- hace 5 horas
Truth (2015) is a drama chronicling the 2004 CBS 60 Minutes II scandal, where producer Mary Mapes (Cate Blanchett) and anchor Dan Rather (Robert Redford) investigated President George W. Bush’s alleged preferential treatment in the Texas Air National Guard.
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00:00:28Gracias por ver el video
00:00:57Gracias por ver el video
00:01:15Gracias por ver el video
00:01:53Gracias por ver el video
00:02:01You lied
00:02:06I didn't think it was any big deal
00:02:08At the time
00:02:09Of course you didn't
00:02:10You were used, Carl
00:02:12I know that
00:02:14I can keep your identity protected
00:02:16No one will ever know where I got my information
00:02:18Yeah, right
00:02:19They'll hound you, lady
00:02:21They're gonna want to know...
00:02:21Trust me, Carl
00:02:22I can protect you
00:02:25Or it can destroy you
00:02:29Are you threatening me?
00:02:31Mr. Timmons
00:02:34Now, why would I do that?
00:02:35You think I don't know a threat when I hear one?
00:02:46All right
00:02:48I just hope you realize what you're getting yourself into here
00:02:54I see you, friend
00:02:54I see him, somebody's a little stand
00:03:09It's every day
00:03:14I can see him
00:03:14I'm gonna die
00:03:14I can I see you, bear
00:03:15I can see you, bear
00:03:17He's gonna die
00:03:17We all sos
00:03:41¡Suscríbete al canal!
00:04:15Souscríbete al canal
00:04:35Souscríbete al canal
00:05:10Souscríbete al canal
00:05:14Souscríbete al canal
00:05:54Souscríbete al canal
00:05:59No
00:05:59No
00:06:15Souscríbete al canal
00:06:46Souscríbete al canal
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00:12:26¡Porque estamos a controlar la entrevista!
00:12:29Ahí te lembran algo que yo me enseñara.
00:12:37¿Cómo estaba Emilia?
00:12:38Estaba trabajando una historia.
00:12:40Pero no era una persona.
00:12:41No dio la carrera en la carrera.
00:12:45Emilia me vino a mí hace un año.
00:12:48Estaba como un respeto.
00:12:50Pero su familia...
00:12:51Emilia adoraba su familia.
00:12:52y todos sabemos eso.
00:12:54Pero ella estaba perdiendo algo.
00:12:55La pasión, la emocionada que viene de la chase.
00:12:58De expulsar injusticia.
00:12:59De forcing la burocracia a hacer algo sobre eso.
00:13:02De uncovering la verdad.
00:13:03Es la misma lectura que le dio a ella?
00:13:05Serios journalism produce serios consecuencias.
00:13:08Sí, me acuerdo la mantra.
00:13:09You drilled it into us por cuatro años.
00:13:11Y es probablemente se cargó en mi tombstone.
00:13:14Emilia quería sentir esa sensación de fulfillment de nuevo.
00:13:17Quería encontrar una historia.
00:13:18Una cosa que ella creía y rompía.
00:13:20¿Es eso lo que ella quería?
00:13:21¿O lo que ella quería?
00:13:23¿Mabe, dos?
00:13:29¿Qué fue ella trabajando?
00:13:31No fue algo que podría haber sido lo que ella hacía, ¿no?
00:13:34No sé.
00:13:35¡Oh, Meridith!
00:13:36Era las leves de las primeras.
00:13:37Ella iba a mostrar cuando tenía más datos.
00:13:40Lo que sé es que ella hizo beber un viaje a San Bernardino County
00:13:43y le compró las records de la caja.
00:13:45¡Meridith, San Bernardino County es donde Emilia died!
00:13:48No, no.
00:14:21No, no.
00:15:00No, no.
00:15:18She was totally out of it.
00:15:20Dancing with this one freaky-looking guy,
00:15:22tattoos up one arm down the other,
00:15:23dancing real close.
00:15:25Did you get footage?
00:15:25Then I get footage.
00:15:26I smuggled my mini-DV into the club.
00:15:28Great.
00:15:28We'll do a Trouble in Paradise story.
00:15:30I love those.
00:15:30Now call around,
00:15:31see if we can find out where he was last night.
00:15:32We can ride this split for a week.
00:15:34At least.
00:15:34I'll finish up today's spot,
00:15:35and you get that footage downloaded, okay?
00:15:37Sweet.
00:15:37Financial packages.
00:15:39Now, Rancho Estates really represents
00:15:40the peak of my career as a designer
00:15:42and as a builder.
00:15:44Each custom Rancho Estate home
00:15:46has a beautiful, dramatic, sweeping view
00:15:49over Summit Park.
00:15:50The first of these homes
00:15:51will be available for occupancy
00:15:53as soon as this spring,
00:15:54but we're not talking about cracker boxes here.
00:15:56My workers are craftsmen,
00:15:58artisans,
00:15:59and your El Rancho Customers...
00:16:00Sorry, Cam,
00:16:01I got caught up in a staff meeting.
00:16:03You're a hard woman to track down,
00:16:05Ms. Peterson.
00:16:06Who are you?
00:16:07What are you doing in here?
00:16:09Looking for answers.
00:16:11Detective Roy Maloney,
00:16:12San Bernardino County Sheriff's Department.
00:16:15Why were you following me?
00:16:17Why were you running away?
00:16:18Call me crazy,
00:16:19but I have this irrational fear
00:16:20of strange men in parking garages.
00:16:24I'm investigating the death of your friend,
00:16:26Amelia Moore.
00:16:27What kind of detective are you?
00:16:29Homicide.
00:16:32So Amelia was murdered?
00:16:33Maybe I could ask the questions.
00:16:40From what I gather,
00:16:41you're Amelia Moore's closest friend.
00:16:42Used to be.
00:16:43Don't know how close we were recently.
00:16:44What does that mean?
00:16:45Nothing really.
00:16:46It's just that we didn't talk very much anymore.
00:16:48Because in watching you at the funeral,
00:16:49it seemed that you and Mr. Moore
00:16:51were very close.
00:16:52Is that a question, detective?
00:16:53I can frame it as a question if you like.
00:16:55Are you and Rick Moore sleeping together?
00:16:58Are you crazy?
00:17:00Amelia Moore died under what I consider
00:17:02to be extremely suspicious circumstances.
00:17:04So the first place I look for a motive
00:17:06is sex or money.
00:17:07Get out of here.
00:17:09I'm not done yet.
00:17:11And you haven't answered the question.
00:17:13No, Rick Moore is a friend, that's all.
00:17:15What else would you like to know?
00:17:17Do you have any idea what this means?
00:17:26This is gibberish.
00:17:27It's shorthand.
00:17:28It's some weird kind of shorthand we've never seen.
00:17:32Why would I know what it is?
00:17:33Because we found it with your friend's things.
00:17:36I can't help you, detective.
00:17:47You're a very bad liar, Miss Peterson.
00:17:51We'll be talking again.
00:18:09All right, let's get these organized
00:18:11according to closing dates
00:18:14and see if we can find a pattern.
