- 7 hours ago
High Potential S02 - Episode 18
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00:00I want to, I want to, I want to, I want to, I want to, uh, uh-huh, uh-huh.
00:05Kissy face, kissy face, sent to your phone, but come give me something I can feel, oh-oh-oh.
00:12Don't you want me like I want you, baby? All you gotta do is just meet me, ever.
00:19I want to, I want to, I want to, I want to, I want to, I want to, I want
00:22to, I want to.
00:23Hey, good morning. Good morning. How you doing? We good?
00:26Morning. What can I get you? Miss? Are you okay?
00:34Oh my gosh! Help! Help somebody, please!
00:57Good morning. Can't believe I worked on that stupid thing for two weeks.
01:00Paul Cezanne hated everything he ever painted and he's considered one of the greats.
01:04Yeah, after he died. Well, he worked on the large bathers for seven years.
01:08They don't have years. I have art school reps coming to my showcase soon and I've literally got nothing.
01:13You have a couple days. Plus, I really like what you've done so far.
01:17You're my mom. You're supposed to love it.
01:18That is not true. That textile thing you did was boring.
01:22And a little derivative.
01:23Okay. Uh, why don't you go and pack your bag for your dad's house?
01:27Okay.
01:29Art isn't like your job, Mom. I don't just get to look around and like notice things.
01:35It's a little more than that, but okay.
01:37I have to come up with something completely original. Something so undeniable it stands out.
01:41Because if I don't, then I might not get another shot at being noticed or getting a scholarship.
01:46Hey, listen. I lived with an artist before you came along, remember?
01:50Your dad used to fill up so many garbage cans with some really beautiful stuff that he thought was trash.
01:55You know, the points where he was the most frustrated and he was about to give up?
01:59That's usually when he would come up with something very special. And you will too.
02:05But you can't give up.
02:08Okay. Okay. I got it.
02:10What if your final showcase piece is the trash can full of your art?
02:15Okie doke.
02:16Uh, I've got an idea. How about over the next couple days you want to talk to your sister?
02:20You just run it by me first, okay?
02:22Rauschenberg would have called that a finished piece.
02:23I know. Have a wonderful day.
02:24I love you.
02:25Love you too.
02:28No, I'm saying if you want to judge my lavender oat milk latte, you should at least try it first.
02:33No, I don't think so.
02:34Lavender is for soap, not for sipping.
02:37Oh, thank God.
02:38You know, you really didn't have to drive me.
02:41You were on the way.
02:45You're welcome.
02:51Yeah.
02:53Yeah, I can head right over. Just shoot me the address.
02:59Oh, I'm already there.
03:01Thank you. It's okay. Thank you.
03:06Oh, what's going on here? Bring your girlfriend to work day?
03:09Lucia's one of the managers here. She handles all their VIP guests.
03:12Does she want to comp me a room sometime?
03:13I'll ask her.
03:14Really?
03:16Everyone's on fire this morning.
03:18Major Crime's got the call because she's high profile.
03:21She is? Who is she?
03:23Vera Hensley from The Big Fix with Vera and Frank.
03:26I've never seen it.
03:27That's a husband and wife team.
03:28They repair houses, do renovations, things like that.
03:31Oh, well, I've got three kids.
03:32I don't really have time to build my own deck.
03:35She's not exactly dressed for a pool day.
03:37What's she doing out here?
03:38I talked to a few hotel guests who said she was already laying here when they came up this morning.
03:41So you think she's been here all night?
03:42Maybe she stumbled out here drunk, fell in the pool and hit her head.
03:45No.
03:47Look at her hair. It's styled.
03:50I mean, it's frizzy. I agree it got wet.
03:53But have you ever seen a woman come out of the water?
03:55It'd be all plastered to the side of her face, not round and bouncy.
03:59It didn't rain last night.
04:00So how'd she get wet?
04:06Sprinklers.
04:08Yeah, they probably run at night when the guests aren't around,
04:11which means there was no one here to witness her attack.
04:13That's assuming that it happened here.
04:15Well, if she was killed somewhere else, we better find out where
04:17before Vera's killer has time to clean it up.
04:21Vera Hensley?
04:22Yes, anything you can tell us.
04:24Her room number, when she checked in.
04:25She's not staying here.
04:28But her husband, Frank Hensley, is a DNA guest.
04:32Do not announce.
