- 18 minutes ago
Euphoria S03E04 [Full Movie] [Long Version]Full EP - Full
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Short filmTranscript
00:00:08Are we going to find any drugs in your vehicle?
00:00:11No, sir.
00:00:13People love to argue about the truth.
00:00:20Some say it's just the facts.
00:00:26Others say it's what's right.
00:00:32Some even claim there's no real truth at all.
00:00:35Just opinions.
00:00:39The funny thing is...
00:00:43Well, we may disagree about what the truth is.
00:00:55We all know when we're telling a lie.
00:01:00Oh!
00:01:02Oh!
00:01:03Oh!
00:01:04Oh!
00:01:05Oh, God.
00:01:18This is all the canine unit fun.
00:01:24You seem surprised.
00:01:26Nope.
00:01:27Not at all.
00:01:27I told you guys I wasn't lying, so...
00:01:29Where are you coming from and where are you going?
00:01:32You know, it's, uh, it's funny.
00:01:34I was actually headed to a wedding.
00:01:35At 10 p.m.?
00:01:36Yeah, well, I was, I was headed back.
00:01:38What do you mean, back?
00:01:39Yeah, I was at the wedding earlier.
00:01:41Why did you leave?
00:01:43I was a friend.
00:01:44It was like an emergency thing.
00:01:45What kind of emergency?
00:01:47She wasn't invited to the wedding, you know?
00:01:49So it was like a whole thing, and I don't really want to get into the details, but, yeah.
00:01:54What is your relationship with Lori?
00:02:02Um, is that the, uh, the monotone lady?
00:02:05The monotone lady?
00:02:06Yeah, she, like, talks like this.
00:02:08So you do know her?
00:02:10I mean, like, not like that.
00:02:13Know her, kind of.
00:02:14So you and Lori don't call each other?
00:02:16No.
00:02:16Oh, God, no.
00:02:18Have you ever been to Mexico?
00:02:21Um, nope.
00:02:24Nope.
00:02:27Never been.
00:02:29Is it nice?
00:02:32Some parts.
00:02:33Hmm.
00:02:33So if I had a photo of you in Mexico, would you say it wasn't you?
00:02:39Me?
00:02:40In Mexico?
00:02:41But you say never been.
00:02:42You have a photo of me?
00:02:43So it's not you.
00:02:44In Mexico?
00:02:45Yes.
00:02:46I'd have to see the photo, then.
00:02:47I don't have it.
00:02:49So it's a hypothetical scenario.
00:02:50Well, I can tell you with absolute certainty that I have never been to the moon.
00:02:54Have you been to the moon?
00:02:55I've never been to the moon.
00:02:55Are you sure?
00:02:56Positive.
00:02:57Well, if somebody comes and says they have a photo of you in the moon...
00:02:59It wasn't me.
00:03:00Why not?
00:03:00Because I've never been to the fucking moon.
00:03:03Make sense?
00:03:04So far.
00:03:05So if I had a photo of you in Mexico, what would you say?
00:03:10Like, we're in Mexico.
00:03:12So you've been to Mexico?
00:03:14I mean, I've, like, I've been to the border.
00:03:16I drive for Uber and Lyft.
00:03:18Oh, but you've never driven into Mexico.
00:03:20I mean, I may have gotten lost or turned around or some shit.
00:03:23You know, like, I used to be an addict.
00:03:25It gets fuzzy sometimes.
00:03:27But you will remember if you drove 20 or 30 minutes into Mexico.
00:03:30Absolutely.
00:03:36You said you didn't have a photo?
00:03:39I lie.
00:03:40Do you remember meeting this guy?
00:03:44I mean, I don't...
00:03:45He's a cartel member.
00:03:47His name is Uno.
00:03:48He operates a club 20 minutes from the border.
00:03:50I don't know what this is, but I...
00:03:51Post statement to a federal agent.
00:03:5318 U.S.C. 1001.
00:03:55Five years in federal prison.
00:03:58So you guys can lie to me, but I can't lie to you.
00:04:01Correct.
00:04:01That seems fucked up.
00:04:02Apparently, we have different definitions of what constitutes fucked up.
00:04:06Ha, ha, ha.
00:04:09Ugh.
00:04:29We also lied to you when we say we didn't find any drugs in your car.
00:04:34Recognize this?
00:04:41Yeah.
00:04:42This is 20 years in federal prison.
00:04:44And federal inmates don't get parole.
00:04:46We know who you work for and what you've been doing.
00:04:48We know the Fendal you've trafficked has killed people.
00:04:51For each death we can link to you, it's an additional 20 years.
00:04:55You may never see the light of day again.
00:04:58Look at me.
00:05:00I can see it deep down that you're a good kid in a bad situation.
00:05:04Our job is to take the drugs off the streets.
00:05:07Because too many lives have been destroyed.
00:05:10Wouldn't you agree?
00:05:13Yeah.
00:05:14So this can go two ways.
00:05:16We can either take you into federal custody.
00:05:18Or you become a confidential source.
00:05:21And help us take these people down.