00:18:18Hi.
00:18:19You're going to make this a habit?
00:18:21I got something.
00:18:22A lead on the story Amelia was working.
00:18:24It's a name.
00:18:25Carl Timmons.
00:18:26I think he works for the Department of Water.
00:18:28Where did you get this?
00:18:29From a detective working Amelia's case.
00:18:33What is it?
00:18:34It was written in her notebook in shorthand.
00:18:35Our shorthand.
00:18:36A system we made out
00:18:37so nobody could ever read our notes.
00:18:40What a great idea.
00:18:41Laura, this is Christy McDermott.
00:18:43You'll be seeing her byline one day soon.
00:18:45Christy, this is Laura Peterson.
00:18:48Nice to meet you.
00:18:50Seeing you on TV, you're great.
00:18:51Thanks.
00:18:54I spent the day
00:18:55at the San Bernardino tax assessor's office.
00:18:58Amelia had to sign for the records that she pulls.
00:19:01What are they?
00:19:02Changes in property ownership.
00:19:04They're all around the same area
00:19:05in a place called Cedar Grove.
00:19:08Amelia died just outside Cedar Grove.
00:19:10It was a story.
00:19:12It has to be.
00:19:14Amelia's dead because of something she was investigating.
00:19:17We should take all this to the police.
00:19:19We could.
00:19:21It's not much, but it's something.
00:19:25Or.
00:19:28Yes?
00:19:30We could work the story.
00:19:33Uncover the truth about what Amelia was investigating
00:19:35and how she died.
00:19:38It's exactly what Amelia would have ordered.
00:19:43I'll never crack open her attorney.
00:19:45He's already famous.
00:19:46No way he wants this fat face on TV.
00:19:49Of course you schmooge the secretary.
00:19:51So what if he's a guy?
00:19:53Come on, Todd.
00:19:53Take one for the team.
00:19:55What do you mean he's straight?
00:19:56Nobody's straight in Hollywood.
00:19:59Okay.
00:20:00Plan B.
00:20:01No, see if we can get an interview for tomorrow.
00:20:04Yeah.
00:20:04And make sure she knows we want to talk about the breakup.
00:20:06And don't tell him.
00:20:08Okay.
00:20:10Thanks.
00:20:11Ciao.
00:20:12Enquiring minds want to know.
00:20:14It's a living.
00:20:16Pea-brained inquiring minds.
00:20:18You're teaching, not working as a reporter somewhere,
00:20:20so get off your high horse.
00:20:21I'm teaching because no one wants serious journalism anymore.
00:20:24All they want is slapdash, soundbite,
00:20:27get it on the air, breaking news.
00:20:28You're not working as a reporter
00:20:29because you kept on getting your employer's asses sued.
00:20:32I did what I had to do to get the truth.
00:20:33And the truth led you to getting fired and becoming a teacher
00:20:36instead of a reporter.
00:20:40I think I liked you better when you were an undergrad
00:20:42and hung on my every word.
00:20:54Here it is.
00:20:55Seder Grove.
00:21:00All these sales are within the last eight months.
00:21:0435 properties.
00:21:07Looks like a ghost town now.
00:21:12Did you ever talk to Carl Timmons?
00:21:14I left him three voicemails.
00:21:16The last one was pretty firm.
00:21:21Doesn't exactly look like a hotbed of scandal, does it?
00:21:30All right, one of the sales was for 1602 Outlook Avenue.
00:21:35Left.
00:21:35It's as if the owners are still living there.
00:21:46Yep, that's her.
00:21:47The reporter lady.
00:21:50Don't mind telling us what you talked with her about.
00:21:52She just wanted to know why we sold the ranch.
00:21:54She didn't know about the water problem.
00:21:57There's a water problem?
00:21:59Well, we're not really supposed to talk about it
00:22:00until it's public,
00:22:01but the groundwater's polluted.
00:22:04We have to buy all our drinking water at the market.
00:22:07Can you imagine buying water?
00:22:09Has somebody bought the property?
00:22:11Yeah, nice people.
00:22:12They're letting us stay here rent-free
00:22:14until we close in our new place.
00:22:15Rent-free.
00:22:17Isn't that nice?
00:22:17Jack Liker, he's a realtor.
00:22:19He said they're putting up a storage facility.
00:22:21Great big one.
00:22:22I guess when the water's bad,
00:22:24the land's not much good for anything else.
00:22:31It's wonderful.
00:22:34It's wonderful.
00:22:46It's wonderful.
00:22:48It's wonderful.
00:22:51It's wonderful.
00:22:55It's wonderful.
00:22:55It's wonderful.
00:22:56It's wonderful.
00:22:57It's wonderful.
00:23:07¡Gracias!
00:23:29Um...
00:23:30Sol Green Technologies.
00:23:33Yeah, that was the name.
00:23:34Did you actually see that water report?
00:23:36Well, uh...
00:23:37We weren't supposed to keep it, you know?
00:23:40Everything was hush-hush.
00:23:42Uh, but...
00:23:43I sort of stole a copy.
00:23:46Bernice here has been sick,
00:23:48and, uh...
00:23:49I didn't know whether it was related or not.
00:23:52I wanted some kind of proof,
00:23:55in case I needed it for the insurance.
00:23:57Of course.
00:23:58Do you still have a copy?
00:24:01Uh, the other reporter, your friend?
00:24:03Is she the one who, uh...
00:24:05died in that car fire?
00:24:08Yes.
00:24:09Her name was Amelia Moore,
00:24:11and we think that something she discovered out here
00:24:13may have led to her death.
00:24:15I thought it was an accident.
00:24:17That's what we're trying to find out.
00:24:19I told her I didn't have it.
00:24:22I-I-I just thought...
00:24:23I thought it would just be trouble.
00:24:25I understand, Max, but it could be very important.
00:24:28Do you think she'd be alive if...
00:24:30if I given it to her?
00:24:33Um...
00:24:34I don't know.
00:24:35All I know is that it could make a difference now.
00:24:37I should have known something was screwy.
00:24:40Nobody ever even came to look at the place.
00:24:44Jack Liker handled everything,
00:24:46acted like he was doing everybody a big favor.
00:24:59The toxicity studies.
00:25:01The supervisor of the project was Carl Timmons.
00:25:03The
00:25:05the
00:25:05the
00:25:05the
00:25:05the
00:25:12the
00:25:16the
00:25:36¡Suscríbete al canal!
00:25:52Don't believe Loretta's at home.
00:25:54What's that?
00:25:55Mrs. Oxley.
00:25:56Haven't seen her all morning.
00:25:58Sometimes she walks up to the store.
00:26:00Sometimes she goes off for a visit.
00:26:03Mrs. Oxley's only been here a couple of months
00:26:05since selling her farm, isn't that right?
00:26:06Yeah.
00:26:07She's one of the short timers.
00:26:10Husband got burned up in a fire.
00:26:14Say, don't I know you?
00:26:15You're the TV lady.
00:26:17The inside buzz girl.
