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00:01:55No.
00:02:01But I love you.
00:02:04Do you want help?
00:02:06No, I always like to hear it.
00:02:08It's a matter of fact.
00:02:11You know, let's get out.
00:02:14There's nothing worth for your help and write about it in his dad's bed.
00:02:19Help is very important.
00:02:33Is that why you're so cautious?
00:02:37I keep a doctor on call 24 hours a day.
00:02:42This monster is not going to die.
00:02:44Not till I'm good and ready.
00:02:46Not till I give the word.
00:02:48He played again my way.
00:02:51My who?
00:02:54Right?
00:02:56Understood.
00:03:05Understood.
00:03:07Understood.
00:03:07Understood what?
00:03:10Understood, Miss Gloria, my beautiful boss.
00:03:14I don't know.
00:03:16Find me that clock.
00:03:19Where is it?
00:03:21Over there.
00:03:37You've got an appointment.
00:03:40Yes, Stuart.
00:03:41Medical.
00:03:43Everything completely magical.
00:03:45I have an appointment in an exactly 17 minutes.
00:03:52And on Fridays, I have my own.
00:04:00I had no idea you were drunk, weren't you?
00:04:03Oh, you see, I asked.
00:04:06Well, this is an appointment I never missed.
00:04:09Never.
00:04:12It's all right.
00:04:14You don't have to understand.
00:04:19It was really quite nice.
00:04:26Why did you tell your appointment to go away?
00:04:29Impossible.
00:04:31This isn't a social cause.
00:04:34You'd rather be home.
00:04:42Yes.
00:04:43It's all right.
00:05:05I'm sorry.
00:05:07It's all right.
00:05:10You didn't know things to be gone.
00:05:12No, no.
00:05:12The room needs airing out oh, that's sex now
00:05:20You know
00:05:32So many years with this kind of person
00:05:36You're never quite sure who it will be no matter how much money you spend
00:05:41Of course, you're a young people with your heart, heart, heart
00:05:46When you've had this kind of appointment for so many years
00:05:50It gives you a point of departure
00:05:55You can I can go wherever I want to
00:05:58See wherever I want to
00:06:02I have nothing in my life right now
00:06:04The reason that comes to the great deal of money
00:06:14I've missed that appointment for even a few minutes anywhere else now
00:06:21Payne
00:06:22I don't like payne
00:06:24Neither do I, it's valid
00:06:28Doesn't it be so?
00:06:29Payne doesn't have it for me
00:06:33At least I know where I am
00:06:37It's the point of a map that I can see you with my body
00:06:40I can set my compass on it
00:06:42Navigate and get through a mess through the day or
00:06:46Or
00:06:48Through any given situation
00:06:53Payne is the compass rose
00:06:56I can see you with my friends
00:06:57But anyway, I always have my rest on Fridays
00:07:09Well I know where I am
00:07:11Of course you do, you're here with me
00:07:13And so? What's the difference?
00:07:17Not too much I get
00:07:19Only those two of us
00:07:23Well I found my course too and I follow my stars
00:07:27Of course you do
00:07:29I may not know where I'm going but I know where I've been
00:07:33I know what the constellations mean
00:07:36Having reached me
00:07:43Can I meet you later?
00:07:45And let me take you out
00:07:49Where?
00:07:52Why don't you leave that up to me?
00:07:55I kinda feel like doing something wild
00:07:58To go to the East Village
00:08:00To see a North Elf blood weight play
00:08:03And some places you might enjoy
00:08:06Really enjoy
00:08:08It's quite different
00:08:11Oh, I was left now
00:08:12I'm going to sleep for a few hours
00:08:17What sort of places?
00:08:24I think that there're no other things
00:08:25Well I hope you don't expect me to where I believe you
00:08:27I always do fooling
00:08:29And I expect you to...
00:08:31Do the same
00:08:35Well where's my mole?
