- 18 hours ago
Second Chance Ceo - Eng
Category
🎥
Short filmTranscript
00:00:27Tino.
00:00:32Tino is doing this on purpose, your gender equality proposal has been revised seven
00:00:35times and is still candid.
00:00:37He's the director, what choice do I have?
00:00:39Director or not, you've gone months without full pay.
00:00:41Doing charity work for care homes, when does it end?
00:00:44Just stop Judy, if I keep moping around, I'll miss the meeting.
00:00:46Tina, have you ever thought of chasing the market instead?
00:00:48If you did, your pay and prospects would look a lot better.
00:00:51If I believe in the idea, prospects and salary don't factor.
00:00:54You need to say that, it still feels unfair.
00:01:01Hello.
00:01:06Hello.
00:01:08Long time no see.
00:01:10Must have been years since you broke up with me.
00:01:12Ex-boyfriend?
00:01:14No, I don't know him.
00:01:17You don't?
00:01:19Edward Davis.
00:01:21Her one and only ex.
00:01:24Former brother-in-law?
00:01:26Did you stop messing around?
00:01:29After all these years and you're still clumsy.
00:01:35I was working.
00:01:36Unlike you, who's never touched a dirty dish.
00:01:39She's usually picture perfect, today was a rush.
00:01:41Picture perfect.
00:01:43More like...
00:01:44Overtime chic.
00:01:47We're in a rush.
00:01:49We should go.
00:01:50Well, I'm gonna use the elevator if you guys wanna use it.
00:01:53No, the stairs will be just fine.
00:01:55Thanks.
00:02:03You're unchanged at all.
00:02:20Seventeenth.
00:02:21Two whole floors on foot just to dodge an ex.
00:02:24Ex?
00:02:26Just an old classmate.
00:02:28Two floors.
00:02:29Treated as morning cardio.
00:02:30Worst excuse ever. He said he was your only ex. Only.
00:02:35Spill, who is Edward Davis and why did you break up?
00:02:38Judy, priorities. We still don't know if her proposal is going to pass. Focus on that.
00:02:42Okay, well, I heard today's client is the boss of bosses.
00:02:45Ten million for one deal. Ten million.
00:02:48That would keep all of them to float for three years.
00:02:50Even the more reason to nail it?
00:02:52Tina, Judy, do you want your jobs or not?
00:02:54The client is here. You almost blew the meeting schedule.
00:03:08Hey!
00:03:13Edward, you again?
00:03:18Edward, you again?
00:03:21Watch your tongue. That's our client, the owner of Lightspeed.
00:03:28Peter, why let just anyone in?
00:03:31Just anyone?
00:03:32I'm Holman's event planner.
00:03:34Same as you.
00:03:35You're not worthy of the title.
00:03:38Apologies, Mr. Davis.
00:03:40She's a junior member.
00:03:41She can't even dress herself properly.
00:03:44She has no respect.
00:03:45Your personal visit is our greatest honor.
00:03:49It's fine.
00:03:51And your name?
00:03:53I'm Isabella.
00:03:54I'm Owen's chief planner.
00:03:56My proposal...
00:03:57Yeah, okay.
00:03:58I'll remember your name.
00:04:02Lightspeed wants a creative, thoughtful campaign to launch our new lifestyle brand.
00:04:08We're not just selling clothes.
00:04:10We're selling an idea.
00:04:12Female empowerment.
00:04:16Our street-style check-in campaign taps into youth culture.
00:04:20We partner with shopping malls, host splash mob battles, and bring influencers to ignite buzz.
00:04:30Tina, your thoughts?
00:04:35Me?
00:04:36Me?
00:04:39Me?
00:04:44I'm not impressed.
00:04:47Why not?
00:04:48Your new line targets professional women.
00:04:50Challenging the notion that office wear must be uniform and dull.
00:04:54Your campaign should focus on how women express themselves.
00:04:57Breaking molds at work.
00:04:59Mirroring the product ethos.
00:05:06Tina.
00:05:08You'll leave this.
00:05:10What do you mean?
00:05:11Hand the campaign to Tina?
00:05:13Giving the campaign to Tina.
00:05:15Mr. Davis, are you joking?
00:05:17She's a junior planner.
00:05:20You'd be squandering millions of dollars.
00:05:22Isabella?
00:05:23Is it?
00:05:24Mind your time with Tina.
00:05:26Well, the deal is off.
00:05:28What kind of drama is this?
00:05:31Mr. Davis.
00:05:33Tina is a bottom-of-the-chart performer.
00:05:36She's hardly qualified.
00:05:38Isabella's campaign is market-tested and ready to roll out now.
00:05:42Exactly.
00:05:43My proposal could launch immediately.
00:05:46Tina is leading this campaign.
00:05:48I won't tell you again.
00:05:56If Almond can't accept my decision, then Lightspeed will pull funding.
00:06:01Withdrawal funding?
00:06:03That's a nine-figure deal.
00:06:06You have three days to complete this.
00:06:09Can you do it?
00:06:12You should say thank you to Mr. Davis.
00:06:15This is an enormous opportunity.
00:06:16Three days?
00:06:18Impossible.
00:06:19Please.
00:06:19Her and her sidekick couldn't do it if they had three hundred days.
00:06:24Fine.
00:06:26I'll take it.
00:06:28Great.
00:06:29On one condition.
00:06:30Complete autonomy.
00:06:32No interference from anyone else.
00:06:35If you cannot promise this,
00:06:38the project goes to Isabella.
00:06:42Problem?
00:06:44No.
00:06:45No problem.
00:06:47Good.
00:06:48Then I expect the final plan in three days.
00:07:03Hey!
00:07:05Don't think Edward's backing is going to save you if you blow this.
00:07:08You know the consequences.
00:07:12Tina, a multi-million dollar account.
00:07:14We can finally shine.
00:07:15Back to the office.
00:07:16Now.
00:07:17Now?
00:07:20Call back to every care home and community center we've worked with
00:07:23and gather the latest leader on workplace gender equity.
00:07:26Great.
00:07:26Another three nights sleepover at work.
00:07:30Well, well, well, Archie Planner, playing researcher.
00:07:34Three days to turn stone into gold.
00:07:36When the funding crashes, you'll be Almond's pariah.
00:07:39You.
00:07:40Can we help you?
00:07:42I'm just here to watch you crash and burn.
00:07:44Then we'll get to work.
00:07:46Judy?
00:07:47Let's catch your first concepts.
00:07:54What is wrong with you?
00:07:58If you linger here and slow down our project,
00:08:01you'll be the first to blame.
00:08:04Blame?
00:08:04You're going to fail.
00:08:07I'll just do my best.
00:08:08As for the outcome,
00:08:11time will tell.
00:08:12Well, aren't you a shameless bragger?
00:08:17Good riddance.
00:08:19Talk is cheap.
00:08:21Time is everything.
00:08:24Another sleepless night?
00:08:26Is that obvious?
00:08:28How did you guess?
00:08:29Your face says it all.
00:08:32It's that project about him, right?
00:08:35Yes.
