- 2 months ago
مسلسل The Creep Tapes مترجم - Episode 1
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Short filmTranscript
00:13Check, check, rolling.
00:46If you are who I think you are, please make sure you are rolling before you enter the
00:51cabin.
00:53Yep, and very clear on the nine angles.
01:07Yep.
01:21Hello?
01:34It's Mike.
02:02I got the script.
02:11Hello?
02:17Hey!
02:20Are you rolling?
02:22I am.
02:28Are you going to yell action?
02:30Oh.
02:34Action!
02:37On that fateful evening I was not yet a killer.
02:44My thirst for blood was as if a small child or a baby wolf.
02:52I was merely perched on the precipice of the encroaching darkness.
03:02Oh.
03:06So are you saying you chose to become a vampire?
03:10Oh!
03:11Oh!
03:11Oh!
03:12Oh!
03:13Oh!
03:14For what is choice and what is destiny I cannot say.
03:17I only know this.
03:28Oh!
03:30Oh!
03:32Oh!
03:47Oh!
03:51Oh!
03:51Oh!
03:52Oh!
03:52Oh my God!
03:53Oh my God!
03:54Oh my God!
03:54Did you feel that?
03:55That was incredible!
03:56Oh my God!
03:57That's why you always roll the first tape!
03:58That's why we always roll the first tape!
04:00Oh my God!
04:00You!
04:01You!
04:01You!
04:01You weren't trying to get over here!
04:02I love you man!
04:03Come on!
04:05What's your name again?
04:06Mike!
04:07Mike!
04:09I like Mike.
04:11Magic Mike!
04:12It's going to be a great night Mike.
04:15Go for a birthday!
04:21Holy shit.
04:55Hey, I'm all set up out here.
04:57Sorry, I can't hear you.
04:58You're going in.
05:01Oh, sorry.
05:02It's okay.
05:02I was just saying I'm all set up out there whenever you're ready.
05:05Mm-hmm.
05:06Cool.
05:07Never mind.
05:13I just want to say, I know this whole set up is a little awkward.
05:20You know, just some guy paid you a thousand dollars to come all the way out here and film
05:25me.
05:25I acknowledge that and I appreciate your trust.
05:32So I want to be 100% honest with you about something.
05:36Okay.
05:37I'm feeling very vulnerable tonight.
05:40And sometimes when I feel that way, I can get a little in the moment.
05:50It's just, this is very important.
05:53It's just, this is very important.
05:53This is my dream.
05:56And now you are a partner in that dream.
06:00And now I'm getting emotional and I'm, I'm just trying to say thank you.
06:05Thank you, Mike.
06:06You're welcome.
06:14Truth.
06:16Dedication.
06:18Integrity.
06:19These are the principles with which I have lived my life.
06:22And these are the very principles I plan to bring with me.
06:25Should you choose to accept me into your intent.
06:27Yeah.
06:28Look.
06:30It's going to be a cut.
06:35So one sec.
06:37Get this right.
06:40Yeah.
06:41I know the lighting is important, but the performance is what matters here.
06:43So I think we just, let's just, I'm ready.
06:47So.
06:48Okay.
06:49Okay.
06:49Great.
06:50Ready when you are.
06:52Truth.
06:53One second.
06:54Mike!
06:57Can we have a little talk about process, please?
07:01Truth.
07:02Dedication.
07:03Integrity.
07:04These are the principles with which I have lived my life.
07:07And these are the very principles I plan to bring with me.
07:10Should you choose to accept me into your nine month intensive acting for camera program.
07:17My name is Jeff Daniels.
07:19I am not that Jeff Daniels.
07:22But I hope with your guidance to one day achieve his level of artistry.
07:26I mean, come on.
07:27Speed in 1993, he plays Harry.
07:30The very next year, he plays another character named Harry in Dumb and Dumber.
07:34I have that talent.
07:37I have that dedication.
07:39I just need your skills.
07:42Together?
07:44Well.
07:46We can make history.
07:51Alright.
07:52Thoughts.
07:52Just hit me with it.
07:54Great.
07:54I thought it was great.
07:55It was good.
07:58That's it?
07:59Just good?
08:01No, I just, you know, we've done a lot of takes and I think somewhere in those last eighteen,
08:06you've got it.
08:12Huh.
08:15Okay.