04:33Very high profile.
04:35Only essential staff have access.
04:37He's been staying in the penthouse, checked in a few days ago.
04:42Okay, give us one of those master key cards.
04:44We're gonna go snoop around his room.
04:45We'll knock.
04:47Can you access cameras?
04:48Uh, we only have cameras by the pool, the elevator, and the lobby, but I...
04:52Huh. That's weird.
04:55These cameras were, uh, turned off last night.
04:57Off or erased?
04:59I wouldn't know. I'm dis-relations.
05:01I'll put our IT team on it.
05:03Let's go talk to your VIP.
05:07Vera and I were never apart.
05:09We lived together.
05:10We worked together.
05:12Our show is our life.
05:14Is it true you guys met at a hardware store?
05:16You watch the show?
05:17My girlfriend and I are moving into a place that needs a bit of work, and, uh, the big fix
05:22taught me a lot.
05:23Our first place together was a two-bedroom house off Van Ness.
05:27Crooked floors, no storage, no light.
05:29Every project started as a problem that Vera and I couldn't afford to ignore.
05:34Can I ask what time the two of you went to bed last night?
05:36Vera wasn't staying here.
05:38So this isn't her bra?
05:45I invited some friends over last night.
05:47I guess it got kind of wild.
05:50Mr. Hensley, if Vera wasn't here with you last night, why was she at the hotel?
05:54I wish I knew.
05:55Okay.
05:56So where's the lamp?
05:58And the brass candle holders and the stone bookend.
06:05I don't know.
06:08So his wife dies in the same hotel he's staying in and he never saw her?
06:13Please.
06:14Sounds like Vera found out that Frank was here partying, confronted him, and things got out of hand.
06:17Okay, so why aren't we bringing him in?
06:19Because we need evidence.
06:19Right now we can't even prove that Vera came up to this floor.
06:22Whoa, whoa, whoa!
06:24Uh, that'll do it.
06:29Yeah, they're taking me in right now.
06:34Where'd you park?
06:35On the street, like a sane person.
06:37You think I'm paying hotel prices?
06:38We reimburse.
06:39You do?
06:40Yeah, you save the receipt, fill out an expense report.
06:42God, no, forget it.
06:43You lost me.
06:43Bye.
06:45Mmm.
06:48Is it?
06:50It's not too late.
06:51We can be together with them in cities.
06:53There's seasons and frosted trees.
06:57Oh boy.
07:06I know.
07:07It's terrible.
07:08Try not to worry too much.
07:09I love you.
07:10Bye.
07:15Everything okay?
07:16Hmm.
07:17Yeah.
07:17Lucia's just having a hard time.
07:19With what?
07:20Uh, with the murder at her hotel.
07:22Most people don't show up to work expecting to see a dead body.
07:25Right.
07:26Just last week I was watching Vera and Frank put together a banquette and now we're trying
07:29to find out if he killed her.
07:33This is new.
07:35Oh.
07:36Yeah.
07:37It's a gift from Lucia.
07:39It's, uh, gypsum sand.
07:41She said it's rare.
07:43Like what we have.
07:47She's right.
07:48It is rare.
07:52I loved Vera.
07:53The kind of love where you rent out the penthouse suite to hook up with other women,
07:56right?
07:57No.
07:57So the bra was yours?
07:59We checked your records, right?
08:00This wasn't the first time you wanted to fly solo, was it?
08:02But you thought what she didn't know wouldn't hurt her.
08:04Only she did find out about the women, the lies, the partying.
08:07You went behind her back while telling the world that you loved her.
08:10I did.
08:11Vera and I were always honest with each other.
08:13Okay?
08:14I don't know what she was doing in that hotel.
08:15I didn't even see her.
08:17Okay, so you're cheating on your wife in the same hotel.
08:19You heard Lucia works at that hotel?
08:22Small world.
08:23Yeah.
08:25I guess.
08:26Being the happy couple that you see on TV, fixing houses.
08:29That was our brand.
08:30Okay?
08:31That wasn't who we were.
08:32Not always.
08:33Sometimes...
08:34Look, we like to do our own thing.
08:37As far as I know, having a good time is not a crime.
08:39No, it is not.
08:40But, knocking your wife out when she walks in on you with another woman,
08:43and then moving her dead body so you can clean up the evidence,
08:45that would be a crime.
08:46My client said enough.