00:08:36And no.
00:08:37It's odd.
00:08:38He forced this campaign on me.
00:08:40Gave me only three days.
00:08:42Almost like he wants me to fail or make a fool of myself.
00:08:47Well, since you accepted,
00:08:49stop overthinking.
00:08:52It's just work.
00:08:53Work you believe in.
00:08:55I know, but I just...
00:08:56Tina, my dear,
00:08:58don't be so hard on yourself.
00:09:00It will only make it worse.
00:09:02Ask yourself one thing.
00:09:05Do you still have feelings for him?
00:09:13Some ties don't sever easily.
00:09:16You're stubborn, child.
00:09:19Please.
00:09:20Too much separates us.
00:09:22Class.
00:09:24Status.
00:09:26My disappearing without a word back then.
00:09:29He has every reason to hate me.
00:09:32I don't think so.
00:09:34After all these years?
00:09:37Don't rush your answer.
00:09:40He will show you.
00:09:47Mr. Davis,
00:09:48shall we begin?
00:09:50Ask Tina first.
00:09:51That's absurd.
00:09:53She's a junior planner.
00:09:54She doesn't deserve to start.
00:09:56If you're not willing to listen to Tina's proposal,
00:09:57then please,
00:09:59leave.
00:10:04Fine.
00:10:05Let her play.
00:10:07I'll stay and watch the show.
00:10:12Tina,
00:10:13are you ready?
00:10:16Three days have passed.
00:10:17It's time for Tina to present her campaign proposal.
00:10:24Today,
00:10:26I'm not here to advertise Lightspeed's products.
00:10:29I'm here to expose the real state of women in the workplace.
00:10:35I'm here to expose the real state of women in the workplace.
00:10:40You should really focus on your campaign.
00:10:43Peter,
00:10:44please take this lady out of this meeting and let her rest.
00:10:48Lady?
00:10:49Her name is Isabella.
00:10:51Sorry,
00:10:51I've forgotten your name.
00:10:54Please leave.
00:10:57She knows what she did wrong.
00:10:58It won't happen again.
00:11:01Please,
00:11:02Tina,
00:11:02go on.
00:11:04Latest data shows over 30% of eligible women
00:11:07leave the workforce due to family and childbirth pressures.
00:11:10This systemic inequality squanders talent
00:11:13and costs society dearly.
00:11:17Lightspeed will sponsor the initiative.
00:11:18The new professional line becomes a narrative threat.
00:11:21So everyone who supports the cause
00:11:23learns the brand's story.
00:11:36What are you two now?
00:11:38That's Mr. Davis' coffee.
00:11:40Put it down.
00:11:41Mr. Davis gave it to Tina.
00:11:43Why are you in such a hurry?
00:12:03I'm in planning department.
00:12:05Tina's speaking.
00:12:07Tina,
00:12:08it's me.
00:12:10What's the news?
00:12:12Have you eaten?
00:12:13Is there something work-related?
00:12:16Well,
00:12:16regarding the collaboration,
00:12:17within three days,
00:12:18I want a refined budget
00:12:19and I want clear projections.
00:12:22I'll need more specifics.
00:12:24Could we have a detailed brief?
00:12:25Well,
00:12:26as you're the head planner,
00:12:27you should be able to source and perfect your own information.
00:12:29Effective research
00:12:30comes from reliable data.
00:12:32If your input is vague,
00:12:33I can't fabricate numbers.
00:12:35I don't know why I talk to you about work.
00:12:36You take work so seriously.
00:12:37If there's nothing about my work,
00:12:40goodnight,
00:12:40Mr. Davis.
00:12:42Do you know why I insist on this project?
00:12:48Do you know why I insist on this project?
00:12:51Lightspeed needs a breakthrough
00:12:52and sharper positioning.
00:12:54Apart from that?
00:12:56Beyond that,
00:12:58I'm unaware.
00:12:59You know exactly what I mean.
00:13:02Strictly work,
00:13:03Mr. Davis.
00:13:05Fine.
00:13:07Make a plan,
00:13:08not wait for you.
00:13:14Who's that?
00:13:16No one.
00:13:17Just a tricky client.
00:13:20Clients?
00:13:21It's the middle of the night.
00:13:22What clients?
00:13:24If you've rested enough,
00:13:26get up and get back to work.
00:13:28Okay.
00:13:36Squirrels.
00:13:37Cute.
00:13:38Squirrels.
00:13:41That one with the papers
00:13:42is basically us.
00:13:44And the tail snipped one,
00:13:47unreasonable demands.
00:13:48He'll understand.
00:13:50He?
00:13:51You mean,
00:13:53Mr. Davis?
00:13:55Never mind.
00:13:56Check that spreadsheet, please.
00:13:59So,
00:14:00what are you two now?
00:14:02Not just client and agency,
00:14:04that's for sure.
00:14:05Overthinking.
00:14:06Strictly work.
00:14:07Did he give you squirrel merch?
00:14:09Did you raise a squirrel together?
00:14:11Because I could write
00:14:13an 80-page drama on this,
00:14:14so still.
00:14:18University days.
00:14:19I sketched during lectures.
00:14:22Edward always knew what I'd draw.
00:14:25Said my pictures,
00:14:26spoke louder than my words.
00:14:27Aha.
00:14:28So he assigned this project to you
00:14:30to stay in your orbit.
00:14:31Not what you think.
00:14:33That chapter is...
00:14:35closed.
00:14:36Closed, my foot.
00:14:38Details, please.
00:14:41Those days...
00:14:42I'll never forget them.
00:14:45So,
00:14:46library meet cute?
00:14:47Society activity?
00:14:49Neither.
00:14:50Debate and contest.
00:14:51He was affirmative.
00:14:53I was negative.
00:14:54Sparks flew, eh?
00:14:55He was brilliant.
00:14:57Almost demolished me.
00:14:59And then?
00:15:00That was when I decided
00:15:02I would stop in nothing
00:15:03to win his heart.
00:15:06I started provoking him.
00:15:10Started crossing him
00:15:11from study hall.
00:15:12Slipped him notes.
00:15:14Extra evidence.
00:15:16Nitpicks and...
00:15:18my phone number.
00:15:19Academic veneer.
00:15:21Romantic core.
00:15:22I called it
00:15:24seeking intellectual combat.
00:15:26And...
00:15:27maybe a boyfriend.
00:15:28Poker face melted!
00:15:32So,
00:15:33how did it end?
00:15:38This is the final flat you met.
00:15:40I bought it.
00:15:42It's the closest one available.
00:15:44No more crowd and buses for you.
00:15:46And...
00:15:47we could turn the entire floor
00:15:48into your own private library.
00:15:50I'm so thoughtful.
00:15:52On time.
00:15:54Private library.
00:15:56He was a VO to a conglomerate.
00:15:58and...
00:15:59I was just...
00:16:02ordinary.
00:16:04I knew I'd just be a
00:16:05brief trip to his life and...
00:16:09I thought it would be best
00:16:10to end it early.
00:16:11That's fear.
00:16:13Not logic.
00:16:15So you dumped him?