00:05:24Oh, fuck.
00:05:26The fuck is accurate.
00:05:28If you want to turn a curse into a blessing,
00:05:32I will say this is your opportunity.
00:05:34Okay.
00:05:40And that is how I became a snitch.
00:05:48They swapped out the drugs for sugar pills and laxatives.
00:05:54Told me to stay cool and I'd be in touch.
00:06:06Give me a little twirl.
00:06:08Get it, get it, get it.
00:06:10What do you think of that booty?
00:06:13It's all right.
00:06:14Could be a bit juicier.
00:06:15We don't want to scare off the whites, though.
00:06:18In my mind, I'm picturing a tasteful tush.
00:06:22You know, commercial, classy ass.
00:06:24Mm-hmm.
00:06:25Bitch, you look like shit.
00:06:30Me?
00:06:31Ain't nobody else in here looking like shit.
00:06:33Oh, sorry, I was just a little hungover, that's all.
00:06:38I'm going to need you to smile.
00:06:41Not you.
00:06:42You.
00:06:43Oh, me.
00:06:44Again.
00:06:44Sorry.
00:06:45Are you hungover or fucking retarded?
00:06:47I'm just confused.
00:06:48Smile, bitch.
00:06:49Oh, yeah.
00:06:53Ever see those fucking pearly whites?
00:06:55Ah!
00:06:56Ah, that's what I'm talking about.
00:06:58Now, that's a fucking smile.
00:07:00Yeah.
00:07:01For all the Sammy Davis crew.
00:07:02Let me see that...
00:07:06You know why you're fucking smiling?
00:07:09No, sir.
00:07:10Because I gave that bitch, Lori...
00:07:15...the taste of her own medicine.
00:07:20You know, I got a feeling that's the last fucking pickup you'll ever do.
00:07:25Then who are we, uh, buying from them?
00:07:27You think there's a fucking shortage of dealers in L.A.?
00:07:30Not in this L.A., partner.
00:07:34Right.
00:07:37So I'm in the mood to celebrate.
00:07:40Yeah.
00:07:42Luckily, I got me a newfound friend, Kitty.
00:07:45Come on over here, baby.
00:07:48Look at that.
00:07:53And Kitty likes to dance.
00:07:58What are you gonna do with all that money when you start me?
00:08:03The beach can dance.
00:08:05You're from Kansas. Cut us some slack.
00:08:09What is Kansas?
00:08:24You look like death warmed up.
00:08:29Yeah, I think it's just, like, a tummy thing.
00:08:36Plan on taking that off.
00:08:38Hmm?
00:08:45Okay, so what happens when they find out the drugs are fake?
00:08:47I assume they will call Lori and ask her to correct the mistake.
00:08:51Okay, but aren't they just gonna blame me?
00:08:53Why would you swipe out the drugs?
00:08:55It's not like you're a snitch.
00:09:05They also installed an app on my phone.
00:09:11We added a new number under your mom's contact.
00:09:14Tap it, and the ball goes hot.
00:09:18Can I just keep it in my pocket?
00:09:20It can get muffled.
00:09:21It's better in the open.
00:09:24Isn't that suspicious?
00:09:25Sometimes.
00:09:26Sometimes not.
00:09:33You guys are gonna give me a fucking heart attack.
00:09:49I can, uh, bag it.
00:09:52No need.
00:09:53Start up.
00:10:28The toe is a metaphor.
00:10:32What?
00:10:33The toe.
00:10:35It's a metaphor.
00:10:37You know what?
00:10:38I thought that I'd lost it forever.
00:10:40But we were smart.
00:10:42You know, we put it on ice,
00:10:44and we took it to the hospital,
00:10:45and they were able to put it back on.
00:10:48What's the metaphor?
00:10:49When you break something,
00:10:51you gotta pick up the pieces.
00:10:52You gotta be real careful with it.
00:10:54And you gotta glue it back together.
00:11:02So the toe is us?
00:11:05In a way.
00:11:07The toe's never gonna be the same.
00:11:10How do you know?
00:11:13Because the doctor said so.
00:11:15He said the toe will never feel the same.
00:11:17I think you're misinterpreting the metaphor.
00:11:19No.
00:11:20The metaphor doesn't mean what you want it to mean.
00:11:23You can look at a scar as a sign of weakness,
00:11:25or you can look at it as a strength.
00:11:28Okay, so now you're changing the metaphor.
00:11:30No, I'm not.
00:11:32First you said that we're the toe,
00:11:33and now you're saying we're the scar.
00:11:35Are you an English teacher?
00:11:36I'm talking about our relationship.
00:11:39When I look at my toe,
00:11:40it motivates me to build back better.
00:11:43Everything you built is built on a lie.
00:11:46Not everything.
00:11:47Some things, yeah.
00:11:50Well, just...
00:11:50our relationship,
00:11:52this house,
00:11:53our finances,
00:11:54your business.
00:11:59You didn't say our love.
00:12:07How much do you owe this guy?
00:12:09Somewhere between a little and a lot.