08:48Call us when you actually have something.
08:55The bloody fingerprint on the elevator button matches Vera's blood and print.
08:59Hmm.
09:00So we know Vera went up to the penthouse.
09:02That means Frank either wasn't there at the same time, or he's lying about not having seen her.
09:05I checked the hotel records.
09:06Frank and Vera had a joint account at the Blackwell Hotel.
09:08So if one of them booked a hotel room, the other would receive a digital key on their phone automatically.
09:13Then maybe Vera saw where Frank was and wasn't as happy about his partying as he wants us to believe.
09:18Okay, and what about the items that were missing from the hotel room?
09:21Yes.
09:22Found them in the hotel dumpster, and pieces on the penthouse floor.
09:26Looks like there was a fight, and someone tried to clean up.
09:28But there was one item we couldn't find anywhere.
09:32The Emmy says Vera's head wound is consistent with the shape and size of that bookend.
09:37So we know what the murder weapon was, but we don't know where it is.
09:40Tell me the hotel cameras caught something.
09:42CCU is still working on it, but we should know soon.
09:44Did you talk to the people Frank was partying with?
09:46Yeah, he gave us four names, all friends.
09:48Most of them work for him.
09:50His manager, Aaron Rothman.
09:52One of his producers, Lois Mandel.
09:55His stylist, Talia Cruz.
09:57And last, his best friend from college, Boyd Hollis.
10:01Do we think they're covering for him?
10:02Well, if they worked for him, they have financial motive to keep Vera from going public about Frank's indiscretions.
10:07Boyd took some photos of their party last night.
10:13Wait a second.
10:17Who's this girl?
10:21None of Frank's friends mentioned anyone else being around last night, did they?
10:24And you've never seen him before?
10:26No.
10:27You guys?
10:29Maybe someone at the hotel knows who he is?
10:31Morgan and I'll go back.
10:32We can check with Lucia.
10:33Maybe ask around.
10:38You gonna get that?
10:39Kinda thought it was decorative.
10:44Hello?
10:45Morgan.
10:46This is Willa Quinn.
10:48What do you want?
10:50To warn you about the danger you're headed into.
10:54Believe it or not, I'm not your enemy.
10:55I'm the person that warns you before the enemy reaches you.
10:59The way it reached Eric Hayworth?
11:02I think we both know that wasn't a suicide.
11:04There's no way to catch up when the people that are helping you are helping me, too.
11:10Back off, Morgan.
11:11If you wanna threaten me, I think you should come and do it to my fate.
11:13Did she just hung up on me?
11:22Willa said the people helping you are helping her, too.
11:25Those were her exact words.
11:27Yep.
11:29So either she's got someone working for her in the precinct, or she wants me to think that she does.
11:34What?
11:37Willa was seen leaving the Beverly Palms Country Club with Nick Wagner Sr.
11:42Captain Wagner's father.
11:43What?
11:44Do we know why?
11:45No.
11:46A while back, the Captain flat-out asked me how to get you to let him in on the Roman
11:49investigation,
11:50so I think we need to consider the possibility that both Wagners are working with Willa.
11:57Does he know we know this?
11:59Soto asked him about his involvement. He denies having anyone.
12:04Thank you for telling me.
12:10Does he look familiar?
12:12Yeah. He's a guest. Or was. He checked out a few minutes ago.
12:17Hmm.
12:18Uh, Charles Hale. Yep. That's him.
12:22Got a phone number?
12:25Uh-huh. Thanks.
12:31You're for Detective Karadak?
12:33Charles. Thanks for coming in.
12:36Right this way.
12:39Plane leaves in a few hours.
12:41This won't take long. Please, have a seat.
12:44Uh-oh.
12:44Just a few questions. It's my understanding you're staying at the Blackwell Hotel, correct?
12:48Yeah.
12:48Is this about Vera Hensley?
12:50It is. How do you know her husband?
12:52I don't. Met him at the hotel bar.
12:54Recognized him from Big Fix.
12:56Hmm. Figured, what the hell. Say hi.
12:59Then he introduced me to all his friends.
13:02Was Vera with them?
13:03No.
13:04Did you hear or see anything that would make you think that Frank or his friends might want to hurt
13:08Vera if she were there?
13:10No.
13:11But...
13:13There was a guy.
13:14Forties. White.
13:16He was on his own.
