00:28Transcription by CastingWords
00:38CastingWords
01:11CastingWords
01:19CastingWords
01:24How did he get his help?
01:25No, he's not going to be there.
01:26He's a policeman, he's not going to go.
01:59I don't know.
02:29I don't know.
02:50I don't know.
03:38I don't know.
03:38I don't know.
03:41I don't know.
03:42If your mom wakes up, I'll be forced to die.
03:48Do you understand?
03:49I don't know.
03:49I don't know.
04:04I don't know.
04:06I don't know.
04:10I don't know.
04:21I don't know.
04:28I don't know.
04:31I don't know.
04:40I don't know.
04:53I don't know.
04:58I don't know.
04:59I don't know.
05:03I don't know.
05:04I don't know.
05:06I don't know.
05:06I don't know.
05:07I don't know.
05:08I don't know.
05:08I don't know.
05:09I don't know.
05:11I don't know.
05:12I don't know.
05:12I don't know.
05:20I don't know.
05:23I don't know.
05:24I don't know.
05:24I don't know.
05:47I don't know.
05:53Olaj?
06:31Olaj, Vator, Olaj, OK?
06:58Olaj, Vator.
07:02Ville?
07:03Hvis du kommer til å gå inn hit.
07:06Døren er åpen.
07:09Hva du vil? Hva synes du skjer?
07:11Det tror jeg du vet.
07:14Nei.
07:16Jeg kom for å hente deg.
07:20Hvem er vi? Du er helt alene.
07:22What are you doing now?
07:25Are you full, or?
07:27Marius Welland.
07:30Camilla Loom.
07:31Visbeth Bali.
07:33Barbara Svendsen.
07:34What are you talking about?
07:46Police operations center.
07:47It's Rachel Ferguson.
07:48My son has been kidnapped.
07:50Can you explain why you think he's kidnapped?
07:53Some have been in my room.
07:54But he's not here, so I know.
07:56And he's taken on his jacket.
07:58He hates the jacket.
07:59He's never taken on his jacket.
08:01If he didn't do it for us, tell me that it's something wrong.
08:04But that jacket is here, does not mean that he's...
08:07Perl, I've worked in the police.
08:08I know the instructions for the person.
08:10And I know, I know that some have taken on it.
08:13Okay.
08:13Yes, he's done it for us. Tell me that it's something wrong.
08:16What?
08:17How did you have given us fingers?
08:20To Lisbeth?
08:23The excrement we found under the island.
08:25We found frø there.
08:27Finickel, frø, from the theater cafe.
08:29Yeah, that's where you ate in the morning, Lisbeth Forsman.
08:34And the problem is that it takes a minimum 12 hours for the frø.
08:38And now, the whole way down in the end of the end.
08:41So, regardless of how much her finger-pulled you,
08:44the mother-pulled you,
08:45the mother-pulled you,
08:45the other,
08:46the other one after the death of the death of the mother.
08:48And what does it mean?
08:50That you killed her,
08:51cut her,
08:52cut her finger,
08:52put her in the hay,
08:54before we got home.
08:57And that's what we call the technical evidence.
09:00Okay.
09:00The technical evidence.
09:03It's a concrete and undragable factum, right?
09:08Okay.
09:15I didn't know that when I came here,
09:17I used to be a bitch, right?
09:19So I didn't know that I was the best home of my house.
09:22With my fingers.
09:24That's right.
09:26So it was a certain amount of sentimentality.
09:33It's a picture.
09:34I didn't know that it was the first time I saw it in the first time I saw it today.
09:40It's the same with two tårna.
09:43Martin Amin and her family were able to take care of her.
09:45They could save her.
09:47They were like, how did she know why?
09:52And it was there I understood why.
09:52But you were able to tell her that she was on a trip to Praha, right?
10:01You just want to hang out.
10:03You want to hang out on both of them.
10:08I understood that Lisbeth had a short relationship to that man.
10:15But I understood it not before we had to put up the light.
10:20Because I found two letters.
10:23I love my country's flame.
10:26I'm sure my thoughts.
10:28Next time we're going to love you in the sky.
10:30Not on the back.
10:32You'll earn more than what you write.
10:34About a relationship that is a practical solution.
10:37A loving life.
10:42As I told you, I've been deceived in affairs.
10:45I need to get a little more money from you.
10:47So I can get on your feet again.
10:49As soon as it's ordered, I'm going home for you.
10:52I'm going to write my account number on the back side of you.
10:55But yeah, I remember four years ago he came to our house.
10:58And he had to sell us a halskjede with a stjerneform of the mat.
11:02So we got a card with an address on it if we had to buy more.
11:08How much do you think it's when you understand the person you love?
