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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Recommended]Full EP - Full
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00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:18Somebody took his hand.
08:36What do you got?
08:54L-E-S.
09:06S.R.1
09:24Hey, I thought you might be thirsty.
09:27We'll be together.
09:30Jeanette.
09:34You're getting ready?
09:36Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is...
09:51What is Lesser...
09:53What?
09:55Lesser one?
09:57It's left, straight forward, stereo on the right, first floor.
10:02Well, my dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always...
10:26We're always in the studio.
10:31We're many.
10:48We're always in the studio.
10:49We're very busy.
10:49We're happy to see you, you know, man.
10:50We are all young people.
10:51So, we're very busy.
10:57I don't know.
11:31I don't know.
11:51I don't know.
12:01I don't know.
12:02I don't know.
12:26Looks like a robbery to me.
12:28Who's doing the breadcrumbs?
12:31You all for it?
12:34Yeah.
12:34Yeah.
12:35Yeah.
12:37Fudeu!
12:38Fudeu!
12:38What was it?
12:39What are you?
12:47Let's go, everybody.
12:48To the van.
12:49Let's go, let's go, let's go, let's go, let's go, let's go, let's go.
12:55Hey!
12:56Hey!
12:57Go, go!
12:58Go!
13:05Go!
13:19Go!
13:20Creasy!
13:22Creasy!
13:24Go, go, go, go, go!
13:35Creasy!
13:39He said to make his way back, just go!
14:06What are you doing?
14:07The streets.
14:08We didn't leave anything.
14:10This won't work!
14:13What are you doing?
14:16Pico!
14:18Go, go, go!
14:19Go, go!
14:20Go, go, go!
14:22Oh, fuck!
14:23Go, go, go, go!
14:55Go, go!
15:01Go, go, go!
15:03Don't go, go!
15:05Don't go!
15:06Hold it, hold it!
15:18Go, go, go!
15:27Hey, are you okay?
15:30Yeah, fine, fine, fine.
15:36Shit.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I couldn't handle that.
15:49I couldn't handle that.
15:50I'm sorry.
15:54Fuck.
15:58It's the way.
16:02It was supposed to be the easy part.
16:14Where's Bo?
16:29Where are you?
16:31It's the way you can do it, huh?
16:35Get out of the way.
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Davi, give me a shot here.
16:48Chrissy hit this place earlier today.
16:52Middle of the city in broad daylight with the entire world looking for him and he robes an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money.
17:02You know, I could think of 20 other ways he could get his hands on cash, huh?
17:07Well, then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit, you
17:24don't seem to be any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We want to get out of this room.
17:40Come talk to him and get some actionable information.
17:43Because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show
17:47us.
17:47And I don't think we're going to like it.
17:50Bora.
17:51Bora.
17:52Bora.
18:11What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I'm just wanting to see their faces again.
18:29I thought it would make me feel better, but I call the memories that have been poisoned.
19:18Where was this?
19:22It's a park.
19:28and you went there just to take the picture
19:33it's supposed to be a christmas card
19:39my dad thought we only needed a camera and a tripod
19:43my brother is out
19:49they weren't paying attention so all the pictures kind of came out awful
19:54and we started we started arguing and
20:01my mom took the camera and just
20:04she just gave it to a stranger
20:09that's all i did
20:14at the end when he gave the camera back
20:19he said we were a beautiful family
20:38that's not poison
20:49everything you care about
20:50it's all still in there
20:56that doesn't mean that
20:57you won't have pain
21:01but you don't have to go through that alone
21:04yeah
21:07i was gonna be there
21:24i will
21:28really
21:30that's mine
21:36it's okay
21:52what now
21:58he's bouncing the signal all over the place
22:00if they really put their back into it they could walk the call back to rio but
22:04nothing closer untraceable
22:13are you good
22:33yeah
22:33well
22:41his name is vico from a local favela
22:44He hasn't said much and I haven't let the locals ask.
22:47What are we waiting for?
22:49With all the respect, Mr. President, we don't know what Chrissy has told him.
22:53What's happened and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I'm sorry, sir.
23:05Don't interrupt me.
23:06I'm sorry, but I'm in a connection here that I think the Lord wants to help.
23:10It's John Chrissy.
23:28Mr. Chrissy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:56You.
23:56You.
23:59And Tatna.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity.
24:07That the Redburns and all the other families in that building didn't have.
24:24That the Redburns and all the other families in the building didn't have.
24:32I just called to make sure that you have the opportunity.
24:38That the Redburns and all those other families in that building didn't have.
24:42the opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:02But...
25:04I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:32Sir.
25:33We will get this handle.
25:36I can assure you.
