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Genie make a wish episode 11 Hindi dubbed full [Full Movie] [Free Online HD]Full EP - Full
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00:06SON 2, 3, 4
00:17Yanlışlarımdan ders alacak kadar olgun değilim.
00:21Bu yalan bir mecburiyet.
00:23Yoksa sana olgun değilim.
00:25Ama gözlerinde bir ışık kalbimin tıkırtısı.
00:31İçim içime sığmıyor ya bu neyin kıpırtısı.
00:36Dön yüzünü gökyüzüne bak bir aşkın yıldızına aman.
00:43Parlayacak sönecek biliyorum.
00:49Her şey olur her şey biter.
00:56Her şey olur her şey biter.
01:02Her şey biter.
01:03Her şey olur her şey biter.
01:35İzlediğiniz için teşekkür ederim.
01:37I mean, without a strawberry?
01:40Yes, I think of that.
01:42It's a good mind, in truth?
01:44Yes, it's a good mind.
01:45Yes, it's a good mind.
01:46It's normal. This is also normal, right?
01:48Wow!
01:49When you took pictures of the scenes,
01:52the photographer took pictures of the set up.
01:56He took pictures of it and took pictures of it.
01:57What a mess!
01:58It's possible.
02:01She's very excited.
02:03Yes, I can understand.
02:04You know, acting is such a thing.
02:05Once you get into it,
02:06then the excitement is coming.
02:08It's not that it's normal.
02:10How did we come to this film business?
02:12How did we come to this business?
02:15I'll tell you.
02:17We took the paper
02:19and found out that
02:21you've never done anything in your life.
02:24And then
02:25we got on the set of you.
02:28I didn't want to do it,
02:29but you had to do it for me
02:31and have to do it for me.
02:36My love for art.
02:37Yes, for art.
02:38Yes, for art.
02:39Like you've never done it before.
02:41And then you say,
02:42I'm going to be an actor.
02:44Wow!
02:44Yes, for art.
02:45You're not a real girl friend.
02:45My real girl friend,
02:46I'm not a kiss.
02:48But no matter what I mean.
02:50It's not a matter.
02:50Now, when you say it,
02:52you've been a happy day.
02:54You've been a happy day.
02:55Look, I'll tell you.
02:56I'll tell you.
02:56That's what we did.
02:57That's what we did.
02:59That's what we did.
03:00What did we did?
03:01No, we didn't.
03:03It was Faisa and Kaila.
03:04If it was like this,
03:06then we should become Faisa and Kaila
03:08and practice in our roles.
03:12What do you say?
03:13Hmm.
03:15So what do we do?
03:16Drink tea.
03:17Tea?
03:17Yes, I like it.
03:19Let's go inside and make a big tea.
03:21Right?
03:21Let's go Kaila.
03:23Let's go Kaila.
03:24Let's go Kaila.
03:25Let's go Kaila.
03:33Okay.
03:34What do you think,
03:35Mr. Khan Bulat?
03:38What do you think?
03:39I'll go to the office for a little bit.
03:40As I'll go to the office the past,
03:40because it's very significant.
03:42I'll have to sign papers.
03:43After that we'll have a whole day.
03:46You'd have to stay on set.
03:48There's a shoot of the film.
03:49You've got the lines left.
03:50He's done.
03:51He's done.
03:51He is done.
03:53I've done.
03:54That's alright.
03:54That's good.
03:54Look, I'm just going to the office, so I'm going to go quickly.
03:57I'll also go with you.
04:00And what will you do with me?
04:01My guardian?
04:03Your manager.
04:04My manager?
04:05So you don't go anywhere.
04:34Sir Khan, what's happening here?
04:38I don't know, Aida.
04:43I don't know what's happening here.
04:45Miss Aida, Mrs. Sir Khan, welcome.
04:48There's a little time for your scene.
04:49Will you be shooting here?
04:51Yes, we were looking for a place for office scene.
04:52We were looking for a place.
04:54Finally, we finally got this place.
04:56I think you'll know this, but we'll have a little time.
04:59I mean, our company is like Agora.
05:02The technical work is still working.
05:05We'll have a little more time.
05:08Look, you'll have to talk to me inside.
05:10Let's see.
05:15Oh, hello.
05:19Welcome.
05:20Welcome.
05:20What welcome?
05:21It's our company.
05:23It's our company.
05:23Sir Khan, your office is so good.
05:26Thank you so much.