00:12:12What's the number?
00:12:13You know, it depends on the interest,
00:12:16you know, how quickly we can pay this guy.
00:12:17What's the number, Nate?
00:12:17A million...
00:12:21ish.
00:12:27I feel sick.
00:12:29I am going to fix this.
00:12:32You have to keep faith.
00:12:33In what?
00:12:34Me.
00:12:35Us.
00:12:36Our life.
00:12:41The fairy tale's over.
00:12:53What's that even mean?
00:12:57Cassie called the one person who could actually help her.
00:13:19Where are you going?
00:13:25To work.
00:13:29To work.
00:13:47Thanks.
00:13:48This is something about your look.
00:13:52Okay.
00:14:15Hi.
00:14:16Hey, what are you doing?
00:14:18Uh...
00:14:19Just working.
00:14:21Nice.
00:14:21Okay.
00:14:22Well, I have a really cool opportunity
00:14:24that I think you might be good for.
00:14:26You interested?
00:14:28Really?
00:14:29I don't know.
00:14:29At the art show, maybe two to three hundred people will see your work.
00:14:33But LA Nights averages seven million a week.
00:14:35What?
00:14:36That would be life-changing.
00:14:38I mean, thanks for getting it done today, by the way.
00:14:40Thank you so much for thinking of me.
00:14:43It's just right up here.
00:14:44The character Oceana is inspired by George Seurat,
00:14:47so we were thinking sort of a Sunday in the park picnic kind of feel.
00:14:52Okay.
00:14:53Yeah, like the woman with umbrellas thing.
00:14:56Well, you don't need to copy anything.
00:14:58Like, it should feel distinct.
00:15:00Okay.
00:15:01Yeah.
00:15:02Sure.
00:15:02Basically, do whatever you feel.
00:15:04It'll be great.
00:15:05I have to go.
00:15:06Bye.
00:15:06Bye.
00:15:18This is Cassie.
00:15:20Hi.
00:15:21The goal is to take her from the suburbs to the city.
00:15:26Cool.
00:15:40Please, my daddy, did you make one look?
00:15:44You made one look good.
00:15:45Bye.
00:15:48This is Cassie.
00:15:49You'll attack him into his microwave and you won't fly around.
00:16:05I relax my journey?
00:16:06You're really Piece of decaying?
00:16:34Oh, hey, Eric.
00:16:34Eric, right here on the wall.
00:16:38Could you center it, please?
00:16:46Yeah, we have an emergency.
00:16:49What kind?
00:16:50It's hard to explain.
00:17:04Has your friend lost their mind?
00:17:06I don't know.
00:17:06It's insane.
00:17:08It's not like there's one penis.
00:17:09There's 14.
00:17:10What were you thinking?
00:17:12I told her to paint a picnic.
00:17:14Does this look like a picnic?
00:17:15I don't know what happened.
00:17:16I don't think my character would paint something like this.
00:17:19I agree completely.
00:17:20Did you say George Seurat?
00:17:22Yes.
00:17:23Women with umbrellas?
00:17:24Yes.
00:17:24Children sailing boats?
00:17:25Yes.
00:17:26Is she trying to sabotage the show?
00:17:27No, of course not.
00:17:28Who in their right mind would paint something like this?
00:17:30It's insane.
00:17:31Well, she's...
00:17:32What?
00:17:33Trans.
00:17:34Jesus Christ, Lexi.
00:17:36We're gonna have to handle this.
00:17:38Delicately.
00:17:41Hey, I think I'm outside.
00:17:42Yeah, we're on set.
00:17:43Just come in.
00:17:44Okay.
00:18:01So nice to meet you.
00:18:02Nice to meet you too.
00:18:03Yes, thank you so much.
00:18:05Thanks for having me.
00:18:07Very talented.
00:18:10So, I don't know if Lexi told you, but this is a network show.
00:18:14Which means that we have to answer to standards and practices.
00:18:18Ugh, and they are like the censors.
00:18:20Okay.
00:18:21Uh-huh.
00:18:23The penises are too much.
00:18:26How many peni do you want me to get rid of?
00:18:29Let's say all of them.
00:18:31Like paint clothes over them?
00:18:33That could work.
00:18:34Or you could make them into bread loaves.
00:18:36Bread loaves?
00:18:37To stay in theme with the picnic.
00:18:41And, uh, I'm just like struggling with how many limitations there are?
00:18:46The only limitation is we have to get rid of the penises.
00:18:49Okay.
00:18:50But the breasts are okay.
00:18:53Let's just get rid of the nudity in general.
00:18:56Put some clothes on them.
00:18:58Blankets.
00:18:59You know, I'll leave that to the interpretation of the artist.
00:19:03How long do you think that'll take you?
00:19:05Like a couple hours.
00:19:07Just punt the scene.
00:19:08We'll move it till next week.
00:19:10Thanks.
00:19:11Thanks.
00:19:13Thanks.
00:19:14Thanks.
00:19:14Thanks.
00:19:40I'm so sorry.
00:19:42I feel horrible.
