00:05What's up with the moon?
00:09What's up with the moon?
00:13What's up with the names?
00:21What's up with the moon?
00:35Before learning about the tragedy, Esteban Treva daydreamed about his marriage because he would soon be rich.
00:49The only idea that never crossed his mind was that Rosa could be mortal.
00:59Love is a dangerous thing.
01:07You'd better learn from me. I fell in love with your father who was a drunken fool and look where
01:12we ended up.
01:18Oh son, you're such a sore head. What good are tears of Esteban, huh?
01:25Will they bring back one single shred of honor or reclaim my wealth? And you. Are they going to bring
01:32that girl back?
01:33Keep out of it.
01:33I won't, young man. I want you to find a decent woman and marry him. I don't care if you
01:40don't love her. It doesn't matter.
01:42Spare him a little, Mom. Esteban's deeply heartbroken.
01:48What do you know about love, huh? Are you hiding something from me, Ferula?
02:08I won't return to the mine.
02:11You have to do some sort of work, Esteban. We don't spend much, but mother's medicine is costly.
02:17I've been supporting you since I was fifteen. As long as I live, you won't want her anything.
02:21Well, for you that's easy to say. You don't live as Mom and I, under hardship.
02:27I'm going to Tres Marias.
02:30That house is in ruins, Esteban.
02:33I've never felt happy anywhere else.
02:35Happy? We have had very harsh lives. And they will stay harsh if you squander the mine's money. Just like
02:41our father did with our mother's inheritance.
02:43Our father was pathetic. I'm now returning to poverty.
02:46Careful, it runs in our line.
02:50If you have an eye for business, it's easier to get rich in the city than in the country, brother.
02:56I hate this city.
03:02Why don't you admit you hate this house?
03:04Obviously.
03:09I wish I was a man, so I too could escape.
03:13I wouldn't have liked to be a woman.
03:31Then I can go with a woman at the night.
03:32I'm gonna go with a woman.
03:45I don't know if I could.
03:45I kissed a woman.
03:48I'm gonna fly with a woman.
03:48I'm gonna fly with that man.
03:50I'm gonna go with a woman.
03:50What's that, when the mother was a woman.
03:50I'm gonna fly in the house.
03:50I came to a woman, and I look down.
03:51I'm gonna fly again.
03:52I'm gonna fly my way.
03:52I don't know what to do.
04:55He won't take long.
04:58He caught the scent of the butcher's cart.
05:00After he steals the treat, he'll instantly return.
05:10You're looking in the wrong direction.
05:16Clara.
05:20You have to stop worrying.
05:22You had no way of knowing who would die.
05:25It's impossible to always get it right.
05:28All we can do most of the time is follow our intuition
05:31and keep an open mind to the unknown.
05:33Uh-uh. It's not time for them yet.
05:38For now...
05:43We all have a unique gift.
05:45When we share it with others,
05:48we illuminate their lives
05:50and illuminate our own, honey.
05:54Follow your heart.
05:56You're much more powerful than you can imagine.
06:07Do your thing, Clairboy and Clara.
06:24Don't stare at her, Clara.
06:25You may have bad dreams.
06:27It happened to me last night.
06:28They're the devil's vermin.
06:30I dreamt of snakes.
06:31They crawled up my legs and I took them off,
06:33but the damn things came back up again.
06:36Demonic creatures.
06:50Are you serious?
06:51Are you serious?
06:57Take these.
06:59Put them in water so they don't dry out.
07:02True to my grandmother's prophecy,
07:04the gardener won 80 pesos in an illegal card game,
07:07which he spent on a two-day drinking spree
07:10and a porcelain doll for the clairvoyant girl.
07:14Her fame as a fortune teller spread among the employees.
07:18And little by little that pastime,
07:20and her mother's affection,
07:23began to ease her pain.
07:24I'm sorry.
07:27I'm sorry.
07:36I'm sorry.
07:38I'm sorry.
07:39I'm sorry.
07:40I'm sorry.
07:41I'm sorry.
07:43I'm sorry.
07:44I'm sorry.