00:16:18Yes.
00:16:19How could you?
00:16:22And you loved each other.
00:16:28Morning.
00:16:29Sleepy head.
00:16:37All finished?
00:16:39Fresh off the press.
00:16:41Neat saving to the folder.
00:16:46This is...
00:16:48excellent work.
00:16:49You two have done very well.
00:16:51Why don't you go get some rest?
00:16:53We'll tidy this up.
00:16:54But the meeting's this afternoon.
00:16:56I still have to prepare
00:16:57my presentation.
00:16:58Don't worry.
00:16:59Get some rest.
00:17:01You need to have your energy
00:17:02for this afternoon's meeting.
00:17:04You're right.
00:17:06Thank you, director.
00:17:14Thank you, director.
00:17:24He doesn't look thrilled.
00:17:26Go on.
00:17:28Tina, look.
00:17:32Tina, look.
00:17:33That's our proposal,
00:17:35but it says Isabella's name on it.
00:17:41Someone care to explain?
00:17:44Mr. Thompson?
00:17:45Is this your latest proposal?
00:17:48Indeed, sir.
00:17:49Ms. Carter poured her heart into it.
00:17:52An all-liner, in fact.
00:17:53It's my very best work.
00:17:55Well,
00:17:56her heart is
00:17:58unimpressive.
00:17:59What?
00:18:01Inaccurate data,
00:18:03fuzzy positioning,
00:18:04and scattered targets.
00:18:06How could you bring this to me?
00:18:08Edward, you can't say that.
00:18:09There's never been anything wrong
00:18:11with my proposal.
00:18:12Surely this is a misunderstanding.
00:18:14I don't misunderstand work,
00:18:18since you don't know
00:18:19what women need in the workplace.
00:18:21I'll show you.
00:18:23That's your art.
00:18:24Tina.
00:18:26That's the career handbook
00:18:27that was in the papers recently.
00:18:29I recall
00:18:31so many
00:18:32companies
00:18:33offered to buy the rights,
00:18:34but
00:18:35the author wouldn't sell.
00:18:37Of all the people,
00:18:39who is Tina?
00:18:41Correct.
00:18:42This is the career guide
00:18:43that won so many fans
00:18:44on campus,
00:18:45and it was written by
00:18:48Tina Green.
00:18:50Impossible.
00:18:51Who does she think she is?
00:18:53This project belongs to her.
00:18:59If it wasn't for Tina Green,
00:19:00I'd pull this project immediately.
00:19:02What right does she have?
00:19:03She's just some junior planner.
00:19:05She doesn't even have
00:19:06a proper title.
00:19:07She can't possibly be qualified
00:19:09to take on such a big project.
00:19:11I'm the chief planner.
00:19:12Your company's benchmark for chief
00:19:15is questionable.
00:19:18Surely there's a misunderstanding here.
00:19:21At Almond,
00:19:22we pride ourselves
00:19:23on our commitment
00:19:24to collaboration.
00:19:25Mr. Thompson,
00:19:26I have two conditions.
00:19:27One,
00:19:28Tina has full authority.
00:19:30And number two,
00:19:31I will only
00:19:32work with the chief planner.
00:19:39Partners,
00:19:41colleagues,
00:19:42today,
00:19:43Ms. Tina Green
00:19:43is officially promoted
00:19:45to chief planner
00:19:46at Almond.
00:19:47Wow!
00:19:49This is so great!
00:19:53So,
00:19:54can chief planner Tina
00:19:56now represent your company
00:19:58in handling this project?
00:20:04Tina,
00:20:05you ready yet?
00:20:07Hurry!
00:20:07We still have location scouting!
00:20:12Tina!
00:20:13You okay?
00:20:18Oh, my God!
00:20:19Tina!
00:20:20What happened?
00:20:21My stomach
00:20:21hurts so much.
00:20:24I'll get your medicine.
00:20:25Where are you then?
00:20:26Sure.
00:20:27I bet you went to the table.
00:20:29Bedroom.
00:20:41Which drawer?
00:20:42I can't find it!
00:20:44Tina,
00:20:45I can't find it.
00:20:45What do I do?
00:20:47Oh,
00:20:48please!
00:20:50Please!
00:21:03Tina?
00:21:06Tina?
00:21:06Are you okay?
00:21:07Mr. Davis!
00:21:09Tina's sick!
00:21:10Really bad stomach pain!
00:21:11I can't find her men!
00:21:12What's her address?
00:21:14Flat 4B...
00:21:1527 Ravens,
00:21:16Croft Road.
00:21:17Okay,
00:21:17I'll be the right way.
00:21:19How do you know the address?
00:21:20Hello?
00:21:21Hello?
00:21:21Hello?
00:21:24Tina?
00:21:25Oh, my God.
00:21:26Oh, my God.
00:21:26Tina!
00:21:27Tina!
00:21:30Tina!
00:21:31Tina!
00:21:32Tina!
00:21:33Mr. Davis,
00:21:34how'd you get here so fast?
00:21:35How'd you get this bad?
00:21:36Tina!
00:21:37Tina!
00:21:37Hey, hey, hey.
00:21:38Edward.
00:21:39Just back.
00:22:06Mr. Davis!
00:22:07Mr. Davis!
00:22:09Mr. Davis!
00:22:10Cramps!
00:22:17Cramps!
00:22:18Tina!
00:22:19Hey, hey, take this.
00:22:21You feel better.
00:22:23Heat patch, painkillers.
00:22:26How'd you know where everything was?
00:22:29She's always had this.
00:22:31Always?
00:22:34One time at uni,
00:22:37she fell into an icy lake,
00:22:38and ever since,
00:22:40her periods have been brutal.
00:22:42So that's why she's always in pain.
00:22:47She keeps him in there.
00:22:50She's the type that once she's made her mind up on something,
00:22:52she never changes it.
00:22:57Even if she decides to leave you.
00:23:11Good morning.
00:23:13What are you doing in my apartment?
00:23:16Last night you...
00:23:17Who let you in?
00:23:19Judy?
00:23:21Or...
00:23:21Was it me?
00:23:23Judy called me on your phone.
00:23:26Oh, was it because...
00:23:28You remember my address.
00:23:30Oh.
00:23:30I am...
00:23:31Tina, are you awake?
00:23:33I brought breakfast.
00:23:36Uh, hi, Mr. Edward.
00:23:37You're here too.
00:23:39Um, I hope I didn't come at a bad time.
00:23:41Uh, well...
00:23:55You have no idea.
00:23:57Last night,
00:23:58you were white as a sheet.
00:24:00He dashed in
00:24:02and scooped you up into his arms.
00:24:05It was more touching than any TV drama.
00:24:08That heat patch.
00:24:10Painkillers.
00:24:11He knew exactly where they were.
00:24:12And he stayed by your sight all night,
00:24:15rubbing your stomach.
00:24:17His eyes were bloodshot.
00:24:20Definitely
00:24:21still has feelings for you.
00:24:27Who did that?
00:24:31See, I told you he still likes you.
00:24:33You just walked in.
