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How To Get To Heaven From Belfast S01E07 [Full Movie] [Free Online HD]Full EP - Full
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00:00I don't know.
00:36Ah, there you are.
00:41It looks so beautiful today.
00:44You look so beautiful today.
00:47Yes, please, stop it.
00:50They told Mum you'd pick her up from the station today.
00:52Daddy said I can stay over at Claire's.
00:54Check with your mother is what I actually said.
00:58Time to get in there?
00:59Mum, yes, fine.
01:01One o'clock, I think.
01:02I'll be there.
01:04See ya.
01:05Love you.
01:18See ya.
01:44You should always keep your front door closed.
01:48You never know what might get in.
01:56I wanted to have this conversation in Portugal.
02:00But you left in such a hurry.
02:03My family, my husband and my daughter, they don't know.
02:11You mentioned that in your letter.
02:13And what did you tell them about why you were cutting your holidays short?
02:17I lied.
02:19I've got very good at that.
02:21I expect you have too.
02:24Hmm.
02:26Hasn't been easy.
02:28Tracking you down.
02:32I even found myself back there.
02:37Heavensvale.
02:39It's a ghost town now.
02:43No.
02:44Afterwards, everyone left.
02:46Well, not everyone.
02:50Your mother's still there.
02:52What?
02:54Well, thereabouts.
02:56She's very ill now.
02:58There's this place on the outskirts.
03:01I thought you might...
03:02What?
03:03Visit her?
03:04Yeah.
03:06Maybe not.
03:10We were just two little broken dolls, weren't we?
03:20I want you to have something.
03:23I've got one, too.
03:25It's a...
03:26It's a friendship bracelet.
03:30We were friends once.
03:34You didn't come all this way to give me a friendship bracelet.
03:40I have the most wonderful news.
03:45When I saw you in Portugal after all this time, I knew it was a message.
03:50I knew it was him.
03:52I knew he'd brought you back to me.
03:56Who?
03:57Please tell me you're not talking about God.
03:59After everything that happened.
04:02The signs, they were strange at first.
04:07Especially the photographs.
04:08And not just photographs.
04:11He comes to me in my dreams, appears in the faces of strangers.
04:14Who?
04:16Charles Sampson.
04:21You look frightened.
04:24This is fucking terrifying.
04:25It's beautiful.
04:27It's God's will.
04:28What is...
04:29What does he want?
04:31For Charles to be at peace.
04:33For us to seek redemption.
04:36And for his son to have the answers he deserves.
04:39He had a son.
04:41Did you know that?
04:44I shut it out completely.
04:46The idea that Charles was a person with a past.
04:50And when the vision started, I got curious.
04:53He's studying journalism.
04:56The son, Andrew.
04:59His name's Andrea.
05:03We need to tell him what happened.
05:13I'd like you to leave.
05:29We're being given an opportunity here.
05:32A gift.
05:33Great.
05:34You take it.
05:35Keep me out of it.
05:37But I don't know what happened to him afterwards.
05:39His body, I mean.
05:41Because I dealt with it.
05:43For you.
05:44Yeah?
05:45To protect you.
05:46You felt guilty.
05:49Because you were clever.
05:51And interesting.
05:52You were worth saving.
05:54And I wasn't.
05:56But it's okay.
05:58It's all okay.
05:59Now.
05:59Get out.
06:02I'm not going anywhere.
06:06I'm calling my husband.
06:09It's too late.
06:11I rang his son.
06:12I told him to come here.
06:16I'll deny it.
06:19I'll deny everything.
06:20I still have the tape.
06:24What?
06:25I kept it.
06:27Locked it away in a little box.
06:29Are you blackmailing me?
06:30I'm guiding you.
06:32Guiding you into the light as God wants me to.
06:36You need help.
06:37For everyone practicing evil hates the light.
06:39Lest his deeds should be exposed.
06:41But he becomes into the light.
06:44His deeds may be clearly seen.
06:46And may have been done.
06:48In God's name.
06:49Fuck.
06:51I'm on the phone.
06:52I'm not there.
06:54I'm not there.
06:55I'm somebody else.
06:56No.
06:58Oh.
07:02Oh.
07:04Oh.