07:44What tormented Esteban Trevalo most
07:46was knowing that he would never run his hands over Rosa's body,
07:50nor let down her beautiful greenish hair,
07:52nor dive into her deepest waters.
08:03But he knew he had to keep moving forward,
08:06because stopping meant facing a terrible pain
08:08he was not prepared to endure.
08:22and now we tell them I began taking Target at the time.
08:24Put him in fire!
08:25Then R Maintenant!
08:25Get it!
08:25D-2004
08:26Put it around here in sire!
08:40themates of Las Tres Marias had not seen their boss
08:42for more than 20 years,
08:45and they had concluded that they simply didn't have one.
09:15No one would link that man
09:17with the golden-haired boy
09:19who many years before
09:20played happily in that same old yard.
10:09Where are the rest of the people?
10:10They left.
10:13Where to?
10:14To make a living.
10:17Pedro Segundo GarcÃa, señor.
10:21My name is Esteban Trueva.
10:23I'm the patron.
10:25I'll take care of those who work hard.
10:27Those who don't leave.
10:28I don't like freeloaders.
10:30Am I clear?
10:31We were born and have lived on this land
10:33our whole life.
10:34We'll stay.
10:35We're not moving.
10:36We're moving.
10:40Very well.
10:44Go spread the word to men
10:46who like honest work.
10:49And who is that?
10:52Emilio, a child from another farm.
11:12Scrub the padding
11:13and burn the animal.
11:13And you go get my bags.
11:17Shut that child up.
11:40At Las Tres Marias,
11:41a fever of activity began
11:42that shook off the lethargy.
11:57To have I employed every man, woman,
11:59old person, or child
12:00who could stand upright,
12:02eager to make up for years of neglect
12:04in just a few months.
12:15As a rest, patron.
12:21However,
12:22the exhaustion from work
12:24was not enough
12:25to repress his virile energy
12:27and his carnal nature.
12:57He's not enough to do it.
13:34Excuse me, Don Esteban.
13:37Speak.
13:39I just wanted to let you know that the sewing workshop is finished.
13:43Fine.
13:44And who are we going to put in charge?
13:46She needs to be a hardworking lady who's also capable of maintaining your order, Patron.
13:55Punch up.
13:57She may be a good choice.
14:01With all due respect, Patron, my sister is too young for such a responsibility.
14:08She'll figure it out fast. She's got character.
14:12Right?
14:13I'd do it well, Patron.
14:17It's settled then.
14:19Pancho will be in charge of the sewing workshop.
14:23Very well.
14:34Let's go home.
14:36Bob's looking for you. He wants us at the table as a family.
14:39I can't.
14:40Gotta learn how to use this thing.
14:42Don't be stubborn, Pancho.
14:44It's an order from Don Esteban.
14:52You need to be careful.
14:55Don't get your hopes up.
14:59You'll never be more than a Garcia Pancha.
15:03Don't go forgetting that.
15:08I'm an adult now.
15:10I know what to do.
15:13I know what to do.
15:50Don't you have work to do?
15:54Yes.
15:55What are you waiting for?
15:57Go on.
16:18Put it on.
16:21I wanted to tell you that I'm pregnant.
16:25And?
16:29That I'm expecting a child.
16:32You're a child, Patron.
16:38Do you think I'm stupid?
16:44No, Patron.
16:46You sleep with every man on the farm, and now you want me to take care of that child?
16:51You can be sure that this child is yours.
16:52Did I tell you to speak?
17:07And don't you ever come back to this house?
17:13Come back to this house.
17:23And don't you?
17:24I want to know.
17:24And if I'mivers, I'm just working.
17:25I want to tell you that you're a child.
17:27If I'm not sick, I'mätta, I can't take care of this house.
17:30I'll be right to myself.
17:31And if I'm pregnant.
17:31I want to tell you that you're a child.
17:32And I want to come back to the child.
17:32Because I'm a child.
17:36And if I'm sick, I deserve to see you and my child.
17:46And if I take care of myself, I'm a child.
17:51Believe me, there will be no power that can stop us.
17:55We have to convince ourselves that they are not doing us any favors.
17:59We are demanding what is rightfully ours.
18:03No more waiting. It's time to act.
18:05In other countries, women have won the right to vote.