11:13It's not just to defend you, but not to love you.
11:19How much do you think?
11:20How much do you think of it?
11:22It's the one who wrote.
11:24It was timestamping.
11:27It was to ping it.
11:27It appeared in the investigation that came to the kommunal address.
11:30It's a very unknown address.
11:30Dear Martin, so long as I have heard from you.
11:33I hope that the money I sent you helped.
11:35I still don't care about anything other than you.
11:39When I love a man I'm going to tell him.
11:41that he is there.
11:44Where are you?
11:45That was not the worst.
11:46The worst was to see the data.
11:50It was sent...
11:53... in February.
11:56... in a year.
12:01What do you want to do?
12:01It was really great.
12:05The last time you shot on your wife...
12:08... and threw her on her.
12:12It's a bit of a better job.
12:16You said you had to find him.
12:18Never more.
12:20He told us that he was on the hunt...
12:22... with a stone form of diamonds...
12:24... and what hotel it was on.
12:27He was just sitting down and waiting.
12:35And I told you...
12:36... that I needed...
12:38... a man who could find diamonds...
12:40... and weapons...
12:41... in between.
12:43And then we told him...
12:45... he would come to Oslo...
12:46... and put his clothes in his bag...
12:49... every 5th day.
12:50You knew that he was here...
12:52... but he had never been here...
12:53... when you died...
12:55... and you played a cassette...
12:57... and then played on some cassettes...
12:59... that you had heard on your hand.
13:02One last five-pant-cars.
13:04I have a question...
13:05... and I'll give you a answer.
13:08So you sent us his finger...
13:09... to your sister.
13:12Why did you want this to be so complicated?
13:16Because I needed a horrible book.
13:19If this thing had not been explained,
13:21and Lisbeth just disappeared,
13:22everyone had thought over me.
13:24Right? For it's always the real man.
13:28Where is he?
13:30I'm sorry.
13:31Great.
13:34Set him down.
13:35Set him down.
13:35Set him down.
13:35Set him down.
13:41Set him down!
13:45So he reacted to her.
13:59It's just a simple man who has followed his heart.
14:03Can you tell me what heart is most broken?
14:07Is it a heart that has never been able to love you?
14:10Or is it a heart that has never been able to love you?
14:13Or is it a heart that doesn't mean anything?
14:27Or is it a heart that has never been able to love you?
14:37Or is it a heart that has never been able to love you?
14:43I've been here for a long time.
14:46I've been here for a long time.
14:48My problem is that I've tried to do it again.
14:52But I don't understand.
14:55What are you talking about now?
14:57Okay, I'm coming up.
14:59What are you talking about?
14:59I'm coming up!
15:00I'm coming up!
15:04Stop it.
15:14The new Lisbeth.
15:17No, panic.
15:21Come.
15:23I think I'm going to fix everything.
15:26Just like you.
15:32You're welcome.
15:36See.
15:40Helt nødt.
15:41Helt nødt!
15:44The plan here is a perfect end.
15:49The public will never take care of me to be with you at the police station.
15:54You need a happy ending.
15:56If I don't have a happy ending, I will make a happy ending.
16:01It's my life motor.
16:04In this case, a death motor.
16:10The gas goes down from...
16:13Five.
16:19You're so ugly.
16:24Four.
16:29What are you doing?
16:32It's not your problem.
16:35What did I do?
16:36Three.
16:38Two.
16:41Two.
16:47It's me.
16:48Two.
16:55Two.
16:58Three.
17:08Four.
17:10Three.
17:12Four.
17:12Four.
17:14Three.
17:15Three.
17:18What'd that tempo'd work?
17:25Oh my God.
17:51Oh my God.
18:18Oh my God.
18:29Oh my God.
18:41Oh my God.
19:11Oh my God.
19:41Oh my God.
19:44Oh my God.
20:14Oh my God.
20:58Oh my God.
20:58Tom.
21:07Tom.
21:25Tom.
21:27Tom.
21:29Tom.
21:33Tom.
21:36Tom.
21:37Tom.
21:37Tom.
21:38Tom.
21:40Tom.
21:41Tom.
21:42Tom.
21:44Tom.
21:45Tom.
21:45Tom.
21:45Tom.
21:48Tom.
21:49Tom.
21:49Tom.
21:50Tom.
21:50Tom.
21:50Tom.
21:51Tom.
21:52Tom.
21:52Tom.
21:53Tom.
21:53Tom.
21:55Tom.
21:55Tom.
21:58Tom.
22:00Tom.
22:01Tom.
22:05Tom.
22:35Tom.
22:37Tom.
22:37Tom.
22:41Tom.
22:44Tom.
22:45Tom.
22:48Tom.