00:19:45Well, that makes sense.
00:19:47Mistakes happen.
00:19:49Some are just more expensive than others.
00:19:52I know.
00:19:55Do you?
00:19:56Because I'm not sure that you do.
00:19:58We lost an hour and a half of shooting.
00:20:01Fifty-six thousand dollars.
00:20:05I have to hold stage nine for another week.
00:20:08That's Grips Electric Rentals.
00:20:11Your failure to communicate.
00:20:15What do you think that costs us?
00:20:18Fifty-six thousand dollars?
00:20:21No.
00:20:22It's a hundred and ninety-one thousand dollars.
00:20:33Don't be a net negative, Lexi.
00:20:36I won't.
00:20:38I won't.
00:20:38Okay.
00:20:40No, thank you.
00:20:44Okay.
00:20:46Close the door.
00:20:50I'll go out.
00:20:51Come on.
00:20:58Today.
00:20:59Come on.
00:21:00Come on.
00:21:02Come on.
00:21:03Come on.
00:21:04Come on.
00:21:06Come on.
00:21:07Now.
00:21:07Come on.
00:21:10We still stay.
00:21:14Can I wake up?
00:21:16Come on.
00:21:17Come on.
00:21:19Let's go.
00:21:50I'm so sorry.
00:21:51Am I a perfect little guy?
00:22:00How do you want to deal with this?
00:22:03I want to kill them all.
00:22:06But I don't know if that's painful enough.
00:22:19The reason you're walking free is so you can set up a buy.
00:22:23What the fuck do you want me to do? He killed her bird.
00:22:25They're never going to do business together again.
00:22:27Then we got no use for you.
00:22:29We might as well put you ass in prison.
00:22:32Listen, what if I can set up a buy with a different dealer?
00:22:36What dealer?
00:22:36Can you go grab the makeup?
00:22:42Lexi had agreed to let Cassie stay at her place for a while.
00:22:45Yeah, put your chin up.
00:22:47Put the ass up.
00:22:48I need a smile.
00:22:49Come on.
00:22:50You're happy to be here.
00:22:52You're good.
00:22:54Yeah, yeah, yeah, yeah, yeah, yeah, yeah.
00:22:56Can you turn that back on?
00:22:58I don't know why it went off.
00:23:00Well, just turn it back on.
00:23:01What a great idea.
00:23:03Wait, hold that pose.
00:23:04When she gets the ball working, I'll pose.
00:23:06I just feel like you're worth more than your body.
00:23:09My body's worth a lot.
00:23:11Man, these girls are out here making millions.
00:23:13Who?
00:23:14Like Bad Baby.
00:23:16Bad Baby?
00:23:17Yeah.
00:23:18She was on Dr. Phil.
00:23:19She cussed him out and got super famous.
00:23:21Then when she turned 18, she made an OnlyFans
00:23:24and made like 53 million in a year.
00:23:2753 million?
00:23:28We're not making this up, Lexi.
00:23:30This is the business world of today.
00:23:32I mean, if I do this...
00:23:42I need to get some drugs.
00:23:48You relapsed?
00:23:49No, no, it's not for me.
00:23:50Don't worry.
00:23:51Is this blower ever going to fucking work?
00:23:53I don't know.
00:23:54I'm not a gardener.
00:23:55Wait, I thought you were clean.
00:23:56I am.
00:23:57It's not for me.
00:23:58It's for my boss.
00:23:59Okay, well, what kind of drugs do you need?
00:24:00Uh, Coke, Molly, heroin.
00:24:03Heroin?
00:24:04For your boss?
00:24:05Or for you?
00:24:06No, not for me.
00:24:07And I don't have time to explain this shit.
00:24:08Is this machine really important?
00:24:10Yes.
00:24:10I need hair movement.
00:24:12It brings energy to the shot.
00:24:13Listen, Maddie, you can just give me the contact
00:24:14and I'll do rest.
00:24:15Well, I don't feel comfortable helping you get drugs.
00:24:17Okay, but it's not for me.
00:24:18My hair is not with cells, okay?
00:24:20It's my body.
00:24:21And my body doesn't need wind.
00:24:22It needs a photographer.
00:24:24Do you guys hear yourselves right now?
00:24:27Like, what is wrong with you people?
00:24:30You're looking for drugs.
00:24:32You're selling your body on your porn site.
00:24:34And you're like some internet pin.
00:24:41It's sad.
00:24:42And it's pathetic.
00:24:43And it's really disturbing, honestly.
00:24:46Oh, Jesus.
00:24:47Who would have thought we would have come in?
00:24:49Did you shut that fucking thing off?
00:24:51What?
00:24:51Go, I'm trying.
00:24:52What?
00:24:53Yeah.
00:24:54Yeah, yeah, yeah, yeah, yeah, yeah.
00:24:56Yeah, yeah, yeah, yeah.
00:24:58Yeah.
00:24:59Yeah.
00:25:00Yeah.
00:25:00Yeah.
00:25:02Yeah.
00:25:03Yeah.
