- 9 hours ago
Bad Relations ( HD ).
Category
🎥
Short filmTranscript
00:00:24I missed you.
00:00:27I missed you, too.
00:00:34Are you okay?
00:00:37Yeah, why?
00:00:39The hell?
00:00:57I'm sleeping now.
00:00:59I'm awake.
00:01:00Mm-mm.
00:01:05This guy, you know, get the concept of difference between time zones and countries.
00:01:11He's here.
00:01:18I only paint those women that are particularly special to me.
00:01:22It's intimate.
00:01:23It's intimate.
00:01:23It's sexual, yes, but it's more than that.
00:01:28It's an exact moment of ultimate connection.
00:01:31He's captured forever in paint.
00:01:36Oh, boy.
00:01:38Hey, we done here.
00:01:39Diana?
00:01:40We're not doing personal questions.
00:01:42Seems like the personal is a process.
00:01:44Oh, shit's pointed.
00:01:49Look, Brooke, he's brilliant, but as your friend I'm calling it, the other critics will tear
00:01:55this apart.
00:01:57Did you keep your day job at Sotheby's?
00:02:01Picasso, Klimt, Lucy, and Freud, they were all called pornographers.
00:02:05Look, I know what I believe in, and if the critics don't understand us, then they're wrong.
00:02:10Oh, shit.
00:02:15Hi.
00:02:16Can I look at a few?
00:02:17Awesome.
00:02:17This is still for the cover, right?
00:02:19Yeah.
00:02:20So, uh, you the husband?
00:02:24Yeah, hi.
00:02:24Owen Short.
00:02:25Welcome.
00:02:26Yeah, she's badass, right?
00:02:28I like that.
00:02:30Yeah, I like the tiger shots as well.
00:02:31Can you go back to the tiger ones?
00:02:33Honey.
00:02:34I don't want to be late.
00:02:36Oh.
00:02:37See, when women get absorbed in me, I don't want to be late.
00:02:41I can't talk to them.
00:02:52To Brooke's amazing new gallery and the successful opening.
00:02:55Cheers, cheers.
00:02:56Oh, and to me, getting to retire early and fulfill my life's purpose as a trophy husband.
00:03:01Hmm, let's not jinx it.
00:03:02Hey, if that's what you want, then you should do a news story on it.
00:03:04Feel-good holiday feast days before Christmas.
00:03:07It's local news.
00:03:08No, no, no, no, no.
00:03:08Owen has already done so much.
00:03:09Oh, come on, isn't going broke and bedding the farm what all good husbands did?
00:03:13Hey, Brooke is living her dream and dreams are at the risk.
00:03:16Okay, when's our next vacation?
00:03:18That's my dream.
00:03:19Oh, yeah.
00:03:19I was thinking Paris.
00:03:20But just me and Brooke, so sorry, guys.
00:03:23Paris in the winter?
00:03:24Texas pictures.
00:03:25If your thumbs don't freeze off.
00:03:27You know, I've always wanted to do Christmas in Paris.
00:03:29Hello?
00:03:30I can't even think of a vacation until this gallery opens Friday.
00:03:33Well, I mean, we should plan it soon before things get too complicated.
00:03:38What does that mean?
00:03:40Just, you know, whatever.
00:03:42Life.
00:03:43Owen.
00:03:44Complicated.
00:03:45Are you guys pregnant?
00:03:45No!
00:03:46Because that would be like a shitty way to tell us.
00:03:48No.
00:03:49The doctor says that we could take the pressure off.
00:03:51It may happen naturally.
00:03:54What?
00:03:54We don't have to talk about this.
00:04:01Is that the rooting hunk?
00:04:03Can't be.
00:04:03I left my phone at home.
00:04:04No, it's, um, Brooke's new Irish artist, Hottie McHatterson.
00:04:08Okay.
00:04:08His name is Ansgar Doyle.
00:04:10He was a street artist in Dublin until a few years ago.
00:04:12But it hasn't broken here.
00:04:14Yet.
00:04:15Wait until you see the art.
00:04:17Hot.
00:04:18Ooh.
00:04:22This guy, he's always texting at 3am with a crisis.
00:04:25What's the crisis?
00:04:25He can't find his paintbrush?
00:04:26No, he's just an artist.
00:04:28They don't sleep.
00:04:28Actually, I learned from his interview that this is an artist who's not sleeping in a lot of married women's
00:04:34beds.
00:04:34That's not what he was saying.
00:04:36Actually, that's kind of exactly what he was saying.
00:04:38Well, as the two divorce attorneys at the table, I would just like to say that men like Ansgar are
00:04:43very good for our business.
00:04:44Absolutely.
00:04:44Core to our business.
00:04:45When you've been doing what we've been doing for long enough, you just conclude that everybody cheats.
00:04:49The wives are just better at not getting caught.
00:04:51Yeah, I mean, I've been hiring so many private investigators, I could teach a course I wanna go.
00:04:55I'll be right back.
00:05:00I'll be right back.
00:05:15Where'd those come from?
00:05:21They're from you.
00:05:26They're beautiful.
00:05:30Hey, I'm gonna make it up to you.
00:05:32Oh, I'm so sorry.
00:05:34I've been so busy and so bitchy.
00:05:37You've been so great.
00:05:42Okay, listen.
00:05:42I wasn't kidding about what I said at dinner about Paris.
00:05:46If you play your cards right, you open the gallery on Friday.
00:05:49Then we drink champagne all night to celebrate.
00:05:50We get in the air on Saturday, on our way to Paris, France, where we spend Christmas next week.
00:05:58French kissing.
00:06:00A little menage a do.
00:06:04Now wait.
00:06:07Now how about this place?
00:06:08To let it happen naturally.
00:06:10No.
00:06:10Oh.
00:06:10Right?
00:06:13It sounds heavenly.
00:06:15But I can't go then.
00:06:18We don't even have any Christmas plans to break.
00:06:21And look around, we haven't even had time to decorate.
00:06:23I know, but I have so much to do after Friday night.
00:06:26I mean, that's when the real selling starts.
00:06:28And I've got more press lined up for ANSCAR, too.
00:06:30And you know, I can't leave him alone.
00:06:32He needs me.
00:06:35You know what I mean.
00:06:36Let me earn the vacation with sales.
00:06:38That way we can relax and we can enjoy it.
00:06:49Sorry.
00:06:49Yeah.
00:06:50Yeah, you're right.
00:06:53Okay.
00:06:54I'm gonna go take the trash out real quick.
00:06:56All right.
00:07:27I'm gonna leave you alone.
00:07:27Bye-bye.
00:07:34Ooh.
00:07:36Hmm.
00:07:51Did you see here?
00:08:05I have my phone up here.
00:08:06Yeah.
00:08:07You, uh, don't want to miss any text messages from Sarah.
00:08:12Is that one of the new producers?
00:08:15Yeah.
00:08:16Thanks.
00:08:22My opening is in four days, and these light fixtures were custom ordered three months
00:08:26ago.
00:08:34I gotta replace the pipe that goes down to the basement.
00:08:39It's gonna cost about three grand.
00:08:40What?
00:08:41Hang on.
00:08:42Just tell him to bring me the lights himself.
00:08:45Why were you talking to Amanda Geisler?
00:08:47I was just talking to her for lunch in Winchester, man.
00:08:50Okay, well, she has a gallery full of artists who showed potential ten years ago.