05:27You've given us to shoot here.
05:29This is a great thing for us, sweetie.
05:31Sweetie?
05:32You've given us?
05:33I mean, I've given permission.
05:34I've given you.
05:34Yes, you've given us.
05:35I've given you.
05:38I've given you.
05:49I've given you.
05:52Yes, sweetie.
05:53Because I've given you.
05:54Who's this sweetie?
05:55Aren't you?
05:56Don't be angry.
05:57Don't be shy, sweetie.
05:57Why are you so much?
05:58What is this sweetie?
05:59What is she doing?
06:01Relax.
06:02I don't bother.
06:03I'll take it harder.
06:04I'll take it harder.
06:04I'll take it harder.
06:04Let me listen.
06:05I'll take it harder.
06:08I'll take it harder.
06:18Don't be nice.
06:21I have given the authority of Erdem, so he has given permission, and he has asked him, but Erdem has
06:27said yes.
06:28Erdem, where did he come from?
06:30Erdem, where did he come from?
06:30He said that everyone is busy.
06:33So he's always there, he's always there, he's always there.
06:35Where is he? I don't know.
06:36Erdem, how do you call him?
06:37Erdem, call him now.
06:37And call him immediately.
06:39I want him out of his office.
06:41This is not possible, because the contract is on Erdem's table.
06:44My meaning?
06:45Your table is on your table, Mr. Sarkar.
06:48That guy sits on my seat.
06:50Yes, I'll tell you later.
06:52This contract is written that the crew is the only one living in the day.
06:56This is a set.
06:58Here is a whole day?
06:59Yes, a whole day.
07:00I'll solve it.
07:01I'll go here.
07:03I'll do it.
07:04There's no set of film.
07:05How can I do it?
07:06Okay, okay.
07:07Where are the rest?
07:08Where are the rest?
07:09Where are the rest?
07:09Where is Engen?
07:09Where is Engen?
07:10Where is Engen?
07:10Where is Engen?
07:10Where is Engen?
07:10Where is Engen?
07:10Where is Engen?
07:12Where is Engen?
07:19I'm here alone.
07:20I'm here.
07:20I'm here.
07:21I'm here.
07:22I'm here.
07:24We're back.
07:25Yes, okay.
07:27That's right.
07:28There's also a nice thing.
07:30You know Purenne.
07:32Who was sitting on my seat and doing makeup on me.
07:35That is Purenne.
07:36Don't call her name.
07:37Don't call her name.
07:39Purenne says that.
07:40I'm angry.
07:40You don't like that.
07:41No.
07:43And they will be here today.
07:44Okay.
07:45I don't remember her.
07:48Ada, hi.
07:49Hello.
07:50Hello.
07:50I hope there's no problem on the set.
07:53You won't trust me.
07:55When I heard that shooting is going to be in your office, I'm very excited.
07:58I'm in my eyes.
08:00I'm now very excited.
08:02Why?
08:02There are no memories here.
08:03No.
08:04No.
08:04No.
08:05There are no memories here.
08:06There will be a trilogy.
08:07There will be my movie trilogy.
08:08I want to work with Ada.
08:10And I was thinking how I could find a author and talk with him.
08:15When I heard that, I'll go until night and watch the window.
08:19Do you know?
08:19I'm very excited.
08:21My eyes have got an eye.
08:22Blood shot.
08:23Ada, I get a scenario.
08:25I want to harm you.
08:27Accept her.
08:28Please.
08:28If I can't say anything, please tell me like this, because I actually don't think about acting about acting, and
08:34I'm very happy to become a landscaping architect in my company, so thank you.
08:38You should have to learn about it, I'm serious about it, you know about my third film, the story of
08:43the rain, the rain drops and the cloud, a cloud of rain gets into your mind, and the rain gets
08:49into your mind, I mean, metaphysics, metamorphosis, everything is, I'm very excited.
08:57Ehda, this is a very good project, but I'm not thinking about acting, so I'm really sorry.
09:04Director's set is ready, we can start shooting.
09:06Okay, perfect, then prepare everything, so you need to see the government and the whole scene, you want to see
09:10it.
09:11But, where are we?
09:13We're going to wrestle with you.
09:14Okay, I'm going to wrestle with you.
09:16Yes, why not, we're going to wrestle with you.
09:19Come on, get ready.
09:23Excuse me.
09:25John, doctor said that you'll be a girl, John, can you trust us?