00:24:34Feeling any better?
00:24:36Much better.
00:24:37Uh...
00:24:38What's this?
00:24:40You bought all this?
00:24:42For me?
00:24:43I always did this for you.
00:24:45and
00:24:46I would like to keep doing it for you,
00:24:48if you let me.
00:24:50Wow, Mr. Davis,
00:24:51you are thorough.
00:24:53Brought you tampons.
00:24:55You can't.
00:24:57I just remembered.
00:24:59I have a Russian amendment
00:25:00back at the office.
00:25:02Mustache.
00:25:03Bye.
00:25:06Yeah,
00:25:07let me take that.
00:25:12I got you some hot milk.
00:25:15You still
00:25:16remember my favorite?
00:25:19I always remember.
00:25:26Why?
00:25:27We broke up years ago.
00:25:29Some things are kind of hard to forget.
00:25:32Let's
00:25:33not rehash
00:25:34the past.
00:25:35We
00:25:36work together now.
00:25:37Nothing else.
00:25:38Just work?
00:25:40Okay,
00:25:41then
00:25:42show me the proposal.
00:25:44It's not polished yet.
00:25:46It needs revision.
00:25:50Break the mold.
00:25:51No, Edward.
00:25:51Women's
00:25:52undefined power
00:25:53of women at work.
00:25:54Look,
00:25:55okay,
00:25:55alright.
00:25:56I'll see you eventually.
00:25:58Why don't we just sit down?
00:26:04How are you feeling?
00:26:07Still a bit
00:26:07dizzy.
00:26:19I'm sorry.
00:26:24The star
00:26:25is my heart.
00:26:26Edward,
00:26:27may it follow you
00:26:27wherever you go.
00:26:29You have my word.
00:26:31I won't disappoint you.
00:26:37You still wear it.
00:26:39After all those years.
00:26:42I thought you forgot.
00:26:45I wear it to remind myself
00:26:46of what you did to me.
00:26:51I wear it to remind myself
00:26:52of what you did to me.
00:26:55What I did to you,
00:26:58I simply faced reality.
00:27:00Reality?
00:27:02Reality is
00:27:03you cast me aside
00:27:04like I was nothing.
00:27:05And you didn't even give me
00:27:06a chance to explain myself.
00:27:07What good was explaining?
00:27:09We were never
00:27:10from the same world.
00:27:12From the same world?
00:27:13That's all I get
00:27:14after all these years.
00:27:16Rich people like you
00:27:17will never understand
00:27:18what regular people
00:27:19like me go through.
00:27:20You need to forget
00:27:22that this
00:27:23was ever a thing.
00:27:25And that isn't
00:27:26yours to wear.
00:27:28You are still
00:27:29so stubborn.
00:27:32Look at you.
00:27:34Tailored suits.
00:27:35Lightspeed CEO.
00:27:37You're fine.
00:27:38Do you think
00:27:39I asked for these titles?
00:27:40Do you think
00:27:41I wanted to be CEO?
00:27:44From start to finish
00:27:45you never understood
00:27:46what I really wanted.
00:27:48I do understand.
00:27:56Out.
00:28:26How about
00:28:27this one for you?
00:28:30And whose is that one?
00:28:32Mine, obviously.
00:28:34Couples keychains.
00:28:35If you accept it,
00:28:36you know what it means.
00:28:37What does that mean?
00:28:39That we're a couple.
00:28:40Couple?
00:28:41Did I say yes?
00:28:43Too late.
00:28:43You already took it.
00:28:44That's consent.
00:28:58Why do you keep
00:28:58all this time?
00:29:09Tina, where are you?
00:29:13Tina, where are you?
00:29:17Tina!
00:29:18Oh, gee.
00:29:19You bite here?
00:29:20What happened?
00:29:20Isabella's father
00:29:21slash a poor member
00:29:22just arrived.
00:29:23A project
00:29:24might change hands.
00:29:42Wrong well.
00:29:43It is an almond star platter.
00:29:45Cycling to work?
00:29:47How cute.
00:29:48You can't
00:29:49this totally matches
00:29:50your status.
00:29:51My attire has nothing
00:29:52to do with my proposal.
00:29:53You have no right to...
00:29:55No right?
00:29:56I'll show you
00:29:56exactly what right means.
00:29:59Why are these
00:30:00two useless humans
00:30:01in my way?
00:30:02What?
00:30:05Tina!
00:30:06Are you okay?
00:30:14Oops, I'm so sorry.
00:30:16My bodyguard can be
00:30:17a little clumsy.
00:30:19You don't mind though,
00:30:19do you?
00:30:21I guess you can't
00:30:22very well have a stained
00:30:23shirt in the meeting.
00:30:24Go buy her a new one
00:30:26and make sure it costs
00:30:26ten times more
00:30:27than what she's wearing.
00:30:29It'll probably be
00:30:29the priciest thing
00:30:30she ever wears.
00:30:32Yes, ma'am.
00:30:38She did that on purpose.
00:30:40It's fine.
00:30:41It's...
00:30:41It's fine?
00:30:42How are you gonna
00:30:43face everyone?
00:30:45The meeting starts
00:30:46in a few minutes.
00:30:48No time to change.
00:30:51A planner wins
00:30:52with skill,
00:30:54not style.
00:31:07Almond Project Review
00:31:09now in session.
00:31:17Next,
00:31:19please welcome
00:31:20one of our chief planners,
00:31:22Ms. Isabella,
00:31:22to present her
00:31:23Women's Employment
00:31:24Empowerment Project.
00:31:31I am delighted
00:31:32to present my
00:31:33carefully crafted plan
00:31:34on the Women's
00:31:35Employment Empowerment
00:31:36Project titled
00:31:37Breaking the Mold,
00:31:39Unbinding Her Power.
00:31:40That's our proposal title.
00:31:42Our project aims
00:31:44to break conventional
00:31:45employment and
00:31:46workwear concepts,
00:31:48giving women
00:31:48equal opportunities
00:31:49and appropriate attire
00:31:50for every workplace.
00:31:52Therefore,
00:31:53our core strategy
00:31:54is to hire
00:31:55only women
00:31:56and create
00:31:56a fully
00:31:57female work environment.
00:31:59That was amazing,
00:32:01honey.
00:32:01Isn't my daughter
00:32:02great?
00:32:03You,
00:32:04what's up?
00:32:05Judy,
00:32:06some lofty opinions?
00:32:08Or, Tina,
00:32:08perhaps you have
00:32:09some objections
00:32:11to my plan?
00:32:13Yes,
00:32:14I have something
00:32:15to say.
00:32:18Yes,
00:32:19I have something
00:32:20to say.
00:32:20Some may find
00:32:21our strategy
00:32:22too bold,
00:32:23but only boldness
00:32:25proves Allman's
00:32:25resolve and
00:32:26forges a unique
00:32:27market edge.
00:32:28I think it's
00:32:29excellent.
00:32:34Any different views?
00:32:39Given the project's nature
00:32:41and Allman's status,
00:32:43only boldness
00:32:44will give shocking
00:32:45effects,
00:32:46something a slogan
00:32:47shouting Tina
00:32:48could never attire.