00:08:41Please
00:08:43No pictures
00:08:44Business is business
00:08:46So?
00:08:48Here, take the keys to the tower, charge me away, play with it all you love, please?
00:08:57We'll go where you love, I won't be hungry.
00:09:01You can show me your part of town.
00:09:10Oh, here, take the five inches, remember the five inches.
00:09:16It's in the envelope.
00:09:17Oh, please bring it to the tower.
00:09:51I hope this will prove your surgery, Miss Gloria.
00:09:54I'm sure that it will drop this out.
00:09:56Shall I administer it now?
00:09:58Not now, you know I like to have fresh blood, sir.
00:10:03Time, Miss Gloria.
00:10:06Don't worry, you'll be paying for your task.
00:10:09Put that stuff down.
00:10:12Here's the doctor.
00:10:15I...
00:10:17You stay right here, I'll be right back.
00:10:22I'll be right back.
00:10:31My dear dear, I do a while and my long work.
00:10:34Good afternoon, Miss Gloria.
00:10:37Come along, Miss Corbett.
00:10:47And how was our celebrated patient this Friday afternoon, hmm?
00:10:51My dear Dr. Weary, the same as always.
00:10:54Well, well, we must set you up now, mustn't we?
00:10:57Mustn't we, Miss Cooley?
00:11:04Where were we?
00:11:05Miss Cooley thinks that's something on her mind this afternoon.
00:11:09What do you suppose it could be?
00:11:13Who cares?
00:11:15Let's talk more blot.
00:11:18We must have our little joke, mustn't we?
00:11:22Oh, goodness me.
00:11:23I do so like giving cressfusions.
00:11:26Out with the old, in with the new.
00:11:30Whoops.
00:11:32Dammit, stop centering the blot.
00:11:36Oh, my goodness.
00:11:38Surely, lady, I knew, Miss Cooley.
00:11:41Isn't she silly?
00:11:42Pull it up.
00:11:43Give this only reason if it's possible.
00:11:45Understood.
00:11:47Tuck, tuck, tuck.
00:11:48Temple, temple.
00:11:50Turn the bell on, Miss Cooley.
00:11:53Miss Cooley?
00:11:54Melinda.
00:11:55Your name?
00:11:55I love it.
00:12:11Okay, for now?
00:12:21I love it.
00:26:13Nobody else in this world.
00:26:18Do we?
00:26:20Don't prostitutes sometimes give discounts?
00:26:23Uh, we'll have our own mission license, Fresh.
00:26:26Listen, why don't you save your pennies and in the meantime, why don't you bathe?
00:26:31I'm just not a neurotic compulsive about grandliness.
00:26:34I do bathe.
00:26:36Anyway, don't forget about Asa.
00:26:46Oh, one more thing.
00:26:48What?
00:26:48Morris has written a play for you.
00:26:51Oh?
00:26:52So for God's sake, avoid him, he'll blow the shit out of you.
00:26:55Bye-bye.
00:27:13Oh, I forgot something.
00:27:15What?
00:27:16What?
00:27:17I forgot the play in the country.
00:27:18What about going business, what I'm saying?
00:27:22What?
00:27:23Is that a good thing about the play in the country?
00:27:25Tell me goodbye, how's he doing the alarm?
00:27:28How do you know the word?
00:27:30Do you know the word?
00:27:31Okay, let me think.
00:27:33Do you know the word?
00:27:34Um, I know.
00:27:37I'm going home.
00:27:38I'm going home.
00:27:38I'm going home.
00:27:40I'm going home.
00:27:43Well, I'm...
00:27:45I'm going home.
00:27:45I'm not going home.
00:27:46I'm not going home, but...
00:27:47You're the same way.
00:27:48I'm not a special thing for you.
00:27:51I don't want to be so.
00:27:54I don't know exactly what you mean though.
00:27:56I'm a special something.
00:27:57I know I'm talking with your alarmism when you say these things.
