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Bad Company S01E02 (2026) [Full Movie] [Ranked]Full EP - Full
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00:01Good luck finding anyone else who can deal with the great Margie Argyle.
00:04What do you think of theatre, Julia?
00:05Don't we all just watch Netflix now?
00:09Everyone, this is our new CEO, Julia McNamara.
00:12The Argyle is having a few tiny financial issues.
00:14This place is a disaster.
00:16Bring out your invoices!
00:18And when I do iron out these tiny financial issues,
00:20I get my job back, and Ryan does too.
00:22Are you even going to apologise?
00:23Oh, sorry for committing fraud.
00:26You know what you should do?
00:27Something Greece themed.
00:28What about a sexy Sandy?
00:29Are you just going to sneak a new play into the programme?
00:32Our major production this season,
00:34the E's on in Winky Internet!
00:37It's supposed to be Greece!
00:448, 8, 9, 8, 8, 9, 8, 8, 9, 8, 8, 9, 8, 8, 8, 9, 8.
00:49Ha! Ha! Ha!
00:51Rawr!
00:51Rawr!
00:57Use all your stuff.
00:58Get these out now.
01:00No.
01:04Are these props on the thing?
01:15Good morning, oh here we go. Wow, looking good. That's too much. Good luck. Okay, and no, yep.
01:28Hey! I'm sensing a bit of tension. Are you angry with me? Oh what do you think? You look fantastic
01:35in that Grease costume, did you get any nice comments? Well someone at your beauty school
01:39dropped out from a car as I was leaving, so I guess I have you to thank for that. It's
01:42not personal,
01:43all right? I have to stand up for my art. Is it art or plays starring you? Well that's what
01:48the public
01:48wants. Speaking of, I've just got a little budget here for les pays en les moiti en tere. Yeah,
01:53there you go. Sorry, I don't speak whatever that was. That was French, and if I could just grab
01:56a little signature just from you. Thank you so much. Is this the peasant show you shouldn't have
02:00announced at the launch? I'm not signing off on that, you did not have board approval. Okay, how do I
02:04say
02:04this? With such respect you have no idea about theatre. Why don't you try and sell me this play
02:11in one sentence? Okay, it's an 18th century French masterpiece where I'm buried up to my neck in
02:17sand for four hours on stage delivering a single monologue only to be interrupted twice by the ghost
02:21of my dead child. Is that it? Yeah. Ah. Not approved. What did I say? Monologue for a start. When
02:28in real life
02:29do people talk uninterrupted for hours on end? Happens to me a bit. I think we're done for now,
02:34Marguerite. Okay. You know what? I see what's going on here. Yeah. You haven't loved in many years.
02:41If only you could touch that sorrow. You know, and then BANG! Life will come in. Do you know,
02:46is there a version of the play where they bury you in sand to just above the mouth? Because I
02:50would sign
02:50off on that. Why are there always egg people walking around here? Morning, Simone. Simone?
03:00Ryan, did you get the email I sent you about the Pulse 54 program? That's Scott guy. You're so
03:05obsessed. I'm not obsessed with him. Don't say that. That's silly. You are. You know,
03:09he's like a cult leader basically. He's not a cult leader. He's a gym fluencer and I've signed you up
03:13for the 6am Saturday program. 6am? No, that's it. I'm coming down there for a big row. Ryan,
03:19oh, don't come down here. Oh, it doesn't matter. I'll never find the place. Yeah, you need a fish
03:26extract. I just use the Nivea from the IGA. It's quite scaly, isn't it? Is it? What do you mean?
03:32It explains the dandruff as well. No, I don't think that's dandruff. I think that's dust.
03:37That's skin colored dust. What? I just finished this, but if it doesn't work,
03:40I just keep making them until we get awry. What's your artistic rationale with this week?
03:44The peasant's hair becomes a symbol of the freedom. I fucking love that. Me too.
03:50Morning. Hi. Good morning. Everyone's here. We can kick it off. Fantastic. Good morning,
03:56everybody. What are you doing? What are you doing? I always start the meetings, so thanks.
04:01Julie is first on the agenda. What agenda? We have an agenda now. All items emailed to Christian
04:06by 9am. Systems and processes. People, you can take a seat, Marguerite. All right. Well,
04:11I'll be straight with everyone. This organization is not financially viable. Oh,
04:14so not going to acknowledge country or anything. No, please. It's time for a major strategic review.