00:25:03Yeah.
00:25:05Yeah.
00:25:06Yeah.
00:25:22Nathaniel Jacobs' son, Suttler's corporal.
00:25:27Nate knew this was definitely his last chance.
00:25:38I believe everything happens for a reason.
00:25:43The discovery of these endangered flowers on my land happened for a reason.
00:25:50It was a sign that in all my excitement and passion for the elderly, I had overlooked the greater meaning
00:26:01of the Sun Settler mission.
00:26:04God said to Adam, for dust you are, and to dust you shall return.
00:26:12This is a fundamental human truth known all too well by our senior citizens, so I'd like to propose a
00:26:18new design for Sun Settlers.
00:26:21Imagine our hospice wing, where families can gather in the final days of their loved ones' lives and look out
00:26:27at a beautiful garden of white fritillaries.
00:26:30These flowers should not be dug up and moved, no, no, we should move around them with an elegant curve
00:26:40design done by our A-plus architecture team.
00:26:44Motion denied.
00:26:46Motion denied.
00:26:46When the environmental studies come back, we can discuss.
00:26:50Motion denied for now.
00:26:55I have put my entire life on the line for this.
00:26:58Motion's denied.
00:26:59Every penny I have.
00:27:03My marriage is in shambles because of you.
00:27:07Sorry, is this a personal thing, Bill?
00:27:10Do you have a personal problem with me, Bill?
00:27:13Is that what this is?
00:27:14I don't.
00:27:15Are you trying to ruin my life?
00:27:17What do you want from me, Bill?
00:27:19Well, tell me, what do you want from me?
00:27:22You want me on my hands and knees begging you to give me my life?
00:27:27Is that what you want?
00:27:28Sir, your time is...
00:27:30I'll do it.
00:27:32We have other people waiting and...
00:27:45Here it is.
00:27:49I'm begging you, Bill.
00:27:52I want my hands and knees.
00:27:54I'm begging you.
00:27:55I'm trying to do a good thing.
00:27:58This is a good thing, Bill.
00:27:59This is a good thing.
00:28:00This is...
00:28:00Okay.
00:28:01This is good.
00:28:01Okay, that's enough.
00:28:02This is good for the world.
00:28:04Mr. Jacobs.
00:28:06Please just let me see this through.
00:28:08I can't be bad.
00:28:09Mr. Jacobs.
00:28:09This is a good thing.
00:28:10I'm trying to do a good thing, Bill.
00:28:15For the last time, motion denied.
00:28:21Sir, just get your things together and pack them up.
00:28:25You can go.
00:28:28Let's take a five-minute recess.
00:28:40Cassie had pawned her wedding ring, took the cash, and invested it in herself.
00:28:54As Nate would always say, it takes money to make money.
00:29:01Do you have cash?
00:29:05It just so happened, her new place was across the pool from Lexi.
00:29:18I raised a dollar, and that's a hundred dollars.
00:29:22You didn't hear from Lori yet, did you?
00:29:23Not a little bullpeep.
00:29:25I ain't on a scale to one to ten.
00:29:27How sad you think that bitch Lori is?
00:29:29I feel like an 11.
00:29:31I feel like a hundred and eleven.
00:29:33He was a beautiful bird.
00:29:35Nigga, you said that like he didn't kill his ass.
00:29:38I didn't want to, but I was told to.
00:29:40This nigga looking at me like he looked at the damn parrot.
00:29:45Call.
00:29:46Call.
00:29:47Oh, shit, we got a three-hander.
00:29:52Nice.
00:29:52So, uh, when we run low at the club, where am I supposed to pick up from?
00:29:56Goodbye with you, little lady.
00:29:59I'm focused on this hand right here.
00:30:09I was just, uh, I was just thinking, because, you know, I still have my connects in Mexico.
00:30:14And, uh, I could always, like, do a pick-up and then sell at the club.
00:30:20Bet 175.
00:30:21I mean, we could make a lot of money.
00:30:24You could make a lot of money.
00:30:25Y'all just a little too fucking rich for my blood.
00:30:34Call.
00:30:36Didn't you say you wanted to get out of that world?
00:30:39Now you ass want to get back in?
00:30:42Let's see the time.
00:30:44I was just thinking that, that's all.
00:30:53You know, something don't add up.
00:30:57Bet 200.
00:30:59Why in the fuck would you ask me something so catastrophically dumb?
00:31:05I don't know, I don't know.
00:31:06Nah, see, you didn't just think it, you thought to say it, and then you said it.
00:31:13So I'm gonna need a much better explanation than a motherfucker and I don't know.
00:31:19I'm sorry, I shouldn't have overstepped.
00:31:22Nah, that don't cut it.
00:31:29I just figured, like, at the club, the more people that do drugs, the more money they spend, you know?
00:31:34Are you gonna call or not?
00:31:38Nah.
00:31:40See, you had something.
00:31:43No.
00:31:45Why the fuck are you sweating?
00:31:47I just know I have a good hand, that's all.
00:31:52Call.