07:05Oh.
07:06Oh.
07:07Oh.
07:11Oh.
07:19Oh.
07:22Oh.
07:22Oh.
07:23Oh.
07:24Oh.
07:26Oh.
07:27Oh.
07:28Oh.
07:29Oh.
07:29Oh.
07:30Oh.
07:31Oh.
07:32Oh.
07:32Oh.
07:32Oh.
07:32Oh.
07:33Oh.
07:33Oh.
07:34Oh.
07:34Oh.
07:35Oh.
07:35Oh.
08:24We know who killed him. We can describe her.
08:26Yeah, and they'll ask why she killed him.
08:28Well, to get to us. Because we had something she wanted.
08:31Well, that's my concern. The whole how we came to be in possession of that something question.
08:36Nothing any like being thrown in the general fuckery we've involved ourselves in lately.
08:39We haven't actually done anything wrong. Anything that wrong.
08:43Oh, I just want to get out of Donegal. Weird things happen in Donegal. Donegal is weird.
08:52No offence.
08:55We need to get to Belfast.
08:57But we can't pay you.
08:58Well, aren't you a trio of charmers?
09:00For some Duggar cards or phones.
09:02But you can have my jewellery.
09:03Why the hell would I want your jewellery?
09:05I'm a bus driver.
09:06Not a thick and highway man.
09:10On you get.
09:13Are you sure we should do this?
09:15We'll have to do this.
09:17For Liam.
09:20Nora O'Hara gave a child a daughter up for adoption in 1997.
09:24Greta.
09:24Has to be.
09:25Though the child's name doesn't appear on any of the paperwork, which means something really messed up happened.
09:30And it would explain why Nora wasn't allowed any contact.
09:33Whatever it was, it was big enough, insane enough, to make any information about Greta's life with Nora just disappear.
09:41Perhaps that's what your father was circling.
09:43And maybe he got too close to something.
09:45We know he was meeting someone on the school grounds that night.
09:48Then there's the symbol you saw in the caretaker's cottage, the one from the notebook.
09:52Liam, is this really the way to go about it?
09:55It feels quite risky.
09:57For you, I mean.
10:00Well, I was shot in the chest yesterday, so...
10:03No, fuck it.
10:08Welcome to South Belfast.
10:10Very important police station.
10:12No more inquiries, please report to the front desk.
10:28Christ.
10:32Surprise!
10:36Yeah, babes.
10:38This finally happened.
10:40We lost one.
10:41Ah, fuck.
10:42It's quite the conundrum.
10:43Ross has called a meeting.
10:44Fuck!
10:45In Derry?
10:46In Derry?
10:47It's very much a headquarters situation, I'm afraid, babes.
10:50Fuck!
10:51Fuck!
10:54There's PhDs that are more straightforward.
10:56That's the same with any cross-border request.
10:58They make it so complicated.
11:00Yeah, but you're happy to use our lads.
11:02That makes it easier.
11:04Guards poking around up here at, um...
11:06They can get some people's backs up.
11:07I bet.
11:08And if anything kicks off, you guys don't even carry guns.
11:11Which is weird.
11:13Or is it weird that you guys do?
11:14Do you have the pencil?
11:16Sorry?
11:17Do you have the iPad pencil, sir?
11:18God, I must have left it at the, uh...
11:20I'll go get it.
11:21If you wouldn't mind, sir.
11:25Oh, my God.
11:31Hey.
11:34You forgot this?
11:36Yeah.
11:38You remember Andrew?
11:40I think we need to talk.
11:43Don't you?
11:45We thought you were dead.
11:48We thought she killed you.
11:50And we couldn't do anything, because that mad bitch locked us in a tower.
11:54Like Rapunzel.
11:56Why are you guys here?
11:57In Belfast.
11:58We'll get to that.
11:59Who is she?
12:01I don't know.
12:02Honestly, we don't.
12:03She just started following us.
12:04Did you have a vest on?
12:06What?
12:06Like a bulletproof vest.
12:07No.
12:08The box stopped it.
12:10That's insane.
12:11How lucky was that?
12:12Would have been luckier just to, you know, not have got shot.
12:15We think that's what she wanted, the tape.
