- 14 hours ago
High Potential S02 - Episode 18
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00:00A-pa-ta-pa-ta
00:02A-pa-ta-pa-ta
00:04Uh, uh-huh, uh-huh
00:05Kissy face, kissy face
00:07Senty phone, but
00:09Come give me something I can feel
00:12Don't you want me like I want you, baby
00:15All you gotta do is just meet me
00:17Ever
00:18A-pa-ta-pa-ta
00:20A-pa-ta-pa-ta
00:23Hey, good morning. Good morning.
00:25How you doing, we good? Morning.
00:27What can I get you?
00:29This? Are you okay?
00:34Oh my gosh!
00:35Help! Help somebody, please!
01:06Oh my gosh!
01:07Oh my gosh!
01:07Oh my gosh!
01:07For seven years!
01:08I don't have years!
01:10I have art school reps coming to my showcase soon
01:12And I've literally got nothing
01:13You have a couple days
01:15Plus I really like what you've done so far
01:17You're my mom
01:17You're supposed to love it
01:18That is not true
01:20That textile thing you did was boring
01:22And a little derivative
01:24Okay, uh, why don't you go and pack your bag for your dad's house?
01:27Okay
01:29Art isn't like your job, Mom
01:31I don't just get to look around and like notice things
01:35It's a little more than that, but okay
01:37I have to come up with something completely original
01:39Something so undeniable it stands out
01:41Cause if I don't then I might not get another shot at being noticed or getting a scholarship
01:46Hey, listen
01:47I lived with an artist before you came along, remember?
01:50Your dad used to fill up so many garbage cans with some really beautiful stuff that he thought was trash
01:55You know the points where he was the most frustrated and he was about to give up?
01:59That's usually when he would come up with something very special
02:02And you will too
02:05But you can't give up
02:08Okay, okay, I got it
02:09What if your final showcase piece is the trash can full of your art?
02:15Okie doke
02:16Uh, I've got an idea
02:18How about over the next couple days you want to talk to your sister you just run it by me
02:21first, okay?
02:22Rauschenberg would have called that a finished piece
02:23I know, have a wonderful day, I love you
02:25Love you too
02:28No, I'm saying if you want to judge my lavender oat milk latte you should at least try it first
02:33No, I don't think so
02:34Lavender is for soap, not for sipping
02:36Oh thank god
02:38You know you really didn't have to drive me
02:40You were on the way
02:44Thank you
02:45You're welcome
02:51Yeah
02:53Yeah, I can head right over
02:54Just, uh, shoot me the address
02:58Oh
02:59I'm already there
03:02Thank you
03:02It's okay
03:03Thank you
03:06Oh
03:07What's going on here?
03:07Bring your girlfriend to work day?
03:09Lucia's one of the managers here
03:10She handles all their VIP guests
03:12Does she want to comp me a room sometime?
03:13I'll ask her
03:14Really?
03:16Everyone's on fire this morning
03:18Major Crime's got the call because she's high profile
03:21She is?
03:22Mm-hmm
03:22Who is she?
03:23Vera Hensley from The Big Fix with Vera and Frank
03:26I've never seen it
03:27That's a husband and wife team
03:28They repair houses, do renovations, things like that
03:30Oh, well, I've got three kids
03:32I don't really have time to build my own deck
03:34She's not exactly dressed for a pool day
03:37What's she doing out here?
03:38I talked to a few hotel guests who said she was already laying here when they came up this morning
03:41So you think she's been here all night?
03:42Maybe she stumbled out here drunk, fell in the pool and hit her head
03:45No
03:47Look at her hair, it's styled
03:50I mean, it's frizzy, I agree it got wet, but
03:53You ever seen a woman come out of the water?
03:55It'd be all plastered to the side of her face, not round and bouncy
03:59It didn't rain last night
04:00So how'd she get wet?
04:06Sprinklers
04:08Yeah, they probably run at night when the guests aren't around
04:10Which means there was no one here to witness her attack
04:13That's assuming that it happened here
04:14Well, if she was killed somewhere else, we better find out where before Vera's killer has time to clean it
04:18up
04:21Vera Hensley?
04:22Yes, anything you can tell us
04:23Her room number, when she checked in
04:25Oh, she's not staying here
04:27But...