09:30Excuse me, if you're a girl, you can trust us, darling.
09:34If you're a beautiful girl, you'll be a girl, you'll be a girl, you'll be a girl, you'll be a
09:37girl, you'll be a girl, you'll be a girl.
09:38I'm asking, what's happening here, let's see, four more.
09:46John, I don't know what's happening here, what's happening here?
09:50I don't know what's happening here, why are these people here?
09:54I don't know what's happening here, I'm a married cameraman, how can I tell you?
09:58Are you guys coming here?
10:00What's happening here?
10:01They're shooting a film, they're coming here, they're going to set everything and they're ready for 4-5 hours.
10:06They'll have enough time to go there.
10:07Erdem has been ruined here, it's completely ruined.
10:19Erdem?
10:20We've тысячed in our lives, our hands is completely banned, right?
10:23and now let me I have a skill for you.
10:24Heidis and the government are acting as both on the film.
10:26Are you messing with Anyone else?
10:27Yes, men15ifully, those physics, um, does anyone listen to you?
10:30Hada and Israel are also doing acting, sirgan
10:32tragen acting!
10:33outside suffering.
10:33He talks to you about what you know.
10:35Excuse me to say that it might be a 60 artist-ž scene.
10:43Sir, please please ask yourself...
10:47There will be a pilot shooting!
10:48There will be a pilot shooting, my Jan.
10:50We will have a chance for our children.
10:51Let's go, let's go in the cabin.
10:55We will work.
10:56Mimkin makes you excited everything.
10:59Ready?
11:00We are starting the scene from 2.
11:10Let's go, let's do rehearsal.
11:14Let's go, let's go, let's go.
11:17Let's go, let's go, let's go.
11:20Let's go, let's go.
11:21Let's go, let's go.
11:22Let's go, let's go.
11:22Belta.
11:23I thought about our previous nights.
11:27It's not a rehearsal, right?
11:29It's a rehearsal, right?
11:30But those nights,
11:31now they've gone, Belta.
11:34What happened?
11:37Bro, listen, remind them.
11:39We have no shooting.
11:40Why are we starting this?
11:42We have no shooting.
11:43We have a result.
11:44We start the lines.
11:45Let's go.
11:45Start the lines.
11:47forgotten. We have
11:48found it. Did you
11:49try to get a pass? I took
11:50a pass from here. What was
11:53the script that's written? You put
11:56this and done. What was
11:57the same thing? What is
11:57the same? It's
11:58the same. You are,
11:59you are a perfect match. You have to
12:02get a pass from here. You get a
12:03pass from here. You are.
12:03I know what
12:05you are saying. I am going
12:06to do it. Which you do.
12:08we will start with you
12:10we will start with you
12:12yes, we will start with you
12:14you are right
12:16sirkan, your emotions are very intense
12:19he has been very happy
12:21you have practiced for your role
12:22we have practiced with you
12:25this microphone is going to go to my feet
12:27what do you want to do?
12:29you will start with me
12:31I don't know that they have so
12:33that they are going to go back and forth
12:34I am confused
12:35I am confused
12:36I don't know how actors
12:39are you doing this?
12:41wait, I am coming
12:44what is it?
12:45where are you?
12:47what are you going to do?
12:49I am ready for rehearsal
12:50I am ready for rehearsal
12:53I am ready for rehearsal
12:53I am ready for rehearsal
12:54I am ready for rehearsal
12:573, 2, 1, rehearsal
13:01I am ready for rehearsal
13:04I am ready for rehearsal
13:06but the nights
13:07are gone, Belda
13:12I am thinking about our nights
13:14I am thinking about our nights
13:16but the nights are gone
13:17now they are gone
13:18now they are back
13:18again
13:19hold on, stop, cut, cut
13:21I am ready for rehearsal
13:24I am ready for rehearsal
13:24what are you doing?
13:27you are okay?
13:29I am okay, Marija
13:31you are okay?
13:32I am okay, Director
13:34sorry, I am disturbed
13:35Lela, what did we do about that meeting?
13:37I am cancelled
13:38don't cancel
13:39don't cancel
13:40don't do that
13:41don't do that
13:42don't do that
13:43don't do that
13:44we are shooting a film
13:45what is happening?
13:46my work is not shooting
13:46my work is in the office
13:48this is my place
13:50let's start
13:50you are a star
13:51I can feel it
13:53and I am trying to help you with this talent
13:56do you understand?