00:31:54I've seen that look before.
00:31:56See, you got that look in your eye.
00:32:00Like a motherfucking rat.
00:32:03Trying to figure out where it's gonna go next.
00:32:07Yeah.
00:32:09Where you gonna go next?
00:32:18Let's see the river.
00:32:20Shut the fuck up, nigga.
00:32:26You've been using it again, ain't you?
00:32:39Daniel.
00:32:42Uh, yeah, I had a slip-up.
00:33:02Check.
00:33:05All in.
00:33:08Oh, shit got real.
00:33:09Call.
00:33:16Oh, my fuck.
00:33:19You been setting that shit up the whole time.
00:33:21Let me make one fucking thing clear to you.
00:33:25You fuck with hard drugs.
00:33:28They're likely to wind up killing your black ass.
00:33:34Got it.
00:33:35What happened again?
00:33:39Damn, Bishop.
00:33:41Well, you got BTA.
00:33:42Belt to motherfucking ass.
00:33:51Ah.
00:34:00Andrel's not coming back?
00:34:02Look.
00:34:03Not ascent at all.
00:34:05She run away from rehab.
00:34:07Disappear.
00:34:08Damn.
00:34:10It's sad.
00:34:13But life goes on.
00:34:23It's yours.
00:34:24I dreamed about the H-Bomb.
00:34:28Where the bomb went off and I was caught.
00:34:32I was the only girl on the ground.
00:34:41There were thirteen men and me, the only girl in town.
00:34:47There were thirteen men and me, the only girl in town.
00:34:53And as funny as it may be, the one and only girl in town was me.
00:35:00A thirteen men and me, the only girl in town.
00:35:06There were two men and men every morning.
00:35:09I seen that I was well fed up.
00:35:12And believe a human once with my teeth.
00:35:16I'll be the only one and only.
00:35:18I'll be the only one to know.
00:35:20It's a flower for all of you.
00:35:22It's almost like Angel knew she was never coming back.
00:35:29And just like Tish, everyone would soon forget.
00:35:52Maddie told Cassie to put on her best outfit.
00:35:55She was going to introduce her to some friends.
00:36:03The stash was running low.
00:36:05And I was running out of time.
00:36:15You look good, bitch.
00:36:22Sir, let's go.
00:36:46This is Brandon Fontaine's house.
00:36:48He's got twenty million followers.
00:36:50Whoa.
00:36:50The goal is simple.
00:36:52Get him to post a video of you looking out.
00:37:17And who knows if the DEA would even protect me.
00:37:42All he cares about is pussy, you're gonna tempt him with pussy, you're not gonna give him pussy.
00:37:48The moment you do, he'll never speak to you again.
00:37:52Don't trust these girls, these bitches are dogs, stray dogs.
00:37:56And they're looking at you like a fucking Pomeranian, the cute new bitch.
00:38:00So stay sharp, stay focused, let's fucking win.
00:38:06It feels like we're going to war.
00:38:10Come on.
00:38:10Come on.
00:38:15Come on.
00:38:24Come on.
00:38:31Come on.
00:38:34Come on.
00:38:36Come on.
00:38:37Come on.
00:38:53So what would you like?
00:38:54Oh, my God.
00:41:13Now it's time to announce the content creator of the month who is not other than Ricky D.
00:41:23How do you know Brandon Fontaine?
00:41:26Oh, my best friend's like best friends with him.
00:41:28Oh, who's your best friend?
00:41:30Maddie Perez?
00:41:31She's like a manager to all these super famous actors.
00:41:34Yeah, I know Maddie.
00:41:35I love Maddie.
00:41:36Is she here?
00:41:39Uh, she's...
00:41:42She's somewhere.
00:41:44Oh, my God.
00:41:46What's up?
00:41:47What's up?
00:41:48Hi.
00:41:50Hey, you guys want to have some more fun?
00:41:53I have some Coke.
00:41:54Oh, my God.
00:41:55I love Coke.
00:41:55Oh, she loves Coke.
00:41:58All right, come on, come on, come on.
00:42:23Oh, my God.
00:42:30Ah.
00:42:59How's she doing?
00:43:00Making the money's worth?
00:43:02Yeah.
00:43:13Make yourself at home.
00:43:15Casa es su casa.
00:43:17I can't believe you actually live here.
00:43:19It's dope, right?
00:43:21How long have you guys known each other?
00:43:24Hmm, forever.
00:43:28Does Maddie rep you?
00:43:29Yeah?
00:43:32That's weird.
00:43:50Cap?
00:43:54Cap?
00:43:56Come and get it.
00:44:00Did you test this?
00:44:02It's my usual plug.
00:44:03It's fine.
00:44:05Are you sure?
00:44:06Yeah.
00:44:06Okay, no, sorry.
00:44:07I don't want to die or anything.
00:44:10I love my life too much, you know?
00:44:14Um, you're not going to offer it to me first.
00:44:18I thought you were a gentleman.
00:44:25Hades first.
00:44:28You're welcome.
00:44:30You're welcome.
00:44:31No!