13:17He was looking for her.
13:19He gave me a bad vibe.
13:21Did you get a good look at this guy?
13:22Enough to give us a description.
13:24Okay.
13:31Hey.
13:32Hey.
13:34There you are. I was looking for you.
13:37Yeah, I figured we should... probably talk.
13:41Which thing would you like to start with?
13:47Are you working with your father and Willa Quinn?
13:50No.
13:52Absolutely not.
13:55I believe you.
13:57Good.
13:59My subpoena to search Willa's office in New York got shut down.
14:02But I'm not done trying.
14:04Well, I had an idea.
14:06Only I can't do it.
14:08And you should certainly not get caught doing it.
14:17Okay.
14:18You got it.
14:20Well, circle back to the other thing later.
14:23I look forward to it.
14:31Sorry.
14:32Sorry.
14:33You burned the house down yet?
14:34Thought about it.
14:36Can't figure out what you want to do still?
14:37I actually have one idea.
14:40But you might not like it.
14:42You don't have to like it?
14:44Well, that box of all Dad's stuff that you keep in your closet.
14:48Can I use it?
14:49For what?
14:50I don't know yet.
14:51But I promise I'll take good care of it.
14:53Ava, listen.
14:54I saved all that stuff for you, okay?
14:56You do whatever you want with it.
14:58Really?
14:59Yeah.
15:00That's it.
15:00Don't touch anything else in my closet, okay?
15:02Gotta go.
15:03I'll see you soon.
15:13You think this is our guy?
15:14Well, we showed the sketch to Frank's friends, but none of them saw him.
15:17So, we're sending it over to hotel staff.
15:19Maybe we get lucky.
15:20Well, wait a sec.
15:23I've seen those eyes before.
15:26As much as I'd love to put Vera's killer together piece by piece,
15:28unfortunately, Morgan, we're not playing Mr. Potato Head.
15:31Yeah?
15:33Well, maybe we should be.
15:36You're telling me that's not the exact same mouth?
15:39And her nose and beauty mark?
15:42And her eyes and ears and this guy's forehead?
15:46The reason no one's seen our mystery man is because he doesn't exist.
15:51Charles just Frankensteined a bunch of features from Frank's friends together and we drew a picture about it.
15:56Where is he?
15:57He's gone. We had no reason to hold it.
16:00He's not answering.
16:02Daphne's got something for us.
16:04CCU was able to recover some footage from the Blackwell elevators off the hotel computer.
16:08I'm just looking through it.
16:09Emmy places Vera's death between 2 and 4 in the morning. Start looking around there.
16:13Okay.
16:13If she was killed in the penthouse, I don't think he'd wait to bring her to the pool.
16:17Here's something.
16:18Okay, you could fit a body in that cart.
16:21Ah!
16:39And I believe this is gonna work.
16:40It's gonna work.
16:41So we don't work.
16:41That's the kind of the people we have to buy it at the bar.
16:41Sure, you know what?
16:41Well, we don't have to go.
16:42You know what?
16:43All right, I've got to go.
16:43Come on the floor if we need it.
16:43All right, stop.
16:45You know what?
16:49You know that you need a little bit more tentative.