00:32:51Isabella's bold strategy
00:32:53is indeed shocking.
00:32:57So shocking
00:32:58that Om and me
00:32:59wear the label
00:33:00of reverse discrimination.
00:33:02Reverse discrimination?
00:33:03That's serious.
00:33:05Tina,
00:33:06what do you mean?
00:33:07Do you mean to seize power,
00:33:08you would abandon
00:33:09your persona
00:33:10and speak for men?
00:33:11My meaning is clear,
00:33:12Isabella.
00:33:13Using extremes
00:33:14to fight injustice
00:33:15only breeds new injustice.
00:33:18Tearing apart a society
00:33:20that needs unity.
00:33:24Isabella,
00:33:25your women-only charter
00:33:27may grab attention,
00:33:29but it pits women
00:33:30against men
00:33:30on another scale.
00:33:32Well said.
00:33:33I have 50 corporate
00:33:35endorsements
00:33:36and resources.
00:33:37They'll post
00:33:38women-only ads
00:33:39and supply jobs.
00:33:41Tina,
00:33:41what do you have?
00:33:43That's not empowerment.
00:33:44It just shoves women
00:33:46into another extreme.
00:33:48Labeled privilege.
00:33:49When the trend fails,
00:33:51the backlash
00:33:52will be harsher.
00:33:53True equality
00:33:55comes from
00:33:55fair systems
00:33:56in hiring,
00:33:57benefits,
00:33:58and promotion.
00:34:00From blind,
00:34:01gender-neutral assessments.
00:34:03Not from
00:34:03gender privilege.
00:34:06Otherwise,
00:34:07the public
00:34:07will mock us.
00:34:09True fairness
00:34:10comes from
00:34:11blind selection
00:34:12and gender-free evaluation.
00:34:19Lightspeed values,
00:34:20fairness,
00:34:21and efficiency.
00:34:23If a project
00:34:24is founded
00:34:25on reverse discrimination,
00:34:27it cannot gain respect.
00:34:29You're denying
00:34:30all men's efforts.
00:34:31I'm stating facts.
00:34:32A flawed plan
00:34:33remains flawed,
00:34:35however shiny.
00:34:37Dad!
00:34:38Mr. Diggs,
00:34:40haven't you
00:34:40taken this all too far?
00:34:41It's the truth.
00:34:44And remember,
00:34:45Isabella was never
00:34:46my chosen planner.
00:34:49It was always Tina.
00:34:54Edward,
00:34:54what do you mean?
00:34:55Stop wasting time.
00:34:57Tina is my planner.
00:34:59Continue these tricks,
00:35:00and Lightspeed
00:35:01will stop any collaboration.
00:35:03Peter,
00:35:04why keep changing planners?
00:35:08Proposal re-evaluation.
00:35:10Meeting adjourned.
00:35:12Don't make coffee.
00:35:16You are amazing.
00:35:18Mr. Davis had your back.
00:35:20He simply spoke truth.
00:35:24Why is he leaving so fast?
00:35:25Did he have a fight?
00:35:27No.
00:35:28Why did he leave
00:35:29without saying goodbye to us?
00:35:31Maybe
00:35:31urgent business?
00:35:39Tina,
00:35:39we're screwed.
00:35:41What is it?
00:35:41Our key, visual,
00:35:42and copy,
00:35:42all replaced.
00:35:43What?
00:35:43What?
00:35:44What makes an elite woman?
00:35:46Check your mail.
00:35:51What is this?
00:35:53The design team
00:35:53said that director Isabella
00:35:55ordered it overnight.
00:36:00What did you do?
00:36:03What did I do?
00:36:04Just planning director's duty.
00:36:07Those sponsors
00:36:08are my resources.
00:36:10They pick the materials,
00:36:11so if you object,
00:36:13well,
00:36:14impossible.
00:36:16Isabella,
00:36:16don't go too far.
00:36:18Too far?
00:36:19I'm just showing you
00:36:20the workplace isn't simple.
00:36:23Just wait,
00:36:23Tina Green.
00:36:24This is only the beginning.
00:36:26I think this wins you the project.
00:36:27I'm just showing you reality.
00:36:30Do you really think
00:36:31your shabby proposal
00:36:32will please him?
00:36:33Edward's favor
00:36:34is not going to help you
00:36:35at all.
00:36:36The Davis family
00:36:37has been rich
00:36:38for generations.
00:36:39Have you ever heard
00:36:40of being well-matched?
00:36:41Shut up.
00:36:43Have I hit a nerve?
00:36:45A nobody
00:36:46with no background
00:36:47could never
00:36:48end up with Edward.
00:36:49Stop dreaming.
00:36:50You're not worthy.
00:36:51Sure.
00:36:54I'm no spoiled brat
00:36:55like you.
00:36:56No rich father
00:36:57to wreck other people's
00:36:58hard work.
00:36:59Everything I have,
00:37:01I earned.
00:37:03Isabella,
00:37:03you're pathetic.
00:37:06Enough.
00:37:08Enough.
00:37:11Isabella,
00:37:12let me make this clear
00:37:13for everyone's sake.
00:37:14My company
00:37:15has not a single connection
00:37:16to the Davis family.
00:37:18Lightspeed
00:37:18was founded
00:37:19entirely by me.
00:37:21With my own money,
00:37:23you have no right
00:37:24to meddle
00:37:25in my business
00:37:26or my choices.
00:37:27You
00:37:29alone?
00:37:30How?
00:37:32Family shackles
00:37:33once cost me
00:37:35the most important person.
00:37:37I used to believe
00:37:38that
00:37:38if I worked hard enough,
00:37:41I could escape anything.
00:37:45but reality
00:37:46has shown me.
00:37:48Once you're bounded
00:37:49by the shackles
00:37:50of family,
00:37:51it's almost impossible
00:37:52to break free.
00:37:54Your well-matched talk
00:37:55means nothing to me.
00:37:58Impossible.
00:37:59You could never have started
00:38:00a company without your family.
00:38:03Lightspeed
00:38:03must cling back to them.
00:38:05From day one,
00:38:06Lightspeed
00:38:06has had
00:38:07one shareholder.
00:38:09Me.
00:38:10No Davis assets
00:38:11were involved.
00:38:13Edward,
00:38:14you did all that.
00:38:16You should have told me
00:38:17you did all that.
00:38:18Every step I take
00:38:19is so I could
00:38:20stand in front of you.
00:38:22Me?
00:38:23You.
00:38:24And just you.
00:38:27Tina.
00:38:29I want you to know
00:38:30that we can start again.
00:38:34Tina.
00:38:36I want you to know
00:38:37that we can start again.
00:38:40Even if
00:38:41Lightspeed
00:38:42is clean,
00:38:43didn't you
00:38:44seduce Edward?
00:38:45Are you
00:38:46clean, Tina?
00:38:47Your behavior
00:38:48is absolutely
00:38:49unprofessional.
00:38:51Spreading lies
00:38:51in public?