04:29Her husband, Frank Hensley
04:30Is a DNA guest
04:32Do not announce
04:33Very high profile
04:35Only essential staff have access
04:37He's been staying in the penthouse, checked in
04:39A few days ago
04:42Okay, give us one of those master key cards
04:44We're gonna go snoop around his room
04:45We'll knock
04:46Can you access cameras?
04:48Uh, we only have cameras by the pool, the elevator and the lobby
04:51But I...
04:52Huh, that's weird
04:55These cameras were, uh, turned off last night
04:57Off or erased?
04:59I wouldn't know, I'm guest relations
05:01I'll put our IT team on it
05:03Let's go talk to your VIP
05:07Vera and I were never apart
05:08We lived together, we worked together
05:12Our show is our life
05:14Is it true you guys met at a hardware store?
05:16Have you watched the show?
05:18My girlfriend and I are moving into a place that needs a bit of work
05:21And, uh, the big fix taught me a lot
05:23Our first place together was a two-bedroom house off Van Ness
05:27Crooked floors, no storage, no light
05:29Every project started as a problem that Vera and I couldn't afford to ignore
05:33Can I ask what time the two of you went to bed last night?
05:36Vera wasn't staying here
05:38So this isn't her bra?
05:45I invited some friends over last night
05:47I guess it got kind of wild
05:49Mr. Hensley, if Vera wasn't here with you last night
05:52Why was she at the hotel?
05:54I wish I knew
05:55Okay, so where's the lamp?
05:58And the brass candle holders and the stone bookend
06:05I don't know
06:08So his wife dies in the same hotel he's staying in and he never saw her?
06:13Please
06:13Sounds like Vera found out that Frank was here partying, confronted him and things got out of hand
06:17Okay, so why aren't we bringing him in?
06:19Because we need evidence
06:19Right now we can't even prove that Vera came up to this floor
06:21Whoa, whoa, whoa!
06:24Uh, that'll do it
06:29Yeah, they're taking me in right now
06:34Oh
06:34Where'd you park?
06:35On the street, like a sane person
06:36You think I'm paying hotel prices?
06:38We reimburse
06:39You do?
06:40Yeah, you save the receipt, fill out an expense report
06:42God, no, forget it, you lost me
06:43Bye
06:50It's not too late
06:51We can be together whether we're in cities
06:53There's seasons and frosted trees
06:57Oh boy
07:06I know, it's terrible
07:08Try not to worry too much
07:09I love you, bye
07:15Everything okay?
07:16Hmm, yeah, Lucia's just having a hard time
07:19With what?
07:20Uh, with the murder at her hotel
07:22Most people don't show up to work expecting to see a dead body
07:25Right
07:26Just last week I was watching Vera and Frank put together a banquette
07:29And now we're trying to find out if he killed her
07:33This is new
07:35Oh
07:36Yeah, it's a gift from Lucia
07:39It's, uh, gypsum sand
07:41She said it's rare
07:43Like what we have
07:47She's right
07:48Maybe it's rare
07:52I loved Vera
07:53The kind of love where you rent out the penthouse suite to hook up with other women, right?
07:57No
07:57So the bra was yours?
07:59We checked your records, right?
08:00This wasn't the first time you wanted to fly solo, was it?
08:02But you thought what she didn't know wouldn't hurt her
08:04Only she did find out
08:05About the women, the lies, the partying
08:07You went behind her back while telling the world that you loved her
08:10I did
08:11Vera and I were always honest with each other
08:13Okay?
08:14I don't know what she was doing in that hotel
08:15I didn't even see her
08:17Okay, so you're cheating on your wife
08:18In the same hotel
08:19You heard Lucia works at that hotel?
08:22Small world
08:23Yeah
08:25I guess
08:25Being the happy couple that you see on TV
08:28Fixing houses
08:29That was our brand, okay?