13:58Director, please
14:00let's continue and finish
14:02let's go
14:03let's go
14:03let's go
14:07let's go
14:08let's go
14:083, 2, 1
14:09rehearsal
14:12let's go
14:13let's start
14:19let's go
14:19but those nights are now
14:20you don't think they are too close?
14:23wait a second
14:23I don't think they are too close
14:25what do you think?
14:27they are holding hands to each other
14:28they should be different
14:29they are going to break up
14:31they are going to be able to stand up
14:32they are not going to stand up
14:33they are not going to stand up
14:33because they are the love of Kaila
14:35but
14:35do we keep them under them?
14:36I think
14:37I feel like
14:38I don't believe
14:40I can't believe
14:41great idea
14:42what?
14:44what is it?
14:45what is it?
14:46what is it?
14:47what is it?
14:49what is it?
15:03what is it?
15:05what is it?
15:16what is it?
15:30what is it?
15:43what is it?
15:43what?
15:45what?
15:46what?
15:50Don't ask me, please.
15:51I've written it.
15:52But it won't go.
15:53I've written it.
15:54I've written it for a day and night, friends.
15:57We'll do it finally.
15:58We won't stop it.
16:00But people can't do it.
16:02We're shooting the film here.
16:04I'm not an actor.
16:06But you're here. You're in the scene.
16:08Let's go.
16:09Let's start it.
16:10Start it.
16:11Let's start it.
16:13Let's start it.
16:15Yes, from that part.
16:16Three, two, one, rehearsal.
16:20We can be together again.
16:22Director, this is impossible.
16:24Guys.
16:25This is impossible.
16:25We haven't done anything yet.
16:27I won't do it anymore.
16:29What did you meet?
16:30We forgot the meeting time.
16:34I'm not going to do it.
16:36What will we do?
16:36No one will tell me.
16:37No one will tell me.
16:38No one will tell me.
16:38Can you give me some water?
16:45Sir Khan?
16:47Where did you leave the rehearsal?
16:50No, no.
16:51I don't have a habit.
16:55I just wanted to stay alone.
16:58I'm not going to be able to go.
17:02I'm not going to be here.
17:03I think that we'll go away.
17:08What do you want to say about this?
17:10Do we go to a place where we're going?
17:14Yes.
17:14Why not?
17:16I've seen.
17:18Oh, my God, I'm late.
17:22Darling, why am I late?
17:23No, I've always come to the right time.
17:26Let's go, Miss Puran.
17:33Let's go.
17:34Let's go again.
17:38Let's go.
17:48Yes.
17:53So,
17:55in August,
17:56write something good and put it in the water.
17:58Let's go.
17:59Then, what's the matter?
18:01Let's go.
18:02Sir Khan.
18:04What a matter of fact.
18:05Why are we doing all this?
18:07Because we have written our wishes.
18:11And we have to complete it.
18:14And we have to complete it.
18:15And we have to complete it.
18:16Sir Khan, I know it.
18:18Tell me.
18:19What?
18:20Why are we doing all this?
18:22Is there something that you are hiding from me?
18:25I don't hide anything from you.
18:30Look, I love you very much.
18:34I love you very much.
18:37And I have to say,
18:38when I thought,
18:40when I thought,
18:41I didn't have a good time for you too.
18:43So,
18:45this was a way for you.
18:46It was a way for you.
18:47It was a different way for you.
18:48It was a different way for you.
18:49And I did that.
18:51And now,
18:53I want to tell you my entire life.
18:55I want to tell you.
18:57I want to tell you.
18:58I want to tell you.
18:59But...
18:59Sir Khan,
19:00what are you inside?
19:05Sir Khan,
19:06I'm waiting for you outside.
19:08Hurry up.
19:09What are you doing here?
19:10How do you know you are here?
19:11You shut down.
19:12You shut down.
19:13But how?
19:13What?
19:14You shut down.
19:16You shut down.
19:16You shut down.
19:16Sir Khan.
19:18Miss Puril.
19:19Look,
19:20everyone is looking for you.
19:21Before we have four scenes,
19:24let's go to the car.
19:25Please come to the car.
19:25Yawntem.
19:26You should never leave me alone.
19:28Let's go.
19:29I'm coming.
19:34Let's go.
19:36Let's go.
19:37Let's go.
19:41It looks like it's gone.
19:43Let's go.