04:20Does anyone know the most expensive part of any corporation? Anyone? Who cares? I got this.
04:26The internet. I don't think so. It's the staff. The staff. That means you. So I need to determine job
04:33scope and look for opportunities for cuts. That's why Christian will assist me in conducting performance
04:38reviews with each of you starting today. Oh, but we're not performers. I would never
04:42dream of going on stage. Yeah, how is the performance stage? That's a really interesting
04:46question. What scene will I do? It's not a literal performance. Am I out the front on the stage?
04:51Is there a text? Is it a one woman? It's not a ritual performance. It's a review of your performance
04:55performance at work. Oh. Okay. I've actually been trying to implement HR strategies for years.
05:00Have you? Well, I've never heard you mention it. You know what? You should speak more from the
05:03diaphragm. Your words seem to dissipate into the air. People. We need to start thinking like a business.
05:10There will be redundancies. You will not be cutting my staff. Okay. Over my dead body.
05:15What's next on the agenda, Christian? A bit of good news, actually. Margie's new work,
05:20scrambled is upon us. Oh, is this the egg people thing? Is that a, what do you call it? A
05:29play,
05:29is it? Devised work. I devised it from source material. Okay. Previews start tonight and there's
05:35an exciting photo shoot beforehand. Yes. Donna and I have four hours to prep half a dozen eggs. Okay.
05:41Well, I guess we're going to make sure they're at room temperature. The eggs need to be at room
05:45temperature. Okay. Performance reviews start today. Check your diaries. Christian, when you're ready.
05:50Christian, when you're ready. Sorry. Christian, when you're off he goes. It's about 20 minutes,
05:57but to be honest with you, it is the de-egging that's the hard part. Yeah, I can see that.
06:01They
06:01look absolutely stunning, by the way. It's brilliant. All right. So now we've got half a dozen eggs prep,
06:06but they have to de-egg and then re-egg for tonight. We are going to have to move with
06:09like military
06:11precision. Yes. Oh, sorry. Sorry. Simone. Yeah. Hi. Did you just go to the bathroom egg,
06:17dark? Yeah. So please don't do that because like what happens if you sleep on your egg cracks?
06:22I don't have giant fucking chickens out the back. Okay, everyone. There's limited eggs. We've got an
06:28egg shortage. So let's be careful and mindful. Take a minute. No, take a minute. Yes. Yeah. God's
06:34sake. Right. Let's get back to rehearsal, please. One of you is rotten. How are we going to embody that?
06:39Has anyone got an offer? Margie up first? Yep. Big kahuna. Brave. Not scared of it. Really? Margie,
06:49performance review. Ah, not here. What a surprise. She might be in dress rehearsal. Do you people just
06:56take meeting times as serving suggestions? Rehearsal. Oh, okay. That feels like a version of workplace
07:02harassment. What? Oh, that. Yeah. I don't even, barely even notice that anymore. You just go,
07:09what breasts? Do you know what I mean? What big breasts? Take that down. Yeah. Yeah. Take it down
07:16for sure. I feel like you're lingering. Yeah. Sorry, Julia. You're not actually going to fire anyone,
07:23are you? I know you would all prefer to interpretive dance until the electricity cuts off,
07:27but unfortunately someone has to make the tough decisions. Okay. Well, I feel like I should warn you.
07:31These are theatre folk. They won't go down easy. Okay. I've turned around billion dollar companies.
07:37I think I can handle the sewing and knitting club. Okay. I'm breaking. Yeah. And I know a new life
07:45will emerge, but oh God, the cracks, the cracks, the cracks. What am I overreaking it? Listen,
07:54what if we were to do it again, but I said to you that you are a pathetic nothingness. Okay.
07:59And your
07:59mother, she's dead. And there's a fox circling, circling. Uh oh, circling. Yes. Let's pick it up.
08:06Let's pick it up. Let's get up. What is this? It's one of our more experimental works. It's not
08:10in the small space. 80 seats. Sorry, there's two theatres? And in one theatre, two spaces.
08:15I am breaking. Yes. What else?
08:18Margie. Margie. What? You have your performance review. Oh, we are working here.
08:25Debatable. Oh, no, I've lost it. Okay. Take five, everyone. Should we go in your office?
08:28Oh, no, no. Let's review my performance.
08:33All right, shall we? Yeah, I'll get my own chair. Oh, there we go. Did you go to uni for
08:38this?