08:31That wasn't who we were, not always
08:33Sometimes
08:34Look, we like to do our own thing
08:37As far as I know, having a good time is not a crime
08:39No, it is not
08:40But, knocking your wife out when she walks in on you with another woman
08:43And then moving her dead body so you can clean up the evidence
08:45That would be a crime
08:46My client said enough
08:48Call us when you actually have something
08:55The bloody fingerprint on the elevator button matches Vera's blood and print
08:59Hmm
08:59So we know Vera went up to the penthouse
09:01That means Frank either wasn't there at the same time
09:03Or he's lying about not having seen her
09:05I checked the hotel records
09:06Frank and Vera had a joint account at the Blackwell Hotel
09:08So if one of them booked a hotel room
09:10The other would receive a digital key on their phone automatically
09:13Then maybe Vera saw where Frank was
09:15And wasn't as happy about his partying as he wants us to believe
09:18Okay, and what about the items that were missing from the hotel room?
09:21Yes
09:22Found them in the hotel dumpster
09:24And pieces on the penthouse floor
09:25Looks like there was a fight
09:27And someone tried to clean up
09:28But there was one item we couldn't find anywhere
09:32The Emmy says Vera's head wound is consistent with the shape and size of that bookend
09:37So we know what the murder weapon was, but we don't know where it is
09:40Tell me the hotel cameras caught something
09:42CCU is still working on it, but we should know soon
09:44Did you talk to the people Frank was partying with?
09:46Yeah, he gave us four names, all friends
09:48Most of them worked for him
09:50His manager, Aaron Rothman
09:52One of his producers, Lois Mandel
09:55His stylist, Talia Cruz
09:57And last, his best friend from college, Boyd Hollis
10:01Do we think they're covering for him?
10:02Well, if they worked for him
10:03They have financial motives to keep Vera from going public about Frank's indiscretions
10:07Boyd took some photos of their party last night
10:13Wait a second
10:17Who's this guy?
10:21None of Frank's friends mentioned anyone else being around last night, did they?
10:24And you've never seen him before?
10:26No
10:27You guys?
10:29Maybe someone at the hotel knows who he is?
10:31Morgan and I'll go back
10:32We can check with Lucia
10:33Maybe ask around
10:38You gonna get that?
10:39I kinda thought it was decorative
10:44Hello?
10:45Morgan, this is Willa Quinn
10:48What do you want?
10:50To warn you about the danger you're headed into
10:53Believe it or not, I'm not your enemy
10:55I'm the person that warns you before the enemy reaches you
10:59The way it reached Eric Hayworth
11:02I think we both know that wasn't a suicide
11:04There's no way to catch up when the people that are helping you are helping me too
11:09Back off, Morgan
11:10If you wanna threaten me, I think you should come and do it to my fate
11:13Did she just hung up on me?
11:22Willa said the people helping you are helping her too, those were her exact words
11:27Yep
11:29So either she's got someone working for her in the precinct or she wants me to think that she does
11:34What?
11:37Willa was seen leaving the Beverly Palms Country Club with Nick Wagner Senior
11:42Captain Wagner's father
11:43What?
11:44Do we know why?
11:45No
11:45A while back, the captain flat out asked me how to get you to let him in on the Roman
11:49investigation
11:50So, I think we need to consider the possibility that both Wagners are working with Willa
11:57Does he know we know this?
11:59Soto asked him about his involvement, he denies having any
12:04Thank you for telling me
12:10Does he look familiar?
12:12Yeah
12:13He's a guest
12:14Or was
12:15He checked out a few minutes ago
12:17Hmm
12:17Um
12:19Charles Hale
12:20Yep
12:21That's him
12:22Got a phone number?
12:25Uh huh
12:26Thanks
12:31You're for Detective Caraday?
12:33Charles, thanks for coming in
12:36Right this way
12:38Plane leaves in a few hours
12:41This won't take long
12:42Please, have a seat
12:44Just a few questions
12:45It's my understanding you were staying at the Blackwell Hotel, correct?
12:48Yeah
12:48Is this about Vera Hensley?
12:50It is
12:51How do you know her husband?
12:52I don't
12:52Met him at the hotel bar
12:54Recognized him from the Big Fix
12:56Hmm
12:56Figured, what the hell
12:57Say hi
12:59Then he introduced me to all his friends
13:02Was Vera with them?
13:03No
13:04Did you hear or see anything that would make you think that Frank or his friends might want to hurt
13:08Vera if she were there?
13:10No
13:11But
13:13There was a guy
13:15Forties
13:15White
13:16He was on his own
13:17He was looking for her
13:19He gave me a bad vibe
13:20Did you get a good look at this guy?