00:08:52She should be taking them out to lunch.
00:08:54Wow.
00:08:55I think I'm jealous.
00:08:56I think we have a contract.
00:08:58Giaco, there's no more money.
00:08:59Figure it out.
00:09:00Okay.
00:09:01You'll be able to pay him soon enough.
00:09:03Told you.
00:09:03I have news.
00:09:11You may fall in love with me when I tell you.
00:09:13That good, huh?
00:09:15I haven't.
00:09:16You have who?
00:09:18The customer, the big one we need, Damien Light.
00:09:25What?
00:09:26Damien Light is here?
00:09:28No, he's in Paris.
00:09:29He's shooting his next movie there.
00:09:30But he saw one of my pieces in Mariah, and he likes it.
00:09:33He wants to see more.
00:09:34Because people want us to be there for dinner the day after tomorrow.
00:09:37Wait, where?
00:09:38The hotel in the Mariah.
00:09:40Oh, the Mariah in Paris?
00:09:43Yeah.
00:09:44Look.
00:09:44You can leave tomorrow, still make it back in time for the opening.
00:09:47You should really answer my texts.
00:09:50Do you see this gallery?
00:09:51I can't go.
00:09:52Oh, whoa, whoa, whoa.
00:09:54I need you there.
00:09:56I'm no good at the business.
00:09:57I hate that shite.
00:09:59If this is real, this could be huge for us.
00:10:03Oh.
00:10:05You think I'm making it up to steal away with you?
00:10:14I'm going either way.
00:10:15I'll try to make it back for my opening on Friday night.
00:10:17Oh, very funny.
00:10:19Oh.
00:10:20You need to check in with the husband first.
00:10:23Um...
00:10:24Or are you more afraid?
00:10:25To leave this mess?
00:10:27To leave your husband alone.
00:10:29What?
00:10:31You'll let me leave without you.
00:10:37Oh, God.
00:10:38I know.
00:10:39I mean...
00:10:39I have to go.
00:10:40You have to go.
00:10:41It's Paris.
00:10:42It's work.
00:10:43Right.
00:10:43It's work.
00:10:45Oh, God.
00:10:46What do I tell Owen?
00:10:47In person's good.
00:10:49Um, run in, bring a coffee, and just tell him you have the business opportunity of a lifetime.
00:10:53Right.
00:10:53Right.
00:10:53Just be direct.
00:10:54Right.
00:10:55Downplay the fact that you're going to be in a Paris hotel with the world's sexiest men alive.
00:11:01Okay.
00:11:02Get out of here.
00:11:02Go talk to your husband before I have to represent you.
00:11:06It is.
00:11:06We're going to cut it.
00:11:07It's okay.
00:11:08I accept it.
00:11:09Don't worry about it.
00:11:10Hope I'm not interrupting.
00:11:12Hey.
00:11:13I thought you could use this.
00:11:14Brooke.
00:11:16Hey, that's so sweet of you.
00:11:19Uh, this is, uh, Kim, one of our new producers.
00:11:21Hi.
00:11:22Hi.
00:11:24Are you Sarah?
00:11:26Natalia.
00:11:27New intern.
00:11:27Hi.
00:11:28Hi.
00:11:28What are you doing here?
00:11:30Oh, you know.
00:11:32What's going on?
00:11:34Everything okay?
00:11:35Uh, well, I, uh, I have a situation with Anscore.
00:11:38What now?
00:11:40It's a long story, um, but it's actually amazing.
00:11:43Damien Light is interested in buying a few of his paintings.
00:11:48That's big news.
00:11:49I know.
00:11:50I know.
00:11:51I know.
00:11:51And I would send him a loan tomorrow, but things could get, you know, he's a lot of people
00:11:54person.
00:11:54And, and making the sale could be huge for us.
00:11:56It could really make all this hard work pay off.
00:11:58This, this is amazing.
00:12:00Yeah.
00:12:00So I'll be back from Paris in like two days.
00:12:02Yay!
00:12:04What's that?
00:12:05I said, yay.
00:12:09You're going to Paris?
00:12:12Yeah.
00:12:14Damien's filming there.
00:12:16You're telling me that you want to go to Paris with Ansgar.
00:12:21The myth of fidelity guy.
00:12:23Tomorrow.
00:12:24After you told me that we can't go on Saturday?
00:12:27I know.
00:12:28I know.
00:12:28But it's business.
00:12:29And I would say come with me, but it's going to be all meetings.
00:12:31And then I have to fly right back for the opening Friday and...
00:12:35Owen.
00:12:37Owen, please don't be that way.
00:12:41So does this mean I'm, I'm definitely free on Saturday since we're not going to Paris?
00:12:47Well, yeah, I, yeah.
00:12:50Hey, Kim.
00:12:51Is that shoot for the New Yorker's Christmas in Las Vegas still available for Saturday?
00:12:55I was going to give it to Jim, but it's yours if you can do it now.
00:13:04Yes.
00:13:05I am available.
00:13:06Let's book that.
00:13:08Thank you for the coffee.
00:13:09I've got to get back to work.
00:13:11Natalia, see if you can book Owen's flight with seats near us.
00:13:14Vegas baby.
00:13:17Shit.
00:13:22This has been Owen Shore with the news you can use.
00:13:26Have a great one, everybody.
00:14:39I can see the flames rising high in the night
00:14:43Reaching their arms out to the sky
00:14:46Shadows leap and hide with the lovers tonight
00:14:52Tiny embers die as they fly
00:14:57Creeping, crawling, dancing with the flames
00:15:04Fire waltzing till only ashes remain
00:15:22The more we turn
00:15:25The more we get burned
00:15:35Owen, I feel bad we keep missing each other
00:15:37I'm not sure if you're getting my texts
00:15:40My flight is tonight
00:15:43So when you get a break, please call me
00:15:45Okay
00:15:47Okay
00:16:16Subtitled by
00:16:20Hey.
00:16:21Hey.
00:16:23That assignment was late last night.
00:16:26What was the story?
00:16:28Yeah, I didn't want to wake you.
00:16:30I'm trying to get these two new producers
00:16:33to put me on hard news stories
00:16:35instead of these dopey features.
00:16:39Kim's the one you're going to Vegas with.
00:16:51Look.
00:16:53I'm sorry about yesterday.
00:16:56I just wanted our first time in Paris to be together,
00:16:59and Christmas there, away from all the stress,
00:17:03it just seemed like exactly what the doctor ordered.
00:17:11I'm sorry I got so upset.
00:17:16I'm sorry, too.
00:17:19It's just such a huge break.
00:17:21I wouldn't be going otherwise.
00:17:24Come here.
00:17:26Oh.
00:17:27Hmm.
00:17:30You know, I can't help
00:17:32but want you to be happy.
00:17:36Even if I don't trust that guy.
00:17:37Hey.
00:17:38You only have to trust me.
00:17:41And seriously, I look forward to a getaway
00:17:44of just us without the pressure of trying.
00:17:47I really, really, really do.
00:17:49Yeah.
00:17:50Well, you know, we don't have to get away.
00:17:53Start trying without trying.
00:17:56I can't.
00:17:57I have to pack.
00:17:58My car's coming in an hour.
00:18:09In case there's a gym I can work out in.
00:18:14Alone.
00:18:23I need you to be understanding here.
00:18:31So, no send off sex?
00:18:32I wish I'd just let it go.
00:18:34I just don't have to be more worried about it.