08:39Of course I did. I went to the School of Life and VCA for three years. Okay. You're set?
08:44Ready. Margie. Hmm? How do you think your role helps the company strategically meet KPIs?
08:51My role? Yes. What is my role? That is my question. You know, am I a mother? Am I a
08:56lover?
08:57Am I a storyteller? You know, first they came screaming at me about KPIs. KPI, KPI, KPI.
09:05Key performance indicator. But an indication of what? Love?
09:12The suffering of my fellow workers? Are we not more than human resources?
09:19Oh, Margie. Oh, don't clap that.
09:22That was good. Can you take this seriously, please?
09:24I'm taking it very seriously. I'm just trying to show you the kind of magic you'll get
09:28if you sign off on my budget for Les Pisonne Moiti Entrette.
09:31The peasant show? Yeah. Okay. Not going to happen.
09:34Reflecting on our mission, how do you see your role evolving to further contribute to our collective success?
09:40Ah, the mission. The mission. My mission is the craft.
09:44I'm not writing that to me. The craft of acting. I get up every day, I act.
09:48This is completely pointless. Well, thanks for coming, guys.
09:51Okay, eggs. Let's get back on your feet. Let's go. Let's get back to the work.
09:54Okay, that's lunch. Great. I've lost the whole morning. Yep, go eat.
09:58And then de-egg. And be back in time to re-egg for the photo shoot. Thanks, guys.
10:02Sorry.
10:04Aren't they even supposed to be? Spermatozoa? No.
10:07Well, they look very much like spermatozoa to me.
10:09Oh, just say, come, Julia. Take a risk.
10:12Does she really think people are going to pay to see that silly egg show? I don't understand.
10:16People like eggs, I think.
10:18Right. Ryan, what are you doing here? Um, Christian, this is my son Ryan.
10:22Really? I did not see you as a mother at all. What? Are you interested in the theatre, are you,
10:29son?
10:29No. He has a big future in commerce, don't you?
10:32No, I don't. That's why I'm here to talk to you, Mum.
10:33Sure, whatever it is can wait. I'm really busy.
10:35No, I'm staying with you. We're chatting this out.
10:37I will see you tonight. Egg?
10:42Mum! I'm not leaving. Why is there an egg?
10:46Okay, moving on. Section two.
10:48Just so you know, this is probably one of our busiest days of the year.
10:51Is it? Okay. What facilitation processes do you engage in to ensure
10:55sustainable and productive outcomes? Now, what have you said there? What were all those words?
11:01We design, we create, we consult. If one of our departments isn't working,
11:06whole production can fall over. Okay. Explain it to me again.
11:09You just do wigs. Just do. Why can't you plonk one on?
11:12Oh, I'm neck down. Sorry. What is neck down?
11:14I'm a peruchia. That's a wig maker. Only three of us in the entire country.
11:18Every wig that you see here, handcrafted from human hair.
11:21Oh, that's disgusting. I wash them. I brush them. I love them, Julia.
11:25Now they sound a bit like guinea pigs. Okay, so I'm done here. Thank you so much.
11:28Hey, we're just looking for efficiencies. That's all.
11:30Aren't you supposed to be on our side?
11:31Hey, everybody, profit is not a dirty word.
11:35But pussy is.
11:36Well, sorry, sorry. Who is that?
11:38That is something I'm dealing with right now. Wow, that was sorry.
11:40What? What have you done?
11:42Okay. Um, I'm... I'm so sorry you had to hear that, Donna.
11:47What? Pussy?
11:48Don't. Say it again.
11:50In here. I am beyond disappointed, Brian.
11:53It was funny.
11:54This is a workplace. You can't speak like that. What is going on with you today?
11:57Dad's moving to the Gold Coast.
11:58Oh, finally some good news.
11:59And he's starting a multi-level superannuation fund,
12:02and it feeds into Retirement Lifestyle Village.
12:05Oh, excellent. I look forward to seeing him on a current affair.
12:07Yeah, well, he's asked me to source investors, okay?
12:09So I'm going to move up to the Gold Coast with him,
12:12because this, honestly, it's not working for me.
12:14Brian, I know he's your dad, but trust me, he's not a good guy.
12:17Please don't let him Melissa Catek you.
12:19Stop trying to rule my life, okay? I'll leave if I want to leave.