13:22Enough to give us a description
13:31Hey
13:33Hey
13:35There you are
13:35I was looking for you
13:37Yeah, I figured we should
13:39Probably talk
13:41Which thing would you like to start with?
13:47Are you working with your father and Willa Quinn?
13:50No
13:52Absolutely not
13:55I believe you
13:57Good
13:59My subpoena to search Willa's office in New York got shut down
14:02But I'm not done trying
14:04Well
14:04I had an idea
14:06Only I can't do it
14:08And you should certainly not get caught doing it
14:16Okay
14:18You got it
14:20Well
14:21Circle back to the other thing later
14:23I look forward to it
14:31Sorry
14:32Sorry
14:32Sorry
14:33You burned the house down yet?
14:34Thought about it
14:36Can't figure out what you want to do still?
14:38I actually have one idea
14:40But you might not like it
14:42You don't have to like it?
14:44Well, that box of all dad's stuff that you keep in your closet
14:48Could I use it?
14:49For what?
14:50I don't know yet
14:51But I promise I'll take good care of it
14:53Ava, listen
14:54I saved all that stuff for you, okay?
14:56You do whatever you want with it
14:58Really?
14:59Yeah
15:00That's it
15:00Don't touch anything else in my closet, okay?
15:02Gotta go
15:03I'll see you soon
15:13You think this is our guy?
15:14Well, we showed the sketch to Frank's friends
15:16But none of them saw him
15:17So, we're sending it over to hotel staff
15:19Maybe we get lucky
15:20Well, wait a sec
15:23I've seen those eyes before
15:26As much as I'd love to put Vera's killer together piece by piece
15:28Unfortunately, Morgan, we're not playing Mr. Potato Head
15:32Yeah?
15:33Well, maybe we should be
15:36You're telling me that's not the exact same mouth?
15:39And her nose and beauty mark?
15:42And her eyes and ears and this guy's forehead?
15:46The reason no one's seen our mystery man is because he doesn't exist
15:50Charles just Frankensteined a bunch of features from Frank's friends together
15:54And we drew a picture about it
15:56Where is he?
15:57He's gone, we had no reason to hold it
16:00He's not answering
16:02Daphne's got something for us
16:04CCU was able to recover some footage from the Blackwell elevators off the hotel computer
16:08I'm just looking through it
16:09Emmy places Vera's death between 2 and 4 in the morning
16:12Start looking around there
16:13If she was killed in the penthouse, I don't think he'd wait to bring her to the pool
16:16Here's something
16:18Okay, you could fit a body in that cart
16:21I want to tell her
16:22Okay, you're so forget that I'm still not sure
16:23Okay, you're so nervous
16:49You do it
16:50It's all right
16:50the way i told her we have some questions about the investigation i have something i need to tell
16:54you guys i probably should have mentioned it earlier what is it um this morning i saw lucia
17:02and charles hale together they were having a conversation a conversation yeah i couldn't
17:11really make out what they were saying it was something about no cities just seasons and and
17:15frosty trees i don't know i couldn't make sense of it all i can tell you is it didn't make
17:20me
17:20feel good because they were very friendly well morgan lucia works for the hotel and she talks to
17:29lots of the guests you you think that lucia is involved with the man who may have killed vera
17:36hensley look i don't want to be right about this well that's good morgan because you are not
17:42lucia's not seeing this man or involved with this investigation when she comes in we can ask
17:45adam i don't think you should be the one conducting this interview well then watch me
17:51the moment you see something you don't like pull me out
17:59i've never been in here before yeah we don't uh use it very often you have kids toys so nice
18:09well with kids you want them to feel comfortable safe you know try to make a bad situation a little
18:13better careful you make a great dad talking like that so how can i help you with your case
18:24you got called into work pretty late last night i did what did they call you to the hotel for
18:29apparently frank hensley's party got a little out of hand what'd you find when you got there between
18:34you and me a mess some of the items in the room were even broken i just cleaned it up
18:40took it with me
18:41and left how'd you get the stuff out i put it all in a hotel meal cart rolled it right
18:46onto the
18:46elevator adam what's going on wait are people watching us right now yeah this is a murder
18:55investigation and if i wasn't asking the questions someone else would be when you got to the penthouse
19:01who was there no one and how well do you know charles hale mr hale does a lot of business
