00:28Transcription by CastingWords
00:38CastingWords
01:11CastingWords
01:19CastingWords
01:24What was that?
01:25What was that?
01:25No, he didn't. He didn't.
01:26He didn't.
01:59I don't know.
02:29I don't know.
02:50I don't know.
03:38I don't know.
03:38I don't know.
03:41I don't know.
03:43If your mother is asleep, I'm going to be forced to die.
03:48Do you understand?
03:49I don't know.
03:49I don't know.
04:04I don't know.
04:06I don't know.
04:10I don't know.
04:21I don't know.
04:28I don't know.
04:31I don't know.
04:40I don't know.
04:53I don't know.
04:58I don't know.
04:59I don't know.
05:03I don't know.
05:04I don't know.
05:06I don't know.
05:06I don't know.
05:07I don't know.
05:09I don't know.
05:10I don't know.
05:11I don't know.
05:11I don't know.
05:12I don't know.
05:12I don't know.
05:15I don't know.
05:21I don't know.
05:23I don't know.
05:31Ulek?
05:37Ulek?
05:46Ulek?
05:48Ulek?
05:53Olaj?
06:31Olaj, betor Olaj, okay?
07:02Olaj, okay.
07:05Olaj, okay.
07:06I don't know if you're a man.
07:06The door is open.
07:09Do you want?
07:10I think you know.
07:14No.
07:16I'm going to find you.
07:20What do you think you're alone?
07:25Are you full, or?
07:27Marius Velland, Camilla Loom, Visbeth Bali, Barbara Svendsen.
07:34I don't know what you're talking about!
07:46Yes.
07:46The police operation center.
07:47I'm going to focus my son.
07:49My son has been kidnapped.
07:50Can you explain why you believe he's been kidnapped?
07:53No one has been in my room, but he isn't here.
07:55So I know it, and he's taken on the jacket.
07:58He hates the jacket.
07:59He never took it.
08:01If he did not, then tell me something bad.
08:03But this jacket doesn't matter if he's in charge.
08:07Perl, I've worked in the police.
08:08I know very much how he's in the same person.
08:10And I know that some of his daughter...
08:13Okay.
08:14He's doing it for us. Tell me that it's wrong.
08:17Did you have given us fingers...
08:20...to Lisbeth?
08:23The excrement we found under the island.
08:25We found frø there.
08:27Finickel frø from the theater cafe.
08:29Yeah, that's where you ate it in the morning, Lisbeth Forsman.
08:34Problem is that it takes a minimum 12 hours for the frø...
08:38...to get down the whole way.
08:41So, regardless of how much she's finger-pulled...
08:44...it must have ended under her island after she was born.
08:48What does it mean?
08:50You killed her, cut her finger, put her in the river...
08:54...before we came here.
08:57That's what we call a technical proof.
09:00Okay, technical proof.
09:03It's a concrete and undragable factor, right?
09:08Okay.
09:15I understood that when they came here, they used a picture, right?
09:19So I understood that it was the best place for her.
09:22For her fingers.
09:24Smart.
09:25Mm.
09:26So it was a certain degree of sentimentality.
09:33I could not understand this.
09:35I couldn't see it on the first time in the class...
09:38...but then I saw another picture today.
09:40The same in the two arms.
09:43Martin Amin, they wanted to be able to understand me...
09:45...wearing them.
09:45Tell them who could save him.
09:47Tell them who...
09:48...he were...
09:49...and those who knew why.
09:52And they understood why they were...
09:52...but you learned that Lisbeth had started comments...
09:54...till him when they were on a trip in Prague, right?
09:57Yeah, that's right, isn't it?
10:01You just want to hang out here.
10:03You want to hang out here on both of them.
10:08I understood that Lisbeth had a short relationship to the man.
10:15But I understood it not before we had to put up leiligheten.
10:20Because I found two books.
10:23I love my country's flame.
10:26I'm sure my thoughts.
10:28Next time we're going to love you in the sky.
10:30Not on the back.
10:32You earn more than what you write.
10:34It's a friendship that's a practical solution.
10:37A loving life.
10:41As I told you, I've become deceived in affairs.
10:45I need to pay a little bit of money
10:47so that I can get on your feet again.
10:49But as soon as I have ordered a case,
10:51I'm coming home from you.
10:52I'm going to put my content on the back side of you.
10:55But I remember that he was four years ago
10:57when he came to our house.
10:58He wanted to sell us a face-to-face with a stierne form.
11:02So we got a card with an address on it
11:05if we were to buy more.
11:08What do you think it is
11:10when you understand the person you love?
11:13Not just to defend you,
11:15but not to be able to love you.
11:19What was the other thing?
11:22It was her that wrote.
11:24It was post-templated in the check.
11:27It came back to me,
11:28because it was a completely unknown address.
11:30Martin, it's been so long since I've heard from you.
11:33I hope the money I've sent you to help you.
11:35I still don't want to think about anything other than you.
11:39When I love my husband,
11:40I can imagine that he's there.
11:44Where are you?
11:45Where are you?
11:45But that was not the worst.
11:46The worst was to see the data-stemplate.
11:50For it had you sent...
11:53In February.
11:56In February.
11:57In February.
12:00What was the number of people?
12:03What's the number of people do?
12:05To the scene, you hit her on your girlfriend's son.
12:11And the guy would have saved her.
12:12Who would I choose to?
12:14Yes.
12:16You felt like you should find her.
12:18Never more.