00:28:00You are a portable man like myself.
00:28:03But...
00:28:05I don't think I don't have to hear you, because I really do, you know?
00:28:08the world I heard the television book,
00:28:12and he's in the synthetic business,
00:28:14what's going on, what's going on,
00:28:15what's going on, what's going on,
00:28:16what's going on, what's going on.
00:28:17As a matter of fact, I think I'm going to show you.
00:28:19In more uncertain terms,
00:28:20exactly how to tell you,
00:28:22who you're speaking with all such guests of your life.
00:28:29Here we go.
00:28:30This is violence, and so,
00:28:32who you are now?
00:28:34Okay?
00:28:34I know you're speaking with us,
00:28:36but this is not going to work.
00:28:37How did we run this right here?
00:28:39Where do we run this right here?
00:28:41Where do we run this right here?
00:28:43Where do we run this right here?
00:28:44Where do we run this right here?
00:28:45Sometimes I do want this right here,
00:28:46then you're going to see.
00:28:47Yeah.
00:28:48Well, I don't know about that right here.
00:28:51It's like my life,
00:28:52but I can't follow this right here,
00:28:53but it's not like we're dating.
00:28:54Huh?
00:28:55But are you...
00:28:56Do that?
00:28:57What are you dating?
00:28:58Yeah, here, look.
00:28:59Oh, how are you doing that?
00:29:04Oh, here.
00:29:04Oh, there you go.
00:29:06Oh, my God.
00:29:07Oh, my God.
00:29:08Oh, my God.
00:29:13Oh, my God.
00:29:15Oh, my God.
00:29:18Oh, my God.
00:29:19Oh, my God.
00:29:20Oh, my God.
00:29:21Oh, my God.
00:29:21Oh, my God.
00:29:23Brenda, I think maybe we need a little more light in here.
00:29:27What do you think?
00:29:28Whatever you want.
00:29:29How about right here?
00:29:31I'll move some of these things.
00:29:34Oh, well, they don't come from, I wonder.
00:29:43What time is it?
00:29:44What is it, Mr. Parker?
00:29:46Oh, well, there's still plenty of time.
00:29:51I hate waiting.
00:29:53It makes me so nervous.
00:29:55And nervousness makes me look odd.
00:29:58Quite odd.
00:30:01Do you think I have on too much makeup?
00:30:04I probably should take some of it off.
00:30:08Do my eyes look funny?
00:30:13You're the most beautiful woman I've ever seen.
00:30:16Titania, queen of the ferns.
00:30:18Missing Chapman.
00:30:19Wouldn't you like to follow us?
00:30:27It isn't a good idea, Nate, now.
00:30:31Waiter.
00:30:32You know Francis.
00:30:35Francis?
00:30:35Who is he?
00:30:36Tomato sandwich and lettuce.
00:30:39Do you want some mayonnaise?
00:30:40Maybe you could make something for him.
00:30:43What's in the kitchen?
00:30:46What's in the kitchen?
00:30:48Isn't it too dark in here for you?
00:30:51Should I light a candle?
00:30:52I'm fine.
00:30:53When did you say the electricity will be turned on again?
00:30:56Thursday, I think, or Tuesday, or Wednesday.
00:31:00A day with the tea in it, so it can't be Wednesday.
00:31:03Thursday, do you think that I should change this blouse?
00:31:07Does it look funny to you?
00:31:09Everything you put on is perfect.
00:31:11You add something to each thing you touch that makes it sparkle and shine.
00:31:15Everything's precious being next to you.
00:31:18Asa, beautiful Asa.
00:31:22Well then, I won't change.
00:31:26Dooley says this blouse is perfect.
00:31:29Perfect.
00:31:33Mind if I come in?
00:31:35Oh, eat.
00:31:37Don't stop.
00:31:38When are you going to let me cook for you?
00:31:40I've got a wonderful recipe for canned cream.
00:31:43Not now.