19:09in la
19:10he stays at the black wall when he's in town what else do you know about him i don't do
19:14background
19:15checks on my guests adam well the thing is when we showed you his photo you neglected to mention
19:19that he had been there before well our guests expect discretion if i had felt there was something
19:24important i would have told you we believe vera hensley was killed in the penthouse by frank or
19:29charles and then moved to the pool and the only person that was in the elevator around her time of
19:34death was you you think i took a dead woman downstairs in a hotel meal cart no but it is
19:44my job to figure
19:45out who did well it's funny how your job seems to keep coming in between us but this this i
19:51did not
19:51see coming we're looking for charles right now do you have any idea where he might be how would i
19:57know
19:57that i don't know him then what were you guys talking about on the street this morning
20:06businessmen like charles are the type of vips we want coming back to the blackwell
20:10so that means sometimes i have to be a little friendly and sometimes a man like charles can
20:15take that the wrong way and when it happens i make sure the line is clear
20:20but charles was trying to cross that line first he asked me for restaurant recommendations
20:29then he invited me to join and i said no and i said no again
20:35and he followed me out onto the street and i told him to never come back
20:41i'm sorry that happened
20:46maybe i should have told you i just i didn't want you to worry
20:56i'll walk you out
20:56uh that's okay i know my way out
21:03charles told me he's flying out today so we're checking manifests
21:06you didn't ask about the no cities frosty trees thing that's what charles said to her
21:10that's what you thought you heard hey morgan we already know charles is lying do you have
21:14any reason to believe that lucia is lying too
21:19lying is a really strong word but yeah i think there's something she's not telling us
21:25what i saw was a woman whose boyfriend was accusing her of being involved in someone's murder
21:29i can't imagine what that must have been like for her i know what it was like for me though
21:33i'm gonna get an update from daphne and os
21:39hey you want me to be honest with you right i just think it would be smart to bring her
21:43back in
21:43and ask a couple more questions that's not your call morgan
21:46sorry i know this is uncomfortable for you okay
21:48soto could talk to her or you know what i'd be happy to do you want lucia to be guilty
21:53of something
21:55what does that mean where are we at with charles hill still monitoring the cell number he gave the
22:00hotel no location yet i hope you know know what is everything okay i get that this is hard for
22:06you
22:06but you and i both know that if it was anyone else in that room you would be asking tougher
22:11questions
22:11are you accusing me of not doing my job it's not just your job this is personal i know exactly
22:16what
22:16this is and i don't need you managing me i am not one of your kids morgan so stop treating
22:23me like one
22:33you
22:59We need someone who is familiar with the levers of government
23:02and actually knows how to use them.
23:10Excuse me one minute.
23:12Ms. Quinn and I do tend to move in similar circles,
23:16if that's what you're after.
23:17That job that you had me offer Morgan didn't come from you, did it?
23:20It's okay. No offense taken.
23:22It's nice to be wanted.
23:23Uh, speaking of Willa, should we hunt around,
23:27see if we can go find her here, or...
23:30Would you rather just make a phone call?
23:38I see you've decided not to take my advice.
23:41What a shame.
23:43No, a shame is my daughter losing out on 15 years with her father
23:47and that look on your face.
23:50Okay.
23:52I'm here.
23:55What do you want to say?
23:56This will just take a minute.
23:58You know, when I was growing up,
23:59my father liked telling people he was self-made,
24:02got there on merit, which wasn't true.
24:05There were people in your way who suddenly lost credibility,
24:08jobs, everything.
24:10Some of them even disappeared.
24:11And back then, I didn't understand.
24:14Now I do.
24:17It was you.
24:19Well, you're right.
24:20I've helped your father.
24:22I've made introductions.
24:24I've given advice, sometimes quietly.
24:26That's what I do.
24:27I'm willing to expose all of it.
24:29Every ugly detail.
24:30You can't prove any of it.
24:32Oh, I think actually we can.
24:38Detailed logs of all of your calls, texts, and emails
24:41over the last year or so.
24:43Technology really is incredible, isn't it?