19:47There is a walk.
19:54Friends, listen.
19:56Do you want to know the government
19:57about the changes of the situation?
19:59What are you guys saying?
20:01You are enjoying it,
20:02but what is this?
20:03We told you that they both
20:04are going to be in the trailer
20:05but this government is also
20:06being an actor.
20:07Look, this is my friend.
20:08You can never know
20:09what is going to do.
20:10Because the government is...
20:11And the government is doing
20:12the best of the people.
20:13You know,
20:14they have written extra scenes for him.
20:16You are enjoying it.
20:17You are enjoying it.
20:17You are enjoying it.
20:19But for two days,
20:20only a small role
20:21they will do acting
20:22and then they will end.
20:23Bro,
20:24do you not know the government?
20:25He is not stable.
20:26He will find a way to keep it.
20:28He will find a way to keep it.
20:28I don't know.
20:29I don't know how many problems
20:29he will take it.
20:30I know one thing.
20:31He will write himself.
20:33Engin.
20:33How do you know?
20:35I know.
20:35I know.
20:36When I was young,
20:36what did I do?
20:37No cheating.
20:39What happens if
20:40you have to help?
20:41You are struggling.
20:42You shouldn't have to do it.
20:43But what can I do?
20:44What do I write?
20:45I don't understand.
20:47So,
20:48you don't know
20:50what you write.
20:50What do you write?
20:52This is no matter.
20:53You have to end up.
20:56You have to end up.
20:57I don't know.
20:58I don't know.
20:59I have to leave the note into the bottle of water
21:01and send it in the sea.
21:02So,
21:02someone won't do it.
21:04That is,
21:04You could read someone.
21:05Maybe something.
21:07What else would I write?
21:09What else would I write?
21:10As long as this would I write.
21:11I don't know.
21:12we are just saying ..
21:13to not let anyone else for.
21:15But,
21:15if someone else could find it?
21:17How do we know how much that is?
21:19So,
21:23Why did our name?
21:25Why can we look our names?
21:26We can write our surname, our address.
21:30Think about it.
21:31We will be 90K or no, 100.
21:34We will be 100 years,
21:36then maybe someone will find us and tell us that we had written it.
21:39And we won't even remember.
21:41We had done something like that.
21:42I will write something like that.
21:44Our name, our address.
21:46We will write our life story and we will tell them.
21:49Look, there is no guarantee that
21:51after three days it will come back.
21:53It will not be 100 years.
21:54It will not be 100 years.
21:55Probably one day,
21:57I will become Adam Boulard.
22:02Don't write my address.
22:04Don't write my address.
22:09Don't write my address.
22:10Why do you do it every day?
22:11I'm not doing it.
22:12I'm just saying it.
22:13Don't write it.
22:14Don't write it.
22:15Don't write it.
22:15Sir Khan Boulard.
22:17Art Life.
22:17My name?
22:20Can you tell me what you have written?
22:25You will read it.
22:26I have written it,
22:26but you will read it.
22:28Okay.
22:29Look at the flowers and go out.
22:36If you read it you can fill the flowers,
22:41and you will be able to fill the flowers.
22:43What the hell is that?
22:44I want to make a hope for someone.
22:47Nice.
22:48Now let's go.
22:49Okay.
22:50If you're helpless and hopeless,
22:53you'll be like,
22:55forget about it.
22:59Okay.
23:01But why don't you feel sad?
23:03Yes, definitely.
23:07My brother...
23:10My brother...
23:12I wanted to do this.
23:13When we both were very small
23:14and were going back to the beach.
23:17We got a bottle.
23:18We got a bottle.
23:19We got a bottle.
23:21We opened it.
23:23We couldn't have a letter.
23:25But we didn't have a letter.
23:27Then we got a bottle.
23:29We'll put one letter.
23:32We'll put the bottle in the bottle.
23:34But we didn't have a chance to do it.
23:37And you're now with me.
23:41Are you ready?
23:45One second, wait.
23:48Now I'm ready.
23:50Let's go.
23:53What will we do?
23:55We'll send it to you.
24:00Ready?
24:00Let's go.
24:04Let's go.
24:05Let's go.
24:06Let's go.
24:06Three.
24:08Two.
24:10One.
24:10One.
24:11One.
24:12One.
24:13One.
24:25Indeed.
24:28One.
24:28One.
24:30One.
24:31One.
24:32One.