00:38:53Publicly defaming
00:38:54woman's character?
00:38:55Where is this
00:38:56noble virtue
00:38:57you so proudly
00:38:57present to have?
00:38:58I'm just speaking
00:38:59the truth.
00:39:00Do you care
00:39:01to deny it?
00:39:02By bringing
00:39:02your personal
00:39:03vendettas
00:39:03into the workplace,
00:39:04you are proving
00:39:05to be an unfit planner.
00:39:07I demand
00:39:08that you step down
00:39:08from this project
00:39:09immediately.
00:39:10On what grounds?
00:39:11On the grounds
00:39:12that I'm project leader.
00:39:13Don't be smug,
00:39:15Tina Green.
00:39:16I will show you
00:39:16the cost.
00:39:17Every step you take
00:39:18now ruins your future.
00:39:20I'm chief planner.
00:39:21She stole my project.
00:39:22Stole?
00:39:23I never stole.
00:39:25You're arrogant,
00:39:27conceited,
00:39:28and pitiful.
00:39:31You've taken
00:39:32this too far.
00:39:34Fine.
00:39:36I'll make you
00:39:37regret this,
00:39:37Tina Green.
00:39:38I will make sure
00:39:40you never have
00:39:40any standing
00:39:42in this industry.
00:39:49Could you fix
00:39:50those fairy lights,
00:39:51please?
00:39:53Go home, Judy.
00:39:55It's fine.
00:39:55I'll finish up.
00:39:56Sure.
00:39:58Go rest.
00:39:58Thank you so much.
00:40:13Hello?
00:40:18Anyone...
00:40:19there?
00:40:23Hey, hey,
00:40:24Tina.
00:40:25It's me.
00:40:27It's me.
00:40:29It's me.
00:40:31It's me.
00:40:39You're okay?
00:40:41Edward.
00:40:43Why are you here?
00:40:46Well, the power cut out
00:40:47and I wanted to check on you.
00:40:50How did you know
00:40:51I was inside?
00:40:53I wait for you here
00:40:54every day.
00:40:55Every day?
00:40:57Yeah, every day.
00:40:59And you're always
00:40:59the last one to leave.
00:41:01Yeah, they don't have to.
00:41:16Something's wrong.
00:41:23I'll go check.
00:41:25Wait.
00:41:28Come with me.
00:41:37Something's wrong.
00:41:38Someone sabotaged it?
00:41:41Yeah.
00:41:41These wires
00:41:42aren't from the same batch.
00:41:44Whatever it rolls
00:41:45wants you to fail.
00:41:45Could it be
00:41:46Isabella?
00:41:51Could be.
00:41:52What now?
00:41:54The doors are electric.
00:41:55We're trapped.
00:41:59Hey.
00:42:00Tina.
00:42:02Tina.
00:42:17It's been so long
00:42:18since I've held you.
00:42:21How long has it been?
00:42:23Years.
00:42:25It feels like yesterday
00:42:26we were on campus together.
00:42:28Do you still remember?
00:42:31I remember everything.
00:42:36What do we do now?
00:42:38I'll figure something out.
00:42:43So...
00:42:44Do you really wait for me
00:42:46here every day?
00:42:47Yeah, well...
00:42:48I kind of get worried
00:42:49something might happen to you.
00:42:51You really don't have to.
00:42:52Yeah, I do.
00:42:53Do you remember
00:42:53what happened at uni?
00:42:54In the library?
00:42:55Mm-hmm.
00:42:56Yeah, and the lights cut out
00:42:57and you dived under the table.
00:42:58I did not.
00:42:59I was looking for you
00:43:00everywhere and when I found you
00:43:01you were under the table
00:43:02like a kitten.
00:43:03Don't pretend like
00:43:03you weren't scared.
00:43:04You were screaming my name
00:43:05the whole time.
00:43:06Yeah, but I was just
00:43:06worried for you.
00:43:09I thought you'd run away.
00:43:12How could I?
00:43:14I waited for you
00:43:16every day.
00:43:23That wasn't your
00:43:24only silly moment.
00:43:25Did I ask?
00:43:27Remember when you
00:43:27tried to steal that book
00:43:28from me
00:43:29and spilled coffee
00:43:30all over the professor's paper?
00:43:31Yeah, but that wasn't
00:43:32just my fault
00:43:33if you remember.
00:43:34You yucked the book
00:43:35so hard that it just
00:43:36fell out of my hair.
00:43:37Oh, right.
00:43:37So it's all my fault.
00:43:38Yeah.
00:43:39We spent the whole week
00:43:40cleaning that library.
00:43:44Back then
00:43:45I thought we'd always
00:43:46stay that way.
00:43:51Tina.
00:43:55When you left
00:43:56I was
00:43:58stunned.
00:43:59I pictured
00:44:00our whole life together.
00:44:03I never thought
00:44:04you wouldn't be in it.
00:44:05we belong
00:44:06we belong to
00:44:06different worlds.
00:44:09You're brilliant.
00:44:10Your future is bright
00:44:12and
00:44:12I'm just
00:44:14ordinary.
00:44:17I felt
00:44:18I'm
00:44:18staying with you
00:44:20would only hold you back.
00:44:23Tina.
00:44:25Can we still do it?
00:44:32Tina.
00:44:35Could we
00:44:36start over?
00:44:40Bought the necklace.
00:44:42Hope the money
00:44:43lasts till a month
00:44:43and
00:44:44I need another job.
00:44:48Tina.
00:44:49Edward.
00:44:51Here.
00:44:52What's this?
00:44:55For me?
00:44:56Mm-hmm.
00:44:57Aw.
00:44:58Match it.
00:44:59Birthday present.
00:45:01I said
00:45:01that for it
00:45:02but
00:45:02I bought it.
00:45:03The star
00:45:04is my heart.
00:45:05Edward
00:45:06may it follow you
00:45:06wherever you go.
00:45:09You have my word.
00:45:11I won't
00:45:11disappoint you.
00:45:15Oh you said
00:45:16you wanted
00:45:16a flat near
00:45:17campus right?
00:45:19I did my homework.
00:45:20I found a cheap
00:45:21one here.
00:45:22We could turn
00:45:23the living room
00:45:24like this
00:45:24and turn the
00:45:25balcony into
00:45:25a garden
00:45:26and we could
00:45:27I bought it.
00:45:29This is the
00:45:30final flat you meant.
00:45:31Yeah.
00:45:31Look.
00:45:33I bought it.
00:45:35No more
00:45:35crowded buses
00:45:36for you.
00:45:37Closest one
00:45:37available.
00:45:38We could turn
00:45:38the entire floor
00:45:39into your own
00:45:40private library.
00:45:40I'm so thoughtful
00:45:42aren't I?
00:45:44Private library.
00:45:53I have to ask
00:45:55can we?
00:45:58Edward
00:45:58stop.
00:46:01I have to ask
00:46:04can we?
00:46:23I have to
00:46:24check the lights
00:46:24before the show
00:46:25and Mr. Davis
00:46:26if you have any
00:46:27other requests
00:46:28just let me know
00:46:28I'll refine the plan.