24:45You would not believe how many incriminating documents
24:48you can cram onto something this tiny.
24:50Well, if it's even real.
24:52Oh, it's real.
24:53The guy we met in our last case gave us an assist.
24:56Decent bowler, great hacker.
24:58That's fraud.
24:59Felony, inadmissible.
25:01Oh, absolutely, highly illegal.
25:03The courts would never allow it.
25:04But the press will.
25:05You would really destroy your father's life like this?
25:08Oh, I wouldn't worry so much about him.
25:10There's lots of stuff about you on this file.
25:12I find that highly doubtful.
25:14Mr. Wagner and I don't keep up much with correspondence.
25:17No, you don't, but he really loves bragging
25:20to his high-powered friends about his connections to you.
25:22You can't shut up about it.
25:23This is your leverage?
25:25Well, if it isn't, you have nothing to worry about.
25:28But if it is, you know how to stop it.
25:35Tell me what happened to Roman.
25:40I've tried very hard to keep this from reaching your life.
25:45If you're doing all of this to get answers for one child,
25:49has it even entered your brain
25:51that you are inches away
25:52from putting baby Chloe and Elliot in danger?
25:56Okay.
25:57I'm done.
25:58Mwah.
26:27No, no, no, no, no, no, no.
26:28Come on, what are you doing?
26:29Stay away from me.
26:30Get back in the car.
26:30Okay, fine, fine, it's fine.
26:32Go, go.
26:32You don't get to say my kids' names.
26:35You have no idea what you're doing.
26:37I'm trying to warn you.
26:38Tell me what you did.
26:40Who are you protecting?
26:42Okay, you need to think very carefully
26:45about what you are asking.
26:47Oh, my God, just answer the question.
26:50Fine, I'll give you what you want,
26:52and then we'll see how badly you want to keep digging.
27:02Did you speed through the red before
27:04or after you ran into Willa's car?
27:07If she threatened my kids,
27:09you would have done the same thing.
27:12I wouldn't have ran the red.
27:15I have something you should see.
27:17Charles Hale's employment data didn't check out.
27:20Dates overlap.
27:21One company doesn't exist,
27:22so I ran his prints federally.
27:24I got hits under three different names.
27:26These guys lived all over the place.
27:28Panama border, New Mexico, San Angelo, Texas,
27:31Yakima, Washington.
27:32You know, I can run it in co-pilot.
27:35I'll have it categorized police reports
27:37by location, date, and name.
27:40Then color-code them by location
27:41and create a summary of the findings.
27:44Okay, here we go.
27:45I'm finding reports on alleged scams
27:47in multiple cities he's lived in.
27:49Look, he posed as a startup investor in Phoenix,
27:51a high-end real estate partner in Ojai.
27:54So he's not a businessman.
27:56He's a con man.
27:57So Frank was his next target.
27:59But why kill Vera?
28:01Well, hang on a second.
28:04Charles checked into the hotel
28:06the same day Frank did,
28:07except Frank was a do not announce.
28:11So how did Charles know he was even there?
28:14Yeah.
28:30You said Charles, or whatever his real name is,
28:33lived in Alamogordo?
28:34New Mexico, yeah, why?
28:36That's by White Sands National Park,
28:37the largest gypsum doom field in America.
28:40Gypsum?
28:40Unlike quartz sand, gypsum sand
28:42dissolves completely in water,
28:43which makes it incredibly rare.
28:45Lucia gave this to Karadek.
28:47It can't be a coincidence.
28:48I think that she and Charles
28:49were in the same city at the same time.
28:51Where's Karadek?
28:57Yeah.
28:58Charles Hale is a con man,
28:59and I think Lucia's involved.
29:01Morgan, I'm not gonna do this again.
29:03Okay, just hear me out, okay?
29:05The day that Frank checked into the Blackwell,
29:07I think Charles was tipped off.
29:08He came to the hotel to con Frank.
29:11Any idea what the con was?
29:12I mean, Frank and Vera's whole brand
29:14was that they were a happy couple, right?
29:15It made them millions.
29:16So if Charles got evidence
29:18that Frank wasn't the devoted husband
29:20that he claimed to be,
29:21Frank would have paid anything
29:22to keep it from getting out.
29:23Charles was gonna blackmail Frank.