24:33treatment
24:33leney
24:34kakar
24:34hi
24:34diya
24:34kya
24:35baat
24:35hai
24:35eek
24:36baat
24:36kehana
24:36chahongi
24:37yeh
24:37sahih
24:37ki
24:37aap
24:38ne
24:38aisa
24:38kuch
24:38bhi
24:39nahi
24:39hai
24:39joh
24:39hypnosis
24:40hal
24:40nahi
24:40kar
24:40saakta
24:41aapka
24:41sara
24:41obsession
24:42bahar
24:42aajayega
24:42yon
24:43damn
24:44aise
24:44treatment
24:45karo
24:45jisai
24:45me
24:45bimaar
24:46hum
24:46mujhe
24:47aapne
24:47obsessions
24:47ko
24:47bhaga
24:48nahi
24:48hai
24:48chik
24:48hai
24:48to
24:49phir
24:49ap
24:49kya
24:50chahati
24:50hai
24:50hai
24:51mujhe
24:52hypnotize
24:53karna
24:53sikha
24:53hai
24:53kyunki
24:54mujhe
24:54kisi
24:54ko
24:54wash
24:54mein
24:54karna
24:55hai
24:56yee
24:56aap
24:57kya
24:57keha
24:57rehi
24:57koi
24:58bhi
24:58insaan
24:58aapko
24:59is
24:59tarah
24:59kahe
24:59hypnosis
24:59sikha
25:00yon
25:01damn
25:01mujhe
25:02internet
25:02se
25:02kafi
25:03information
25:03z
25:03me
25:03kuch
25:04kuch
25:04sval
25:05puch
25:05na
25:05cha
25:05thi
25:06yun
25:10bas
25:11aur
25:11ham
25:12special
25:12scene
25:12likhenge
25:13the
25:13hypnosis
25:14scene
25:14kya
25:15aah
25:18aah
25:18aah
25:19aah
25:20aah
25:21aah
25:34aah
25:36aah
25:36aah
25:38aah
25:40aah
25:42aah
25:42aah
25:42aah
25:43aah
25:44aah
25:44aah
25:47aah
25:49aah
25:50aah
34:09I'm going to go to the walk.
34:14Yes.
34:16Oh, what are you doing here?
34:19Put your purse on it, close it to you.
34:21Oh, how uncomfortable you are here.
34:24Come on, go out, go out.
34:25These people are so far away.
34:27Come on, let's see.
34:32Sir, why didn't you like the city to be far away from the city?
34:34What happened to Aida?
34:37No, I didn't know that this decision was taken together.
34:41Where are they?
34:42Aida!
34:43Oh, sir, come on, don't worry.
34:46Sir, come on, don't worry.
34:46Sir, come on, don't worry.
34:47This is so bad.
34:48She can make a coffee or something else.
34:50Sir, come on.
34:50Aida, I think it's not here.
34:53Oh, oh.
34:54There's another car coming.
34:57Who is it?
34:58Who can it?
34:59She's also here.
35:00Look at that.
35:01Who is it?
35:08Engil and Piril.
35:10This is Piril and Engil.
35:11You are here.
35:12If you don't know,
35:13if you don't know,
35:13I don't know,
35:13I don't know.
35:16Hello?
35:17What are you doing here?
35:18We are here.
35:20We are here.
35:21We are here.
35:21But they are here.
35:22They are here.
35:24Maybe we are here.
35:26We are here.
35:27Yes, absolutely.
35:28Let's see.
35:29Come on.
35:30Come on.
35:30Come on.
35:31Come on.
36:01Come on.
36:03तुम अब पूरी तरह से रिलाक्स हो गई हो, अपनी कुर्सी पर आराम से बैठी हुई हो, आराम से, आराम
36:14से, आराम से रिलाक्स करो, तुम कम्फरटेबल हो, तुमने अपने आपको सौंप दिया है,
36:25मुझ पर फोकस करो, मुझ पर फोकस करो, एदा, एदा तुम मुझे बहुत प्यार करती हो, ना, मैं तुम्हें अच्छी
36:37लगती हूँ,
36:38मैं तुम से बहुत प्यार करती हूँ, तुम मुझे पसंद हो, ठीक है फिर, मैं तुम से जो भी कहूंगी
36:49वो करना होगा,
36:51I'm a little feeling and I'll just listen to you.
36:58There is no one who doesn't have any name in your life.
37:06You don't know any one who doesn't know.