08:17So, I don't believe you.
08:20I don't believe that we have it.
08:23I don't think you believe that we have it.
08:25I think that you are just saying that we have it so that you can get your a thousand dollars
08:30and leave here as soon as possible.
08:33And you know what else I think?
08:34Like, I can't, I can't believe I'm going to say this but, I think you don't care whether I get
08:43into acting school or not.
08:45Oh my god, I'm going to be sick.
08:47I'm going to be sick.
08:47No, no, I think you're a genuinely good actor.
08:50I don't believe you, Michael.
08:51I don't believe anything you say.
08:54What do you want from me?
08:55The truth!
08:57That's all.
08:59The truth is, I've done a lot of acting reels.
09:04And?
09:05And you're up there?
09:08No!
09:08No!
09:09No!
09:21What's this for?
09:22Mr. Daniels?
09:32Hey, Jeff?
09:40So, I think we're wrapped here.
09:44I'd like to talk about the payment,
09:46that we agreed on.
09:47Um, if you got the cash, that's great, but I also have Venmo and Zelle if that works better.
10:00But I am giving you the payment before I leave.
10:34Goddammit.
10:41Goddammit.
10:51There he is, Mikey! The truth! That's what we've been looking for here tonight! Look at that beautiful face!
11:00Please give me my camera.
11:02Listen, I understand that you're upset, but I just want to say I'm so proud of you.
11:07You found the truth in that bathroom, Mikey. And while I realized it, it was uncomfortable for you.
11:14This is where a great art begins.
11:16Please stop, Bucky. I just want my money, man.
11:22What? Really? You just... you're just gonna leave all this behind? I feel like we just had a breakthrough, I
11:30don't...
11:33Oh, Michael. Did you just put your foot down with me?
11:46Interesting.
11:50This is getting exciting.
11:55What's it gonna do next?
12:15You're welcome.
12:21Oh, my. Look at that. It is really coming down out there now.
12:28It's a good thing you got a four-wheel drive in your car there, Mike, huh?
12:34Well...
12:36Oof.
12:37Even if you get out of the driveway,
12:39coming down that hill's gonna be treacherous.
12:44But...
12:44That's what snow chains are for, so...
12:48Oh.
12:49No snow chains?
12:50They're never really there when you need them, are they?
12:54Look, I...
12:56I've got another thousand dollars for you.
12:57I've got a new scene that just hit me.
12:58I need to show that same fear and vulnerability you just showed in the bathroom.
13:01I had it all wrong, and I apologize. I wasted your time.
13:03But this is the thing.
13:05I shouldn't be playing the villain.
13:09I need to play the victim.
13:10Here we go.
13:14Doop!
13:16Doop!
13:17Doop!
13:17Doop!
13:18Doop!
13:18Yeah!
13:24Okay, lighting's set.
13:29Alright, you got a full battery?
13:31Uh, do you want to tell me about the scene that we're doing here?
13:35Yeah, I'm James Conn. You're Kathy Bates. Duh.
13:39Tie me up.
13:40What?
13:41I need you to tie me up nice and tight so I can't get loose.
13:43So when you come charging through that door with this bat, we're gonna see true terror on my face.
13:48The same kind we saw on your face in that bathroom.
13:52The kind that undeniably gains admittance to the most prestigious nine-month acting for camera program in this country.
13:59Man, I don't, I don't know.
14:00Mike!
14:01You see? Terror!
14:02That's what I'm talking about right there.
14:03We just need that look on my face, okay?
14:05So come on, tie me up.
14:07Move it!
14:08God.
14:09Okay.
14:12Alright, how familiar are you with the movie Misery?
14:15Yeah, I've seen the movie.
14:17Okay, good.
14:17So you know how she's always coming in and kind of threatening him and terrorizing him, right?
14:21Yeah.
14:22I need you to come through that door.
14:23I need you to come at me hard.
14:26What are the lines?
14:28We're gonna be improvising.
14:29We don't need lines, man.
14:30This is make-believe.
14:31I need you to make me believe that you're gonna kill me.
14:36Here we go.
14:39And...
14:39Action!
14:43Whoa, whoa.
14:44What are you doing?
14:45What?
14:46You gotta be running and screaming and yelling and like...
14:49I didn't want to yell over your lines.
14:51I thought you were saying something.