29:25While Frank and his friends went to the pool,
29:27Charles was in the room alone.
29:29Vera walked in and caught him
29:30planting a recording device,
29:32so he had to take out the witness.
29:46Okay, so how did Vera end up by the pool?
29:49She snuck out and she ran.
29:51But that elevator is slow,
29:53and she was afraid that Charles would come after her.
29:55So she took the stairs,
29:56but we didn't see it
29:56because there were no cameras there.
29:58It was dark.
29:59She was disoriented.
30:03Lucia did clean the room like she told us,
30:05but she left out one thing.
30:06I think Charles was back in that room.
30:10Unless Charles could have done
30:11all of this on his own.
30:13There were two things
30:14that Charles could not have done on his own.
30:16You think she erased the videotape?
30:22And she tipped off Charles in the first place
30:25that his next big mark
30:26just walked into her hotel lobby.
30:28That's why Lucia's been so upset.
30:31She's the one who brought Charles Hale
30:33into the Blackwell Hotel.
30:41I'm really sorry.
30:46I'll call you back.
30:48I'll call you back.
31:11I'll call you back.
31:14Oh, Charles, please!
31:18Lucia!
31:19You won't listen to me.
31:21It's okay.
31:23Let me handle it.
31:27Charles!
31:27I need you to put the safety on
31:29and drop it to the ground.
31:30Please!
31:31I don't think so.
31:35You know, I got a feeling
31:36that you care about Lucia
31:37as much as I do.
31:39Do not do something
31:40that she will have to live with
31:41for the rest of her life.
31:42Okay?
31:44Don't do that to her.
31:46Charles, there are some things
31:48that you and I cannot change
31:50no matter how much we want to.
31:52But what we can decide
31:53is how this ends.
31:55I can think of a bunch of ways
31:56we can turn this day around,
31:57but they all start with you
31:58dropping that gun.
32:20watch your head.
32:24How did you know we would be here?
32:29No cities, just seasons, frosty trees.
32:33Those fans are there
32:34to keep the frost off the trees.
32:36That and Charles,
32:37or whatever his real name is,
32:38was trying to buy this place.
32:40Just an instinct, I guess.
32:41I didn't come here
32:42to run away with him, Adam.
32:46I just didn't want anyone else
32:47to get hurt.
32:53We met in New Mexico.
32:55I was still getting over you,
32:56and he seemed to understand that.
33:02Did you know what he did?
33:03Not at first.
33:06But when I found out,
33:08he said he wanted to change.
33:09He just needed, like,
33:11a couple more big paydays first.
33:13So I helped him.
33:15I pointed to a couple
33:16high-profile guests
33:17at other hotels.
33:20But he didn't change.
33:22So I left.
33:24I came back here.
33:27I bumped into you.
33:29And then he showed up
33:30at the Blackwell
33:31and told me if I didn't find
33:32his next mark
33:33that he was going to make sure
33:34my cop boyfriend
33:35learned everything.
33:38But that if I did it,
33:39he would disappear for good.
33:42I didn't want him
33:43to destroy everything
33:44that we had.
33:45Adam.
33:52Where's the bookend
33:53he used to kill Vera?
33:58Adam, it's me.
34:07Yes, thank you.
34:08They got him.
34:10Charles is in custody.
34:12Everyone is safe.
34:13I just got this.
34:15What is it?
34:16Willa came through.
34:17This FBI agent,
34:19Lila Flynn,
34:20she was working undercover
34:21and she was murdered.
34:22Mm-hmm.
34:22Turns out she was dirty.
34:25Oh, looks that way.
34:26Selling intel,
34:28laundering money.
34:29There's something else.
34:31What?
34:32What?
34:34What?
34:35What?
34:44They suspect that Roman
34:46was working with her
34:47and when she decided
34:49to come clean,
34:50he killed her.
34:53This was a scandal
34:54too big for the FBI
34:56and Willa helped
34:57them bury it.
34:58Security cameras
34:59caught these outside
35:00Lila's house
35:01the day she was murdered.
35:03That's Roman's car.
35:08No.
35:09What?
35:10I'm done.
35:11Let's be done.
35:14Can you give us a minute?
35:23What does that mean?
35:24Stop digging, okay?