18:09They even have begun to change the course of their own nations.
18:13This country is in need of the voice and the guidance from all its daughters.
18:19Because they want us to work like men, but not to be able to vote like them.
19:08But they want us to vote like them.
19:09We want us to vote like women to vote like women, especially in gender.
19:11We are the only ones that we have in our hands.
19:11That is the only way we are going to vote like women.
19:11The only way we have to vote is.
19:11If you vote like men, they may not vote like women or women.
19:12Let's vote like men.
19:18We are going to vote like men.
19:57Clara came into her youth inside of the walls of her home, shielded from life's hardships,
20:04where reality blended with dreams, and where the known laws of physics and logic didn't
20:10always apply.
20:32It seems we're nearly the same age now.
20:36Please sit.
20:37Help me finish it.
20:48We all have a place on this white fabric.
20:56It couldn't have gone any other way, Clarita.
21:00I had to leave because it was meant to be.
21:04Now it is your time to start your journey.
21:37What's wrong?
21:38Are you okay, sweetie?
21:45Mom, Dad.
21:47I'm to be...
21:50Be engaged soon.
21:53What?
21:54Mom, you spoke.
21:56What did you say?
21:58So great was the shock of hearing her voice after such a long time that they all forgot
22:03what she had said, and they did not remember until weeks later when an unexpected visitor
22:10arrived.
22:29Over the years, Las Tres Marias became a very profitable business, a model farm for the
22:34south of the country.
22:35And Esteban Treva became the most respected boss of the region.
22:39Not only was his wealth growing, but his offspring were as well.
22:45Amarillo, anaranjao, anaranjao.
22:48Mi vida dicen que soy flor de otoño, de otoño.
22:54Dicen que de una nuda soy compañera, compañera.
22:59What are you looking at?
23:00Que la lluvia y la sombra son mi trinchera, son mi trinchera.
23:04What's your name?
23:07Esteban.
23:10You want one?
23:17Excuse me, don Esteban.
23:22La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
23:26la, la, la, la, la, la, la, la, la, la, la, la, la.
23:28Bravo.
23:29Good.
23:30Good one.
23:32Cheers.
23:33Neighbors of Las Tres Marias.
23:35We're gathered because we have to decide something very important.
23:39I'm speaking about the future of this country.
23:43Everything you have achieved has been thanks to your work and your effort.
23:47However, the left wing wants us to believe something completely different.
23:52They offer an effortless paradise, but I assure you that if they win, they'll sweep away everything.
23:58That is why I invite you to vote for progress.
24:01To vote for good values.
24:03To vote for the conservative party.
24:23You voted wrong.
24:25Vote again.
24:27Get another.
24:42Today this country set an example for this continent of Indians and Negroes.
24:48Here's to this lasting forever and ever.
24:51Cheers.
24:52Cheers.
24:52Cheers.
24:53Cheers.
24:54Cheers.
24:56Cheers.
24:57Cheers.
24:58Cheers.
24:58Cheers.
25:04Cheers.
25:06Cheers.
25:06Cheers.
25:08Cheers.
25:10Cheers.
25:10Cheers.
25:12Cheers.
25:15Cheers.
25:18Cheers.
25:20Cheers.
25:21Cheers.
25:22Cheers.
25:23Cheers.
25:25Cheers.
25:27Cheers.
25:28Cheers.
25:28Cheers.
25:28Cheers.
25:28Cheers.
25:30Yeah!
25:32Yeah!
25:33Come on!
25:35Yeah!
25:37Woo!
25:38Woo!
25:40Ah!
25:46Ah!
25:48Ah!
25:50Ah!
25:52Ah!
25:56Ah!
25:57Was it good, Patron?
26:02Ah!
26:08Ah!
26:10Ah!
26:12Ah!
26:15Listen, Patron.
26:16Hmm?
26:17Please lend me 50 pesos.
26:22I'll pay you back, Patron.
26:23With interest.
26:25I'll pay you back when I'm rich.
26:27What's your name?
26:30Transito Soto.
26:32That's a lot.
26:33What's it for exactly?
26:35For a train ticket,
26:37a pair of brand new shoes,
26:39and I'd like to get a perm.