16:50the way i told her we have some questions about the investigation i have something i need to tell
16:54you guys i probably should have mentioned it earlier what is it um this morning i saw lucia
17:02and charles hale together they were having a conversation a conversation yeah i couldn't
17:11really make out what they were saying it was something about no cities just seasons and and
17:15frosty trees i don't know i couldn't make sense of it all i can tell you is it didn't make
17:20me
17:20feel good because they were very friendly well morgan lucia works for the hotel and she talks to
17:29lots of the guests you you think that lucia is involved with the man who may have killed vera
17:36hensley look i don't want to be right about this well that's good morgan because you are not
17:42lucia is not seeing this man or involved with this investigation when she comes in we can ask
17:45adam i don't think you should be the one conducting this interview well then watch me
17:51the moment you see something you don't like pull me out
17:59i've never been in here before yeah we don't uh use it very often you have kids toys so nice
18:09well with kids you want them to feel comfortable safe you know try to make a bad situation a little
18:13better careful you make a great dad talking like that so how can i help you with your case
18:24you got called into work pretty late last night i did what did they call you to the hotel for
18:29apparently frank hensley's party got a little out of hand what'd you find when you got there between you
18:34me a mess some of the items in the room were even broken i just cleaned it up took it
18:41with me and
18:41left how'd you get the stuff out i put it all in a hotel meal cart rolled it right onto
18:46the elevator
18:50adam what's going on wait are people watching us right now yeah this is a murder investigation
18:56and if i wasn't asking the questions someone else would be when you got to the penthouse who was there
19:04no one and how well do you know charles hale mr hale does a lot of business in la he
19:11stays at the
19:11black wall when he's in town what else do you know about him i don't do background checks on my
19:15guests adam well the thing is when we showed you his photo you neglected to mention that he
19:20had been there before well our guests expect discretion if i had felt there was something
19:24important i would have told you we believe vera hensley was killed in the penthouse by frank or
19:29charles and then moved to the pool and the only person that was in the elevator around her time of
19:34death was you you think i took a dead woman downstairs in a hotel meal cart no but it is
19:44my job to figure
19:45out who did well it's funny how your job seems to keep coming in between us but this this i
19:51did not see
19:51coming we're looking for charles right now do you have any idea where he might be how would i know
19:57that
19:57i don't know him then what were you guys talking about on the street this morning
20:06businessmen like charles are the type of vips we want coming back to the blackwell so that means
20:11sometimes i have to be a little friendly and sometimes a man like charles can take that the
20:15wrong way and when it happens i make sure the line is clear but charles was trying to cross that
20:24line
20:26first he asked me for restaurant recommendations then he invited me to join and i said no and i said
20:34no
20:34again and he followed me out onto the street and i told him to never come back i'm sorry that
20:42happened
20:46maybe i should have told you i just i didn't want you to worry
20:56hey i'll walk you out uh that's okay i'm on my way out
21:03charles told me he's flying out today so we're checking manifests you didn't ask about the no
21:07city's frosty trees thing that's what charles said to her that's what you thought you heard hey
21:11morgan we already know charles is lying do you have any reason to believe that lucia is lying too
21:19lying is a really strong word but yeah i think there's something she's not telling us
21:25what i saw was a woman whose boyfriend was accusing her of being involved in someone's murder
21:29i can't imagine what that must have been like for her i know what it was like for me though
21:33i'm gonna get an update from daphne and os hey you want me to be honest with you right i
21:42just think
21:42it would be smart to bring her back in and ask a couple more questions that's not your call morgan
21:46sorry i know this is uncomfortable for you okay soto could talk to her or you know what i'd be
21:51happy
21:52to do you want lucia to be guilty of something
21:55what does that mean where are we at with charles hill still monitoring the cell number he gave the hotel
22:00no location yet i hope you know know what is everything okay i get that this is hard for you
22:06but you and i both know that if it was anyone else in that room you would be asking tougher
22:11questions
22:11are you accusing me of not doing my job it's not just your job this is personal i know exactly
22:16what
22:16this is and i don't need you managing me i am not one of your kids morgan so stop treating
22:23me like one
22:59we need someone
23:00who is familiar with the levers of government
23:02and actually knows how to use them.
23:10Excuse me one minute.
23:12Ms. Quinn and I do tend to move in similar circles,
23:16if that's what you're after.
23:17That job that you had me offer Morgan
23:19didn't come from you, did it?
23:20It's okay. No offense taken.
23:22It's nice to be wanted.
23:24Uh, speaking of Willa,
23:25should we hunt around,
23:27see if we can go find her here, or...?
23:30Would you rather just make a phone call?
23:38I see you've decided
23:39not to take my advice.
23:41What a shame.
23:43No, a shame is my daughter
23:45losing out on 15 years with her father.
23:47And that look on your face.
23:50Okay.
23:52I'm here.
23:55What do you want to say?
23:56This will just take a minute.
23:57You know, when I was growing up,
23:59what my father liked telling people
24:01he was self-made
24:02got there on merit.
24:03Which wasn't true.
24:05There were people in your way
24:06who suddenly lost credibility,
24:08jobs, everything.
24:09Some of them even disappeared.
24:11And back then,
24:12I didn't understand.
24:14Now I do.
24:17It was you.
24:19Well, you're right.
24:20I've helped your father.
24:22I've made introductions.
24:24I've given advice,
24:24sometimes quietly.
24:26That's what I do.
24:27I'm willing to expose all of it.
24:29Every ugly detail.
24:31You can't prove any of it.