00:44:49Yeah.
00:44:51No!
00:44:52Ah!
00:44:53Oh my God!
00:44:59Do me, do me, do me, do me.
00:45:05Right here, right here.
00:45:06Right there?
00:45:07Right there.
00:45:08I think it's my turn.
00:45:09His turn.
00:45:10My turn, baby.
00:45:12My turn.
00:45:12Your turn.
00:45:16Yo, smile.
00:45:18Get the fuck up here.
00:45:23Oh, I like it too.
00:45:25Oh, fuck.
00:45:26He really likes it.
00:45:27I can't open the door.
00:45:33I need to get in there.
00:45:37I think it's my turn.
00:45:41Oh, no, I got it.
00:45:45You're a fucking crazy bitch, aren't you?
00:45:47Fucking wild.
00:45:48You're no good.
00:45:49I'm no good.
00:45:54I'm dealing with the locked door here.
00:45:57Oh, fuck.
00:45:59Oh, fuck.
00:46:07Oh, fuck.
00:46:11I have to go viral.
00:46:19I need to get some water.
00:46:21Okay.
00:46:22Good?
00:46:25Oh, no.
00:46:28She's sick.
00:46:30She's fuking.
00:46:31She's fuking.
00:46:34Oh, fuck.
00:46:38I want to fucking raise up.
00:46:41Really?
00:46:41Really.
00:46:43Really.
00:46:43Right now?
00:46:44Right now.
00:46:45Yeah.
00:46:50Hey, Brandon.
00:46:51Who's your new friend?
00:46:52Yo, yo, yo, yo, yo.
00:46:54It's just me, Cassie, and that's my handle.
00:47:10Hey.
00:47:18Come.
00:47:19Can I help you?
00:47:25Do you have any more kids?
00:47:26What do you mean?
00:47:29You doing okay?
00:47:32Okay.
00:47:35Those guys...
00:47:37Did I...
00:47:39Did they hurt you?
00:47:56Um...
00:47:57You know, I saw what happened.
00:48:01Are you sure you want to be doing this?
00:48:06It's like, are you being forced?
00:48:14I like to dance.
00:48:15I like to dance.
00:48:41I like to dance.
00:48:43I like to dance maybe.
00:48:46I'm so scared.
00:48:50I can't change too much in the mood.
00:48:51But I'm so excited.
00:48:53How are you talking?
00:48:57I'm about to dance.
00:48:59I want to dance.
00:49:01There's a few leaves, and I love to dance.
00:49:02Don't dance.
00:49:03I'm gonna dance.
00:49:03I'm gonna dance.
00:49:04Oh, man.
00:49:05It's really nice.
00:49:23you good yeah stop making a phone call
00:49:53speak English she asked it if someone was forcing her
00:49:58to work here
00:50:01I'm a little fire you
00:50:03don't trust this bitch
00:50:52hey
00:50:57I um I just forgot my phone
00:51:09I let you break one of my rules
00:51:17nobody enters my office alone
00:51:32I don't know why she's calling must be important
00:51:40do you mind if I
00:51:52mom listen very carefully pretend I'm your mom ask me about grandma
00:51:58wait what did you say about grandma
00:52:00your compromise the girl in there just told your boss that she thinks that you're a snitch
00:52:04you gotta find a way to discredit her
00:52:12okay
00:52:21well I'm glad she's okay
00:52:25love you too
00:52:29close the door
00:52:30we need to talk
00:52:45you got their attention now you gotta keep it
00:52:54no I think it's very clear what the fuck is happening here because this spanish hood rat
00:53:02hood rat that's what you are
00:53:09I don't know what she's saying
00:53:11I don't know what she's saying
00:53:12I don't know what she's saying
00:53:35no I fucking
00:53:36ah
00:53:36I spoke to her but I...I just said like
00:53:39you know are you okay
00:53:40which is my job
00:53:41is it not look after the girls right
00:53:44b
00:53:44look if you wanna believe this fucking drug addict
00:53:47that's up to you
00:53:48Yo we gotta plant these backhams
00:53:49I'm gonna right now to your own friends and then
00:53:55quack are you talking about I don't steal new drugs
00:53:57okay okay well let's open up the fucking locker then
00:54:00black girl
00:54:01yeah go check it
00:54:02yeah I'm gonna let's check it
00:54:03All I know is one of you bitches is lying.
00:54:06She's a liar! She's probably the bitch that's lying!
00:54:08She's the one the fucking snake-ass now, Grayson.
00:54:11I'm the one who's lying. That's hilarious, honestly.
00:54:13I don't...
00:54:14Whoa, whoa, whoa! I wouldn't do that, motherfuckers!
00:54:17Take a seat.
00:54:18Hands! Hands! Hands where I can see them!
00:54:22Now, I imagine you got a safe in there.
00:54:25You have any fucking idea who you robbing?
00:54:28Well, that's the exciting part.
00:54:31I hope in that safe I'm dead.
00:54:32You die here or you die later
00:54:34don't seem like a fucking tough decision to me, boy.