00:26:20Guilty.
00:26:21If that kind of show had been around when I was young,
00:26:24I probably would have been on there.
00:26:26I was quite the little starlet.
00:26:29Oh.
00:26:30Yeah.
00:26:31Producers.
00:26:32Directors.
00:26:33Writers.
00:26:34I had my pick.
00:26:35I can see why.
00:26:36I'm wondering if you...
00:26:37Of course, times were different then.
00:26:39A girl with a reputation had a harder time.
00:26:43I'm sorry.
00:26:44I just...
00:26:44I'm wondering if you have any idea
00:26:46if Mrs. Oxley will be gone long.
00:26:48Oh, I wish I could help you, honey.
00:26:51Say, maybe you could do a show,
00:26:53Where Are They Now?
00:26:55Maybe.
00:26:56Maybe.
00:26:57Look here.
00:26:58You won't believe the people I knew.
00:27:01Oh, wow.
00:27:01My favorite director, Alfred Hitchcock.
00:27:04Wow.
00:27:05Yeah.
00:27:05And Janet Leigh and Tony Curtis.
00:27:08Oh, you work with the greats, huh?
00:27:09Oh, yeah.
00:27:09And the heavenly Cary Grant.
00:27:12Bye-bye.
00:27:14And Tyrone Coward.
00:27:17Don't get Tyrone Coward.
00:27:25Cedar Grove.
00:27:27Looks like it was once a thriving country town.
00:27:30Once, not anymore.
00:27:34I guess the bad water story
00:27:36isn't such a big secret after all.
00:28:05Well, the report's dated January 5th of this year.
00:28:08Yeah, that's the one.
00:28:09And it shows nothing wrong with the groundwater.
00:28:13Well, thanks so much for looking.
00:28:15I guess I'll let my kids know
00:28:16they can drink the water again.
00:28:18The report on file with the Department of Water
00:28:20is perfectly clean.
00:28:21The water's pure as rain.
00:28:22Surprise, surprise.
00:28:23I've got to run down Carl Timmons.
00:28:28Pretty amazing, the way you get people to open up.
00:28:32I forgot how exciting this part of it all is.
00:28:34Putting the pieces together?
00:28:36Admit it, Laura.
00:28:37You miss it.
00:28:38And this is what you were trained to do.
00:28:40It's in your blood.
00:28:42You want to take point this time?
00:28:44Of course.
00:28:45It's in my blood, too.
00:28:48Hello?
00:28:49Yeah, I'll be right there.
00:28:51Hang on.
00:28:52Looks like the Cedar Grove real estate bubble's already burst.
00:28:55Hi.
00:28:59Inside Buzz Girl.
00:29:01Jack Leichardt.
00:29:02Laura Peterson.
00:29:02Come on in.
00:29:04So, you're looking to buy out this way, are you?
00:29:07Mr. Leichardt, I'd like to get right to the point.
00:29:11Okay.
00:29:12I'm Meredith Backelman of the Daily Free Press.
00:29:14I've got a few questions for you.
00:29:15Sure.
00:29:16Fireway?
00:29:16You've closed on quite a few deals over the last few months.
00:29:19Well, I am the only realtor in these parts.
00:29:22We're a dying breed.
00:29:23We've interviewed residents on the south side of Cedar Grove.
00:29:27Transactions where you've represented both the buyer and the seller.
00:29:30Dual agency is legal in the state of California.
00:29:32On 35 transactions?
00:29:34You don't think that's pushing the ethical boundaries a little?
00:29:37No.
00:29:37I believe everybody was satisfied.
00:29:39Didn't you tell people there were problems with the groundwork?
00:29:41Look, when stories come up about bad water, even if they're just rumors,
00:29:45I have a duty to be up front with all parties.
00:29:47Disclosure laws are very clear about that.
00:29:49But you were being more than up front, weren't you?
00:29:52You showed them a toxicity report from the Department of Water,
00:29:55or should I say on the forged letterhead from the Department of Water?
00:29:58Wait a minute.
00:29:59What are you saying?
00:29:59Are you saying the water was poison?
00:30:00I think you know it's not, Mr. Lycar.
00:30:04Look, I'll admit I had some pretty good commissions last year,
00:30:08but I saw that report.
00:30:09I mean, hell, I even sold my own house outside of town.
00:30:12I thought I was doing everyone a favor.
00:30:14The buyers you represented didn't have any qualms
00:30:16about purchasing property with water problems.
00:30:19A big corporation doesn't really care about water.
00:30:21What big corporation would that be, Mr. Lycar?
00:30:26All right, I admit I made some money,
00:30:28but I was very up front with everybody.
00:30:31If they didn't want to buy and sell,
00:30:32then they didn't have to sell.
00:30:34I mean, I don't know what the hell you people want from me.
00:30:37I thought I was doing everyone a favor.
00:30:40Now, if you'll excuse me, I've got some work to do.
00:30:47The part I don't understand is,
00:30:49why was Amelia even interested in this story?
00:30:52People cheated out of their homes?
00:30:54Maybe you don't find that kind of story compelling in Hollywood.
00:30:57Yeah, yeah, yeah, but they were all paid.
00:30:59I mean, yes, it was deceptive,
00:31:01but a real estate scam story there a dime a dozen.
00:31:04It was my fault.
00:31:07She wanted to drop the story,
00:31:09but I told her something smelled fishy.
00:31:11I told her to dig deeper.
00:31:14I got her killed.
00:31:17No, you can't blame yourself, Meredith.
00:31:20Oh, yes, I can.
00:31:24My head hurts.
00:31:28Don't you have some boyfriend to go home to or something?
00:31:32In between men at the moment.
00:31:36Stay that way.
00:31:37I married two, and they were both louses.
00:31:40You probably ran them off.
00:31:42Told them what they were doing wasn't good enough.
00:31:45I did, actually.
00:31:50Can you imagine if I'd had children?
00:31:52They wouldn't have stood a chance.
00:31:56What about you?
00:31:58I expected you to be married by now.
00:32:01Oh, I don't know.
00:32:02I think, honestly, it had a lot to do with Amelia.
00:32:05You were pretty frustrated when she quit school and married Rick.
00:32:09No, I was angry.
00:32:11But now I understand what a difficult choice it was for Amelia.
00:32:17And she made the right decision.
00:32:20Laurie is an amazing girl.
00:32:22Yeah.
00:32:23I lost your partner.
00:32:27I lost my direction, too, I guess.
00:32:30I wanted so badly to be successful.
00:32:32Oh, and you are?
00:32:36We literally came from nothing, Amelia and me.
00:32:39Amelia and I.
00:32:40Mm-hmm.
00:32:41We met our freshman year, and we swore we'd go to the top together.
00:32:47The day I was her bridesmaid at her wedding was bittersweet.
00:32:53Stop the presses, pop star elopes with bodyguard, public shocked, film at 11th.
00:33:01Laura Peterson.
00:33:04Oh, yeah, I'll be right over.
00:33:27Do you know who Peter Bergstrom is?