25:49Forrest.
25:51Sit down.
25:53I'm so scared.
25:55I'm so scared.
25:56I'm so scared.
26:02I can assure you.
26:05They paid me for a fit.
26:07What was this cashier in my pocket?
26:09There was only a key for a bank box.
26:13Sure.
26:14It was me who opened that pocket.
26:16There were only a key for us.
26:18I was wondering how they would pay me.
26:22They were hoping to find money in the box.
26:26And now they're hoping to find money in this box.
26:31It wasn't money, it was something they wanted to sell.
26:38Like...
26:38I don't know, but I heard them talking about a recording.
26:43Or a tape.
26:45Yeah.
26:46It's the guy talking about the president.
26:49President Carmo?
26:51It was President Carmo?
26:52Yes, it was President Carmo.
26:54Who was the guy?
26:55Ferraz.
26:58Ferraz.
26:59Tell me.
27:01Are you sure it's a recording of President Carmo with Ferraz?
27:05I don't know.
27:06What the fuck?
27:08Are you ready?
27:17Now I'm waiting for the team to go to BCI and CR4488.
27:20Go on!
27:24Put it on him!
27:35I'm going to kill him.
27:39Get out!
27:39Get out of here!
27:47Get out of here!
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burning sensation in your nostrils.
29:25I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:34It's toxic!
29:35Let's go now!
29:53Melo, come in.
29:56Yeah.
29:57Chrissy.
29:58Gloria.
30:00Our success targets are incoming.
30:02Copy that.
30:18You know your part?
30:21Yeah.
30:22I go in.
30:23I make sure they see me and draw security so they can get to happen.
30:28I have a girl.
30:33Everyone in place?
30:35Yeah.
30:36You were and I was set.
30:48Hey, I'll be okay.
30:59Chrissy, check in.
31:03Alright, we set, we set, we set.
31:34We're here.
31:43We set the perimeter.
31:45No one open.
31:47Quick, quick.
31:52Come on.
31:57We're dealing here.
31:59We're dealing with the violence.
32:01We need to deal with more.
32:02We need to deal with more.
32:18Oh
32:19Well, come in
32:22Someone found me but they're not here. Yes, I
32:26Just walk away with one's other just give me a second, okay
32:37No, I can do this.
33:11Fuck you.
33:25What's the location for?
33:44Oh, what's your location, Paul?
33:53Oh, you can hear me on one more way?
33:58Stand down, Chris.
33:59You have got her.
33:59Security's been drawn off.
34:00You have the green light for Tapp and Velo.
34:02We're headed to the staircase.
34:03How do you get out of this place?
34:04Okay, come on.
34:06Oh, fuck.
34:17Oh, fuck.
34:23Why did you leave?
34:27I'm not a liar.
34:28I'm not a liar.
34:29I'm not a liar.
34:30We're moving to the meeting point.
34:33Oh, fuck.
34:33Let's go! Let's go!
35:03Let's go!
35:33Let's go!
36:04Stop!
36:06Hold him!
36:08Fuck!
36:12Go!
36:13Let's go!
36:15Let's go!
36:16Let's go!
36:17Let's go!
36:22Okay.
36:25Let's go.
36:39Let's go!
36:39Headed out now.
36:41Shit!
36:43Major!
36:45Exit 12, pole 9, floor 2.
36:47We're at Northwest. We'll do the assistance.
36:49Okay. We're on our way.
37:04Oh!
37:05Oh!
37:07Oh!
37:09Oh!
37:12Oh!
37:19Stop fucking shooting!
37:23Let's go! Let's go!
37:25Oh!
37:26Oh!
37:27Oh!
37:28Oh!
37:28Oh!
37:30Oh!
37:34Oh!
37:34Get out of the way!
37:39Let's go!
37:40Stop! Stop!
37:42Let's go with the girl!
37:44Kill everyone!
37:56Are you okay?
37:58Go!
37:59Go! Go! Go! Go!
38:00Chloe!
38:01...
38:04Go! Go!
38:15Hi questo!
38:15Are you okay?
38:16Yeah!
38:16Stay here!
38:28Chrissy, Chrissy, we're pinned to the second floor in Southern area.
38:32We're gonna run out of ammo before they do.
38:34Can you get to us?
38:35Yeah!
38:47Are you okay?
38:48Yeah.
39:15I'm gonna run out of ammo.
39:23We can either hold them or the grenades.
39:25We can't do both.
39:26Come with me.
39:27Melo.
39:28Now.
39:28Go.
39:29Go.
39:33Go.
39:34Go.
39:36Go.
39:37Go.
39:46Go.
39:48Go.
39:48Go.