00:54:37You kill me, you'll never get that shit open.
00:54:43Then shoot the girls.
00:54:47All right.
00:54:49Come here.
00:54:56Oh, look. Two birds, one stone.
00:55:00You got five seconds, boy.
00:55:02Five.
00:55:03Four.
00:55:04Three.
00:55:06Keep praying, baby.
00:55:08Two.
00:55:09You are cold, motherfucker.
00:55:12One.
00:55:13Move!
00:55:19Ow!
00:55:23Ow!
00:55:25Ow!
00:55:27Ow!
00:55:37Did you hear that?
00:55:38What?
00:55:43A big bang?
00:55:45No.
00:55:57What do we gotta do to convince you to open the safe?
00:56:03How about we blow off that donkey dick?
00:56:08How about we blow that thing off?
00:56:14It's either your balls or the motherfucking safe, man.
00:56:18What's it gonna be, Doc?
00:56:21Huh?
00:56:22Behind the painting.
00:56:24What's that?
00:56:28Behind the painting.
00:56:29That wasn't so hard now, was it?
00:56:32Open it.
00:56:33It's all I'm getting.
00:56:41It's gone.
00:56:53It's gone.
00:57:01It's gone.
00:57:01Proceed.
00:57:03Looks like you shit your drawers.
00:57:05That's right.
00:57:26How are we looking?
00:57:29Jackpot.
00:57:33No, no, no, no!
00:57:37Oh, shit.
00:57:38Fucking up, guys.
00:57:40Get out of my way, man!
00:57:42Motherfucker!
00:57:48Yo, Bishop, I think we need to get him to the hospital, man.
00:57:52He can wait.
00:57:53Rewind the footage.
00:57:55Hey.
00:57:59They in a pickup truck.
00:58:02Zoom in on the plates.
00:58:06Hey, yo, man, come on.
00:58:08Come on.
00:58:09Stay up, bro.
00:58:12There are no plates.
00:58:14Can you see anyone's face?
00:58:17They're masked up.
00:58:19Even the driver?
00:58:26I think I got it.
00:58:29What do you see?
00:58:32It's a woman.
00:58:34She has gigantic lips.
00:58:44You know her?
00:58:47It's a girl named Faye.
00:58:51She works for Lori.
00:58:57You know that you are the girl.
00:59:02You're cold as me.
00:59:08You're cold as me.
00:59:11You're cold as me.
00:59:13You're cold as me.
00:59:14You're willing to stay with the girl.
00:59:16Yeah!
00:59:17You're cold as me.
00:59:19You're free!
00:59:19You're willing to stay with the girl.
00:59:22You're as cold as me.
00:59:25You're willing to stay with the girl.
00:59:28You're as cold as me.
00:59:30You're willing to stay with the girl.
00:59:32I like to welcome motherfuckers to the back of the minor beer.
00:59:36See, I'm for real.
00:59:37We're delivering these M.O.P. tactics.
00:59:40I'll bury you bastards.
00:59:42I custom-made caskets.
00:59:44It's the B.D.
00:59:45The Y.G.
00:59:46The Y.G.
00:59:46The soldier nigga.
00:59:47He's in the O.G.
00:59:48The soldier nigga.
00:59:50I may come with my gun in my hand.
00:59:52To make sure you motherfuckers understand.
00:59:54Pardon me.
00:59:56How the fuck you gon' stall with me?
00:59:58I'm a heavyweight in this game.
00:59:59You just small with me.
01:00:01You get laced down from your face down.
01:00:03Drop this shit.
01:00:04Niggas throw them on P stand for mopping shit.
01:00:06Dunk, dunk, dunk.
01:00:07Get it twisted.
01:00:08I told you that we top of the line.
01:00:10Desire realistic.
01:00:11For instance, mash out what I say.
01:00:14We come through and clean your ass out.
01:00:16Dump and hear your ass out.
01:00:17Jump, we cold.
01:00:18You're as cold as ice.
01:00:20You're a flirt.
01:00:21You're willing to sacrifice.
01:00:23Yo, yo.
01:00:24You're as cold as ice.
01:00:26Yeah.
01:00:27You're willing to sacrifice.
01:00:29Come on.
01:00:30You're as cold as ice.
01:00:32You're willing to sacrifice.
01:00:35You're as cold as ice.
01:00:38You're willing to sacrifice.
01:00:39A predate, gun, buster.
01:00:41I'm past all classes.
01:00:43One of the fastest has blasted flashes.
01:00:46You've seen my work.
01:00:47You know my stees.
01:00:49It's a slip chance that I'ma hesitate to squeeze, please.
01:00:51Money never made me.
01:00:53Money never played me.
01:00:55And money better not make me.
01:00:56Rack his ass.
01:00:57Subtract his ass when I step through his hood.
01:01:00Fuck dropping you.
01:01:01I'm meant to stopping you for good.
01:01:02Stop him if you could.
01:01:04You're as cold as ice.
01:01:05And you'll be stiff as a log in a suit.
01:01:10We're looking to
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