00:33:29Uh, he's a movie producer, right?
00:33:31Yeah, maybe he's producing, but mostly he's a real estate developer, one of the biggest
00:33:35in the state.
00:33:36Okay.
00:33:36So why did Amelia have a box full of information on it?
00:33:46Laura, what's going on?
00:33:47I don't know what all this means, but Amelia was working a story rig.
00:33:52For what?
00:33:54To sell, I presume.
00:33:55Write it up and sell it freelance.
00:33:57We had plenty of money.
00:33:58It wasn't about the money.
00:33:59It was about doing something that made her feel good about herself.
00:34:02You're saying she wasn't happy?
00:34:04I'm still trying to figure it out myself.
00:34:06Where did you find all this?
00:34:09In behind the Christmas decorations.
00:34:11Well, she certainly did a lot of research.
00:34:18Why was Amelia interested in Peter Bergstrom?
00:34:37Beautiful, isn't it?
00:34:40Actually, it is.
00:34:42And I'm not normally a fan of big developments.
00:34:45Well, El Rancho Estates will be different.
00:34:48I have to say, you look even prettier in person than you do on television, Miss Peterson.
00:34:52Laura, please.
00:34:54It was good of you to see me on short notice, Mr. Bergstrom.
00:34:56Peter, please.
00:34:58And I have to say, you piqued my curiosity.
00:35:00What have I done to deserve the attention of the inside buzz?
00:35:05You're producing a movie, I hear.
00:35:07Well, it's L.A.
00:35:08Who isn't?
00:35:12Please, sit down, have a seat.
00:35:13I'm gonna get grilled.
00:35:15Might as well do this in comfort, huh?
00:35:17Can I get you a cup of coffee, some water or anything?
00:35:20No, I'm fine.
00:35:21Excuse me for one second.
00:35:26Yeah, Margo.
00:35:29Uh, yeah.
00:35:30Put him through.
00:35:31I'll take that one call.
00:35:31Sorry, one second.
00:35:42Hey, Professor.
00:35:43I turned up some interesting information in a database.
00:35:46There was an explosion out in Cedar Grove about a year ago.
00:35:49Another car fire?
00:35:50A propane accident.
00:35:52A man got burned really badly, finally died a couple months ago.
00:35:55But it was the name that jumped out at me.
00:35:57J.R. Oxley.
00:35:58Yeah.
00:35:59How'd you know?
00:36:02You've been looking for Loretta.
00:36:04It's your wife.
00:36:08Loretta?
00:36:13Yeah.
00:36:14Okay.
00:36:15Ron, David, I'll do business with you guys any time.
00:36:18Yeah.
00:36:19Hey, Ron.
00:36:19I wanted to find that plane.
00:36:21Yeah?
00:36:22Oh, good.
00:36:22Thanks.
00:36:23Bye-bye.
00:36:25Thank you.
00:36:26You climbed Mount Everest?
00:36:28That's impressive.
00:36:30Actually, it's my greatest folly.
00:36:32I broke my ankle on the summit.
00:36:35A 145-pound Sherpa named La Sange-Pourgay had to carry me down to base camp on his back.
00:36:42Aw.
00:36:42Not my finest hour.
00:36:43Well, I hope you gave him a big tip.
00:36:45Actually, I gave La Sange his own travel agency.
00:36:49Now he has to deal with more crazy Americans than ever.
00:36:52Is that how you describe yourself?
00:36:54Crazy American.
00:36:55Yeah, I guess so.
00:36:57When I was a kid, a doctor told me that I had an adrenaline problem.
00:37:01Too much.
00:37:03But that's probably not what you came here to discuss.
00:37:06No, no.
00:37:06That's great.
00:37:06It gives me a feel for you.
00:37:07We can talk about the movie later.
00:37:09Okay.
00:37:10Too much energy.
00:37:11In high school, I played every sport imaginable, and that seemed to help.
00:37:16In college, I discovered other things, and I sort of threw myself into partying 100%.
00:37:23And all that bad behavior that that entails.
00:37:26But eventually, sewing your wild oats catches up to you, and I put that behavior behind me.
00:37:32But you're not really here to discuss my movie, are you?
00:37:40Do you know a woman named Amelia Moore?
00:37:43No, I can't say that I do.
00:37:44Who is she?
00:37:45A friend of mine.
00:37:46She died.
00:37:47I'm sorry to hear that.
00:37:48She was murdered in Cedar Grove.
00:37:52Uh, Cedar Grove, where's that?
00:37:54I think you know exactly where that is, Mr. Bergstrom.
00:37:59Miss Peterson, I'm afraid that you've come here under false pretenses.
00:38:03I'm gonna have to ask you to leave my office now.
00:38:05But if you could only just tell-
00:38:06Out.
00:38:06Now.
00:38:07Thank you.
00:38:11We were getting along so well.
00:38:39Mrs. Oxley?
00:38:41Loretta Oxley?
00:38:42Please, I need a moment.
00:38:43I'm a friend of Amelia Moore's.
00:38:44I want to talk to you about the sale of your farm.
00:38:47I can't talk to you.
00:38:48We've spoken to a lot of your neighbors.
00:38:49No.
00:38:50You shouldn't be here.
00:38:51You understand.
00:38:52Please, I'd like to talk about your husband.
00:38:53I'm not my father.
00:38:57Rather than none.
00:39:08I'm sorry, I have to.
00:39:22I have no mind in your attic and yeah, we've lived this way over, it's up to my wife.
00:39:31No, no, no, no.
00:39:53No, no, no, no.
00:40:24No, no, no.
00:40:55No, no, no, no.
00:41:00No, no, no.
00:41:14No, no, no.
00:42:03No, no, no, no.
00:42:34No, no, no.
00:42:37No, no, no.
00:42:59No, no.
00:43:02No, no.
00:43:08No, no.
00:43:41No, no, no.
00:43:42No, no, no.
00:44:16No, no.
00:44:30No, no.
00:44:33No, no.
00:44:36No, no.
00:44:41No, no.
00:44:42No, no.
00:44:44No, no.
00:45:11No, no.
00:45:13No, no.
00:45:15No, no.
00:45:23No, no.
00:45:24No, no.
00:45:25No, no.
00:45:28No, no.
00:45:41No, no.
00:45:43No, no.
00:45:50No, no.
00:45:55No, no.
00:46:06No, no.
00:46:08No, no.
00:46:09No, no.
00:46:09No, no.
00:46:11No, no, no.
00:46:15No, no.
00:46:25No, no.
00:46:29No, no.
00:46:31No, no.
00:46:40Laura...
00:46:42Sorry if I was rough on you earlier.
00:46:44I'm a big girl. I can handle it.
00:46:48Keep this to yourself.
00:46:51Your friend Amelia...
00:46:54It was murder.
00:47:00Thank you, Roy.
00:47:19I'm out of trouble.
00:47:19I love you.
00:47:31I'm out of trouble.
00:47:40¡Suscríbete al canal!
00:48:10¡Suscríbete al canal!