39:48Say that's fire.
40:14I gave it to you.
40:15That tape?
40:17That tape was some expired shit.
40:20Yeah, that's the crazy I used to know.
40:23You know?
40:23One who I had high hopes for.
40:25So Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:38So I think it's time we start talking about your options.
40:40You think I'm negotiating with him?
40:42Yeah.
40:42I think you should be.
41:02You just did it.
41:04I love to make him.
41:07Yes!
41:35I don't want to do it.
41:37Get back up, help them!
41:44Precede!
42:12I don't know.
42:59Oh
43:00This is what my breath
43:14Oh
43:16Oh
43:17Oh
43:17Oh
43:46Oh
44:07Oh
44:10Shut her mouth
44:37Oh
44:46Oh
44:48Oh
44:48Oh
45:35Go, go, go, go!
45:39Go left, go left.
45:47Creasy.
45:48Go, I'll be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Go on, Paul.
45:52Oh, shit.
45:58No, no.
46:04No.
46:06Oh, God.
46:08Oh, God.
46:13Oh, God.
46:16Oh, God.
46:39stop right there don't move
46:45you shoot her you're dead one second
46:50yes i know
46:53even that you've killed heaven i'm not seeing a lot to look forward to
46:59so
47:02drop your fucking gun or the last thing you see will be another dead rayburn
47:09drop it
47:24good boy
47:26now
47:30stand up i'll give you the honor of going
47:34first
47:37stand up
47:40so
47:46I don't know.
48:33I don't know.
48:41I don't know.
48:42I don't know.
49:12Oh, oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17You're okay?
49:18No, just stay with me.
49:19It's okay.
49:21Oh, my God.
49:30You're okay?
49:31Oh, my God.
49:33Oh, my God.
49:33Christy, God.
49:35Oh, my God.
49:37Oh, my God.
50:05Oh, my God.
50:12Oh, my God.
50:13Oh, my God.
50:14All right?
50:15All right?
50:15All right, and you?
50:16All right, I'm going to see you.
50:17I was talking to Marina that I didn't believe I could see you in the newspaper.
50:21My wife is helping me to drop the government.
50:23What crazy is this?
50:24You think it's a crazy thing?
50:25I imagine it.
50:26What kind of boat is this that you're going to leave?
50:29No, we're not going anywhere.
50:32So you think that things will improve with the car?
50:35I think it's hard to believe.
50:36I'm worried.
50:38I'm worried.
50:39But if everyone's worried, things will improve, right?
50:42I'm worried.
50:43I'm worried.
50:44I'm worried.
50:48I'm worried.
50:49I'm worried.
50:50Ivan said you need to work on your English before anything else.
50:56You think you don't speak a lot of English.
50:58And the vagabundo is calling for it.
51:01If you prefer to learn Russian, that would work too.
51:22The last time I saw my family, I wasn't at my best.
51:28And sometimes it feels like that regret is going to swallow me whole.
51:35Because of what happened to them, I have nothing to bury.
51:41No ashes to spread.
51:44But I've come around to the idea that, because they raised me the way they did, my family ultimately left
51:54me with all that I could have asked for.
51:58You don't always realize what you have until somebody tries to take it away.
52:09And you don't always realize what you need until you're facing something too big to tackle alone.
52:20What my family has given me is the strength to go on.
52:27And what I've learned from my friends is that I never have to do so alone.
52:43I'm running away from my friends, when I'm remembering what you're facing.
52:48I didn't want you to be able to get you.
52:48I haven't seen it before.
52:50I have to leave.
52:51I didn't know the people just wanted me to talk about it.
52:51I didn't want you to talk about it.
52:51You were the girls, you were the girls, who'd rather see you.
52:54I don't know the girls you do...
52:54I can't do some more.
52:57If you're in the house.
52:58But I've never met you on a whole plan...
53:00...if you have to leave.
53:01I didn't know the girls you have to do it.
53:02Hey. Hey.
53:05You know, if you want, you can just stay here,
53:09have lunch with everybody else.
53:14No. No, I want to go.
53:18If I could use some time away from Grandma's house.
53:21Yeah? Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief. How are you?
53:39I've already done two debriefs,
53:41and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do,
53:46and a fair amount of egg on my face at one of our guys.
53:49That's the reason you had to do it.
53:51Okay. Well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys for that.
54:06I don't, but they're actually long listened to that.
54:09No one else has had, uh, first-hand experience with these guys.
54:14And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something, you're ready to revisit.
54:27Tell me what you got.
54:28Tell me what you got.
54:28Really?what
54:31do you have done it? You
54:34growly? Yeah,
54:38you know. Yeah.
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