12:21Can we talk about this at home tonight?
12:24Okay, we'll do a big catch-up on Dancing with the Stars.
12:26I'll make your favourite nuggets. Nugs and DWTS, yes?
12:30It's a good start.
12:31Yes, it is. Now go home.
12:33Fine.
12:33Okay? Nuggets later.
12:35Fine.
12:35And don't say pussy. Ever.
12:37Fine.
12:40Hello, hi, hi, hi, hi. I'm Marty Agar, the artistic director here.
12:44I don't think we've met.
12:45I'm just Julia's son, Ryan.
12:46Can I say something? You have the most fascinating face.
12:50It holds a million stories, it's wise, yet it hides pain.
12:53Really?
12:54Yes.
12:54Thank you. My mum can't see any of that, so...
12:56Have you ever acted before?
12:58Me? No.
12:58You have.
12:59I haven't. I've not.
13:01Why don't you come with me into the rehearsal space?
13:03I want to have a bit of a chat.
13:04Okay.
13:04Yep, come on.
13:05You sure? Yeah.
13:06I want to talk to you about the craft.
13:08What's the craft?
13:09Uh, what are we doing?
13:16That's good.
13:17Yeah.
13:18Let it out.
13:18I think it's obvious. Jacob has to go.
13:21Look what I found here.
13:23Crazywigs.com, Fantasy Wigs Online, The Reject Shop.
13:25These are all cheap wig places.
13:27And then we replace Jacob with AI or, I don't know, a 3D printer.
13:31Save the place 65k.
13:32I have to strongly advise you don't do this.
13:36You know?
13:38Gently advise.
13:40I am so sorry. I'm running behind Dominique.
13:42But we've got this new CEO. She's really throwing her weight around.
13:44The nerves. It never gets better.
13:46Oh, but Dominique, it's okay. We breathe through it. We take our time.
13:49It's amazing. And you are going to be amazing.
13:53Jacob, could we have a word outside, please?
13:55Uh, no, because I've now got one hour to fit three eggs or there will be no photo shoot.
13:59Really would be better if we could step outside.
14:01Yeah, you can just tell me here, Julia.
14:03Okay, we'll do it here.
14:06Jacob, unfortunately, due to a series of strategic realignments,
14:08your position no longer exists at this company.
14:11Sorry, what?
14:12Full details of your redundancy are in this information pack.
14:16Don't give it to me. Give it to Jacob.
14:17Sorry.
14:19Effective immediately.
14:23That's it.
14:25Whatever you're feeling, just let it out.
14:27Cold mother. Empty mother.
14:29And who are you?
14:30Ryan.
14:31But who are you really? You know?
14:32What makes you scream at night and laugh until you cry?
14:35I don't know.
14:37Okay. You need to work out who you are.
14:40Find your voice.
14:41Maggie.
14:42Yeah?
14:42Julia's fired Jacob.
14:44What? Come on.
14:45Leave the building, Jacob.
14:47Maggie!
14:48Hey, there's plenty of other jobs in the art.
14:50I can't help you with the resume.
14:51What are you doing?
14:51What?
14:52He's not going anywhere.
14:53Maggie!
14:53Hey!
14:54Oh!
14:54Hey!
14:55Enough with the drama.
14:56Save it for the stage.
14:57How dare you come in here and fire my staff?
15:00You don't feel partly responsible?
15:01I've seen your work credit card.
15:03All right.
15:03If he goes, we all go.
15:05I'm calling a snap strike.
15:06Thank you so much.
15:07Well, that's okay.
15:08I'm coming too.
15:09And me?
15:09Well, good.
15:10At least now we'll have internet.
15:11And me?
15:12And me.
15:13Why the hell are you still here?
15:15You don't even work here.
15:16You can't strike if you don't work.
15:18And what about you, Egg?
15:20I just booked a trip to Bali.
15:22Sorry.
15:22Great.
15:23Thank you, Egg.
15:24Appreciate it.
15:24Guys, we've got a photo shoot in one hour.
15:27Can we all just...
15:27Scabs!
15:28Let's not say that.
15:29Scabs!
15:29No.
15:30Scabs!
15:30Scabs!
15:31Scabs!
15:31What a shock.
15:32People in the arts trying to avoid work.
15:34Oh, okay, Julia.
15:35If this is all so easy, why don't you do it?
15:38No.
15:38I think we'll be fine.