00:18:36Come on.
00:18:37You guys have been together since high school.
00:18:39No way, Brooke would cheat on me.
00:18:41As long as I wonder, just stop being interested in me.
00:18:44Are we on the Goop podcast right now?
00:18:46Am I Gwyneth?
00:18:47Another Greyhound, huh?
00:18:49Wait.
00:18:49No, no, no, no.
00:18:50Are you trying to get me in trouble?
00:18:51We said just one.
00:18:52I'm sorry.
00:18:53Cancel that, please.
00:18:54We gotta go.
00:18:55Fuck that needy orphan artist.
00:18:58If I want to get drunk to forget him, I'm gonna drink.
00:19:00Okay.
00:19:01Are you forgetting the last time you got drunk?
00:19:02You tried to find a home for every homeless guy in New York.
00:19:04I don't remember that.
00:19:05Yeah, exactly.
00:19:06Come on.
00:19:07Let's go.
00:19:08What?
00:19:08Come on.
00:19:09There's one more.
00:19:09No, I gotta go.
00:19:11I'm pretty sure Eleanor put a tracking app on my phone.
00:19:14Hi there.
00:19:17Wait a minute.
00:19:19I know who you are.
00:19:21You're Owen Shore.
00:19:22It's possible.
00:19:24You're pretty good.
00:19:25You mean pretty great.
00:19:26My friend's gonna die when she gets here.
00:19:28We're studying journalism at Columbia.
00:19:31Oh, nice.
00:19:32You said in an interview once that it's a reporter's job to expose without shaming.
00:19:37Wow.
00:19:38Good.
00:19:39I used it in a media ethics paper on microaggression.
00:19:42I'm flattered.
00:19:43I refuted it.
00:19:44Shame is a useful tool.
00:19:46Maybe you're too nice.
00:19:47No, I do love your reporting.
00:19:49I was actually just saying how refreshing it is that your stories are funny.
00:19:53They're not supposed to be funny.
00:19:55You did that one about the guy who marries dogs at a chapel.
00:19:58Ah, yes.
00:19:59That was a fine moment in broadcast journalism.
00:20:04Are you guys together?
00:20:05You mean together?
00:20:07No, but he has been hitting on me all night.
00:20:09I can't help myself.
00:20:10My wife's out of town.
00:20:12I thought he had a window.
00:20:21I think your choices are superb.
00:20:23And if you want the smaller one, the owner number three, to give us a Christmas gift as well.
00:20:27Right.
00:20:28So that is five paintings in all and, um...
00:20:30One hundred and fifty two thousand dollars.
00:20:33Perfect.
00:20:33Yeah.
00:20:35Plus, we have your permission to use Damien's name confidentially with the list of collectors
00:20:38that you've approved.
00:20:39Tout à fait.
00:20:40Of course.
00:20:41To Damien Light.
00:20:43Please tell him how grateful we are for his patronage.
00:20:45Well, on behalf of Mr. Light, we are proud to be the first to champion the work of Ansgar Doyle.
00:20:52Sortie.
00:20:59Enjoy the moment.
00:21:01Paris is a wonderful place to celebrate this time of year.
00:21:05Oui, bien.
00:21:07Sortie.
00:21:10You're not leaving, are you?
00:21:11My friend has to meet you.
00:21:13Yeah, no, I gotta get gone, too.
00:21:14Well, that's a shame.
00:21:16Maybe I could get an autograph before you go?
00:21:19Yeah.
00:21:22Okay.
00:21:23Two.
00:21:24Amy's fine.
00:21:26Two.
00:21:26Amy Fine.
00:21:28I guess that's better for TV and Chicago.
00:21:32Wait, um, could you take a picture of us?
00:21:35Is that okay, Mr. Shore?
00:21:37Of course, yes.
00:21:45Nice to see you smile.
00:21:46Oh, my God, that's my new profile pic right there.
00:21:49Okay, uh, we gotta go.
00:21:50Uber's here.
00:21:51Nice to meet you.
00:21:52Wait.
00:21:52You can't leave.
00:21:53You have to stand me, Brianna.
00:21:55Please?
00:21:57I don't know.
00:21:58You don't know?
00:22:01I mean, I could probably finish the calamari.
00:22:04Hmm, uh, you probably have to go because of that thing you were telling me about.
00:22:09Remember?
00:22:09Why don't you both stand?
00:22:11Sorry.
00:22:11Do you mind me asking how old you are?
00:22:13How old are you?
00:22:14Okay, I'm out.
00:22:16I'm kidding.
00:22:17I'm gonna wait for Brianna.
00:22:20I knew I had a fan club.
00:22:23Dude.
00:22:27Okay, if he brings up the forgotten homeless crisis, cut him off.
00:22:34So they have my favorite martini here.
00:22:36Have you ever had a monkey martini?
00:22:39Okay.
00:22:40One monkey while we wait for your friend, and then I gotta get home.
00:22:43I thought you said your wife was out of town.
00:22:54I'll be right back.
00:22:55Ladies, you're welcome.
00:22:56Okay.
00:22:57Order us two monkeys.
00:22:59I really wanna ask your advice on where to send my reason.
00:23:06Two monkey martinis, then?
00:23:11I'll show the check and go home.
00:23:25You were amazing.
00:23:27But damn...
00:23:28What are you talking about life story?
00:23:29You made it way more romantic than-
00:23:32Okay, you know, it's completely believable that you lived in the Shire.
00:23:34Oh, no!
00:23:35Horvests aren't Irish, okay?
00:23:37What are they?
00:23:38I don't know, they're from Middle Earth or something?
00:23:43Oh, look, I hope that you know that you deserve all of this.
00:23:47And the respect even more than the money.
00:23:49They see how special you are.
00:23:54You trusted me with your work, and I love your work so much.
00:23:58Do you know what that means to me?
00:24:03God.
00:24:05I mean, I was just in auction house a wage slave with a normal job six months ago now, I
00:24:10guess.
00:24:12Look, I don't think it's all right.
00:24:14Just be here.
00:24:18Right here.
00:24:20That's good, we should go.
00:24:24Before we go back to our rooms, let's just have one more drink.
00:24:31I'm seriously trying to reach you.
00:24:41Okay, I guess we're done here.
00:24:46I'm sorry, I...
00:24:50Yeah, yeah, that was phenomenal.
00:24:53Was it?
00:24:59Look, um...
00:25:01I love my wife.
00:25:05Okay.
00:25:13Shit.
00:25:23Look, I've never done this before.
00:25:26So I don't really know how to...
00:25:29Shit.
00:25:30You get rid of me?
00:25:32Uh, no.
00:25:33I mean, like, you know, wrap this up.
00:25:35Pretty sure you just did.
00:25:50I hope you don't think that I'm playing games with you, okay?
00:25:53I'm not that kind of guy.
00:25:55Well, maybe I'm the one playing games.
00:26:01I hope not.
00:26:03I mean, I could use someone to help my real get into the right hands when I get my master's
00:26:08in June.
00:26:10You serious?
00:26:12You're right.
00:26:13We really can't see each other again.
00:26:16No, we can't.
00:26:18We should agree on that.
00:26:28I'm sorry you really be good thing to stay with us, sure.
00:26:30I hope you found the accommodations at the Spectre.
00:26:32Yes, just a change of plans.
00:26:34They call me back, old Santa.
00:26:37I'll make my run.
00:26:39Here's a hit.