24:32Oh, I think actually we can.
24:38Detailed logs of all of your calls,
24:40texts, and emails
24:41over the last year or so.
24:43Technology really is incredible,
24:44isn't it?
24:45You would not believe
24:46how many incriminating documents
24:48you can cram onto something
24:49this tiny.
24:50Well, if it's even real.
24:52Oh, it's real.
24:53The guy we met
24:54in our last case
24:54gave us an assist.
24:56Decent bowler.
24:57Great hacker.
24:58That's fraud.
24:59Felony.
25:00Inmissible.
25:01Oh, absolutely.
25:02Highly illegal.
25:03The courts would never allow it.
25:04But the press will.
25:05You would really destroy
25:06your father's life like this?
25:08Oh, I wouldn't worry
25:09so much about him.
25:10There's lots of stuff
25:11about you on this file.
25:12I find that highly doubtful.
25:14Mr. Wagner and I
25:16don't keep up much
25:17with correspondence.
25:18No, you don't.
25:18But he really loves bragging
25:20to his high-powered friends
25:21about his connections to you.
25:22You can't shut up about it.
25:23This is your leverage?
25:25Well, if it isn't,
25:26you have nothing to worry about.
25:28But if it is,
25:29you know how to stop it.
25:35Tell me what happened to Roman.
25:40I've tried very hard
25:41to keep this
25:43from reaching your life.
25:45If you're doing all of this
25:47to get answers for one child,
25:49has it even entered your brain
25:51that you are inches away
25:52from putting baby Chloe
25:53and Elliot in danger?
25:56Okay.
25:57I'm done.
25:58Mwah.
26:27No, no, no, no, no, no.
26:28Come on, what are you doing?
26:29Stay away from me.
26:30Get back in the car.
26:30Okay, fine, fine, fine.
26:32Go, go.
26:32You don't get to say
26:34my kids' names.
26:35You have no idea
26:35what you're doing.
26:37I'm trying to warn you.
26:38Tell me what you did.
26:40Who are you protecting?
26:42Okay, you need to think
26:44very carefully
26:45about what you are asking me.
26:47Oh, my God.
26:48Just answer the question.
26:50Fine.
26:51I'll give you what you want.
26:52And then we'll see
26:53how badly you want
26:54to keep digging.
27:02Did you speed through
27:03the red before
27:04or after you ran
27:05into Willa's car?
27:07If she threatened my kids,
27:09you would have done
27:09the same thing.
27:12I wouldn't have ran the red.
27:15I have something
27:16you should see.
27:17Charles Hale's
27:18employment data
27:19didn't check out.
27:20Dates overlap,
27:21one company doesn't exist,
27:22so I ran his prints
27:23federally.
27:24I got hits
27:24under three different names.
27:26These guys lived
27:26all over the place.
27:28Panama border,
27:28New Mexico,
27:29San Angelo, Texas,
27:31Yakima, Washington.
27:32You know,
27:33I can run it
27:34and co-pilot.
27:35I'll have it categorized
27:36police reports
27:37by location,
27:38date,
27:39and name.
27:40Then color code
27:41them by location
27:41and create a summary
27:42of the findings.
27:44Okay, here we go.
27:45I'm finding reports
27:46on alleged scams
27:47in multiple cities
27:48he's lived in.
27:49Look, he posed
27:49as a startup investor
27:50in Phoenix,
27:52a high-end real estate
27:53partner in Ojai.
27:54So he's not a businessman,
27:56he's a con man.
27:57So Frank was his next target,
27:59but why kill Vera?
28:01Well, hang on a second.
28:04Charles checked
28:05into the hotel
28:06the same day Frank did,
28:07except Frank
28:08was a do not announce.
28:11So how did Charles
28:12know he was even there?
28:30you said Charles,
28:32or whatever his real name is,
28:33lived in Alamogordo?
28:34New Mexico.
28:35Yeah, why?
28:36That's by White Sands National Park,
28:37the largest gypsum doom field
28:39in America.
28:40Gypsum?
28:40Unlike quartz sand,
28:41gypsum sand dissolves
28:42completely in water,
28:43which makes it incredibly rare.
28:45Lucia gave this to Karadek.
28:47It can't be a coincidence.
28:48I think that she and Charles
28:49were in the same city
28:50at the same time.
28:51Where's Karadek?
28:57Yeah.