37:10You don't know any one who doesn't know.
37:13You don't know a person who doesn't know.
37:14You don't know any one who doesn't know.
37:19You don't know any one who doesn't know.
37:21Now I'll count 1 to 5.
37:26And you'll go.
37:291
37:312
37:333
37:364
37:375
37:44This rehearsal was really good.
37:47Yes, it was good.
37:49You can tell me what you will do.
37:51I don't have anything.
37:54We can talk here.
37:56It's good to be good.
37:57You don't have anything to do with me.
37:58You don't have anything to do with me.
38:00No, my auntie will be at home and be asleep.
38:04And the chairing desk is in the chair.
38:06You don't have anything to do with me.
38:09Tell me.
38:10You don't have anything to do with me.
38:10No, no.
38:11We can talk here.
38:13We can talk here.
38:15Okay.
38:19I don't have anything to do with you.
38:20No, no.
38:20I've already told you my auntie.
38:22And my auntie is here.
38:23Auntie, what are you doing here?
38:25I've been praying for her.
38:26We were just praying.
38:27We were just praying.
38:28Why are you coming from someone?
38:31I'll ask you something from them.
38:33Are you all here for Aida?
38:37Yes, absolutely.
38:39This is always my love.
38:40Tell me, there's no other way to me.
38:43No.
38:45Let's sit together. Come here.
38:49Hello, Aida.
38:50It's good to meet you.
38:54It's good to meet you, Miss Purane.
38:57It's possible that we'll sit with you sometimes.
38:59We'll discuss the advertisement.
39:01What do you think of Miss Purane?
39:03No, why not.
39:04We can work together.
39:06But who can take these decisions in your company?
39:10Who can do it?
39:11Aida is. I am.
39:12I am.
39:13I am.
39:13I am.
39:13I am.
39:13I am.
39:14That's enough.
39:17This is a very good thing.
39:20Great.
39:23Tell me what you were doing.
39:25Yes, we were doing it.
39:26Aida.
39:28You're here alone, alone.
39:30You're in the dark.
39:31You're not afraid?
39:32You're alone.
39:32Why sit alone?
39:33No, auntie.
39:34I don't feel safe.
39:35I'm feeling safe.
39:36Yes, I'm a strong girl.
39:37You're alone.
39:39You're alone.
39:39You're alone.
39:40You're alone.
39:40You're alone.
39:42It's a difficult time.
39:44I'm alone.
39:44I've also missed nature.
39:45The pool and the other things.
39:47You're alone.
39:48You're alone.
39:58Aida.
39:59You're alone.
40:01You're alone.
40:02You're alone.
40:03Aida, you're alone.
40:04Aida, you're alone.
40:05Please.
40:05Shh.
40:06I'm tired.
40:07You're alone.
40:09You're alone.
40:10Miss Aidan.
40:11Miss Aifer.
40:12Sit with us and eat food.
40:14Please.
40:14What's happening, brother?
40:15What do we need to ask?
40:16Engin, don't start.
40:17Engin.
40:18Don't worry.
40:19I'm tired.
40:20I'm tired.
40:20I'm tired.
40:21I'm tired.
40:21I'm tired.
40:22I'm tired.
40:24What do you want?
40:25You'll never stop.
40:27A начал.
40:29I'm tired.
40:30We had thought that this is a set of movie.
40:33What is it?
40:34I'm tired.
40:35You do not know the whole time.
40:40I'm tired.
40:41You just tripped.
40:41What are you doing?
40:43Luckily, what are you doing?
40:45I'm not talking about it.
40:45What are you doing?
40:46What are you doing?
40:47Play my attendant.
40:48How do you know me?
40:49How do you know me?
40:50I'm not getting into my business.
40:52What are you doing here?
40:53What are you doing here?
40:54How can you be so lonely?
40:56I'm your son.
40:58You have kept me in the back of 9 months.
41:00I'm your son.
41:01I'm your son.
41:03How can you be able to do this?
41:04You're so lazy.
41:06You're stressed.
41:10You're so lazy.
41:12You're so lazy.
41:15Hypnosis.
41:17What is the hypnosis?
41:18Yes, I was practicing the scene.
41:21It was a hypnosis scene.
41:22They were all rehearsals.
41:24They were all hypnotized.
41:26So, all of them are hypnotized?
41:28Yes.
41:30Look, Poren.
41:31What you have done,
41:32do I not want my family to be hypnotized?