22:52Tom.
22:54Tom.
22:56Tom.
22:57Candy.
23:04Cry for love.
23:06China girl.
23:07When I was octal.
23:10Is it for a corner?
23:17Cold metal.
23:28Let's go.
23:36Oleg, are you okay?
23:38I'm sure I'm okay.
23:41Are you okay?
23:43Excuse me.
23:44No, no, no.
23:45Stop there.
23:45What the hell is this?
23:47I thought you would sit in the room.
23:51I would like to go to the room.
24:03What the hell is this?
24:04What you do?
24:04Do you shoot him?
24:04I have to do it on your plan.
24:05What really plan?
24:07I think you thought you could live with me there.
24:11I would feel like I was the self of me.
24:14I'm not sure.
24:15I don't know the truth.
24:18You were forgetting that a man was just dumb.
24:21I hope that you kidnapped her son on the way to go, so he was found together with you.
24:26And when did you have to send him?
24:34I thought I knew you were going to find us.
24:36I thought it was difficult enough.
24:38I think you would have gotten a mistake.
24:40Stop it! Oleg! Oleg!
24:42Come back! Come back, or else I'll shoot Harry.
24:46I'm going to drive with a friend of mine, because he's almost out of work.
24:51What are you talking about?
24:52All that you've been saying, for example, I've got to bring him to the camera over walking.
24:57I've been talking to Otto, so I've been talking to him in the camera, or...
25:02You're done.
25:08What do you do, Storan?
25:11The camera shows me that I've caught a friend who has completely beaten you, and kidnapped her son.
25:17I've got to say, I've got to keep everything up front of the camera, and to the ears.
25:20What the fuck are you talking about? There's no sound recording on me.
25:31I can't tell you, Oleg, the ears!
25:34Try to close the button.
25:42I have no chance, Tom. All of this is filming.
25:46The camera and I...
25:50In me!
25:51In!
25:53In, sir.
25:59I found your pistol.
26:00I stole you.
26:01I stole you from the pistol.
26:11Get in me.
26:16Come, come, come, come!
26:25What's that, Tom?
26:26You're so smart.
26:42You're so smart.
26:43All right, Tom!
26:52Take care.
26:57That's my son!
26:58They're so smart!
27:00Uleg! Come here, Harry.
27:03Send him to the police.
27:11Stop! Stop!
27:22Harry! Harry!
27:24Stop!
27:26No, no, no!
27:30Stop!
27:34Stop!
27:35Come here, Harry.
27:40Help me!
27:43You're gonna be here?
27:47You're gonna be here, Harry.
27:49You're gonna be here, Harry.
27:49I don't know if I can.
27:55You're gonna be here!
28:01Oh, my God.
28:05I'm going to stop him for a couple of hours.
28:08I'm going to go back.
28:09I'm going to go back.
28:51I'm going to go back.
29:00I'm going to go back.
29:57I'm going to go back.
30:16I'm going to go back.
30:43I'm going to go back.
30:55I'm going to go back.
31:09I'm going to go back.
31:16I'm going to go back.
31:20I'm going to go back.
31:44I'm going to go back.
31:47I'm going to go back.
31:54I'm going to go back.
31:58I'm going to go back.
32:05I'm going to go back.
32:08I'm going to go back.
32:19I'm going to go back.
32:21I'm going to go back.
32:50I'm going to go back.
32:51I'm going to go back.
32:56I'm going to go back.
32:58I'm going to go back.
33:03I'm going to go back.
33:14I'm going to go back.
33:15I'm going to go back.
33:18I'm going to go back.
33:19I'm going to go back.
33:29I'm going to go back.
33:33I'm going to go back.
33:34I'm going to go back.
33:36I'm going to go back.
33:37I'll go back.
33:41Well, that's right.
33:45Martin Amino is back to us.
33:47I'm going to go back.
33:50I don't know why he's going back.
34:00Job, Ruff.
34:01Yeah, okay.
34:02Johan, your friend Eikeland, he was also in Varetekt.
34:06But we have stopped him now.
34:08He's in good health.
34:09If you don't say anything,
34:11then you can't have a dash with Promille there.
34:18We've talked a little bit about CFO,
34:20and they don't think that
34:23the messages from Hyperlus
34:25plus the messages to Aminov and Ole
34:28and they're coming to hold you a lot.
34:34You're coming to get trouble with that you're dead.
34:39But I can't believe you're coming to hear
34:42that you took Aminov out of arrest
34:44and ran into the village.
34:47I'll go here, sjef.
34:58Is it me?
34:59Hi, it's Harry Ola.
35:01Wait a minute.
35:02I don't know what you are.
35:03My mobile can be able to listen to you.