28:58Charles Hale is a con man,
28:59and I think Lucia's involved.
29:01Morgan, I'm not gonna do this again.
29:03Okay, just hear me out, okay?
29:05The day that Frank
29:06checked into the Blackwell,
29:07I think Charles was tipped off.
29:08He came to the hotel
29:10to con Frank.
29:11Any idea what the con was?
29:12I mean, Frank and Vera's
29:13whole brand was that
29:14they were a happy couple, right?
29:15It made them millions.
29:16So if Charles got evidence
29:18that Frank wasn't the devoted
29:19husband that he claimed to be,
29:21Frank would have paid anything
29:22to keep it from getting out.
29:23Charles was gonna blackmail Frank.
29:25While Frank and his friends
29:26went to the pool,
29:27Charles was in the room alone.
29:29Vera walked in and caught him
29:30planting a recording device,
29:32so he had to take out
29:33the witness.
29:46Okay, so how did Vera
29:47end up by the pool?
29:49She snuck out and she ran.
29:51But that elevator is slow,
29:53and she was afraid
29:53that Charles would come after her.
29:55So she took the stairs,
29:56but we didn't see it
29:56because there were no cameras there.
29:58It was dark.
29:59She was disoriented.
30:03Lucia did clean the room
30:04like she told us,
30:05but she left out one thing.
30:06I think Charles was back
30:08in that room.
30:10Unless Charles could have done
30:11all of this on his own.
30:13There were two things
30:14that Charles could not
30:15have done on his own.
30:16You think she erased
30:17the videotape?
30:22And she tipped off Charles
30:24in the first place
30:25that his next big mark
30:26just walked into her hotel lobby.
30:28That's why Lucia's been so upset.
30:31She's the one
30:32who brought Charles Hale
30:33into the Blackwell Hotel.
30:41I'm really sorry.
30:45I'll call you back.
31:19You won't listen to me.
31:21It's okay.
31:22Let me handle it.
31:27Charles, I need you
31:28to put the safety on
31:29and drop it to the ground.
31:30Please.
31:31I don't think so.
31:35You know, I got a feeling
31:36that you care about Lucia
31:37as much as I do.
31:39Do not do something
31:40that she will have to live with
31:41for the rest of her life.
31:42Okay?
31:44Don't do that to her.
31:46Charles, there are some things
31:48that you and I cannot change
31:50no matter how much we want to.
31:52But what we can decide
31:53is how this ends.
31:55I can think of a bunch of ways
31:56we can turn this day around,
31:57but they all start
31:58with you dropping that gun.
32:20Watch your head.
32:24How did you know
32:25we would be here?
32:29No cities,
32:30just seasons,
32:31frosty trees.
32:33Those fans are there
32:34to keep the frost
32:35off the trees.
32:36That and Charles
32:37or whatever his real name is
32:38was trying to buy this place.
32:40Just an instinct, I guess.
32:41I didn't come here
32:42to run away with him, Adam.
32:46I just didn't want
32:47anyone else to get hurt.
32:53We met in New Mexico.
32:55I was still getting over you
32:56and he seemed
32:57to understand that.
33:02Did you know what he did?
33:03Not at first.
33:06But when I found out,
33:08he said he wanted to change.
33:09He just needed
33:10like a couple more
33:11big paydays first.
33:13So I helped him.
33:15I pointed to a couple
33:16high-profile guests
33:17at other hotels.
33:20But he didn't change.
33:22So I left.
33:24I came back here.
33:27I bumped into you.
33:29And then he showed up
33:30at the Blackwell
33:31and told me
33:32if I didn't find
33:32his next mark
33:33that he was gonna make sure
33:34my cop boyfriend
33:35learned everything.
33:38but that if I did it,
33:39he would disappear
33:40for good.
33:42I didn't want him
33:43to destroy everything
33:44that we had.
33:45Adam.
33:52Where's the book
33:53Andy used to kill Vera?
33:58Adam, it's me.
34:07Yes, thank you.
34:09They got him.
34:10Charles is in custody.
34:12Everyone is safe.
34:13I just got this.
34:15What is it?
34:16Willa came through.
34:18This FBI agent,
34:19Lila Flynn,
34:20she was working undercover
34:21and she was murdered.
34:22Mm-hmm.
34:22Turns out she was dirty.
34:25Oh, looks that way.
