- 7 hours ago
Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Watch Free Online]Full EP - Full
Category
🎥
Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:19Someone took us to see her.
08:36What do you got?
08:37Oh, my God.
08:55L-E-S.
09:01S.
09:06S.
09:07R.
09:09One.
09:23Hey.
09:25I thought you might be thirsty.
09:28We'll be together.
09:28Gina.
09:29Gina.
09:33You getting ready?
09:36Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is...
09:51What is less...
09:54Or what? Lesser one?
09:57It's left, straight forward, stereo on the right, first four.
10:03My dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we...
10:15We moved around a lot.
10:17So...
10:18He always said,
10:19no matter where we are,
10:21as long as we're together,
10:24we're always...
10:26We're always in the studio.
10:27There's a lot of fun.
10:42You don't know what I mean.
10:42You're quite happy.
10:43There's a lot of fun.
10:46What is it?
10:51What is it?
10:52What is it?
10:54I feel really good.
10:54You come to the house.
10:54What is it?
10:55That's what we're down there.
10:56You're really good.
10:56You're really good.
11:03I don't know.
11:31I don't know.
11:56I don't know.
12:26Looks like a robbery to me.
12:28Who's doing the breadcrumbs?
12:32You all for it?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38What was that?
12:47Let's go, everybody to the van. Let's go, let's go, let's go, let's go, let's go, let's go.
12:55Hey, hey!
12:57Go, go!
12:58Go, go!
13:23Go, go, go, go!
13:25Go, go, go, go!
13:40Go, go, go, go, go, go, go!
14:05What are you doing?
14:07The tracks. We didn't leave anything.
14:10This won't work.
14:12What are you doing?
14:16Pico!
14:18Go, go, go!
14:21Oh, fuck!
14:23Wait, wait, wait, wait, wait!
14:59Hang on!
15:08Hang on!
15:10Hold it, hold it!
15:12Hold it, hold it!
15:27Hey!
15:29Are you okay?
15:30Yeah, fine, fine, fine.
15:36Shit.
15:37What?
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I could have handled that.
15:49I could have handled that!
15:51I'm sorry.
15:54Fuck.
15:59It's the way.
16:03It was supposed to be the easy part.
16:13Where's Paul?
16:17Where's Paul?
16:17Where's Paul?
16:32Where's Paul?
16:35Where's Paul?
16:36I'm going to go.
16:38I'm going to go.
16:41He's going to go.
16:42He's sitting here like a prisoner.
16:45Davi, give me a picture here.
16:48Chrissy hit this place earlier today.
16:52In the middle of the city, in broad daylight,
16:53with the entire world looking for him,
16:55and he robes an apartment.
16:57Whatever was in here he thought was worth
16:59the considerable risk.
17:01Money.
17:02I could think of 20 other ways he could get his hands on cash, huh?
17:07Well, then what?
17:13I don't know.
17:17You know,
17:19for all your talk of
17:22understanding how Chrissy operates
17:23and all that shit,
17:24you don't seem to be any better at figuring out his next move
17:26than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys
17:36that hit the condo with Chrissy.
17:39We wanna get out of this room,
17:40come talk to him,
17:41and get some actionable information.
17:43Because if we don't figure out what Chrissy's up to,
17:45I have a strong feeling he's going to show us.
17:47And I don't think we're gonna like it.
17:50Bora.
18:10What's going on?
18:14I got in.
18:17You found a password?
18:18Well,
18:20that's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it'd make me feel better, but...
18:37It's like all the memories that have been poisoned.
18:45Very good.
18:50So many of you...
18:58You've done it.
19:05It's like this.
19:06It's so funny.
19:07It has to be done.
19:08So funny...
19:08They do.
19:09You're adding a spot.
19:09You're adding a spot.
19:09That's a good spot,
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started...
19:56We started arguing, and...
20:01My mom took the camera and just...
20:04She just gave it to a stranger.
20:09It's all I've done.
20:15At the end, when he gave the camera back...
20:19He said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56And that doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03Mm-hmm.
21:04Yeah.
21:07I was gonna be there.
21:08I was gonna be there.
21:24I will.
21:29Really?
21:30Yeah, it's mine.
21:37Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but...
22:04Nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:28I'm good.
22:38Well?
22:41His name is Vico from Aloko Favela.
22:44He hasn't said much, and I haven't let Biloko Zest.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53It's happening, and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I'm sorry, sir.
23:04Don't interrupt me.
23:06I'm sorry, but I'm in a connection here that I think you'll want to help.
23:10It's John Chrissy.
23:30I know you got a lot going on right now, Mr. President, so I'm not gonna keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatman.
24:00And I'm gonna make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity
24:07that the Redburns and all the other families in that building didn't have
24:11the opportunity to say goodbye to the people that you love.
24:21to the people that you love, to the people that you love.
24:32I just called to make sure that you have the opportunity
24:38that the Redburns and all those other families in that building didn't have
24:42the opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then, it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:02But...
25:04I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's gonna kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:33Sir, we will get this handled.