12:20He told us that he was on a ship, no worries.
12:24He told us that he needed a man who could find a diamond and a weapon, without him.
12:43He told us that he would come to Oslo, and put him in a søppelbøtte every day.
12:50You knew that he was here, but he didn't have a baby when you died.
12:55The boy took you four times.
12:58And you played a cassette that you let in.
13:02A five-kant-kurs.
13:04Give me a question, and I'll give you a answer.
13:08Send us your finger to your sister.
13:13Why is this so complicated?
13:16Because I needed a søttebook.
13:19If this thing had not been explained, and Lisbeth had just fallen,
13:22then everyone had thought over me.
13:24Right? For it's always a man.
13:28Where is he?
13:30I'm sorry.
13:31Great.
13:34Set him down, let him, let him, let him, let him, let him.
13:36Kosta back.
13:36Kosta back!
13:40Set him down.
13:41Set him down!
13:42Set him down!
13:45Set him down!
13:45So the way he reacted.
13:46I don't know why.
13:59I am just a single man who has followed his heart.
14:03Can you tell me what heart is most crumpled?
14:07Is it a heart that has never been able to love it?
14:10Or is it a heart that has never been able to love it?
14:25Where are you?
14:27She is here.
14:31She is always here.
14:33And this is what you don't understand,
14:34because I have taken a place that I just know about.
14:37That is just for me.
14:39And for her.
14:42And I want her to have her here for always.
14:46I have taken care of.
14:48My problem is that I have tried to do it again.
14:52But I don't understand.
14:55What are you talking about now?
14:57Okay, I'm going to go up.
14:59What are you talking about?
14:59I'm going to go up!
15:00Nies!
15:04Go on!
15:06Let's go!
15:14Hitting this man.
15:15The new Lisbet.
15:17No, I'm not going to go up.
15:21Come.
15:23So I think I'm going to do everything I'm going to do.
15:26Just like this.
15:32You're very good.
15:40Helt nød. Helt nød.
15:45The idea here is a complete end.
15:49The public will never agree that I just want to be with you at the police station.
15:54You need a happy ending.
15:56If I don't have a happy ending, I'll make a happy ending.
16:01That's my life motor.
16:05In this case.
16:07A death motor.
16:10The gas goes down from...
16:13Five.
16:19You're so upset.
16:24Four.
16:29What the hell are you doing?
16:30What are you doing?
16:32It's not your life that's the problem.
16:35What did I do?
16:36Three.
16:39You're with me.
16:40I'm going to tell you.
16:42Two, Helge!
16:43Two.
16:47It's me.
16:48Two.
16:54Two.
16:58Two.
17:00Three.
17:09Two.
17:11Two.
17:14Two.
17:17One, two,?
17:25Oh, my God.
17:52Oh, my God.
18:18Oh, my God.
18:18Oh, my God.
18:18Oh, my God.
18:18Oh, my God.
18:23Oh, my God.
18:24Oh, my God.
18:24Oh, my God.
18:24Oh, my God.
18:25Oh, my God.
18:26Oh, my God.
18:26Oh, my God.
18:28Oh, my God.
18:29Oh, my God.
18:39Oh, my God.
18:42Oh, my God.
19:37Oh, my God.
19:42Oh, my God.
20:12Oh, my God.
20:42Oh, my God.
21:16Oh, my God.
21:43Oh, my God.
22:12Oh, my God.
22:12Oh, my God.
22:19Oh, my God.
22:23Oh, my God.
22:36Oh, my God.
23:06Oh, my God.
23:36Oh, my God.
23:37Oh, my God.
23:50Oh, my God.
24:13Oh, my God.
24:15Oh, my God.
24:57Oh, my God.
25:15Oh, my God.
25:16Oh, my God.
25:18Oh, my God.
26:14Oh, my God.
26:17Oh, my God.
26:19Oh, my God.
26:40Oh, my God.
26:43Oh, my God.
27:30Oh, my God.
27:33Oh, my God.
28:03Oh, my God.
28:04Oh, my God.
28:59Oh, my God.
29:05Oh, my God.
29:40Oh, my God.
30:23Oh, my God.
30:42Oh, my God.
31:06Oh, my God.
31:08Oh, my God.
31:44Oh, my God.
31:47Oh, my God.
31:51Oh, my God.
31:55Oh, my God.
31:57Oh, my God.
32:26Oh, my God.
32:33Oh, my God.
32:36Oh, my God.
32:39Oh, my God.
33:12Oh, my God.
33:17Oh, my God.
34:00Oh, man.
34:18Oh, my God.
34:27Oh, my God.
34:28Oh, my God.
34:34Oh, my God.
34:34Oh, my God.
35:25Oh, my God.
35:36Oh, my God.
36:04Oh, my God.
36:34Oh, my God.
37:13Oh, my God.
37:35Oh, my God.
38:04Oh, my God.
38:34Oh, my God.
39:06Oh, my God.
39:39Oh, my God.
39:44Oh, my God.
40:14Oh, my God.
40:44Oh, my God.
41:14Oh, my God.
42:11Oh, my God.
42:14Oh, my God.
42:44Oh, my God.
42:49Oh, my God.
43:39Oh, my God.
43:51Oh, my God.
44:17Oh, my God.
44:47Oh, my God.
45:42Oh, my God.
45:47Oh, my God.
46:01Oh, my God.
46:21Oh, my God.
46:51Oh, my God.
47:21Oh, my God.
47:47Oh, my God.
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