00:46:29Alright.
00:46:30But
00:46:31if there's nothing else
00:46:33I'll be off.
00:46:34Why are you leaving
00:46:35in such a rush?
00:46:36It's late.
00:46:37I have to finish
00:46:38tomorrow's work.
00:46:40And
00:46:41oh
00:46:41Mr. Davis
00:46:45try to get some rest.
00:46:49Good night.
00:46:52I almost gave in.
00:47:05Can we really go back?
00:47:31Tina, the Expo Black House at Local News.
00:47:33You okay?
00:47:36Are you okay?
00:47:39I'm fine.
00:47:41Edward stayed with me.
00:47:43Edward?
00:47:44What was he doing there?
00:47:45It's nothing.
00:47:46But, he asked me if...
00:47:50Asked what?
00:47:52If you have a boyfriend?
00:47:53If you miss out?
00:47:54He asked me if we could start over.
00:47:58OMG!
00:48:00Start over?
00:48:01That is a request for reconciliation.
00:48:04The ship is sailing.
00:48:05I've moved.
00:48:06It's not what you think.
00:48:07I told you he likes you.
00:48:10He basically said, can we start again?
00:48:12No.
00:48:13The lights came back on.
00:48:14He didn't finish.
00:48:14So?
00:48:15Message received.
00:48:17And what about you?
00:48:18Do you still love him?
00:48:31I don't know.
00:48:33I don't know.
00:48:46I don't know.
00:48:48The ship is hung and even ice cold.
00:48:49But he did stay with you for the whole blackout.
00:48:52And he gave you that half line.
00:48:55Tina.
00:48:57You're in his heart.
00:48:59But we split because we're from different worlds.
00:49:01And what matters is genuine feeling.
00:49:04Mutual support.
00:49:06You think.
00:49:07He became your client just to back you up.
00:49:10Not every boss would do that.
00:49:12That's confusing.
00:49:15Confusion equals love.
00:49:19Stop overthinking.
00:49:21Just say it.
00:49:22Yes.
00:49:22Do you still love him?
00:49:31Hello?
00:49:32Edward?
00:49:36Hello?
00:49:36Edward?
00:49:39Hello?
00:49:39Mr. Davis?
00:49:41Ah, Tina.
00:49:42Sorry for calling late.
00:49:43I was, um...
00:49:44I just wanted to talk about the expo.
00:49:47We've had the wires checked and we've got new lights fitted, so no more...
00:49:52Incidents.
00:49:53Oh!
00:49:55Um, I should have handled that.
00:49:56Sorry to trouble you.
00:49:57Oh, yeah.
00:49:58It's fine.
00:50:01You once, uh, told me that you like that patisserie's cake.
00:50:06I was wondering if...
00:50:09Maybe...
00:50:10You would like to go together?
00:50:16You could buy one and bring it over to my place.
00:50:19We could eat together.
00:50:21Wait.
00:50:22What?
00:50:23Say that again.
00:50:25I...
00:50:25I said...
00:50:26Deal.
00:50:28I...
00:50:29You're trapped now.
00:50:31Tina.
00:50:34We could...
00:50:35I said you could bring it over.
00:50:40Oh, my God.
00:50:41She said it.
00:50:42She really said it.
00:50:43Oh.
00:50:45All right.
00:50:47Um...
00:50:48I'd really like to see you.
00:50:52Uh, are...
00:50:53Are you okay?
00:50:54What awful lines.
00:50:55Stop making it worse.
00:50:58So...
00:50:58Tomorrow then?
00:51:00I'll wait for you.
00:51:02Mm-hmm.
00:51:04Good night.
00:51:04I'll wait for you.
00:51:07It's like...
00:51:10It's like...
00:51:12Girl, you are in love!
00:51:14No!
00:51:15No!
00:51:15No!
00:51:16No!
00:51:18Look at you. That necklace will wear away.
00:51:37I'll see you tomorrow, Tina.
00:51:39Yeah.
00:51:46Shift, panel A, three centimeters left.
00:51:50Sound, background volume lower.
00:51:55All stop for his guests arrive at 10.
00:52:02Edwin.
00:52:05Surprised to see me.
00:52:07What are you doing?
00:52:08I told you how long this is.
00:52:09I'm here to witness a top panel's birth.
00:52:12I want to see every step of your success.
00:52:15Edwin, what?
00:52:16I know.
00:52:17Therefore, I'm a guest.
00:52:20Heading in.
00:52:23Well, well, well, Tina.
00:52:25This whole show and yet you still need your boyfriend to prop you up.
00:52:31I guess someone just can't do anything without a man.
00:52:34Isabella, by making things hard for Tina, you make things very hard for me.
00:52:39Those who spend their lifetime slandering others should really think about focusing on themselves.
00:52:49Go. Your stage is waiting.
00:52:54All departments, Expo no Commencing.
00:53:05Planetina, audience response is huge.
00:53:08What's your unique take on not being defined is the definition of a profession?
00:53:13I believe women power is limitless.
00:53:15Employment is not only for survival, it's self-realization and freedom.
00:53:21We hope this event shows women their true potential and pushes them to step forward.
00:53:26What made this event so successful?
00:53:28Team Effort Almond.
00:53:30And special thanks to Lightspeed and President Edward Gingles,
00:53:34whose trust made the new professional women's vision possible.
00:53:44Look, you did it. You're number one.
00:53:48It's time.
00:53:55Mark my words, she's going to fail miserably.
00:54:08This whole expo is a pure show.
00:54:12Almond and their distinguished planner, Tina Green, have stolen my concept.
00:54:18She has no right to host this event.
00:54:21What's going on?
00:54:22Breaking news. Who is this woman?
00:54:25Let Tina talk.
00:54:27Stay out of it.
00:54:31Look, these are my slides from my private meeting with Mr. Edward Davis.
00:54:39Tina Green plagiarized my original concept.
00:54:43She's a fraud and a liar.
00:54:47A liar.
00:54:49Liar.
00:54:50Liar.
00:54:52Please be quiet.
00:54:55I'm Tina Green, planner at Almond.
00:54:58What you see today is my own project on women's employment.
00:55:03She says I stole her idea.
00:55:06That I lack qualifications.
00:55:09Yes, inside Almond, I've been inexperienced, even suppressed.
00:55:13My proposal was killed again and again.
00:55:18Seven times.
00:55:20Seven complete rejections of my work.
00:55:34I have no backing.
00:55:37Only effort and persistence.
00:55:40I started with tiny charity events, building experience piece by piece.
00:55:45Every project is my blood and sleepless nights.
00:55:50There is no fakery, no theft.
00:55:54If you doubt me, show real evidence.
00:56:00Otherwise, I will pursue legal action.
00:56:07Is there internal suppression at Almond?
00:56:09The truth has been hidden?
00:56:12Tina, why are you so angry?
00:56:14Everyone can see your guilty panic.
00:56:17She may hide behind powerful corporations and men,
00:56:21but she is exploiting women's issues for clout.
00:56:26Dream on if you think this event whitewashes the truth.