00:48:43¡Suscríbete al canal!
00:48:46¡Suscríbete al canal!
00:48:47¡Suscríbete al canal!
00:48:52¡Suscríbete al canal!
00:48:58¡Suscríbete al canal!
00:49:02¡Suscríbete al canal!
00:49:28¡Suscríbete al canal!
00:49:31¡Suscríbete al canal!
00:49:34¡Suscríbete al canal!
00:49:56¡Suscríbete al canal!
00:50:04¡Suscríbete al canal!
00:50:07¡Suscríbete al canal!
00:50:09¡Suscríbete al canal!
00:50:11¡Suscríbete al canal!
00:50:39¡Suscríbete al canal!
00:50:42¡Suscríbete al canal!
00:50:43¡Suscríbete al canal!
00:50:56¡Suscríbete al canal!
00:51:08¡Suscríbete al canal!
00:51:11¡Suscríbete al canal!
00:51:14¡Suscríbete al canal!
00:51:26¡Suscríbete al canal!
00:51:36¡Suscríbete al canal!
00:51:43¡Suscríbete al canal!
00:51:44¡Suscríbete al canal!
00:51:46¡Suscríbete al canal!
00:51:48¡Suscríbete al canal!
00:51:49¡Suscríbete al canal!
00:51:51¡Suscríbete al canal!
00:51:52¡Suscríbete al canal!
00:51:55¡Suscríbete al canal!
00:51:55¡Suscríbete al canal!
00:51:57¡Suscríbete al canal!
00:51:57¡Suscríbete al canal!
00:51:58No, no, no, no, no, no, no, no, no.
00:52:28Is it through a zoning commission meeting?
00:52:30Oh, my God, yes. Can I?
00:52:32No, it's too dangerous.
00:52:32Of course you can.
00:52:34You're a journalist, aren't you, Christy?
00:52:35Absolutely, Professor.
00:52:42We shouldn't involve her. She's just a kid.
00:52:45You and Amelia were both kids when you did your best work.
00:52:52And therefore, my client, Soul Green Technologies,
00:52:54requests a variance to rezone their land
00:52:58from agricultural to commercial.
00:53:01Those in favor?
00:53:04Opposed?
00:53:06The chair breaks the tie in favor.
00:53:08Thank you.
00:53:10Mr. Lycar, the Cedar Grove Zoning Commission,
00:53:13grant your clients discretionary approval, A1 to C3.
00:53:18We are adjourned.
00:53:23Thanks.
00:53:25Thank you.
00:53:28Thank you very much, Floyd.
00:53:30I really appreciate the expedited service.
00:53:32But, uh, you gotta tell me who the girl in the back is, sir.
00:53:35It's not often you get spectators at zoning meetings, right?
00:53:38It's nothing, Jack.
00:53:39Some kind of civics class assignment.
00:53:42Gosh, girls didn't look like that when I went to school, huh?
00:53:46You're talking about your classes, Simon, huh?
00:53:48I want to buy a coffee.
00:54:02Mrs. Sweeney, do you mind if I ask you a couple of questions?
00:54:05Oh, I just really want to get home.
00:54:07Pretty tough tonight, huh?
00:54:10Does Floyd and Nathan always run his meetings like that?
00:54:12Uh, lately, anyway.
00:54:14Oh, they're ganging up on you, huh?
00:54:18Well, it doesn't help that Jack Lycar has two relatives on the board.
00:54:22Really?
00:54:23Which ones?
00:54:25That's his brother-in-law on the left, and the other one's his uncle.
00:54:29Making Floyd Niven the swing vote on these rezonings?
00:54:33That's the way it's been for the last three meetings,
00:54:35or at least whenever Lycar shows up.
00:54:38Tell me, this company, Soul Green Technologies,
00:54:41do they ever give up the names of their principals?
00:54:43Oh, yeah, their board of directors is listed right here in the petition to rezone.
00:54:48Listen, good luck with your class.
00:54:51Why does Soul Green need all these different plots?
00:54:54So they get involved, this is great, so we've memorized all these real user jobs.
00:54:57This isn't about some civics class, is it?
00:55:00Yosef, 17!
00:55:01Silence.
00:55:02Oh.
00:55:0325!
00:55:0425!
00:55:10Okay.
00:55:12These are Lycar's recent rezonings.
00:55:15Someone calls out a number, they all remember the job.
00:55:17It's okay.
00:55:18Sorry about that.
00:55:18I got it.
00:55:19Oh, okay.
00:55:20Come back here.
00:55:20All I know is that last year, Floyd Niven sure couldn't afford a Rolex.
00:55:26Come back here.
00:55:26Come back here.
00:55:27Come back here.
00:55:27Come back here.
00:55:28Come back here.
00:55:28Come back here.
00:55:28Come back here.
00:55:29Come back here.
00:55:29Come back here.
00:55:29Come back here.
00:55:36All these threads, Peter Burks from Carlton and Cedar Grove, Amelia's notes, nothing fits
00:55:41together.
00:55:42There's hundreds of names in these sheriff's employees' records.
00:55:46Two questions we haven't answered yet.
00:55:48What does the October 22nd date mean, and why was Amelia interested in this story?
00:55:52What was she doing at a derelict cemetery?
00:55:54Three questions.
00:55:56I got the names of the board of directors for Soul Green Technologies.
00:55:59Oh, goody, more names.
00:56:01I also nabbed these maps from the zoning commission.
00:56:04Nice work.
00:56:06Don't they usually put those windmills in long rows?
00:56:08How valuable can the land be if...
00:56:12Wait a second.
00:56:13Wait a second.
00:56:14Come here.
00:56:17Look at this.
00:56:19Look at this.
00:56:22It's all one contiguous property.
00:56:24Look at that.
00:56:26Look at that.
00:56:27Look at that.
00:56:33Look at that.
00:57:02This is where it happened.
00:57:05¿Qué?
00:57:07¡Oh, no!
00:57:08Fische a la gas tanker.
00:57:09¡No, no!
00:57:11¡Aquí está el cemeterio!
00:57:14¡Vame los ghostos!
00:57:32Hey, look at this.
00:57:36It says keep out.
00:57:37I'm going in.
00:58:02This is Dottelmeyer.
00:58:23There's a water pumping plant here.
00:58:25Maybe she was looking for Carl Timmons here.
00:58:29What are you doing?
00:58:31Meredith, I'd like to introduce the Vice President of Soul Green Technologies, Jeremiah Stotelmeyer.
00:58:38You're kidding.
00:58:40And here's Treasurer Marianne Jacobson, Richard Goodman, Peter Tippett.
00:58:44He's the President.
00:58:46They're all here.
00:58:49The entire board of directors.
00:58:52One of those companies is made up of ghost directors.
00:58:55Maybe all of them are.
00:58:57That makes Jack Leichardt the only real person involved.
00:59:00So then he isn't just representing teams of buyers.
00:59:03He is the buyer.
00:59:05But how'd he get the money?
00:59:06He'd have to get bank loans and down payments.
00:59:08Wait, wait, wait.