35:05Yeah, I'm sure.
35:08I'm sorry.
35:09I'm sorry.
35:10I didn't know what I was going to do.
35:11They had a great job at my little brother.
35:13Yeah.
35:14I thought it had to be something.
35:17But now you have the chance to do it for me.
35:20I'll give you a thing now that Aftenposten can be accused.
35:23I don't know if you see it, but just if it's happening with me or my mom.
35:32Okay?
35:33Okay.
35:36And if your phone is off, you know all of this.
35:43The thing is clear, but I don't understand completely.
35:49That was the Hogg.
35:52But this looks more like if he was on the phone after he died.
35:57Like if a knife has been broken around.
36:03I need to give him a explanation.
36:06On that I sent out Amenov, or on that I broke my nose?
36:11No, herrgud.
36:14It's there we are.
36:16More...
36:45Ideen.
36:47No.
36:48No, herrgud.
37:18No, herrgud.
37:20You look over-begeistr.
37:23Have you got any other advice?
37:26Two.
37:56For whom, then?
37:56You are the only one in the police that is involved in these things here.
38:01I would like you to continue to help us to find out who is behind you.
38:04No, I don't know if I...
38:07No, I don't know if I...
38:34I understand.
38:37If you like well choose to take a taxi, can you say something about...
38:42...om...
38:43...WÃ¥ler say noe.
38:46...om hvem som eventuelt kunne være innblandet.
38:48Nevnt han noen navn.
38:51Noe som vi kan gå på.
39:00Good job with Barley, he's always a man.
39:26I'm always a man.
39:29If this thing wasn't clear, everyone would have thought about it.
39:35For me, it's like he's telling me that he's going to kill him.
39:40It's me.
39:43I'm always a man.
39:58Hey.
39:59Hey, it's me.
40:01Do you want to do something at home?
40:04Can we do some dinner?
40:06Yes, it's no stress.
40:09I love you.
40:11And you love me.
40:13Yes, I do.
40:23So, Beate og Lønn er helt sikker?
40:26Man var aldri på lista av mistenkte, og det her er første gang Beate ser her nå.
40:30Hun er sikker.
40:32Ja?
40:34Hva gjelder det?
40:39Du drepte kona vi.
40:43Fem år siden gikk du inn i banken når jeg jobbet, så skjøt du av hiver.
40:51Han ranet en bank for å skyte kona si.
40:54Vi senesatt hele greia som en...
40:55Farse.
40:56Ja.
40:57Akkurat som Willy Barley.
40:59SÃ¥ de arrangerte drapenes at vi ville leite etter noe annet.
41:02En serimoder eller en banker, Annie.
41:22Det er ikke noe annet.
41:22Nummeret du ringer er ikke lenger i bruk.
41:46Å conversationfyr nødleren.
41:48Å居алиικjonges ålder where sisimoder hundrede dady den...
42:02Så slugune deren, jeg ønsker ikke nødler,otypavnler,
42:04Jag seri som på blivet deren vi barn og jeg și seriette fe oss fra meen
42:04Ã…feld Kadha faller.
42:04Døren flukte.
42:05Jeg seri som på Kreiber og jeg.age
42:05kone verers av Henry Barley. Det
42:45Hva gjør vi nå?
42:49Det vi gjør nå er å ligge helt lavt.
42:57Og så kommer vi tilbake.
43:37Teksting av Nicolai Winther
43:48Teksting av Nicolai Winther
44:10Teksting av Nicolai Winther
44:11Han lyckte opp på gatan her bort.
44:15Hvordan kände du han?
44:17Jeg minns at det var synd om killen.
44:19Han fikk mye stryk av sin farse der hemma.
44:23Det gikk i rykten om at det var mye mer än så.
44:29Farsan var arbeidsløs, muradig tror jeg, søp ganske hårdt.
44:37Det var mye mer än så kommer jeg ikke ihåg.
44:40Han kallte deg solo og han søp at jeg var kompiser.
44:45Ja, det stæmmer jo at jeg kallet solo efter vår butik her, men jeg og Tom Bali var ikke kompiser.
44:52Det var det vel egentlig ingen som var.
44:57Jeg vet ikke riktig hvorfor. Jeg minns at han var ganske snæll, men jeg vet en sån her som hjælper
45:03gamla tanter over gatan.
45:05Litt scoutaktig typ sådär.
45:06Ja, men han var ensam.
45:11Litt konstig.
45:15Sen var det noget skumt med hans pappas død.
45:19Det er jævlig mærklig olyck at råk ut for hemma.
45:23Amen.
45:26Ja, asså det var en sak at ramla på fyllan, men rakt på en kniv som man håller i.
45:35Ja, tak skal du.
Comments