00:31:45You should call first.
00:31:46We're busy.
00:31:47At least let me read a few words about a new client.
00:31:50Let me take a minute.
00:31:51Not now, Martha.
00:31:52Not now, Martha.
00:31:53Really nice.
00:31:54I've got a wonderful party.
00:31:55Oh, this is going to be great.
00:31:57Bye, Martha.
00:31:57I've got a wonderful party.
00:31:59I've got a good morning there for you, too, Frank.
00:32:01What?
00:32:02What?
00:32:03And get lost.
00:32:10Is it raining?
00:32:12I don't think it's raining.
00:32:15Do you mind if I take a trip?
00:32:18No.
00:32:19Do we not go?
00:32:21Are you sure you don't mind?
00:32:24No, not tonight.
00:32:26Somebody has to be on deck to steer.
00:32:28It's been a month.
00:32:30And since we're not going to the country with...
00:32:34Peter?
00:32:35I know you don't like him.
00:32:37I know you like him.
00:32:40No, you're right.
00:32:42There really isn't any need to see so many people.
00:32:45They play you, Asa, when you're high like a musical instrument.
00:32:48I don't like it if it's steam.
00:32:50They make a dirty game out of you.
00:32:52And I'm all right now.
00:32:55Everybody says I'm all right.
00:32:57And really, I haven't had any trouble at all.
00:33:02And, well, I'm all right now.
00:33:12And you have those bookings.
00:33:14And you're going to audition for us.
00:33:15Yes.
00:33:16And I thought that this could be a Bon Voyage trip.
00:33:20You know, it's a well trip.
00:33:23Because now that I'm done, I don't need to go sailing so much.
00:33:27I don't actually need drugs now.
00:33:33Hello?
00:33:35Yes.
00:33:36Yes.
00:33:37This mean drugs would it be?
00:33:38Who's that?
00:33:40Dewey.
00:33:41Aren't you coming?
00:33:43Oh, he's an acid hit.
00:33:46Oh, my God.
00:33:48Oh, my God.
00:34:03I'm better.
00:34:03I'm working.
00:34:05Yes.
00:34:06I'll have some booking.
00:34:08Yes.
00:34:09I can do the acting, too.
00:34:13Who's the star?
00:34:15Yes.
00:34:16I certainly will.
00:34:19Yes.
00:34:21No.
00:34:23I don't think he wants to come.
00:34:26You don't want to come, do you, Brandex?
00:34:28No.
00:34:29No, he doesn't want to come.
00:34:31You really ought to meet him.
00:34:33I will, eventually.
00:34:38I don't know.
00:34:39There's something ugly about it.
00:34:57You can still do it, old girl, can't you?
00:35:01It's still the best actors ever set for on the stage.
00:35:05They didn't give you three awards for nothing.
00:35:08Screw these young actors.
00:35:10I think they know what it's all about.
00:35:13But they don't.
00:35:15In my day, we knew what the theater was for.
00:35:19We knew how to create a scene, how to create a movie.
00:35:56Is itamatil experience no other than it is,
00:35:56Well, no, I feel millet did not miss a moment.
00:35:58Not omni.
00:35:59It's sozusagen in this show.
00:35:59I know who's not doing an orphanage.
00:36:01She's a pretty old lady, isn't she?
00:36:04Oh, well, I don't know.
00:36:05The usual people are totally anonymous.
00:36:07But I think that's great.
00:36:09Oh, well, sure.
00:36:10Anytime, anytime.
00:36:12Now, listen to me.
00:36:14Anytime you want, I'm not going out.
00:36:16I'll stop for a week.
00:36:17Anyway, yay.
00:36:19Anytime, I do it.
00:36:22Anytime.
00:36:24Now.
00:36:27Oh, my.
00:36:28No.
00:36:31No.
00:36:32We're here,駅.
00:36:32Keep saying stop.
01:01:05I'll make the
01:01:07good.
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