00:26:41I ain't like old Saint Nick.
00:26:44He don't come but once a year.
00:26:48No!
00:26:50I ain't like old Saint Nick.
00:26:53He don't come but once a year.
00:26:55I missed you.
00:26:58I missed you, too.
00:26:59I missed you, too.
00:27:02I missed you, too.
00:27:03Thanks, man.
00:27:04So, having it work, I want you to hang it at the centerpiece of the show.
00:27:11I would have to rearrange this entire installation to add this.
00:27:14I worked hard to finish it today.
00:27:17And trust me, it's worth it.
00:27:22What's it called?
00:27:24Brooke.
00:27:27And how about dreams in Paris?
00:27:31That's even worse.
00:27:41Can you spend some time with me, you say?
00:27:44Thanks for the taco, what can you say?
00:27:47Okay.
00:27:47We'll take it.
00:27:49Fantastic.
00:27:50Cheers.
00:27:51Cheers.
00:27:56hum, ma'am.
00:28:12Oh-oh!
00:28:21Cheers!
00:28:27I heard he paints from his imagination.
00:28:30I heard he paints from his experience.
00:28:35Where is Brock? Let's hang her before we go.
00:28:37Uh, yeah, I haven't seen her in a while.
00:28:40I don't think it's very good.
00:28:41Really?
00:28:43I think they're so sensual and immediate.
00:28:45And we just bought $10,000 worth of sensual and immediate.
00:28:52There they are!
00:28:56Bravo! Bravo!
00:28:58Oh, Mel, they're talking. How much did you drink?
00:29:00Please, please, I want to go talk to the artiste.
00:29:06Hey.
00:29:08Your beautiful art will hang on my walls,
00:29:10and every time I see it,
00:29:12I will think of you and your great time.
00:29:15Well, thank you so much.
00:29:17That means so much to me. It really does.
00:29:20What was all the whispering about?
00:29:22Ah, some things are private.
00:29:25Why, then?
00:29:27We spoke to someone at a museum.
00:29:29They love Ann Scar's work,
00:29:31and they're interested in one of the large pieces.
00:29:34Really? Which one?
00:29:36The new one.
00:29:37New museum, Adam.
00:29:38Go buy another one right now.
00:29:40Brooke is an expert
00:29:42at making things happen.
00:29:48Now, if you'll excuse me.
00:29:54Hello there.
00:29:56Hi.
00:29:58You look like you need a check.
00:30:03I have to get a check for the caterer.
00:30:06I will come with.
00:30:06I want to hear more about Paris.
00:30:19Oh, my God.
00:30:21What?
00:30:21That woman.
00:30:24Who is she?
00:30:25No one.
00:30:27Why does she look so familiar?
00:30:29I have a serious problem right now.
00:30:32Is that the girl from the bar?
00:30:34Fuck.
00:30:36Why would she show up here?
00:30:38She probably just knows the artist.
00:30:39No, no, no.
00:30:40I think she's looking for me.
00:30:42Why?
00:30:42Because I didn't give her my number.
00:30:43Okay, look.
00:30:45Look, we have to get our story straight.
00:30:47Our story?
00:30:48What the hell happened?
00:30:49Look, you have to back me up on this.
00:30:51Oh, my God.
00:30:53Are you stupid?
00:30:54You're the one who left me at a bar
00:30:55with a woman who's clearly coming on to me.
00:30:57That's our story?
00:30:58You know I can't get drunk anymore.
00:31:00All right, look.
00:31:01Listen to me.
00:31:02We've never seen her.
00:31:03Bad idea.
00:31:04Okay, just see a man at the bar
00:31:05and you don't share the cap.
00:31:06I can't.
00:31:06I can't.
00:31:07I can't.
00:31:07You took a fucking picture with her asshole.
00:31:09Hey.
00:31:10I'm about ready to close up.
00:31:12Yeah, let's close it up.
00:31:13Yeah.
00:31:17Who's that?
00:31:19Who?
00:31:20That woman.
00:31:22Do you know her?
00:31:23Is it possible that...
00:31:24I don't know her.
00:31:26Maybe you've met her.
00:31:28I haven't?
00:31:29Yeah, he meets a lot of people.
00:31:30Yeah, I thought you looked familiar.
00:31:31We have, like, a bunch of new interns at the station.
00:31:34Yeah, she looks like she would be an intern.
00:31:37Let's ask her if that's how you know her.
00:31:39I've never seen her before.
00:31:41Look, this lovely lady was just saying
00:31:43how much she liked my newest painting.
00:31:45It's all in the new museum once.
00:31:47Would you like to buy it, too?
00:31:48If only I could.
00:31:50This is your gallery, yes?
00:31:51Yes, yes.
00:31:52Hi.
00:31:53Brooke Gatwick.
00:31:53Amy, hi.
00:31:55This is my husband, Nolan.
00:31:57We've met, right?
00:32:00I don't think so.
00:32:01Hi.
00:32:01Oh, um, you must look like someone.
00:32:05I must be confused.
00:32:08Gramercy's Wednesday?
00:32:09Oh.
00:32:10Uh, were you there?
00:32:12I thought so.
00:32:16Oh, probably off the television.
00:32:18I hear you're incredible with dogs.
00:32:21Dog weddings and a chapel.
00:32:23Right.
00:32:24Oh, that's why you're going to Vegas, is it?
00:32:33Well, it's late.
00:32:35Uh, should we all get going?
00:32:38Uh.
00:32:42Just us, then.
00:32:43All right.
00:32:43All right.
00:32:44I will see you.
00:32:44I will call you.
00:32:45All right.
00:32:46Thank you for everything.
00:32:46Good night.
00:32:47Good night.
00:32:50I'm going to be locking up in a few minutes.
00:32:51Oh, OK.
00:32:52Um, I read your profile in Art News.
00:32:55I'm so happy to have met you.
00:32:57Well, it is an honor, truly.
00:33:00You know, I'd like to buy art someday.
00:33:02I could use some pointers.
00:33:04Um, I'm going to get going, OK?
00:33:05No, please wait.
00:33:05I'm almost done here.
00:33:06I'll be waiting outside.
00:33:07I would love to give you some pointers.
00:33:09You know, I should really probably get going.
00:33:12No, no, no.
00:33:13You just got here.
00:33:15You want to close up?
00:33:16I can come back.
00:33:17It's OK.
00:33:18I'll give you a quick tour.
00:33:22Oh, OK.
00:33:26It would be wise to say your goodbyes to your paying customers.
00:33:31And I love that you're always thinking about pleasing the customers,
00:33:34which affords me the luxury.
00:33:37Thinking about the art.
00:33:58Thanks for the ride.
00:34:01So, this is where you live?
00:34:03No, I just have to drop something off.
00:34:06I need to wait, though.
00:34:07That's OK.
00:34:07I'll wait.
00:34:10It's not the day.
00:34:23It's not the day.
00:34:33Oh, what the fuck?
00:34:36What?
00:34:37Is your wife home?
00:34:41What do you want?
00:34:47Is she home?
00:34:49No.
00:34:50She's not.
00:34:51Okay, please, let me in.
00:34:53I need to tell you something.
00:34:56I need to tell you something.
00:35:05For fuck's sake.
00:35:11I never talked to her about us.
00:35:14That's not why I went to the gallery, I promise.
00:35:16What?
00:35:17Okay, look, you have no idea of the whole story here.