14:52Okay, you don't have to be that considerate.
14:53Okay?
14:54Menacing.
14:58You ready, Mike?
14:59Yes.
15:00I said, are you ready, Mike?
15:01Yes!
15:02Here we go.
15:02Three, two, one, kill!
15:04I'm gonna cobble you!
15:06Mike, it's hobble.
15:08It's not cobble.
15:09Can you just be a murderer?
15:11It's not that hard.
15:14Hobble.
15:16Here's an idea.
15:17Dude.
15:17Next time you come in, you veer right towards my legs.
15:20You just start bashing my legs with the bat.
15:22Just slam them and I'll turn.
15:24I can kind of fake towards camera.
15:26I'll have the big agony and the tears and all that.
15:28It'd be, I think, pretty cool.
15:30Okay, but I'm not gonna actually hit your legs.
15:31Mike, will you please just help me?
15:34Jesus.
15:37Oh my god, my legs!
15:39I'm never gonna walk again!
15:41No, Annie!
15:42No!
15:44No!
15:45Oh my god, this is so embarrassing.
15:47I'm ashamed of myself, Mike.
15:49Oh my god.
15:50I think we're gonna have to start from scratch.
15:53How do you erase the camera?
15:55Can we just, is there an erase all button?
16:21Any for your thoughts?
16:23Will you please stop doing that, man?
16:30Probably thinking about how you want to get out of here, huh?
16:34Yeah, I get it.
16:38It does kind of seem like we hit a bit of a creative wall in there,
16:40but, you know, they do say that
16:43it's right when the magic happens, you know what I mean?
16:46It's like, uh, two seconds for the mirror call.
16:49I'm begging you, man.
16:50Just, please, like, leave me alone for a little bit
16:53until the snow stops and I can-
16:55You know what I'm talking about, okay?
16:55No more-
16:56No more audition scenes.
16:57No more acting school.
16:58That was all ego bullshit anyway, okay?
17:01What if you and I make...
17:04a film together...
17:06tonight?
17:10I saw your short film, Mike.
17:15You did?
17:16I liked it.
17:18Really?
17:19I didn't love it.
17:20It didn't set the world on fire.
17:21I mean, it felt like you were kind of just...
17:24scratching the surface of those characters' pain, you know?
17:27You were scared.
17:29But we could make a movie with real pain in it.
17:35Something deeply personal.
17:39A story only you and I could tell.
17:45What do you think about that, Mikey?
17:52Yeah, no, I think I'm just gonna wait for the snow plow to come and I'm gonna, you know...
17:56I'll give you $2,000 and we can shoot it in under an hour.
17:58Yep.
17:58Yeah.
18:04So what's the story?
18:06Don't know yet, Michael.
18:08But I'm excited.
18:10You know, I once saw this obscure film from a completely unknown but deeply talented filmmaker.
18:16And his process, it was really fascinating.
18:18He would use a combination of documentary and fiction.
18:21And he would set up scenarios in which the people would play things that were simple and close to home
18:26for them.
18:26For instance, if he was here tonight, I think he would say,
18:29Why don't you just play a guy who's hired someone to come up and film his audition video?
18:34You know, he's a little awkward, a little strange.
18:36And you could play a struggling filmmaker, right?
18:39Who's a little annoyed, wants to get out of there as soon as he can with his cash.
18:42It's great, right?
18:45Sure.
18:52Set.
18:54Yes.
18:55Okay, I'll lead you into it. You just follow me.
18:57Okay.
18:59Action!
19:01Hey, are you Mike?
19:03I am. Hi.
19:05Oh my god.
19:07Oh my god, this is gonna be a good night.
19:09You know, you have a really nice, kind face.
19:13Thanks.
19:14Can I get a hug, Mike?
19:16Uh, sure.
19:21Gotta ask first these days, you don't want HR coming after you, you know what I mean?
19:28So you haven't asked me about the axe yet, Mike.
19:31Sorry?
19:32Yeah, the axe. It's a stump right there.
19:34Just, I assume you'd be curious as to how that might play into the scene.
19:37Yeah, it had crossed my mind.
19:39Yeah, I'll bet it did.
19:40But look, I don't want you to worry.
19:42Okay.
19:43It's just rubber, you know, it's fake.
19:44Here, you wanna test it?
19:47Good.