26:41Hmm!
26:43Hahaha.
26:47Hahaha.
26:51Hahaha.
26:55Esteban was surprised by the ambition of this young girl.
26:58What he did not know back then,
27:00was the important role that Trancito Soto would play in his life.
27:06here's your mail patron anything else sir no
27:45ah
27:46ah
27:47ah
27:49ah
27:51ah
27:52ah
27:52ah
27:52ah
28:20Son, don't get any closer.
28:22I don't want you to get sick.
28:28Got that beard.
28:32You look like a savage.
28:39Marry someone Catholic and decent who can give your children.
28:53You're so irritating.
28:57Don't get agitated.
28:59Rest.
29:02Just rest now.
29:04Don't get agitated.
29:38Arrange a proper funeral.
29:41What's going to happen to me?
29:43I spent my life taking care of her.
29:45Live.
29:46Travel.
29:47Buy yourself a dress.
29:50Use the money for mom's medicine.
29:56Stay back.
29:56I can't stay here all alone.
29:58Don't lie in pastures.
30:02Pastures.
30:02He leadeth me the quiet waters by.
30:08My soul he doth restore again.
30:13And me to walk doth make within the past.
30:20Don't lie in pastures.
30:21I can't stay here.
30:24I can't stay here.
30:26Don't lie in pastures.
30:50Clarita.
30:51Clara.
30:52The youngest, right?
30:53Yes, and the most special, too.
30:56Special?
30:56Mm-hmm.
30:58Special how?
31:00She's unconventional, in all honesty.
31:02She went nine years without speaking.
31:04She didn't want to.
31:07Silence is a virtue, not a defect.
31:09Yes, but there are other things, I said.
31:11Communicating with dead people.
31:12Or moving objects with her mind.
31:14Predicting disasters.
31:15Mm-hmm.
31:19None of those oddities bother me.
31:21All I want is healthy kids, Don Severo.
31:23Don't rush into this.
31:25I believe you have to meet Clarita to get to know her better.
31:29She's your daughter, not to mention Rosa Sista.
31:31I don't see the risk.
31:32But I believe it's important to ask about Clara's opinion as well.
31:34I mean...
31:35There she is.
31:51I would expect...
32:00Well?
32:05Excuse me.
32:11Your parents speak wonders about you
32:15I'm an orphan and an older man
32:16I'll have to speak wonders about myself
32:24No one has given me anything
32:27I have considerable assets
32:28That I hope will keep growing
32:31I believe in effort
32:33I believe in discipline
32:34Do you want to marry me?
32:37I say this to avoid wasting time
32:43I really like your directness
32:47Do you want to marry me?
32:50Yes
32:53But why?
32:55Because it's my destiny
33:02But I was here
33:11What's wrong, Parabas?
33:23What is it, Parabas?
33:28Hey, relax
33:29Calm down
33:30Come on
33:31The butcher's here, huh?
33:34Just don't be late for the party, alright?
33:47Excuse me
33:48My brother asked for you
33:50Come in
33:51Oh
33:58I'm happy with the union of our families
34:00Yes, me too
34:02I was told that the affairs of the household are not of interest to you
34:05But they are to me
34:11Please stop worrying
34:16You are not to end alone
34:18You will stay with us
34:19And you and I will become sisters
34:26Thank you
34:33I'm happy with you
34:36I'm happy with you
35:03Oh, I'm crying.
35:22It is hurt.
35:23It is hurt.
35:30Excuse me.
35:32Of course.
36:03The house won't be the same without you.
36:06I know I'm going to miss you, too, very much.
36:21My little one is all grown up.
36:23Oh, I'm so happy, my child.
36:37Don't go, Andy.
36:38Just enjoy.
36:51Excuse me.
36:54May I have my wife back?
36:56Yes, of course.
37:13Are you all right?
37:25No.
37:37No.
37:40No.
37:41No.
37:42No.
37:45No.
37:46No.
37:47No.
37:55No.
37:57No.
37:59No.
38:00No.
38:01No.
38:03No.
38:07No.
38:15No.
38:20No.
38:27No.
38:28No.
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