00:35:22What are you talking about?
00:35:25You don't even understand.
00:35:27I actually met your wife a few days ago.
00:35:39Men like Ainscar are very good for our business.
00:35:41Absolutely, core to our business.
00:35:43When you've been doing what we've been doing for long enough, you just conclude that everybody cheats.
00:35:47The wives are just better at not getting caught.
00:35:49Yeah, I mean, I've been hiring so many private investigators, I could teach a course at Quantico.
00:35:52I'll be right back.
00:36:05Yep.
00:36:09Are you okay?
00:36:10Owen's been giving me shit about Ainscar texting all the time, but he gets up and texts in the middle
00:36:14of the night, too.
00:36:15Owen is a news guy.
00:36:16The news never sleeps.
00:36:18He's been acting weird lately.
00:36:20Do you think he's messing around?
00:36:22No.
00:36:23I think you're just letting this dress at the opening get to you.
00:36:26Put your phone away.
00:36:27Pay your man a little attention.
00:36:29That's all he wants right now.
00:36:37Right.
00:36:37Right.
00:36:37Just be direct.
00:36:38Right.
00:36:38I mean, downplay the fact that you're going to be in a Paris hotel with the world sexies been alive.
00:36:44Okay, get out of here.
00:36:45Go talk to your husband before I have to represent you.
00:36:52What?
00:36:55Owen told me who he was texting late at night.
00:36:57He says it's one of the new producers named Sarah.
00:36:59And?
00:37:01And I stole his iPad.
00:37:03That is a complete violation of privacy and trust.
00:37:06Do you have his password?
00:37:07Yeah, you do.
00:37:08I'm just trying to figure out if I have a reason to worry.
00:37:10Okay.
00:37:11Well, this iPad is marital property, so legally I see nothing wrong with what's happening here.
00:37:14Okay, first, I want to say in my defense that I did not want to snoop, but I just saw
00:37:18his messages come in.
00:37:19And he's been acting weird.
00:37:20He's been staying no later than usual.
00:37:22And he says it's just work assignments, but I don't know where he really is or what he's really doing
00:37:25with her.
00:37:26So many men use the working lady excuse.
00:37:28You want to have a child with this man.
00:37:30I know, but this is Owen we're talking about.
00:37:32So many years of nothing but good.
00:37:34I'm not worried at all.
00:37:41Honestly, I don't think he's really cheating, but it just makes me wonder if he would cheat.
00:37:46It's the sliver of doubt that's killing me.
00:37:51God, I hate this about myself.
00:37:56Okay.
00:37:57There's a few ways we can do this.
00:37:59I'm listening.
00:38:00I always tell my clients, if you want to prove that your husband's cheating, you should hire a PI to
00:38:04tail him.
00:38:05But if you want to know for sure that your husband wouldn't cheat, you hire a decoy.
00:38:12What's that?
00:38:12I use them all the time.
00:38:14A decoy's going to flirt with him, give him an opening, and see what he does.
00:38:17And if the husband takes the bait, does the decoy go all the way?
00:38:20No, no, no, no, no.
00:38:21They have a professional code of ethics.
00:38:22Like hitmen.
00:38:24Damn.
00:38:25That's dark.
00:38:27I don't think I need to know that badly.
00:38:28You don't.
00:38:29Owen is the sweetest guy ever, and you're lucky he puts up with you.
00:38:32I know.
00:38:35But, if you do find your insecurities keeping you up at night, call this agency.
00:38:40They're open 24 hours.
00:38:41I won't call.
00:38:42You shouldn't.
00:38:43But if you do, get my volume discount.
00:39:39You should be the first message to Michael Bullses.
00:39:42I know that only he'll six to six months in each act.
00:39:57Hi, this is Owen Shore. I'm sorry I couldn't take your call.
00:40:00Please, please, we will continue.
00:41:03When you get a break, please call me.
00:41:05Bye.
00:41:15Right here is fine.
00:41:19Bye.
00:41:21Bye.
00:41:27Bye.
00:41:31Bye.
00:41:33Bye.
00:41:36Bye.
00:41:44Bye.
00:41:45Bye.
00:41:57Are you Brooke?
00:41:58I am.
00:42:00Are you the one there Sunday?
00:42:02Yes, Amy.
00:42:03I'm the operative.
00:42:04Operative?
00:42:05Sounds official.
00:42:06It's just a job paying for grad school.
00:42:09Speaking of payments.
00:42:12Yes.
00:42:12I take half now and then the other half when I bring you the video from the video guy across
00:42:16the room and the audio from my phone.
00:42:20Okay.
00:42:22Has he been unfaithful before?
00:42:25I don't think so.
00:42:26I don't know.
00:42:27Do you have kids?
00:42:29No.
00:42:30No.
00:42:31Not yet.
00:42:32Great.
00:42:33Uh, and I'll just need to see a picture.
00:42:35They said you didn't attach one.
00:42:41I'd rather not send this.
00:42:48You know, I'm not sure you're his type.
00:42:52Um...
00:42:52Yeah, maybe.
00:42:53Um, it's hard to tell.
00:42:54I, I'm more attractive when I go out.
00:43:00Um, maybe there's a perfume he likes or...
00:43:02I'm not gonna tell you what kind of perfume he likes.
00:43:04You're wearing Chanel.
00:43:05My mom has that perfume.
00:43:11Look, I, I know this is probably really strange for you.
00:43:14And you don't owe me at all.
00:43:18But, honestly, you have nothing to worry about with me.
00:43:21I have a boyfriend who I'm very much in love with.
00:43:27This gig is just really good money.
00:43:35Uh, this is my number.
00:43:35I already have you saved into my phone as Brianna.
00:43:38And if you decide at any point that you don't want to go through with this,
00:43:41just send me the message, sorry, have to bail.
00:43:44Okay.
00:43:46And you'll respond, so I know you got it.
00:43:49Yeah.
00:43:50I'm like a normal person who texts.
00:43:53Glad to have met you.
00:43:56You know, I didn't think I'd get any more jobs till after the holidays.
00:44:00It's a slow time of year.
00:44:06Just be here.
00:44:09Right here.
00:44:11That's where we should go.
00:44:15Before we go back to our rooms, let's just have one more drink.
00:44:23Oh, what?
00:44:26I just have to send a message and cancel something really quick.
00:44:30Then I gotta go.
00:44:31I thought you said your wife is out of town.
00:44:37I'll be right back.
00:44:39Maybe soon.
00:44:40Okay.
00:44:41Order is two monkeys.
00:44:42I really want your advice on where I should send my deal.
00:44:49to the local lemonade news, please.
00:44:51You really want milk?
00:44:53Oh, my God.
00:45:08There's food.
00:45:09So then the other food is quite much.
00:45:14You were watching my videos.
00:45:15You're watching them too.
00:45:15Hey, look at where we are.
00:45:21I mean, is there anything better than this?
00:45:27You're right.
00:45:29We'll get now.
00:46:05I'm back.
00:46:08I feel...
00:46:15Now, do you think they'll actually pay us?
00:46:17They better, or I'll break their legs.
00:46:20Ooh, is that what gallery owners do?
00:46:22That is what gallery owners do.
00:46:24That is why I got into this business, for the danger.
00:46:26Oh, wow, okay. Back up.
00:46:31Let me ask you.
00:46:33Amanda Geisler was pursuing you heavily,
00:46:35and her gallery is established, so...