15:40God, suck your face in.
15:41Make your head small.
15:42It's the wrong size.
15:43It's not my egg.
15:44All right, let's try this one.
15:45Go!
15:46Oh, Jesus Christ.
15:47That's two you've Humpty Dumpty'd.
15:48That's the last of the backup eggs.
15:49Let's not break any more eggs, people.
15:51I spilled soy on my suit.
15:53Oh, what, were you bathing in it?
15:54New policy, no more canapes.
15:56The media are going to be here soon.
15:57Okay, everybody listen up.
15:59Just own eggs.
15:59You've got to put your own eggs on.
16:01We're doing our own eggs now, guys.
16:02We're not trained.
16:03No, we're not doing that.
16:04Where's Dominique?
16:05I don't know.
16:05Which one's Dominique?
16:06Has anyone seen Dominique?
16:07That one?
16:08Okay, just take an egg.
16:10Dominique, put it on your head.
16:11Uh-uh, I'm joining the strike.
16:12Shut up, you scab.
16:13You're not joining the strike.
16:14Put an egg on.
16:15It's easy.
16:16I remember when Papa took me to Paris.
16:19Oh, have I told you this one?
16:20Probably.
16:21But we love to hear it.
16:22Mmm.
16:22Les pijons et moyentere had just gone on tour.
16:26Um, and the French were saying it was better than the original.
16:28Papa said to me,
16:28you will play this one day and you will play it better than me.
16:32Yeah.
16:34Dominique.
16:34I want to speak to Margie.
16:36You're the star.
16:37We're here to support you.
16:39We're here to help you.
16:40Anything we can do.
16:41Christian.
16:42What the frick?
16:43I was demonstrating how easy it was to get on.
16:45Now it's stuck.
16:46It's suctioned on.
16:47I can't get it off without cracking.
16:48How do we-
16:48It's the last of the good eggs.
16:49Okay.
16:50Okay.
16:50Okay.
16:50I'm just going to grab underneath.
16:52Okay.
16:52Pull.
16:53Don't take my face with it and don't crack it.
16:56It's really sweaty in there.
16:58Who's in there?
16:59Dominique.
17:00Stage fright.
17:01Doesn't want to do the show.
17:02Won't do the photo shoot either.
17:04Oh, thank God.
17:05I'm starting to feel a bit better.
17:07You listen to me, Egg.
17:08You are contracted to take the stage at 7pm.
17:10If you fail to do so, I can and will sue you for damages.
17:13Get it?
17:15She's not-
17:15She's not going-
17:16There's no-
17:16No one's suing.
17:18Why would you do that?
17:19That's not helpful.
17:19Speak to Margie.
17:20Okay, you go get Margie from the pub.
17:22I'll deal with Dominique.
17:23I'm not leaving the building like this.
17:25I'll deal with that.
17:25You get Margie.
17:26I can't deal with that.
17:27You're right.
17:27I'll get Margie.
17:28Dominique.
17:30Come on.
17:31Shit.
17:32Wonderful work on the floor today.
17:34Yeah.
17:34It felt so natural.
17:36Mum never let me do it.
17:37She was always-
17:37Oh my God.
17:39What?
17:40Is this some sort of sick joke?
17:42Have you come here to rub an egg on our faces?
17:44According to the Industrial Relations Act, this strike is illegal.
17:47And Dominique has locked himself in a cupboard and refuses to come out.
17:49Sounds like it's a little disaster over there and you need me to come back.
17:53Not really.
17:53Oh, okay then.
17:55So, Ryan, where did you like go to school?
17:57Just like-
17:58Fine.
17:58Oh.
17:59Yes, we need your help please, Margie.
18:01Mm-hmm.
18:01I'll come back if you reinstate Jacob.
18:13Fabulous.
18:14You look excellent.
18:15Go, go, go, go.
18:16Ready?
18:17Go, go, go.
18:17Go, go, go, go, go, go, go, go, go, go, go.
18:21Get it off.
18:23Ah!
18:23No one like that.
18:24You can't pull it.
18:25My face is stuck in it.
18:26I'm going to have to vest you up.
18:27What?
18:28I'm going to vest you up.
18:29Dominique, it's Margie.
18:30Come on.
18:31Yeah, come on.
18:32Come on out.
18:34You're going to be magnificent.
18:35Oh.
18:36Oh, I can feel it.
18:37It's giving.
