36:35All hands on deck.
36:37Jubal, send all the medical you can.
36:39You need to get down.
36:40Move, move, move.
36:43I lost it.
36:44Get down.
36:45I can't see him.
36:46Oh, wait.
36:50I don't have a shot.
36:52I don't either.
36:54Hey, move, move.
37:08Guys, he's got a hostage.
37:14FBI, drop your weapon.
37:17I said, drop your weapon.
37:19Or what?
37:20She's innocent.
37:21Drop your weapon and we can talk.
37:23Give me helicopters to Liberty Airport or I blow her brakes all over the place.
37:27All right, Jubal, we need a sniper team and a negotiator here.
37:30I don't know, Skola.
37:31Just wait.
37:32I'm on Georgia jet.
37:34You hear me?
37:35Direct to Moscow.
37:37You have ten minutes or her death will be on your soul.
37:48Cover me.
37:54One step closer, she dies.
37:56Maggie, what are you doing?
37:58Back away.
37:59Maggie.
38:00Maggie.
38:01Back away.
38:02Now.
38:03Why did I kill you?
38:06Then do it.
38:12Igor Petrovich, you're under arrest.
38:21How'd you know it was empty?
38:23It's a shoot first, think later kind of monster.
38:25He wasn't shooting.
38:39Hey.
38:39Hey.
38:40I just wanted to say it was great riding with you, Valentine.
38:43Yeah, yeah.
38:45Me too.
38:47One more thing.
38:48Regarding Andrei Orlov's brother in Belarus.
38:51Yeah.
38:52It's a big no can do.
38:57Okay, but we looked into that guy's eyes.
39:01We told him we'd protect his brother.
39:06You're new to the SAC chair.
39:08It's just how the game is played.
39:12I know it doesn't feel like it, but that was a win.
39:26The way you read Petrovich, like a book, it's just brilliant.
39:34Flattering me, I see.
39:36Hoping I leave my diagonal open.
39:37Nice try.
39:39You have a gift, Maggie.
39:42You are a natural profiler.
39:45BAU would be lucky to have you.
39:48And I would be very happy to put in a word.
39:54I, no.
39:55Well, yeah, thank you, but that's not what I want.
39:59I love where I am.
40:00I love my team.
40:02Then what do you want?
40:05I think this past year has made me feel off balance.
40:15I feel like when I look around, I don't, I don't really recognize the world anymore.
40:22So I guess I was hoping that if I could get deeper into the minds of the criminals that we're
40:27hunting, then maybe I could make sense of something.
40:36I think you're well on your way.
40:49However, your chess strategy still needs some work.
41:03I think you're well on your way.
41:23I think you're well on your way.
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