35:27Listen, I don't know.
35:28It doesn't matter anymore.
35:29It's just not safe.
35:31It's not safe?
35:31It's never been safe.
35:33Eric Hayworth?
35:34This woman?
35:35I don't know.
35:36I don't know what's true.
35:37All I know is that
35:38if anything were to happen
35:39to any of you...
35:39Morgan, stepping away
35:40is simply not an option
35:41anymore.
35:42Oh, my God.
35:42Okay?
35:43I'm scared too,
35:44but I can take care of myself.
35:48Whatever happens,
35:50we'll do it together, okay?
36:07Hey.
36:08Hey.
36:11Come in.
36:21How you doing?
36:24The unis are taking Lucia
36:25to the precinct now.
36:26Oh, God, I'm sorry.
36:27You don't have anything
36:28to be sorry for.
36:31I'm sorry.
36:32You warned me.
36:33I should have listened.
36:34She'll be charged with accessory
36:35after the fact.
36:36I cared, Hank.
36:36Though with the other cons
36:38that her and Charles
36:39were involved in,
36:40the charges will increase.
36:41Adam.
36:53I can't believe
36:53this is happening.
36:57I just cannot believe it.
37:01I feel so stupid.
37:02No, don't.
37:03Please don't do that.
37:06You did it right.
37:08You did.
37:09You opened your heart.
37:10You let her in.
37:13That's always going to be
37:14the right move.
37:18I believed her.
37:20Yeah.
37:21I believed she wanted
37:22a life with me.
37:26No, I don't even know
37:27who this person is.
37:28Yes, you do.
37:29Yes, you do.
37:33You do.
37:34It's the same person.
37:35You just...
37:38You just loved her too much
37:40to see the things
37:40that you didn't want to see.
37:45It's okay.
37:49It's gonna be okay.
38:02I get to go see
38:03Ava's art show.
38:05You want to come with me?
38:07I would love to,
38:08but I have some things
38:08that I really need
38:10to take care of.
38:11You know?
38:12Okay.
38:14But I'm here
38:15if you need me.
38:19I know.
38:27I'll see you.
38:36I'll see you.
38:49Mom, hi.
38:50I'm so glad you made it.
38:53Wow.
38:55Well, what do you think?
38:59Ava, this is...
39:01Boring.
39:02Yes, I just fell asleep.
39:03No, buddy,
39:04this is incredible.
39:10I am so impressed.
39:12You did this all by yourself.
39:14Well,
39:16I guess I had some help
39:17from my dad.
39:21Yeah, I guess you did.
39:26You're not gonna start crying.
39:27Are you?
39:28Please don't embarrass me.
39:29My little baby girl
39:30did this one.
39:31Oh, my God, Mom.
39:39Hey, what's going on?
39:40Hey, my father gave me a name.
39:42It's an old FBI ghost
39:44that was there
39:44when everything went down
39:45with Roman.
39:46I'm meeting him tonight.
39:47Tonight?
39:48Well, I gotta come with you.
39:49No, you need to stay away
39:51until I get eyes on this guy.
39:52I'll be fine.
39:53You'll be there.
39:54Come on,
39:55I need to talk to him.
39:58Okay.
40:009.30, Rancho Park,
40:02south side of the pond.
40:03Okay, I'll see you soon.
40:27Draw the blinds.
40:30Light every candle.
40:34Slip off my pretty dress.
40:39Down my chest.
40:41When I think of you.
40:45Every night.
40:48Both lips on the mirror.
40:51It's ritualistic.
40:56Counting lipstick.
40:58Stains where you should be.
41:03Oh, I need you home.
41:11I'm getting close now.
41:15Do you picture me like I picture you?
41:21Am I in the frame from your point of view?
41:24Do you feel the same?
41:27I'm just gonna say
41:29half of the things I do
41:33when I picture you
41:37when I picture you?
41:44Oh, oh, oh, oh.
41:53Oh, oh, oh, oh, oh.
41:59Oh, oh, oh, oh, oh.
42:02Do you picture me, like I picture you?
42:08Am I in the frame from your point of view?
42:12Do you feel the same?
42:15I'm too scared to see half of the beats I do when I picture you.
42:56Stopped up there.
42:57Ha!
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