12:17That makes sense.
12:18Someone took her from the hospital.
12:19It was being treated.
12:20Did you listen to it?
12:23No.
12:26Did you?
12:27It wasn't time.
12:29How did she come to have it?
12:31We found it.
12:33In Portugal.
12:35In Jodie Pryor's place.
12:36She wasn't there.
12:38But it was with her stuff.
12:39The box.
12:40We thought it might have been a clue.
12:43That it might have been worth holding on to.
12:45Big fucking mistake.
12:50We were just so desperate to find out what really happened to Greta.
12:54Did you know she was adopted?
12:58No.
13:00Do you recognize this woman?
13:09Nora O'Hara.
13:13You're sure?
13:15That book there.
13:16Where'd you get that book?
13:18I left you a message about this.
13:20Yeah.
13:20Yeah, my phone got...
13:22Look, we only came here to report the fact that you'd been killed.
13:25It feels sort of redundant now.
13:27So, are we free to go or what's the crack here?
13:29You've nothing to hide, have you?
13:30I don't like your tone.
13:31I don't like getting shot.
13:33Would you ever fucking give over your grand, aren't you?
13:35Pardon, please.
13:35No.
13:36What right does he have to question us anyway?
13:38Like this here?
13:39We're in a PSNI station.
13:41He's a guard.
13:42You've no authority here.
13:43This is Northern Ireland.
13:44It's an entirely different country.
13:46Well, that was a swift abandonment of your nationalist ideology.
13:49Fuck, you know, sack this.
13:50Sit down.
13:51Ain't the will not, you fucking fetus.
13:53Let's go.
13:54Please don't.
13:55Please.
13:56I'm just trying to find out what happened to my father.
13:58Well, you'd have to ask Greta.
14:00I can't, can I?
14:00She's dead.
14:01Okay, fine.
14:03You want to hear something wild, Andrew?
14:05I need a cigarette.
14:09Do you have a cigarette?
14:12I'm sure I could find you one.
14:15Why don't you just grab some coffees?
14:34Why don't you lose the car?
14:37What's wrong with the car?
14:38It's fucking ridiculous.
14:40There's nothing wrong with the car.
14:42The car's class.
14:43You blame me, don't you?
14:44Of course I blame you.
14:45It's your fault.
14:48She syringed me, babes.
14:51She syringed the both of us.
14:53What could I have done?
14:54Not left your syringes lying about.
14:56You don't expect the threat to come from inside the house.
14:59Expect anything and everything?
15:01I thought I taught you that.
15:02Left the landline connected, for Christ's sake.
15:05I didn't know what it was, though.
15:06I thought it was some kind of Portuguese ornament.
15:08There was no need to get annoyed.
15:10Christ, you get hoist by your own syringe one time.
15:13Let's drop it.
15:14I don't understand why she did it.
15:15It's not like her problem's going anywhere.
15:18It doesn't make sense.
15:19People don't make sense.
15:21She's got her new ID, her new bank cards, and I was setting up a phone for her.
15:28She's easily traceable.
15:30She's not stupid.
15:30But she won't use them.
15:38The window's closing, and Rossa decides to call us to dairy.
15:42Well, there's no precedent.
15:44Yeah, this is the first, babe.
15:45It's not an achievement.
15:46Rossa's priority should be getting that gear back and shutting this down quickly.
15:50She's the boss.
15:51I'm aware.
15:51Christ, just such bad timing on the back of that hole while they're hollow blue.
15:59What are you on about?
16:00One of the delivery guys disappeared.
16:02Who, Jackson?
16:03Yeah, that's right.
16:04I blew Jackson up.
16:07Okay.
16:08Maybe you should have, like, told someone that, babes.
16:11He back-chatted me.
16:12You blew him up because he back-chatted you.
16:14I blew him up because I didn't trust him.
16:16The back-chatting just fast-tracked things.
16:18Why didn't you trust him?
16:19Remember that client we had?
16:21That young heir?
16:22She was trying to get away from that older guy.
16:24Real nasty prick.
16:25Do I remember?
16:27I was the one that had to wipe him out.
16:30I always wondered how he found her.
16:33Everything led back to Jackson.
16:36Why would he do that?