00:56:30Serious allegation.
00:56:32So that's the story.
00:56:34Yes.
00:56:36As you suspect, Tina Green has climbed the corporate ladder
00:56:41on the arms of a man, Edward Davis, her ex-boyfriend.
00:56:46She's used every trick in the book
00:56:49to shove someone with far superior credentials
00:56:53out of the way.
00:56:55Don't believe her nonsense.
00:56:57Stop filming.
00:56:59People like her have no place in our industry.
00:57:08Ladies and gentlemen, may I say a few words?
00:57:12Ladies and gentlemen, may I say a few words?
00:57:16I'm Hartley, director of the nursing home,
00:57:19and I would like to speak of Almond and Miss Tina's unseen contributions.
00:57:26Mrs. Hartley, what are you doing here?
00:57:28For a long time, Tina has driven the women's re-employment support program
00:57:33inside Almond, never giving up, despite setbacks.
00:57:37That's not Almond's prior publicity.
00:57:40And that's not what Isabella just said.
00:57:43Well, here are names.
00:57:45Women who've been laid off during pregnancy or unjustly terminated.
00:57:50Tina contacted us, secured jobs.
00:57:53Lisa, our carer, she was fired when she was seven months pregnant.
00:57:59Tina found her work.
00:58:01Charlotte.
00:58:02Oh, Charlotte.
00:58:03She wasn't able to return after giving birth.
00:58:06And Tina said a woman's value is not defined by marriage or childbirth.
00:58:14This list is a record of all the women that Tina has helped re-employed,
00:58:20far more than just those few I've mentioned.
00:58:23That's impossible.
00:58:24If this isn't genuine action for equality, what is?
00:58:29Do you choose to believe someone who has done genuine nursing care for three years,
00:58:35her quiet dedication, earning her the praise of every woman that she helped?
00:58:41Or will you erase her efforts and trust the slander that you've heard?
00:58:47I now return the floor to the woman who truly helps women, Miss Tina Green.
00:58:57Miss Green, any defense?
00:59:00Facts speak louder.
00:59:03All men invest greatly in the women's support plan.
00:59:06This is a team, even company, effort.
00:59:19Not being defined is the new definition of a profession.
00:59:23Almond and Lightspeed want every woman from different backgrounds and different ages
00:59:26to choose their path freely.
00:59:28Go.
00:59:29Huh?
00:59:30Put up my slides.
00:59:39It's Edward Davis.
00:59:44I'm Edward Davis, founder and CEO of Lightspeed.
00:59:51Tina's project aligns with our mission to empower women.
00:59:56Therefore, Lightspeed will add a $1 million fund to Tina's program.
01:00:01That is an unprecedented level of support for a public welfare project.
01:00:06Lightspeed is pretty bold.
01:00:08As long as you're willing to share your employment story
01:00:11and use the tags hashtag BreakTheMold,
01:00:15hashtag UndefinedProfessionals,
01:00:17you will be eligible to share in this $1 million fund.
01:00:21We encourage women to share their story,
01:00:24successes and setbacks alike,
01:00:26so that the world can hear your voice.
01:00:39Let go, you're my bodyguard.
01:00:41I'm loyal to Almond.
01:00:43Please cooperate.
01:00:47Congratulations, Miss Rie.
01:00:49Thanks.
01:00:50Mr. Davis.
01:00:51Media friends and guests,
01:00:54due to this event's success,
01:00:56the board has decided
01:00:58to remove Mr. Peter Thompson as marketing director.
01:01:02What?
01:01:04And Miss Isabella Carter as planning director.
01:01:08What?
01:01:09You can't do that.
01:01:10I'm the board director's daughter.
01:01:12Yeah, and Mr. Carter,
01:01:13you're removed too, sir.
01:01:16This is ridiculous.
01:01:18Let go.
01:01:20I can go myself.
01:01:22You'll regret this, Tina.
01:01:25You witch.
01:01:27Damn!
01:01:34Ladies and gentlemen,
01:01:36the launch is now concluded.
01:01:39Tina,
01:01:40Tina,
01:01:41I need to talk to you.
01:01:44Tina,
01:01:45we did it.
01:01:46Yes, we did it.
01:01:51Where's Edward?
01:01:52He said he needed to...
01:01:53He's probably busy.
01:01:55Oh, let's tidy up.
01:01:57Ignore him.
01:01:58Be honest.
01:02:02About...
01:02:02After all he's done,
01:02:04how do you feel now?
01:02:08I...
01:02:08I guess I never really let go.
01:02:12Back then,
01:02:13I thought we'd be impossible.
01:02:15He was a golden boy,
01:02:16and I was just...
01:02:18ordinary.
01:02:19Parallel lines.
01:02:21I thought breaking up with him
01:02:22would just set him free.
01:02:24Now you know.
01:02:25He only cares about you.
01:02:28Yes, but...
01:02:30I'm still scared it's all an illusion.
01:02:32Happiness is here.
01:02:34Will you miss it again?
01:02:36What?
01:02:43Ready to talk?
01:02:49Tina.
01:02:51Years ago,
01:02:52you told me
01:02:53you didn't want to be Cinderella
01:02:53to someone's prince.
01:02:55I wished I could have given you
01:02:57the life my parents gave me.
01:02:59But now I see
01:03:00you just wanted equality
01:03:01and freedom.
01:03:05I never thought
01:03:06our biggest barrier
01:03:07would be
01:03:08my birth.
01:03:12I built Lightspeed
01:03:14for seven years
01:03:15so I could stand next to you.
01:03:19So...
01:03:20that's why?
01:03:24Edward, I...
01:03:25never thought
01:03:26we'd stand a chance.
01:03:28I've replayed our moments
01:03:29countless times
01:03:30and
01:03:30every time it feels
01:03:32like a dream
01:03:33like a dream
01:03:33but
01:03:34when the dream ends
01:03:37there's nothing left.
01:03:39It was never a dream.
01:03:42If a prince abandons
01:03:44his castle
01:03:47will you still accept it?
01:03:53are you proposing?
01:03:56Let me care for you.
01:03:58Let me love
01:03:59and protect you forever.
01:04:02Oh, Edward.
01:04:05Tina.
01:04:07You can go anywhere you wish.
01:04:10Do anything you want.
01:04:12Let me support you.
01:04:14Will you let me live this life
01:04:16with you?
01:04:18Tina.
01:04:30Will you marry me?
01:04:34Edward,
01:04:36I've spent so long
01:04:37running from what
01:04:38I wanted most
01:04:39but
01:04:40you walked out
01:04:41of that castle
01:04:42and
01:04:43I'm ready to meet you
01:04:44halfway.
01:04:45So,
01:04:46yes,
01:04:48I'll marry you.
01:05:01This time,
01:05:03I won't run.
01:05:27Red Dragon.
01:05:28Record by
01:05:29Short Drama Free.
01:05:31Follow for more.
01:05:34Watch this.
01:05:37See you.
01:05:37Follow this.
01:05:45See you.
01:05:47See you.
01:05:47See you.
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