34:26Selling intel,
34:28laundering money.
34:29There's something else.
34:31What?
34:44They suspect
34:45that Roman
34:46was working with her
34:47and when she decided
34:49to come clean,
34:50he killed her.
34:53This was a scandal
34:54too big for the FBI
34:56and Willa helped
34:57them bury it.
34:58Security cameras
34:59caught these
35:00outside Lila's house
35:01the day she was murdered.
35:03That's Roman's car.
35:08No.
35:10I'm done.
35:11Let's be done.
35:14Can you give us a minute?
35:23What does that mean?
35:24Stop digging, okay?
35:27Listen, I don't know.
35:28It doesn't matter anymore.
35:29It's just not safe.
35:31It's not safe.
35:32It's never been safe.
35:33Eric Hayworth,
35:34this woman,
35:35I don't know.
35:36I don't know what's true.
35:37All I know is that
35:38if anything were to happen
35:39to any of you...
35:39Morgan, stepping away
35:40is simply not an option anymore.
35:42Oh, my God.
35:42Okay?
35:43I'm scared too,
35:44but I can take care of myself.
35:48Whatever happens,
35:50we'll do it together, okay?
36:06Hey.
36:08Hey.
36:11Hey.
36:21How you doing?
36:24The unis are taking Lucia to the precinct now.
36:26Oh, God, I'm sorry.
36:28You don't have anything to be sorry for.
36:31I'm sorry.
36:32You warned me, I should have listened.
36:34She'll be charged with accessory after the fact.
36:36I care, Doc.
36:36Though with the other cons that her and Charles were involved in,
36:40the charges will increase.
36:41Adam.
36:53I can't believe this is happening.
36:57I just cannot believe it.
37:01I feel so stupid.
37:02No, don't.
37:03Please don't do that.
37:06You did it right.
37:08You did.
37:09You opened your heart.
37:10You let her in.
37:13That's always going to be the right move.
37:18I believed her.
37:21I believed she wanted a life with me.
37:26Now I don't even know who this person is.
37:28Yes, you do.
37:29Yes, you do.
37:33You do.
37:34It's the same person.
37:35You just...
37:38You just loved her too much to see the things that you didn't want to see.
37:45It's okay.
37:49It's gonna be okay.
38:02I get to go see Ava's art show.
38:05You want to come with me?
38:07I would love to, but I have some things that I really need to take care of, you know?
38:12It's okay.
38:14But I'm here if you need me.
38:19I know.
38:28I'll see you.
38:35I'll see you next time.
38:49Mom, hi.
38:50I'm so glad you made it.
38:53Wow.
38:55Well, what do you think?
38:59Ava, this is...
39:01Boring.
39:02Yes, I just fell asleep.
39:03No, buddy, this is incredible.
39:10I am so impressed.
39:12You did this all by yourself.
39:16Well, I guess I had some help from my dad.
39:21Yeah, I guess you did.
39:26You're not gonna start crying, are you?
39:28Please don't embarrass me.
39:29My little baby girl did this one.
39:31Oh, my God, Mom.
39:38Hey, what's going on?
39:40Hey, my father gave me a name.
39:42It's an old FBI ghost that was there
39:44when everything went down with Roman.
39:46I'm meeting him tonight.
39:47Tonight?
39:48Well, I gotta come with you.
39:50No, you need to stay away until I get eyes on this guy.
39:52I'll be fine, you'll be there.
39:54Come on, I need to talk to him.
39:58Okay.
40:009.30, Rancho Park, south side of the pond.
40:03Okay, I'll see you soon.
40:26Draw the place
40:30Light every candle
40:33Slip off my pretty dress
40:38Down my chest
40:40When I think of you
40:44Every night
40:47Both lips on the mirror
40:51It's ritualistic
40:55Counting lipstick
40:58Stains where you should be
41:02Oh, I need you
41:10I'm getting close now
41:15Do you picture me
41:17Like I picture you
41:20Am I in the frame
41:22From your point of view
41:24Do you feel the same
41:26I'm just gonna say
41:29Half of the things
41:31I do
41:33When I picture you
41:37When I picture you
41:41Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
41:50ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
41:50ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
41:53ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
41:54ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
41:59ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh
42:10From your point of view, do you feel the same?
42:15I'm too scared to see half of the things I do when I picture you.
42:55I'm too scared to see half of the things I do when I picture you.
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