16:37Money.
16:38We should never have started working with men.
16:40We needed to.
16:41The operation's growing, babes.
16:43When it started, we were all volunteers.
16:46You remember?
16:47Well, those days are gone.
16:50Soon we'll all have to wear work uniforms.
16:53What?
16:54Rosa is talking about introducing a dress code.
16:58Apparently, some of our operators are...
17:02like, drawing attention to themselves.
17:05I can't think who she means.
17:07My ether, babes.
17:24Hello?
17:28Hello?
17:30Where is this?
17:32hello
17:42mom
17:46i love you
17:51mommy
18:10cold
18:12no i'm fine
18:14oh no please don't do that
18:16it's fine
18:17fine
18:25why didn't you tell me about
18:27andrew
18:30i don't know i didn't
18:31give it much thought or it didn't seem relevant
18:33which
18:35don't know
18:37before i found you in dublin
18:38i went to the set of your show
18:41spoke to seb
18:42you spoke to seb
18:43such a big machine
18:46but it all starts in your head doesn't it
18:49suppose
18:50i was thinking about what you told me the first time i was there
18:53about how you take bits and pieces from real life
18:57most shaders do
18:58you never worry the lines might get blurred
18:59the line
19:00between reality and story
19:04not really no
19:07if there's anything else you haven't told me i'd do it now saoirse
19:20see it in there
19:50hello
19:51the uh proposals with the superintendent
19:55what the excavation proposal for the school grounds
19:57it's with the boss now
19:59it'll take him a while to go through it though so we shouldn't hang about
20:01try to give him a call
20:09what's keeping them
20:10i don't know
20:39why would he pretend to be on
20:43it's the only way to get permission to do it
20:44it's the only way to get permission to do it
20:45did he what
20:46excavate the school grounds
20:47what the fuck
21:17he's not dead though i was just about to tell him that
21:19i can't tell them that not now don't you see if we tell them that now it's going to make
21:22us sound cornered and desperate and
21:24taxi
21:25we can't tell them we didn't do it we have to prove it
21:29i'll be back soon meet you by the bridge in an hour jesus christ
21:53oh sweetheart
21:59mum's alive
22:00mum's alive
22:04what happened dad
22:07who died what did you do
22:10your mother has secrets
22:20i didn't want this person i was to infect the people i love
22:25what do we do now margot
22:26i know someone who can help us
22:28i represent an organization that helps women
22:33that have nowhere else to turn
22:37allow me to explain the process
22:42i was just trying to protect you
23:00i didn't know who i could trust
23:06that's why i traced those friends first
23:09that's why i sent that message
23:14that's why i sent that message
23:17you sent the email
23:47i'm sorry
24:04i'm sorry
24:07what are you two doing here we're looking for you
24:09we were worried sick
24:11yeah you seen beside yourself
24:12like nobody could get a hold of you
24:13we lost our phones
24:15you lost your phones so how
24:16what's going on girls
24:17nothing's going on
24:18something's going on
24:19the disappearing acts the secrecy
24:21i'm gonna ask you a question girls
24:23and i want an honest answer
24:25yeah
24:25have you joined the ira
24:27nobody does the ira anymore mommy
24:29your cousin mary did only last month
24:31mary joined isis mommy
24:33what
24:33oh no sorry not isis
24:36booba
24:36oh how can mary afford that
24:38look i had searsha's parents on the phone
24:39they're gonna ring the police
24:40look searsha is fine
24:41we'll call them
24:42we'll tell them she's fine
24:43and we will make some tea
24:45we have tea
24:46we'll make more
24:49what is going on robin
24:50what is the plan exactly
24:52yes she gave that number the number from the lighthouse didn't she
24:55show me it
24:57i'm going to find out who gretta was calling
25:03oh hello
25:05it's a nursing home
25:06hello are you still there
25:08what should i ask
25:10i think there's a problem
25:11the mother's name
25:12what was it
25:14laura o'hara
25:15as for laura o'hara
25:16hello
25:17i'm very sorry i don't i don't know what happened there
25:20um could you put me through to nora o'hara please
25:23oh i'm afraid mrs o'hara's done terribly well at the moment
25:26can i help with anything
25:27i'm just trying to get in touch with her daughter
25:29oh i see well i can pass on a message when she arrives if you like
25:36could a fox have dug up the body can they do that
25:39is that is that asking too much oh my god baby
25:42where have you been have you got a
25:44i don't want to talk about the fucking cow
25:45who are these guys they're the writers what i'm the writers
25:49the writer i'm the writer
25:51you asked us to hire them who didn't
25:53you sent us an email when