19:48I just want you to be comfortable because in a few moments I am going to be swinging this axe
19:52full force towards the base of your skull.
19:54Cool?
19:56Cool.
19:56All right, cool.
19:57So, I say we ditched the victim idea.
20:00That wasn't working, right?
20:01And we go back to me playing the villain.
20:03But not like a 19th century vampire.
20:06That was kind of dumb.
20:07What if I just play like a regular, everyday, average guy villain?
20:11The last guy in the world you think would be a serial killer, right?
20:13And then, when you watch the whole nuanced performance all the way to the climax, you realize this guy's been
20:21dropping hints the whole way.
20:24Carefully placed Easter eggs.
20:26And you think, this guy might be capable of murder.
20:31Like, take the axe for instance, right?
20:32So, emotionally, on my face, playing anxiety, worry, right?
20:37But when you go back and you watch the footage, the physicality of him with the axe?
20:42Calm.
20:43Cool.
20:45Collected.
20:46Wait, sorry, are you describing the scene or are you actually doing the scene?
20:50Exactly.
20:51The naturalism is what it's all about, right?
20:52The acting is so good, you don't even know what's acting and what's not.
20:56It's like, it's like a magic trick, like sleight of hand.
20:59Speaking of which, when you think about it, did you get enough time to test that axe properly?
21:08Are you sure it's fake?
21:10He only offered you the handle.
21:12You didn't even get a chance to test the blade.
21:15And then, it starts to dawn on you.
21:19While it is an absolutely insane idea that this man is not an actor auditioning for acting school.
21:26That this entire evening has been an elaborate ruse.
21:31That you're not in the company of a hack Jeff Daniels.
21:34You're with one of the greatest actors of all time.
21:38Oh, that's ridiculous.
21:40That can't be true, right?
21:41So you don't need to run away.
21:43But you do start to slowly walk away.
21:47Because, how can you be sure?
21:51And then it hits you!
21:52Wait!
21:53The axe!
21:54Right!
21:56He slid the blade across his hand.
21:59So if there's blood on his hand, that axe is real.
22:05If there's blood on his hand, this could be really, really bad.
22:16It's the moment of truth, Mike.
22:30Oh my god!
22:33That scared the shit out of me.
22:35That was convincing, man.
22:38I admit it, you didn't have it in the takes before.
22:41I know, I know.
22:42That was really good.
22:43You have an audition, man.
22:45And we have a short film.
22:47I mean, this could get into Sundance.
22:49Yeah!
22:49High five!
22:55No.
22:56Yes!
22:57Yes!
22:58Yes!
22:58Oh my god!
23:00I damn it!
23:26Cut!
23:27Cut!
23:28No!
23:28Keep rolling!
23:29I am rolling!
23:31Get out!
23:33Where are you going?
23:41Hey!
23:43Where'd you go?
23:52That was really good.
23:55I'm impressed.
23:59Oh!
24:00Oh!
24:00Oh!
24:02I see a footprint.
24:05I guess you're hiding over here somewhere.
24:09Well, unless you pulled a shining.
24:11You retraced your footsteps maybe?
24:13Oh!
24:14Wait!
24:16No!
24:16Come out, Mike.
24:17I saw you.
24:18Hi!
24:19Hi!
24:20Oh, boy.
24:21Oh, that's not very good.
24:22That's not good at all.
24:24Don't really see a way out of it for this one.
24:27Might be the end of the movie, my friend.
24:30Unless you got any idea.
24:31Wait!
24:32Is he getting an idea?
24:33What?
24:34What is this?
24:35Oh!
24:36Right!
24:37The car!
24:38Yeah, race to the car.
24:40That's kind of an interesting idea.
24:41My thing is, I guess I'm a little closer to the car than you are, so I don't know if
24:46-
24:47Oh!
24:48Oh!
24:49There he goes!
24:50There he goes!
24:52Oh, no!
24:53Oh, no!
24:54No!
24:55It's locked!
24:56Oh!
24:57You got it, Mike!
24:59You got it.
25:00Fuck!
25:13You got it?
25:14Oh, he got it.
25:23You lost me.
25:25Oh, no!
25:31Oh, no!
25:32Oh, no!
25:34Oh, no!
25:36Oh, no!
25:37Oh, no!
25:38Oh!
25:40Oh, no!
25:40Oh, no!
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