00:46:38why did you go with me?
00:46:40You were more beautiful.
00:46:43Really?
00:46:45And...
00:46:45I didn't want to share.
00:46:47Ah.
00:46:48The real reason.
00:46:50Oh, you were willing to go all in on me for a solo show.
00:46:54And I appreciate that commitment to risk.
00:46:58The feeling's mutual.
00:47:02And you are more beautiful.
00:47:09Yeah.
00:47:09Yeah.
00:47:13So, have you always loved artists?
00:47:16I love art more than I love artists.
00:47:18Come on, you like me!
00:47:19Well, you're the exception.
00:47:23So, why did you choose me?
00:47:27Your work was the most beautiful.
00:47:34You know, when I look at you, I see colors.
00:47:41Really?
00:47:43I found out there's something different about my brain.
00:47:47When I see colors, I hear music.
00:47:50And when I hear music, I see colors.
00:47:52That's called synesthesia.
00:47:54Yeah.
00:47:56I look up at the sky, and I see blocks of color moving.
00:48:01And I hear music.
00:48:03And everything about us.
00:48:07It's color.
00:48:08The music.
00:48:12My brain.
00:48:19I love that.
00:48:28You know, there's something in my room I want to show you.
00:48:35Would you like to see it?
00:48:41I'm sorry.
00:48:44Everything okay?
00:48:46I'm just waiting on a message.
00:48:49Um, I don't have any bars here.
00:48:51I think I have to go find some reception.
00:48:56Look, your husband's probably working late.
00:48:59Can you just...
00:49:01be here?
00:49:03I can't.
00:49:04I might have made a huge mistake at home.
00:49:07Excuse me.
00:49:07I have to...
00:49:08I have to get a hold of Owen.
00:49:09I think we should just say goodnight now.
00:49:11I think.
00:49:12I'm sorry.
00:49:21Come on, come on, come on, come on.
00:49:24God, come on.
00:49:25Come on, come on, come on, come on.
00:49:52You sure you just don't want to help me with my reel to get my foot in the door?
00:50:00You want to answer that?
00:50:02Yeah, I should.
00:50:03You should.
00:50:09Hi.
00:50:10Hi.
00:50:12Finally, you answered.
00:50:14Yeah, everything okay?
00:50:16Yeah.
00:50:18Did I wake you?
00:50:19What time is it there?
00:50:21It's after 7am.
00:50:24I tried to text and call you last night.
00:50:27Uh, yeah, they just came through now.
00:50:29Oh, it must have been a bit late.
00:50:34How'd it go?
00:50:36Great.
00:50:37We sold five paintings.
00:50:40Five.
00:50:41It's not important.
00:50:44No, it is.
00:50:47Did you, uh, end up at Gramercy Bar?
00:50:55Oh, and did you go to Gramercy last night?
00:51:00I got, yeah, I got a quick drink and then I came home.
00:51:08I'll see you tonight.
00:51:09I'm coming home early.
00:51:11Oh?
00:51:12Yeah, well, mission accomplished.
00:51:14You know, I have so much work to do I have to get back.
00:51:19All right, well, you should probably get to bed.
00:51:22I'm sure it's late there.
00:51:24Yeah, I bet.
00:51:29Owen?
00:51:36We're okay?
00:51:40Are we?
00:51:41Yes.
00:51:43Yes.
00:51:45I love you.
00:51:48Love you too.
00:52:13Hey.
00:52:14Sit down.
00:52:16Where you going?
00:52:18I have to go home now.
00:52:20But our tickets are for tonight.
00:52:23You understand why I have to get back.
00:52:27No, Brooke.
00:52:29If you have feelings for me, if...
00:52:31there are feelings here, then...
00:52:34let's not judge it.
00:52:36Let's not resist it, like...
00:52:41I can't stop thinking about you.
00:52:47You worked so hard to get here.
00:52:51I'm yours.
00:52:54I'm sorry.
00:52:56I have to go.
00:53:08I'll find a place for it, but you can't call it Brooke.
00:53:12And how about...
00:53:14dreams in Paris?
00:53:16That's even worse.
00:53:29Hi there.
00:53:31Oh, hi.
00:53:33You're early.
00:53:34Um, that's okay.
00:53:36But...
00:53:48This...
00:53:49What?
00:53:52Was that the artist that just left?
00:53:55Yes.
00:54:04Okay.
00:54:06So...
00:54:06What do you have for me?
00:54:09Alright, uh...
00:54:10I have to tell you something.
00:54:13I let something happen that I shouldn't have.
00:54:17Okay.
00:54:22My phone died.
00:54:25You died.
00:54:26Yeah, I...
00:54:27have too many apps or something.
00:54:30Um...
00:54:30I don't know what's around with my battery.
00:54:32It's a...
00:54:33it's a new phone...
00:54:34too, so I...
00:54:36didn't get any audio.
00:54:38What about video?
00:54:39Video guy didn't show.
00:54:41Yeah.
00:54:43I know it looks really bad.
00:54:47Um...
00:54:49Nothing happened.
00:54:50He was completely faithful to you.
00:54:52He passed.
00:54:56Can I get you coffee?
00:54:57Water?
00:54:58Yeah, I have to be somewhere, so...
00:55:00What?
00:55:01You must have a little time to tell me what happened.
00:55:04Please, sit.
00:55:07Um...
00:55:08Okay.
00:55:11Yeah, I, uh...
00:55:14I got to the bar.
00:55:18So, no set-off set?
00:55:20I spotted your husband.
00:55:22Um...
00:55:22Okay, wait, hang on.
00:55:23You're forgetting the last time you got drunk,
00:55:25you tried to find a house for every homeless guy in York City.
00:55:27I don't remember that.
00:55:28Yeah, exactly.
00:55:29Come on, let's go.
00:55:30Fuck, come on.
00:55:31There's one more.
00:55:32That's when I noticed my phone was dead.
00:55:35No, I gotta go.
00:55:37I'm pretty sure Eleanor put a tracking app on my phone.
00:55:40Hi there.
00:55:42He was getting ready to leave with his friend,
00:55:44so I sold him by asking a question about journalism.
00:55:48Let me ask you a question.
00:55:50Okay.
00:55:51Do you and your wife have a top five list for a hall pass?
00:55:55What, like a list of celebrities
00:55:57that we give each other permission to sleep with
00:55:59if the opportunity ever presents itself?
00:56:01Exactly.
00:56:02No, no, what?
00:56:03Brooke would never go for such a thing.
00:56:05What?
00:56:06Ever.
00:56:06Hmm.
00:56:08Why, who's on yours?
00:56:10Well, I got my boyfriend to agree to a list,
00:56:12but it's, um, it's kind of eclectic.
00:56:17No judgment.
00:56:18Hmm.
00:56:22Okay, come on, just tell me who's number one on the list.
00:56:26Well, it's not number one, I'm afraid to tell you.
00:56:28It's number four.
00:56:32Number four?
00:56:34Yeah.
00:56:35The suspense is killing me.
00:56:37Number four.
00:56:40I'm unsure.
00:56:44Shut up.
00:56:46There's some news you can use.
00:56:51We talked for 20 minutes.
00:56:54I gave him some openings,
00:56:55but he clearly was not into me at all.
00:57:02I thought maybe if I could get him to have another drink,
00:57:05it might up my chances, but he would not have one more drop.
00:57:15He was a perfect gentleman.