25:58hi there this series is so annoying i just almost
26:02fucked my laptop at a window i can't do it on my own anymore
26:05hire some fucking writers not shit ones
26:07see if she kiss
26:11yes i see well i was obviously a few margaretas down at that point
26:15it is such a pleasure to meet you i have been
26:19you don't have to do the thing yep okay that's just like jesse he can't handle praise either
26:23he was just been on jesse armstrong's new show
26:26is she he's such a genius yeah so i hear anyway we need to change the story strand like quickly
26:32like
26:32immediately what which one uh yes yes this here when the when the kids bury a body in the school
26:39we're filming this soon we should have filmed it already but we had to push it down the shirt
26:43all right it's getting pushed all the way out of the show that will have a huge knock on the
26:48entire
26:48second half of the series will need to be re-plotted we put our lunch order in 45 minutes ago
26:52but
26:53there's still no sign what's that got to do with anything sorry i thought we were talking about
26:57things that were worrying us this is why jesse maps everything out in such intricate detail
27:01i hear his catering's amazing oh he curates the menus himself he's across everything
27:05it's actually really tough to be that much of a perfectionist yeah poor old jesse
27:09fucking armstrong look we need a new idea okay any new idea we need to make this work otherwise
27:18what what is it
27:23otherwise it's never going to go away
27:29session what are you doing borrowing the card you're leaving just come up with a new idea me it'll
27:35be great i trust you
27:42jesse would have stayed this isn't really my bag well obviously it's like fashionable all right then
27:49look you do well to dress a bit more like me dar
27:52lesbians love me i'm gonna have to object to that statement on behalf of my people remember that big
27:57gay street party thing we went to pride that woman that barrister she proposed to me she was quite
28:02drunk robin she didn't propose to you i am not wearing this fine i'll get you something of gems
28:15dear jody i'm truly sorry for how things turned out don't look for me again don't contact me again
28:22i want to move on please let me this might explain things better greta
28:29of course
28:34stop here pull over cheers
28:54girls
28:56smoke you smoke the bitch out oh she'll not know what's hit her i'm not taking the fall for
28:59something she did no sir fucking ray i'm not going down for no one time to face the music
29:04asshole she's had about 17 coffees i remember worse off this book in jody's apartment and that letter
29:11we find with the box the one greta sent jody it says this might explain things better okay so you
29:16think greta sent it
29:18shit jim where the hell have you gone now calm down jim you took my iphone how do you know
29:25that
29:25because i'm calling you on it oh and thanks for ringing saoirse's parents oh no wait you didn't
29:33because they're here my parents are there oh it's the woman herself hi saoirse love i hear you and the
29:40girls have joined the ira so we didn't even know they were still in action listen robin i don't know
29:47if you're having some sort of breakdown i'm not having a fucking breakdown jesus i take a few days
29:51away at my friends aren't you always sailing off to london to make the money we need to keep our
29:57family after the kids for the best part of a decade i keep our fucking family look i know that
30:04love
30:05and i appreciate that all i'm asking is for one more day the nursing homes near cork two more days
30:11do you think you could mind your own children for two days james of course all i'm asking i will
30:17be
30:17taking no further questions at this time ball bag
30:26the excavation request is being processed but even if we do get permission and nobody up here found out
30:32you're not actually inspector o'neill right the area we're looking at well it's vast the skill
30:37grounds well we're thinking the caretaker's cottage though it's surrounded by woodland andrew we might
30:43might get one shot at doing this we need to be more specific i've so little liam
30:53i spent my whole life trying to shape what little i have trying to understand who he was
31:01i mean that's the only reason i'm studying journalism christ's sake i don't even know if i'm any good at
31:06it
31:07feels like he's a character in a story everything about him is just so vague and fragile
31:15i always thought that if i could just find him
31:21i don't know then i could make him real
31:26but that sounds so mad right we're all trying to make sense of something to find light in the dark
31:38hoping to write my balance out of wrong