41:36Please.
41:37Okay.
41:38Okay.
41:39Okay.
41:41Listen.
41:46That's right.
41:49Yes.
41:50You have to take care of me.
41:53I will take care of my pendant.
41:56What do you mean?
41:58Look at me.
42:01Look at me.
42:02Look at me.
42:03Yes.
42:05You know the government.
42:07You remember the government.
42:09Who is the government?
42:10I will take care of you.
42:14I will take care of you.
42:16I will take care of you.
42:17I will take care of you.
42:19I will take care of you.
42:20Now, everything will be the first time.
42:25One.
42:27Two.
42:28Three.
42:30Four.
42:31Five.
42:33Five.
42:33Come on.
42:33Five.
42:34Five.
42:36Yeah.
42:37I am afraid of halo.
42:39Let's go.
42:40There's something made possible.
42:42Today.
42:42You are a prisoner.
42:43Why are you doing this?
42:45Let's go.
42:47I thought.
42:49You are just human.
42:50You are a gentleman.
42:51That's why it was about your business.
42:53Do you mind that you are suka?
42:55Don't you understand that?
42:57How are bad?
42:57Hold on.
42:58She mou can't.
42:59What are you doing?
43:01You have abandoned their hypnotism.
43:03Then do it again.
43:05I will call the police.
43:07What are you doing?
43:08What are you doing?
43:10You all are crazy.
43:13You need a doctor.
43:14You really need a doctor.
43:15Really?
43:20What are you doing?
43:27What are you doing?
43:27What are you doing?
43:28What are you doing?
43:28When I saw that I was hypnotized,
43:30I got to tell you about things and things.
43:33And I'm also ready.
43:34I don't want to call my mother.
43:35I'm here.
43:36Yes.
43:37I thought that she can hypnotize me.
43:40She's a pendant.
43:42She's obsessed with you.
43:43We all know.
43:44But it's an exaggeration.
43:48That's how she can make me.
43:50You mean me?
43:50Yes, of course.
43:52But Aangin and I have done it well.
43:56Aangin has done it with Kamal.
43:57She should get Oscar.
43:58She will come back.
44:01Look how it is.
44:04Aangin, Kamal.
44:04Keep your hands down.
44:06Everyone knows me.
44:08I'm asking you,
44:11I'm asking you.
44:12I'm asking you.
44:12I'm asking you.
44:14I'm asking you.
44:17Don't get me.
44:20Don't exaggerate me.
44:21We don't know.
44:29I'm asking you.
44:30I have no idea.
44:31You're asking me.
44:33I'm asking you.
44:34I'm asking you.
44:34I'm asking you.
44:36There was a woman.
44:37There was a woman.
44:38She was able to hypnotize us.
44:40We didn't know the secretary.
44:42You also are hypnotized.
44:43What are you doing?
44:45I'm like Edda.
44:46Let's see.
44:47Let's see.
44:47Look at my side.
44:47Look at that!
44:52Sir Khan, where were you?
44:55I said, I was looking for you for a while.
44:57You had sent you a location.
44:59What's going on?
45:02Let's go.
45:03Let's go.
45:04Let's go.
45:04Let's go.
45:04Yes, let's go, Aidan.
45:05I didn't understand anything.
45:07Bye.
45:08Bye, Sir Khan.
45:09Enjoy.
45:11I don't know.
45:13How was it?
45:14Tell me.
45:15How was it?
45:15How was it?
45:16How was it?
45:16How was it?
45:18You didn't remember anyone.
45:19What was it?
45:20They forgot you.
45:21And then you were trying to remember me.
45:25How was it, Sir?
45:31I didn't feel good.
45:32Isn't it?
45:32I didn't feel good.
45:33I've gone through this a month.
45:35Yes, but it was a month before that.
45:37It wasn't happening.
45:38I don't know.
45:39When I was hypnotized,
45:41I thought something like that.
45:43Hmm.
45:44That's kind of a reason,
45:45this is my idea.
45:46What?
45:48Do you remember the rules?
45:50Hmm.
45:50I think we need to break the rules.
45:54We are going to eat food.
45:56Oh, wait.
45:56It's just a beautiful trailer here.
45:58They are just eating.
46:00Let's go.
46:01You just crazy.
46:02I'm at the beach.
46:03Behind the streets.
46:06Oh, my God.
46:33Oh, my God.
47:13Oh, my God.
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