00:57:18Completely clear about where he stood.
00:57:22Aren't you bothered that no one's talking about the homeless crisis anymore?
00:57:24I'm so bothered.
00:57:28I tried to reach you.
00:57:29I texted you the code to call it off, but you never responded.
00:57:33Well, you didn't need to, because he wasn't interested.
00:57:35So you talked about work for those 20 minutes?
00:57:38Yeah, we talked about the business.
00:57:40We talked about how to get a leg up.
00:57:44Breaking in.
00:57:46Huh.
00:57:48Owen gets uncomfortable when he's approached about work.
00:57:52That wasn't my perception.
00:57:54Okay, well, right now I'm getting your perception,
00:57:56but what I need are the facts.
00:57:59The fact is this.
00:58:01Your husband passed the test.
00:58:02I made some clear advances, and he declined.
00:58:06Amy, I have no proof that you were even there.
00:58:10I have proof.
00:58:14Uh, this is a napkin that he autographed.
00:58:20What?
00:58:20So are we good?
00:58:23I have to pay you.
00:58:27Right.
00:58:31You know what, I'm not gonna take that.
00:58:34But it's not your fault that your phone died and the video guy didn't show.
00:58:37Right?
00:58:40Please.
00:58:41Take it.
00:58:45Thanks.
00:58:50You should come to the opening tonight.
00:58:52You can meet Ansgar.
00:58:54Will your husband be there?
00:58:56What does it matter?
00:58:58I think he'd enjoy it.
00:59:05Dog wedding's at a chapel.
00:59:07Right. Oh, that's why you're going to Vegas, is it?
00:59:15Well, it's late. Uh, should we all get going?
00:59:21Uh...
00:59:23Just us, then.
00:59:39There you are. I need to tell you something.
00:59:40Are you fucking crazy? What are you doing? You can't be here.
00:59:44You have no idea what's going on here.
00:59:45I think I do.
00:59:46No, you actually don't.
00:59:47Hey.
00:59:48Hey.
00:59:49Found you.
00:59:50So, uh, fancy grabbing a drink?
00:59:53I really should go.
00:59:55Honestly, slowly. Come with me.
01:00:04Brooke, I'm leaving. I'll see you in the morning.
01:00:09Oh, the husband scowls in the shadows.
01:00:12Fuck off.
01:00:14Fuck off.
01:00:15Oh, fuck me, newsboy.
01:00:16Yeah, fuck you.
01:00:22Help!
01:00:24Help!
01:00:25Help!
01:00:27Get...
01:00:27Get off of me! Get off!
01:00:29What is wrong with you?
01:00:30Are you a man so jealous he can't control himself?
01:00:33You're fucking crazy!
01:00:34Fuck you!
01:00:35Are you okay? You're bleeding.
01:00:36I'm fine.
01:00:36Oh, my God. Do you need to go to the hospital?
01:00:38I'm not going to the hospital.
01:00:39I'm fine.
01:00:41She's right. You're a mess.
01:00:42Look, I'm going...
01:00:44If you want to grab a drink, let's go.
01:00:45Okay, fine. Fine. Let's go. Let's go.
01:00:49Are you hurt?
01:00:51Physically.
01:00:58I'm dropping him.
01:01:00Okay, let's go home.
01:01:09Owen, are you sure you don't know that woman?
01:01:12The one that was with Ansgar?
01:01:13I don't know her.
01:01:16So you didn't meet her at Grand Mercy Bar when I was in Paris?
01:01:19I thought I remember.
01:01:23Do you remember this?
01:01:33What?
01:01:35She gave this to you?
01:01:36When did she give this to you?
01:01:38What did she say?
01:01:39Well, I want you to tell me.
01:01:43I don't understand.
01:01:47She gave that to you?
01:01:48Yeah, she did.
01:01:53Okay, maybe I gave her an autograph.
01:01:55I don't remember, you know?
01:01:56It was crowded and I can't...
01:01:58So you talked to her.
01:02:01I just don't understand why you couldn't say that to begin with.
01:02:08Honestly, it was all a blur.
01:02:11Okay?
01:02:12Okay, look.
01:02:13All right, I...
01:02:16Right.
01:02:18I was leaving with Adam.
01:02:19Some girl comes up.
01:02:20She asks for an autograph.
01:02:23Is this thing we need to make a big deal out of?
01:02:25A girl at a bar?
01:02:27Do we need to make a big deal about it?
01:02:31Who told me?
01:02:34I don't know.
01:02:35She's a fan.
01:02:36She can say anything.
01:02:37Like what?
01:02:38Who knows?
01:02:39Crazy shit.
01:02:41You think she would do that?
01:02:44You never know.
01:02:46Like...
01:02:46Look, you try to be nice.
01:02:48Give an autograph.
01:02:49Give him a picture.
01:02:52Wait, you took a picture with her too?
01:02:55Yeah.
01:02:56Yeah.
01:02:58On her cell phone?
01:03:00Yeah.
01:03:01She said she was gonna put it online.
01:03:04Which I was not very happy about.
01:03:06Are you sure she used her cell phone?
01:03:08Yeah, Adam took the picture.
01:03:11Look, what difference does it make?
01:03:15You're lying.
01:03:19No, I'm not.
01:03:21I want you to tell me exactly if something happened more than what you're telling me.
01:03:30Don't lie to me.
01:03:37All right.
01:03:39All right, what?
01:03:40You're right, okay?
01:03:41There's more to the story.
01:03:44There's a story?
01:03:48Look, okay, I never meant for things to get out of hand.
01:03:52What?
01:03:53I...
01:03:54You were spending a lot of time with him.
01:03:56And I was losing it.
01:03:58Oh, my God.
01:03:58Okay?
01:03:59What did you do?
01:04:01Oh, my God.
01:04:02Um, can we pull over?
01:04:04Can we just...
01:04:04Can we just go?
01:04:05No, no, no, no, no.
01:04:06I need to get out.
01:04:07Can you let me out?
01:04:08Brooke.
01:04:08No, can you stop the car?
01:04:09Can we just stop the car?
01:04:10Stop the car right now.
01:04:11God damn it!
01:04:15Brooke.
01:04:16Brooke.
01:04:17Hey.
01:04:18Hey, just come back to the cab.
01:04:19Okay?
01:04:19We can go home and talk.
01:04:20Just say what you have to say.
01:04:23Oh, my God.
01:04:24You can't even say it.
01:04:32Brooke!
01:04:33Hey.
01:04:34Hey.
01:04:36I made a mistake.
01:04:37Don't touch me.
01:04:38You have to hear me.
01:04:39Okay?
01:04:39In all the years we've been married, I have never done anything inappropriate.
01:04:43I've never done anything to undermine our relationship.
01:04:46Owen.
01:04:47Did you have sex with her?
01:04:53You had sex with her?
01:05:00I feel terrible.
01:05:02Okay?
01:05:03I don't know what...
01:05:04I'm sorry.
01:05:05Brooke, please.
01:05:06Just listen.
01:05:08Okay?
01:05:08Just listen.
01:05:09Hey.
01:05:09Get away from me!
01:05:16All those women at work that you go on trips with, your late night outings.
01:05:20Give me your phone.
01:05:23Can you please just go home?
01:05:24No!
01:05:25I want your phone to look through all your texts and everything right now.
01:05:28I don't care about you.
01:05:28I want my friend to know you.
01:05:28Go home!