25:35I can assure you.
25:49For us.
25:51Sit down.
25:53What the fuck?
25:55I don't have any money to pay for this.
26:00Pay?
26:02Hey, answer.
26:03Responde!
26:05Me pagaram pra estourar um cofre.
26:07O que tinha no cofre?
26:09Tinha só uma chave pra uma caixa dessas de banco.
26:13Certeza.
26:14Fui eu que abri o cofre e tinha a chave de lá.
26:18Fiquei até me perguntando como é que eles vão me pagar com essa porra.
26:22Vocês estavam me esperando encontrar dinheiro no cofre.
26:25E agora eles esperando encontrar dinheiro nessa caixa.
26:31Não era dinheiro, era uma coisa que eles estão querendo vender.
26:37Tipo...
26:38Eu não tenho certeza, mas eu ouvi eles falando de uma gravação.
26:43Uma fita.
26:45É.
26:47Do maluco falando com o presidente.
26:49Presidente Carmo?
26:51Era o presidente Carmo?
26:52Era, era, era o presidente Carmo.
26:54Que era o maluco?
26:55Ferraz.
26:58Ferraz.
26:59Olha pra mim.
27:01Você tem certeza que é uma gravação do presidente Carmo com o Ferraz?
27:05Tempo.
27:06Por quê?
27:06Cuide a parada.
27:15Junta toda a equipe agora e manda eles indo pro banco BCI, cofre 4488.
27:20Vai!
27:24Fica do olho nele.
27:36Fica do olho nele.
27:39Cuide a parada.
27:40Fica do olho nele.
27:48Um meninoéra.
27:48Fica do olho nele.
27:50Fica do olho nele.
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder, that you've already
29:15released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burnish insulation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:33It's toxic!
29:35Let's go now!
29:48Let's go now!
29:50Let's go!
29:58Let's go!
30:00Let's go!
30:05Hello?
30:06Come in?
30:19you know your part yeah i go in i make sure they see me and draw security so they can
30:27get to happen
30:27i have a girl you ever want a place yeah you grew an eye set
30:48hey i'll be okay
30:59crazy check-in all right we said we said we said
31:26i think i'm going to be the age of me
31:34We're here.
31:58We're here.
32:00We need more militia.
32:18Poe, come in.
32:21What are you doing here?
32:22Someone found me, but they're not here yet.
32:26All right, just walk away. We'll find something else.
32:28Just give me a second, okay?
32:33Poe, get up. Get up.
32:37No, I can do this.
32:39Here.
32:41Lá.
32:43Feche a porta.
32:57F*** you.
33:11F*** you.
33:13Fire!
33:15Fire!
33:16Fire!
33:17Fire!
33:25What's your location, Poe?
33:43Oh
33:43Oh, it's your location, boy
33:52Oh, you get him no no more way
33:58Stand down Christy, I've got her security's been drawn off
34:00You have the green light for tap and bellow
34:02We're headed to the staircase
34:04Okay, go
34:05Holy
34:16What the hell, Vico?
34:26How did you get out of here?
34:27I'm a bitch, I didn't get it
34:31We're moving to the meeting point
34:33Get out of here, get out of here
34:36Hey, if Poe's here
34:37And then so it's crazy
34:40This is a fucking shame
34:44I'm moving on, what's happening
34:50All right, lock it down
34:51Get on the radio, lock it down
34:55What's happening?
34:58What's happening?
35:12Hey, fuck
35:16Fuck
35:18Fuck
35:20Let's go.
35:51Oh
36:22Okay.
36:26Let's go.
36:39Headed out now.
36:41Shit!
36:43Major!
36:45Exit 12, pole 9, floor 2.
36:47We're at northwest. We're all the resistance.
36:49Okay.
36:50We're on our way.
37:20Stop fucking churning!
37:24I'm shooting! I'm shooting!
37:34Get out of the way!
37:35Where's the side?
37:39Stop! Stop!
37:42Let's go with the girl.
37:43Mata todo mundo.
37:56Are you okay?
37:58Go!
37:59Go! Go! Go! Go! Go!
38:15Are you okay?
38:16Yeah!
38:16Stay here.
38:17Let's go with the girl.
38:28Chrissy. Chrissy.
38:29We're pinned to the second floor in the southern area.
38:32We're gonna run out of ammo before they do.
38:33Can you get to us?
38:47Are you okay?
38:48Yeah.
38:50Are you okay?
38:51Yeah.
38:59Oh
39:23We can either hold that with a grenade we can't do both some to me well, I got a fight
39:28Yeah, follow hold on hold on this is not fire
40:14I
40:14Gotta give it to you that tape that tape was some expired shit
40:20Yeah, that's the crazy I used to know
40:23You know what do I had high hopes for Mexico City got you all fucked up, so let's think about
40:29this
40:29I mean, let's really think about this rash
40:32You ain't getting out of here without my help
40:35Neither is that girl
40:37So I think it's time we start talking about your options. You think I'm negotiating with you. Yeah, I think
40:42you should be
41:21Oh
41:22Your blood hurt!