18:37It's giving.
18:38Like, you'll step out there and you'll drop in and you'll say, I am the egg.
18:42Here I am.
18:43Here I am.
18:44Go, go, go, go.
18:46Oh.
18:46You're mine.
18:47You're a two-a-divorce.
18:48You've been magnificent.
18:49It's all in you already.
18:50Thank you, Donna.
18:51You're a valuable team member.
18:53That's the gift you give to the audience.
18:54You share yourself with them and then they feel less alone.
18:57I always say the right thing.
18:59Get yourself out there.
19:00Go on.
19:03That's how it's done.
19:06You're good.
19:07Eyes this way.
19:08Over here.
19:09Over here.
19:10Over here.
19:10Okay, we are looking really good.
19:11But can we bring it closer together, please?
19:13Yes.
19:13Powerful.
19:14That is.
19:14Hold that.
19:15Yes.
19:17There he is.
19:18Simone, are you with us?
19:19Wake up.
19:21Wake up.
19:21Closer together.
19:22Presumably we all came from the same carton, right?
19:24So we love each other.
19:25That's raw egg intensity.
19:27Yes.
19:27That's the shot.
19:28Just jump in there.
19:29I've got a minute to go to.
19:31Mmm.
19:31Always here for the most important moments, Carmel.
19:34Okay, quick photo with Carmel, everyone.
19:36Important photo with Carmel.
19:37Great.
19:38Good use of time.
19:41Oh, Jules.
19:43It's been a tough day for you, hasn't it?
19:45It was a bit of cross-purposing, but I think I turned it around.
19:48I just feel like this creative stuff, it's not for you.
19:51Why don't you just sign up on my budget?
19:53And then you can just drift away.
19:54Unfortunately for both of us, I'm here till we're back in the black.
19:57Okay.
19:58Okay.
19:59Fun day.
20:00Cheers.
20:01Julia.
20:01Yeah.
20:01Oh, Carmel.
20:03Is that the wet look, is it?
20:04Just something I'm trying, yes.
20:06Are we going to do the photo?
20:07Huh.
20:10Great caption for that would be, industry heavyweight encourages more women than the others.
20:16What the hell is your son doing here?
20:19Ah, just dropping off my keys and some dry shampoo.
20:23For the hell, I hope you've changed all the passwords.
20:26I don't want him hanging around you.
20:27Oh, he won't be here.
20:28Ever.
20:29Alright?
20:29Don't you worry, Carmel.
20:30Everything is under control.
20:34Alright.
20:35Alright.
20:37So what's your favourite citrus?
20:39I'm just going to get you a water.
20:41Come on, come on.
20:42Come with me.
20:43Just be strong about it.
20:44You know yourself better than anyone.
20:46Better than you.
20:47You only just met him this morning.
20:48Come on, Ryan.
20:49I need you to drive me home.
20:50Let's go.
20:51No, Mum.
20:52I've got something to tell you.
20:53Has your Dad's foot turned up on a beach south of Sydney?
20:56No, Mum.
20:57I'm not going to the Gold Coast with Dad.
20:59Oh, that's great news.
21:00We can get back on track.
21:01Maybe you could do an MBA.
21:03I'm not going to the Gold Coast because...
21:06I'm a gay man and an actor.
21:09Sorry, what?
21:10It's about time you knew who I am.
21:12Yeah, I know you're gay.
21:13Who cares?
21:13But an actor?
21:14Oh, Ryan.
21:15I think I'm going to be sick.
21:16I've seen something profoundly beautiful in Ryan.
21:19Yeah.
21:20Margie said I'm like a big Greek guy.
21:23No, he said you're like a gift from the Greek gods.
21:24Like, yeah, that.
21:25And not only that, but she's cast me in her French play about a peasant.
21:28It's just a small role, but he has the quality I'm looking for.
21:32The tragic sum.
21:33No, this isn't happening.
21:35Unless the play doesn't happen for some silly reason like budgets.
21:39No.
21:40No, Mum.
21:40That wouldn't happen, would it?
21:41No.
21:42Because then you'd have to go to the Gold Coast with your Dad.
21:45He sounds awful, doesn't he?
21:47Sticky.
21:49Sticky.
21:51Oh dear.
21:52Thank you, I'm a berger this summer.
21:53I like that movie.
21:54So true...
21:55I entendeu.
21:55Sh reform the midday legislator.
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