01:05:29I wasn't sure what happened, weren't you?
01:05:34I'm not sure what happened, girl.
01:05:34Yeah.
01:05:36You're not sure what happened.
01:05:45You're not sure what happened.
01:05:48Oh.
01:05:57You're not sure what happened.
01:05:57I've never had a moment.
01:05:58home. I can never even love you at all. I can. I know the truth. Oh no. What did you
01:06:10do?
01:06:17You don't understand. I actually met your wife a few days ago. What are you talking about?
01:06:25She hired me. Hired you? Yes. For what? Like a job at the gallery? No. Then for what?
01:06:37She hired me as an operative. A decoy. What? I knew you'd be at Gramercy that night.
01:06:51What? She set me up? Yes. You were supposed to have sex with me? No. No, okay? That was my
01:07:03own
01:07:03fuck up because actually you really are number four on my list.
01:07:21I'm sorry. I don't want to talk about it right now.
01:07:23I'm sorry.
01:08:24Hey, did you just call?
01:08:25We've got lots of Senator McVeigh tips coming in, so keep your phone close by.
01:08:29Kim says we'll send you out on the best lead if we can confirm the address.
01:08:32Oh, I didn't want to text this because I know it's a surprise,
01:08:36but my aunt said her Paris apartment is all good for you and Brooke if you want to purchase a
01:08:40message.
01:08:40Okay? So call me. Bye.
01:09:18Oh, my God.
01:09:46What are you doing here?
01:09:48What are you doing here?
01:09:49I live here.
01:09:52Amy just went inside.
01:10:05This is the situation.
01:10:08Oh, shit.
01:10:11Did he call and tell you I wasn't here?
01:10:14Did you rush over?
01:10:15She just wanted us all to be on the same page.
01:10:17Look, I realize I crossed a line.
01:10:19Yeah, when?
01:10:21What?
01:10:21When did you decide to cross that line?
01:10:23I was enjoying our conversation.
01:10:26How about what?
01:10:26Your boyfriend that you're very much in love with?
01:10:28I had a hall pass.
01:10:30Oh, really?
01:10:30What?
01:10:31Oh, protecting your little prostitute?
01:10:33I'm not the one who paid her to have sex with me.
01:10:35She wasn't.
01:10:36You weren't supposed to do that to me.
01:10:40I thought that you would be able to say no.
01:10:42I was banking on the proof and in comfort of knowing with 100% certainty that my husband would be
01:10:46faithful.
01:10:48I thought that, you know, even if I...
01:10:52What?
01:10:54Say it.
01:10:55Say what you did to me.
01:10:56Even if I created the circumstances...
01:10:59I have never made a move in my life that wasn't about you.
01:11:03And you're right.
01:11:04I fucked up.
01:11:06I reacted.
01:11:08And I did something wrong.
01:11:09But the ironic thing is,
01:11:12just for a second,
01:11:13I thought, yeah.
01:11:16I'm doing something fucked up.
01:11:19And I'm doing it for me.
01:11:20For me.
01:11:21Just for once.
01:11:23But it wasn't.
01:11:26You did this to me.
01:11:28Fuck you.
01:11:29Okay, I...
01:11:30just really have to say, for the record,
01:11:33that I have always been completely professional
01:11:36and I have never had an incident like this before.
01:11:39You really have no shame.
01:11:43That might be true.
01:11:46But you know what?
01:11:49I'm not the one who dangled a chick in front of my husband
01:11:52to see if he'd fuck her.
01:11:55I don't know why you'd mess all this up.
01:12:00We have a really nice apartment.
01:12:01I don't know why you're here, man.
01:12:13Hey.
01:12:16Hey, what?
01:12:19You want to talk about it?
01:12:48I need to know, Brooke.
01:12:53Did anything happen in Paris?
01:12:59No.
01:13:02Full honesty.
01:13:04All cards out on the table.
01:13:06No, I'm not going to answer that question.
01:13:11Well, would you please fucking answer that question?
01:13:16Were you unfaithful to me?
01:13:20And what if I was?
01:13:23Meaning?
01:13:26I may have made a huge mistake at home.
01:13:28I...
01:13:28We should just think at night.
01:13:30No, I think.
01:13:30I'm...
01:13:31I'm sorry.
01:14:01Oh, it's cheating on me.
01:14:04I know it.
01:14:05I can...
01:14:06I can feel it.
01:14:10Cheating.
01:14:11Cheating, as in fucking someone who's not me.
01:14:17That's all my fault.
01:14:26Hey.
01:14:29Can I show you something?
01:14:39Hey, come on.
01:14:41Come on.
01:14:42I want to change
01:14:45your mind
01:14:48I bring you in
01:14:52close to me
01:14:54I want to change
01:14:58your mind
01:15:01your mind
01:15:01I bring you in
01:15:04closer
01:15:07I want to change
01:15:10your mind
01:15:13I bring you in
01:15:17close to me
01:15:21now can you see
01:15:22now can you see that corner there
01:15:24two years ago
01:15:26no sleeping there
01:15:28that sidewalk
01:15:31I don't know
01:15:33I was drawing pictures
01:15:35on the walls
01:15:35with chalk
01:15:38some people help me
01:15:41or you most of all
01:15:45and I'm here
01:15:49and you're here
01:15:55look
01:15:57if I went away somewhere
01:16:01that's good news
01:16:04it means you're free
01:16:06to do whatever you like
01:16:09no rules
01:16:25I live for each moment
01:16:32when do you think it matters
01:16:33to the universe
01:16:36do you kiss me
01:16:40or not
01:16:43I want to change
01:16:46your mind
01:16:50and bring you in
01:16:54close to me
01:16:56I want to change
01:16:59your mind
01:17:02and bring you in
01:17:07close to me
01:17:09be totally with me
01:17:13totally
01:17:13with me
01:17:20in this
01:17:22exact moment
01:17:26all cards on the table
01:17:28as they say in Vegas
01:17:30baby when you tie
01:17:32it's a push
01:17:34meaning what
01:17:37meaning you hiring Amy
01:17:39makes us even
01:17:40meaning what
01:17:56I can't
01:17:59meaning I don't have to tell you
01:18:02and that's what makes us even
01:18:12I don't have to tell you
01:18:16I don't have to tell you
01:18:17I don't have to tell you
01:18:17I don't have to tell you
01:18:18I don't have to tell you
01:18:18I don't have to tell you
01:18:18I don't have to tell you
01:18:19I don't have to tell you
01:18:19I don't have to tell you
01:18:20I don't have to tell you
01:18:21I don't have to tell you
01:18:22I don't have to tell you
01:18:22I don't have to tell you
01:18:23I don't have to tell you
01:18:24I don't have to tell you
01:18:28I don't have to tell you
01:18:38I don't know.
01:19:17Wait.
01:19:20Are you coming back for Christmas?
01:19:30Is this it?
01:19:38No.
01:19:51Your Vegas ticket?
01:19:56No.
01:20:06Departs in three hours from JFK.
01:20:12Christmas in Paris.
01:20:16Two tickets.
01:20:17No.
01:20:34No.
01:20:36No.
01:20:36No.
01:20:37No.
01:20:38No.
01:20:40No.
01:20:42No.
01:20:57No.
01:21:01No.
01:21:03Do you want to make some hot cocoa?
01:21:14I can't get my money back.
01:21:34I can't get my money back.
01:21:37I can't get my money back.
Comments