00:59:09What if they've, you know, done something to this?
00:59:11How could they?
00:59:12I was right here the whole time.
00:59:13I know, but I...
00:59:14Meredith, they want us to be scared.
00:59:16I...
00:59:17You know what I say?
00:59:19Let's go get them.
00:59:24All right.
01:00:11With Leichardt running three different companies, he's gotta be highlighted with it.
01:00:15es un trigo para tener un tramo de tierra.
01:00:18Tanto se mantiene un alto precio.
01:00:26LAICAR debería de pagar Timmins para el copa de guardas.
01:00:29¿Pullo Timmins?
01:00:30Laicard garcía tan ativo.
01:00:32¡Tú lo tienes que ver! Hay algo sobre el rango de mistakes.
01:00:34¿Pero qué?
01:00:35...jeron cómo se puede abrirse a laega de territorio de Piedros Mujeres.
01:00:39de la ciudad de Summit Park.
01:00:42Los ciudadanos en Summit Park
01:00:43están amenazando la acción legal.
01:00:45Pero Bergstrom insiste que el Rancho Estates
01:00:47será construido en un gran tráfico
01:00:50de tierra en Cedar Grove
01:00:51en San Bernardino County.
01:00:53Ahora, la negociación en las empresas locales
01:00:55fue moderada.
01:00:56No es sentido.
01:01:00Bergstrom tiene millones de investidos
01:01:01en Summit Park.
01:01:03Surveys, expuestos,
01:01:04estudios de impacto ambiental,
01:01:05de la investigación de la investigación de los Estados Unidos
01:01:06y el 3 millones de dólares.
01:01:09¿Por qué Bergstrom
01:01:10permitir que su originalidad se descanse?
01:01:12¿Por qué?
01:01:16¿Por qué?
01:01:17¿Por qué?
01:01:27¿Por qué?
01:01:27¿Por qué?
01:01:28¿Por qué?
01:01:29¿Por qué?
01:01:30¿Por qué?
01:01:32¿Por qué?
01:01:33¿Por qué?
01:01:35No, no.
01:01:36Do me a favor, William.
01:01:37Pull over.
01:01:38Let this guy pass.
01:01:40Is that the guy who tried to run you off the road?
01:01:42I think so.
01:01:43Can you get his plate number?
01:01:46No plates on the front.
01:02:04I think so.
01:02:14No, no.
01:02:15Laura, la mafia.
01:02:18Laura, la voz!
01:02:18Can we make it?
01:02:23Laura!
01:02:24¡Ah!
01:02:34¡Woohoo!
01:02:38Me gusta.
01:02:40Es mi, Reis.
01:02:43No, no.
01:02:45Pero me quedé.
01:02:59I mean it, Laura. We stop this now.
01:03:02How can you say that?
01:03:02Let the detectives handle it.
01:03:04Mary, this is crazy. This isn't you. What about everything you taught me?
01:03:07Excuse me for being human.
01:03:08It's been a long time since I've been nearly killed twice in one week.
01:03:12We can't just quit. This is what we do.
01:03:14Look at yourself. Look at me.
01:03:16A celebrity-hacked newscaster and a washed-up reporter teaching at a second-rate school.
01:03:21Who are we kidding?
01:03:22We can delude ourselves most of the time, but out there it's about to get us killed.
01:03:25You're not washed up.
01:03:29I've been in a downward spiral for a decade.
01:03:31You wanted to know why I'm so nasty, that's your answer.
01:03:34I was unhirable doing the one thing I love to do, so I had to settle for this.
01:03:41Laura, you're not 20 years old.
01:03:43Why would you ever listen to what I said?
01:03:45You're a successful, independent woman with a great career.
01:03:49Go back to your life. Enjoy it while you've got it.
01:03:54Amelia's dead. Nothing we do is ever going to bring her back.
01:04:20So cozy. You're going to get to school.
01:04:23Wow.
01:04:25Look at what's this. That's so funny.
01:04:41How's it coming?
01:04:46Not a total loss.
01:04:48Smells good.
01:04:51How's Gloria?
01:04:53Sad.
01:04:54Doing better though, I think.
01:05:00Thanks for coming around. It's good for her.
01:05:03I'll be here whenever she needs me.
01:05:08What's that?
01:05:10Oh, uh, Amelia stashed stuff all over the house.
01:05:13That was tucked in behind the furnace, I think.
01:05:22Rick.
01:05:48Okay.
01:05:50I think we're ready.
01:05:51Deborah Varner.
01:05:53Deputy J.R. Oxley.
01:05:55What?
01:05:56This is it.
01:05:57This woman, Deborah Varner, she was driving Peter Bergstrom's sports car in Cedar Grove.
01:06:01The sheriff, his name was J.R. Oxley.
01:06:03So?
01:06:04But how does it connect?
01:06:05Bergstrom wasn't even there.
01:06:06It's got to connect somehow, doesn't it?
01:06:08Am I supposed to know what you're talking about?
01:06:09I'm sorry, Rick.
01:06:10May I check on the spaghetti?
01:06:16Oh, uh, hey. Is Meredith here?
01:06:19I haven't seen her.
01:06:21Guess who was Reserve County Deputy Sheriff from 1985 to 92?
01:06:26Jack Lycar.
01:06:27So was J.R. Oxley.
01:06:30Both of them sheriffs the same time Peter Bergstrom's girlfriend was killed in an accident.
01:06:35Then years later, Oxley dies and his widow is pressured to sell her land to Jack Lycar.
01:06:40Who's already bought up most of the land in Cedar Grove?
01:06:42Which just happens to be where Peter Bergstrom suddenly decides to build a huge housing development.
01:06:47What does this all have to do with Amelia's murder?
01:06:52Let me come.
01:06:53Absolutely not.
01:06:54Oh, come on. I'm in on this. You can't just shut me out.
01:06:57I want to be you one day.
01:06:59Believe me, you don't want to be me.
01:07:01I don't want to be you.
01:07:03I want to be as good as you.
01:07:06Show me how.
01:07:09You better follow orders a hell of a lot better than I did at your age.
01:07:13Yes, ma'am.
01:07:14Let's go.
01:07:37Looks like Lycar's still at work.
01:07:38So he is.
01:07:40This could be interesting.
01:07:42What are you going to do?
01:07:44Watch Lycar's face when we show him our head.
01:07:58Hello?
01:07:59Sorry we're closed, but...
01:08:01Oh, it's you again.
01:08:03Yep, me again.
01:08:03You're still working on that civics class assignment, little lady?
01:08:08This is not a good time for me. I'm shutting down the business.
01:08:11That must have been a big check you got from Bergstrom & Associates.
01:08:14El Rancho Estates is a huge project.
01:08:16Yeah, it'll certainly be good for Cedar Grove.
01:08:19Interesting article here. I wonder if you saw it.
01:08:21It's from October 22nd, 1989.
01:08:23It tells about the death of Peter Bergstrom's girlfriend.
01:08:28It's funny. You were Deputy County Sheriff back then.