31:42so is that why you're helping me liam or just a good deed that that might undo a bad one
31:52what made you move to knock dora something happened when you were working in dublin
32:00you know what andrew i think you'll make an excellent journalist
32:24welcome to madamorphosis
32:29if you just need any assistance just ring the wee princess bell
32:32no we won't be doing that we have an appointment
32:36not names please no sorry we're in the other book
32:39the other book the older book of course right
32:47i am so so sorry i'll sign us out of course
32:54it's such an honor to meet you
33:04come on we've been driving for ages i'm starving this story is fascinating so it's this young girl
33:10and she's trying to move on from this very traumatic event that's well it's just referred
33:15to you as the big bad where the hell are we the big bad no signal no road signs are
33:22we lost i'm not even
33:23sure what kind you were in anymore perfect let's ask here
33:41excuse me you were wondering if there was a hotel or b&b nearby that you might recommend do i
33:48look like
33:48the tourist board i'm sorry do i look like a freaking tourist board well no you buy something
33:59and then we talk we were gonna buy something
34:06cheeky wee shake yeah anyway she the the writer she doesn't ever reveal what happened
34:14what the big bad actually was
34:18the the argument that she seems to be making is it's not relevant which is sort of the opposite of
34:25what you'd expect the thinking around trauma to be and this seems to be about making a distant
34:30dream like disassociating from it
34:46what's a motel down the road from here i didn't even know we had hotels cars oh card oh card
34:54please
34:55what's a motel down the road from here i don't know we had hotels
34:59uh no shit wrong one
35:01uh
35:02uh
35:03uh
35:03uh
35:03uh
35:19uh
35:19uh
35:25uh
35:30uh
35:40uh
35:45uh
35:55ladies ladies ladies i think that's all of us
36:04so as some of you probably
36:07already know we've had an incident with one of our clients they left
36:14before we'd completed the operation there's a first for everything i suppose rossa before we get
36:22into that there's another issue i'd like to discuss
36:25but i'm sure it couldn't be quite as present
36:28oh it is
36:37jackson yeah jackson
36:40jackson's left the building i'm afraid apologies to anyone who was searching for him
36:44i didn't mean to waste your time i had a lot going on
36:48didn't get the chance to circle back as they say
36:54why
36:56he'd been exchanging confidential information for money
37:00putting clients at risk are you sure i'm sure she has receipts babes i see we just need to make
37:08sure that he was the only one well of course we consider it a priority and look our awol client
37:16i just want to reassure everyone that we will find her quickly and pull her into line
37:21toads babes no it's it's not a matter of pulling her into line booker
37:42oh good evening my name is norman can i help you norman
37:50you own a motel and your name is norman i don't own it my father owns that what's his name
37:57norman do either of you practice taxi journey
38:02we just need a couple of rooms for the night
38:08do you know heaven's veil kyle now i mean that's a good bit further west you made direct calls
38:14stopping here i'm starting to question that so you've heard the story then what's
38:20beautiful place by all accounts but sure no one's lived there for decades it's a ghost town
38:26why's that because they all got spooked spooked a group of kids gathered in a little church one night
38:34then there was a fire most of them died eight of the poor little souls just doesn't bear thinking about
38:43it i mean it destroyed that community it wasn't deliberate oh it was deliberate all right yeah
38:51who started it they say it was the devil himself
39:01here we are now will you be wanting the mini bar stocks i think we're okay we're very tired
39:16oh i think the fuck's not on second thoughts we absolutely will be needing all the alcohol
39:25she is out in the wild with sensitive information what kind of message does that send to our other
39:33clients our more lucrative clients this is a business rossa when we started it wasn't
39:39it was a calling we wanted to help vulnerable women we wanted to help them escape from horrific
39:48circumstances now we'd help anybody escape if they've enough money
39:54help abusive men escape justice if they have enough money christ the erosion
40:08the erosion you are so obsessed with the past times have changed
40:20what fella's a weirdo i can't see anything about a fire in heaven's veil no you have to search the
40:25irish name what is it call you now she's done that have you spelled it right c-a-i i've
40:32got the right