41:23Don't look in!
41:25Brenda!
41:35I don't know what he does.
41:37Brenda!
41:38No!
41:41No!
41:44Brenda!
41:48Brenda!
41:55Brenda!
41:57Brenda!
41:59Brenda!
42:00Good, good, good.
42:32Good, good, good, good.
42:39Good, good, good.
42:53Good, good, good.
43:05Good, good, good.
43:22Good, good, good.
43:33Good, good.
43:34Good, good.
43:46Good, good.
43:47Good, good.
43:47Good, good.
43:50Good, good.
44:08Good.
44:09Good, good.
44:45Good, good, good.
44:48Good, good.
45:00Good, good.
45:35Go, go, go, go.
45:40Go left, go left.
45:43Ah!
45:47Just go.
45:47Creasy.
45:48Just go, I'll be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Just go on, Paul.
45:52Oh, shit.
45:59No.
46:00No.
46:01No.
46:01No.
46:02No.
46:30I'll be right back.
46:39Stop right there.
46:40Don't move.
46:45You shoot her, you're dead.
46:46Once I meet you...
46:50Yes, I know.
46:53Meaning that you've killed Tappan,
46:55I'm not seeing a lot to look forward to.
46:59So,
47:02drop your fucking gun
47:04or the last thing you see
47:05will be another dead Rayburn.
47:09Drop it!
47:25Good boy.
47:28Now,
47:30stand up.
47:32I'll give you the honor of going first.
47:37Stand up!
47:38I'll give you the honor of going first.
47:46Let's go.
47:50Let's go.
47:55Let's go.
48:04Let's go.
48:05Let's go.
48:11Oh, my God.
48:35Oh, my God.
49:09Oh, my God.
49:11Oh, my God.
49:13Oh, my God.
49:13Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17Okay.
49:17You're okay.
49:18No, just stay with me.
49:19It's okay.
49:21Oh, my God.
49:22Oh, my God.
49:33Oh, my God.
49:38Oh, my God.
49:52and a rogue American CIA agent named Henry Tappet
49:55to conspiracy to use the FRP as a front to conduct the bombing of a residential tower in Rio.
50:00John Creasy, at one point implicated in the bombing,
50:03instead turned out to have been coordinated with a girl orphaned by the bombing
50:06and a small group of Brazilian citizens in a high-risk effort to expose the conspiracy.
50:10Ah, até agora eu nem acredito.
50:12Ei, mãe, olha quem eu achei.
50:13Melo.
50:14Tudo bem?
50:15Tudo bem, e você?
50:16Tudo bem, bom te ver.
50:17Tava falando pra Marina que eu não acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura é essa?
50:24Você acha uma loucura, imaginei eu.
50:26Escuta, e que boato é esse que vocês estão indo embora?
50:29Ah não, a gente não vai pra lugar nenhum.
50:32Então vocês acham que as coisas vão melhorar com a saÃda do Carmo?
50:35Acho difÃcil de acreditar, hein? Tô preocupado.
50:38Eu também.
50:39Mas se todo mundo ficar preocupado, as coisas vão melhorar, né?
50:43Grandes merda.
50:45Vibração.
50:47Foi pra ser flaminha de párpura.
50:49Ivan disse que você precisa trabalhar em inglês antes de qualquer coisa.
50:56Você que não fala porra nenhuma de inglês.
50:58E vagabundo tá cagando pra isso.
51:01Se você preferir aprender russo,
51:03então vai trabalhar também.
51:04O que é isso?
51:21O que é isso?
51:24O que é isso?
51:28O que é isso?
51:29O que é isso?
51:31O que é isso?
51:32O que é isso?
51:35O que é isso?
51:42O que é isso?
51:47O que é isso?
52:02O que é isso?
52:05O que é isso?
52:18O que é isso?
52:21O que é isso?
52:46O que é isso?
52:48O que é isso?
52:50O que é isso?
53:02O que é isso?
53:17O que é isso?
53:21O que é isso?
53:26O que é isso?
53:28O que é isso?
53:29O que é isso?
53:37O que é isso?
53:51Ok.
53:51Eu aceito a sua aposição.
53:57Não é uma aposição, John.
53:58É uma convidência.
54:00Eu tenho uma situação que está desenvolvendo.
54:02Eu gostaria que você consiga ver.
54:04Eu tenho certeza que você já tem amigos para isso?
54:06Eu não tenho, eu não.
54:08Eu não tenho, eu não.
54:08Eu não tenho nada para isso.
54:09Ninguém tem experiência com esses amigos.
54:13E eu?
54:15Eu soube em mim em Cidade de Mexico.
54:19Eu acho que a única pergunta é...
54:21se isso é algo que você quer ver.
54:27Eu sei que você tem.
54:41Eu sei que você tem.
54:51Eu sei que eu sei.
54:53Eu sei que você tem.
55:08Eu sei que eu sei que eu sei que você tem...
Comments