01:08:31Yeah, well, I wish I could be of more help.
01:08:33If you'll excuse me.
01:08:34If not, you might remember it.
01:08:36Especially since you were the deputy who filed the accident report.
01:08:43Is that true? Were you bluffing?
01:08:45Sometimes it's not what you know.
01:08:46It's what they think you know.
01:08:49So you lied to get the truth.
01:08:51Something like that.
01:09:06I still can't reach Meredith.
01:09:08Maybe she's following some lead.
01:09:17She's here.
01:09:18Mrs. Oxley? Mrs. Oxley, we need to talk to you.
01:09:22Please just go away.
01:09:23We need to talk to you about your husband.
01:09:25We know that he was badly burned in a propane explosion.
01:09:27It was a terrible accident. There's nothing to talk about.
01:09:29I don't believe it was an accident at all.
01:09:32I think you told Amelia Moore the truth.
01:09:34About how J.R. was murdered.
01:09:36And what really went on that night of the car wreck, didn't you?
01:09:38Look what happened to her.
01:09:43Okay.
01:09:43Mr. Bob.
01:09:58J.R. was such a handsome man.
01:10:01If you could have seen what that fire done to him.
01:10:05Mrs. Oxley, when did you learn the truth?
01:10:09A couple of months ago, J.R.'s hospital bills were taking everything we had.
01:10:14And then he told me about this money he put away.
01:10:17$20,000.
01:10:19Told me to pay the doctors with it.
01:10:21Did he tell you where he got it?
01:10:22Jack Leichardt gave it to him.
01:10:24To keep quiet about that nut.
01:10:28It's okay. Just tell us whatever you told Amelia.
01:10:33J.R. was first on the scene, so he called it in.
01:10:36The girl was... dead.
01:10:39But she wasn't the one driving, it was a young man.
01:10:43Drunk out of his mind.
01:10:44Before J.R. could call it in, Jack Leichardt shows up and pulls rank.
01:10:49He always was a weasel, that one.
01:10:52Leichardt talks to the young man for a while and then he tells J.R. he'll handle everything.
01:10:56Leichardt took the dead girl's body and put it in the driver's seat.
01:10:59And then told J.R. to look the other way if he wanted to keep his job.
01:11:03How did that news photo get taken?
01:11:06Some local guy from the paper just got one shot before Leichardt chased him off and then he kicked J
01:11:13.R. out of there too.
01:11:15And what happened after that?
01:11:16The next day the newspaper comes out saying the girl was driving all alone, well that ain't right.
01:11:21And J.R. is pretty upset as you can imagine.
01:11:23And a couple of days later Leichardt gives J.R. $20,000 to keep quiet.
01:11:29They were just helping some young rich kid out of a jam, that's how Leichardt put it.
01:11:34Well times were tough.
01:11:36J.R. was only a part-time deputy so he didn't get much of a pension.
01:11:41But he didn't touch a penny. He called it blood money. Until he didn't have a choice.
01:11:52When Leichardt came around buying up property, did he offer you a fair price?
01:11:56Oh it didn't matter.
01:11:58My J.R. stood up to him.
01:11:59No way we'd sell.
01:12:01He said he was tired of Leichardt and all his lies.
01:12:05And then less than two weeks later J.R. is in a burn ward.
01:12:09After someone broke the valve off that propane tank.
01:12:15J.R. was a good man.
01:12:19Mrs. Oxley.
01:12:22This is very important.
01:12:24Who was driving the sports car that night?
01:12:26Did your husband tell you?
01:12:31It was Peter Bergstrom, wasn't it?
01:12:54You know, I bet Leichardt's been blackmailing Bergstrom for all these years.
01:12:58Until he was ready for the big payday, forcing Bergstrom to move the new development to Cedar Grove.
01:13:06That's Professor Backman, isn't it?
01:13:09Yeah.
01:13:11Who's she with?
01:13:14Peter Bergstrom.
01:13:15I don't get it.
01:13:17That makes two of us.
01:13:20Maybe he has something to do with the university. You know, grants, foundations, that kind of thing.
01:13:24Somehow, I don't think so.
01:13:26You have no idea what you're getting yourself involved with, Meredith.
01:13:29Peter, you can't pull off the tough guy act. You're not your father.
01:13:32When I wrote that expose on his business, he came after me with everything he had. Brought me down.
01:13:37My career, my marriage. Your family owes me.
01:13:41You're the one who sent that woman after me. The one who got killed.
01:13:44I sent her to finish what I started.
01:13:45Your family thinks you can buy your way out of any problem? Well, fine. Time to buy me.
01:14:09There has to be some kind of reasonable explanation for this, right?
01:14:13Meredith wrote an expose on the Bergstroms. She would have known the date Deborah Garner died.
01:14:17Why would she lie to us?
01:14:18Because she wanted to know where the money was, what the scam was.
01:14:21She needed us to help figure that out. And Amelia.
01:14:25But all she's taught us.
01:14:28The one thing she taught us more than any other, you don't stop.
01:14:33You do whatever you need to until you uncover the truth. We'll stay here.
01:14:51Help! Help! Help! Help!
01:15:12And after we saw Bergstrom and Meredith talking, that's when they kidnapped Christy.
01:15:15You gotta go to the police.
01:15:17And risk Lycar killing her? Are you crazy?
01:15:18Oh God, the poor kid. I was the one who got her into this.
01:15:22God, and I knew better!
01:15:26I accepted you.
01:15:29What?
01:15:30I might have one bargaining chip.
01:15:32What's that?
01:15:34The truth.
01:15:55I'm afraid you missed her, dear.
01:15:58You're kidding.
01:15:59She's hard to catch, ain't she?
01:16:01Well, do you have any idea when she might be back?
01:16:03Oh, she's gone. For good.
01:16:06Yeah. When to live with her sister.
01:16:08Well, do you have the address?
01:16:11Somewhere in Santa Fe.
01:16:12Today.
01:16:13I dropped Loretta at the bus station myself.
01:16:16How long ago?
01:16:18Last night. About midnight.
01:16:21I'm sorry. Did I do something wrong?
01:16:25No.
01:16:26Oh.
01:16:28You look so lost, sweetie.
01:16:40Miss?
01:16:42How would you like to be on TV?
01:16:51What the hell is this?
01:16:52We know how Deborah Varner died.
01:16:54I know about you, and I know about Jack Lycar.
01:16:59What are you talking about?
01:17:00I got the story.
01:17:02I just thought you might like to comment before it airs.
01:17:05This is ridiculous.
01:17:06The gossip columnist is suddenly becoming a heart-biting news reporter?
01:17:10Is that what's going on?
01:17:11That's right.
01:17:11I wouldn't mind moving a rung up the journalistic ladder and busting your ass is the perfect place to start.
01:17:16And then that's all cute and everything?
01:17:18Turn off your camera and get out of my office before I call my attorney.
01:17:21You and Jack Lycar conspired to make it look like Deborah Varner died alone.
01:17:25When in fact you were the driver that night.