40:32place it says a small irish speaking community lived there to the late 90s jesus christ what is it the
40:39book
40:42do you want to tell us what the you're talking about
40:48now look at this
40:53okay right so the first one heavens feel look at the second half of the author's name
41:00can't call you that's so similar call you means fail what does can call you mean
41:08unveiled
41:11greta
41:12unveiled
41:14this book's about greta girls
41:19i made a contract with this woman
41:22i promise to help her you're telling me that i have to kill her it is but harsh babes
41:32who brought the case do you no rosa i can't you can't this person helped me in the past in
41:44a
41:44professional capacity are they uh are they one of us well
41:50no oh i see uh the adoptive mother it's complicated yeah it always is
41:59was she the only family member who saw you
42:05no oh dear oh
42:10oh dear
42:16there must be another way booker
42:20we need to erase the line completely
42:24anyone who knew about the case anyone who can identify you anyone who knows we exist i have to
42:34protect the society you cannot leave the process
42:43so
42:46is there anyone else we need to manage
42:49so the psychiatrist who wrote the doll complex we're saying that's margot heaney
42:53mm-hmm yeah i think so and and i think that is what liam is circling as well oh that
42:59means
42:59and greta was margo's patient well she adopted a patient sure isn't that lovely and healthy
43:03well it's a big bad it happened to greta well could it be connected to the fire in the church
43:09so we know that jody and greta grew up in heaven's field
43:15jody's body had burn marks but they won't survive the fire did they know what happened or or who caused
43:20it still thinking probably not the devil okay we need to try and lay this out chronologically
43:28this is such a good idea it's a screenwriting trick it's how we plan everything out
43:32and all writers do this even the big ones big ones you know like uh like your mom
43:37jesse armstrong why are you so class you can pass me some more paper
43:46heaven's veil is our inciting incident the fuck is this
43:51oh god okay you wrote about it what was burying the body in the school grounds she used it in
43:58her
43:58stupid show i wrote it ages ago before any of this started out it's not even what happened it's
44:03inspired by oh my god i've asked for it to be taken out this is why they want to take
44:08up the ground
44:09and i just liam saw this seb sent those messages about the scraps
44:28what are you doing leaving you can't you can't leave
44:34you stupid selfish this is what you do you like chaos you surround yourself with it but
44:43i'm done we're done
44:56what did you expect
44:58seriously
45:12first the envelopes those letters and now this
45:16fuck knows what else she's done she's been manipulating this whole thing
45:19all along she's like a puppet on a string well i think that would be us the puppets on strings
45:24i think she's more the puppet master
45:30hello
45:33robin
45:36who's there
45:44can i come in sure
45:58the guy at the garage saw my id called the local station
46:02look i know what you think i don't even know what i think you think we killed charles samson
46:08we didn't innocent people don't run it's complicated it'd be less complicated when we
46:13find his body and i'm not gonna rest until we find his body
46:20maybe slow down a wee bit she's a fucking insane to her you know we're we need to start protecting
46:26ourselves here me and you we need to start distancing ourselves
46:34oh my god what was that i don't know
46:44he was dead when we got there that night at the caretaker's cottage
46:48gretta told us he attacked her he'd been hanging around for weeks she said he was an ex
46:55she said his name was jason meadows it was all lies everything she told us was a lie and i
47:03think i
47:04sort of knew that wait come here come here turn around
47:29i knew i'd seen it before charles samson drew that in his notebook yet you'd never even spoken to him
47:36we were kids when we got them gretta convinced us to
47:41greater again yes she's taken a lot of responsibility for a woman who wasn't here to defend herself
47:53what did you say i know what it sounds like her body was in the morgue
47:57judy prior's body was
48:02i can't see anything we had something robin well then where is it
48:13we're trying to find her gretta
48:18trying to find out who the hell she actually was and what exactly we are caught up in here
48:25i'm so sorry i've dragged you into all this i really am
48:30but all i was doing was trying to find out the truth
48:37what do i do with this
48:49what should i do now
49:00do whatever you want
49:01what do
49:19do
49:19do
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