01:17:28What are you doing?
01:17:28You bust into somebody's office, stick a camera in their face, start hurling accusations out of you?
01:17:32You killed Deborah Varner and you paid off Jack Lycar to cover it up.
01:17:35Now Lycar's come back to blackmail you.
01:17:37That's the only reason you'd ever build El Rancho estates on his land.
01:17:41All right, what you're saying right now is completely outrageous.
01:17:44What's outrageous is that three people have died.
01:17:48J.R. Oxley, Carl Timmons and my friend Amelia Moore.
01:17:51I'm truly sorry.
01:17:53But I have nothing to do with any of this.
01:17:56I interviewed Loretta Oxley, the deputy's widow.
01:18:00J.R. Oxley told his wife the truth before he died.
01:18:03Well, look, I don't know what you think you have there in your little hand, but in a court of
01:18:07law, that would be called hearsay.
01:18:09Oh, I'm not taking it to court. I'm a hack, remember?
01:18:11I make my living reporting innuendo and speculation. It's the new journalism.
01:18:15Oh, and let me promise you, this is gonna make great television.
01:18:19Why don't you tell me what it is that you really want?
01:18:21A college student named Chrissy McDermott. She's been kidnapped and I want her released unharmed immediately.
01:18:27Okay, fantastic. So do I. But I have no idea what you're talking about.
01:18:30I didn't think you did. It's my car. Your partner.
01:18:38Now, you want to talk? You really want to talk? Take your camera, turn it off. Turn it off, put
01:18:44it down.
01:18:45I'm fine. Show me your tape.
01:18:48Play it, please, because I'd love to see what's on. Just pop it in over here.
01:19:02My husband, J.R. Oxley, was the first deputy on the scene the night of the accident.
01:19:07Peter Bergstrom was driving drunk when he crashed his car in Cedar Grove.
01:19:11He killed that poor girl in the passenger seat. She died because of him.
01:19:17Jack Lycar and Bergstrom covered up what happened.
01:19:21They made it look like that young girl done it to herself.
01:19:41You have to understand, I loved Deborah Varner.
01:19:47And that night has haunted me my entire life.
01:20:12Tell me, Peter, why'd you pick this godforsaken spot?
01:20:18Esto es donde el accidente sucedió.
01:20:21Esto es donde todo empezó.
01:20:23Esto es donde todo se acabó.
01:20:25Parece morbido.
01:20:27Mira, no sé por qué necesitas reunirme con Lycar.
01:20:30Tú me pagas, no él.
01:20:31Tienes muchos side deals.
01:20:32Quiero todo a la mesa.
01:20:34Aquí viene.
01:20:40Espera un minuto.
01:20:41¿Qué está haciendo con Cristi?
01:20:44Esto es locos, Peter.
01:20:45Esto es locos.
01:20:47¿Por qué te grabaste?
01:20:48Insurance, ¿qué está haciendo aquí?
01:20:50Calm down, Jack.
01:20:51Estamos terminando una negociación aquí.
01:20:53Dice esto mismo.
01:20:54Hay plenty para todos, ¿no?
01:20:55Pero ¿por qué se hizo ella involucra?
01:20:56Ella se hizo ella involucra.
01:20:58Creo que.
01:20:58Estoy casando en el mismo que tú.
01:21:00Peter, tengo esto todo covered.
01:21:02Quiero mi paya, después de 15 años.
01:21:05Por favor, mi corazón flecha.
01:21:07Frisker.
01:21:08Oh.
01:21:09Back off.
01:21:10Esto terminó ahora.
01:21:11Ok.
01:21:12People are getting killed, Jack.
01:21:13Kidnapped.
01:21:14This is not the deal that we made.
01:21:16She's clean.
01:21:17Deal's changed, Petey boy.
01:21:18No, no.
01:21:19You let that girl go, now.
01:21:20Or this whole deal is off.
01:21:22You know, your father had a more practical way of dealing with these things.
01:21:26I let the girl go when the deal is done.
01:21:28Ok.
01:21:28Lycar just gave us plenty on the kidnapping.
01:21:30I think I'm calling it in.
01:21:31No, wait.
01:21:32I want him to murder.
01:21:33Let's get rid of her.
01:21:34What are you gonna do with her?
01:21:36What do you care?
01:21:37All of a sudden you got scruples?
01:21:39Jack, you can't go whacking every reporter who starts asking questions.
01:21:41Will you listen to me, Peter?
01:21:43I want to live your life.
01:21:44I want a chance at the good life.
01:21:46And if someone has to disappear, well that's just tough.
01:21:51Killed Amelia, didn't you?
01:21:54No.
01:21:55I did.
01:21:56You shut your mouth, Reece.
01:21:58Paid me 20 grand and another 15 for the water guy.
01:22:01We've got him.
01:22:02Ok, move, move.
01:22:09What is this?
01:22:16Reece, let's go.
01:22:18Come on!
01:22:20Reece!
01:22:20I'm done fixing your problems like her.
01:22:29Whoa, whoa, whoa, whoa, Jack.
01:22:30Forget it, man.
01:22:31I'm wired.
01:22:32This is all on tape.
01:22:33You're finished.
01:22:34Are you out of your mind?
01:22:35You'll lose everything.
01:22:36Everything!
01:22:37Everything but my self-respect.
01:22:50It's all right.
01:22:51Yeah.
01:22:52Chrissy!
01:22:52Are you okay?
01:22:59I saw it.
01:23:01It's all right, honey.
01:23:03No one can hurt you.
01:23:04You're safe now.
01:23:29Jack Lycar.
01:23:31You're under arrest for the murders of Amelia Moore and Carl Timmons.
01:23:35Get him out of here.
01:23:53All those years you lectured us, did it really mean anything?
01:23:58It was teaching you to become better journalists.
01:24:03You're the reason Amelia died.
01:24:09Yes, I directed her towards the Bergstroms.
01:24:12They've always been ripe for bringing down.
01:24:17I never meant for her to get hurt.
01:24:19No, you just wanted her to dig up some dirt for you.
01:24:22She was a journalist.
01:24:23She was a wife.
01:24:25And a mother.
01:24:28She idolized you.
01:24:34She chose the wrong idol.
01:25:06Hey there, Amelia.
01:25:08I wish you would have told me what you were doing.
01:25:12Maybe we could have done it together.
01:25:16I'm working for the Times now.
01:25:19Second string, Metro.
01:25:20Well, let us just start, right?
01:25:24Maybe once in a while you can look down and give me a hand.
01:25:30Like old times.
01:26:04Thank you so much.痛
01:26:09hormちょう être out of the leaves. Doingches
01:26:11are still working with me all the way.怖 defilms.
01:26:11No one thing does that.
01:26:11No one thing
01:26:11In Chiang Command, the idea that's
01:26:11special for her. officers were still working with me. I don't
01:26:11know what you were living. Not
01:26:12in my life. You see she is nothing
01:26:12But her place is really cutting on an air party.
01:26:14The ensemble Nicholas It says a deep candy Everyone knows how
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