00:28You
00:39You
01:09You
01:09You
01:10You
01:10You
01:11You
01:11You
01:12You
01:13You
01:17We have a problem
01:19Olaf has disappeared
01:20We are at least anywhere he wants to make
01:23Okay
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10:41We have all the opportunity to put a lock on this,
10:44until Wollor and his group have solved the problem for us.
10:53You don't say anything, Bjarne. What are you thinking now?
10:58I don't understand what's going on here, but...
11:03You don't have to go up.
11:06You don't have to go up?
11:10You don't have to go up.
11:11If it comes out that we put lock on this, then we'll be caught up.
11:16But if it comes out that we've lost a series of murder,
11:19then we'll be caught up.
11:21It's still possible to solve this in all quietness.
11:27Wollor?
11:29The only chance to solve this is that I do this completely on my own self.
11:35And that means that I keep everyone in this room completely outside.
11:40I'm very generous with you, Wollor,
11:42but I can't take away what I feel like as an offer.
11:46With all respect, I don't want to take a vote.
11:59I'm very generous with you, Wollor.
12:02I think that I'll be able to change it.
12:02I'll be able to change my own self.
12:03It's about 15 minutes.
12:05The press release is coming out about the disappearance.
12:07This has never happened.
12:11Let's check these numbers.
12:14We're going to check here in Hole. Why?
12:17Why?
12:19Because I say it.
12:23Good morning, this is Beate Lund from Oslo Police.
12:26I call on your guided trips in Frogner Park.
12:34Okay.
12:35Okay.
12:38I have a budget for you.
12:40Okay.
12:54Which story?
13:03But...
13:08But...
13:11But...
13:12I understand.
13:13I'm not a journalist.
13:15I'm not a journalist.
13:15No.
13:17No.
13:19No.
13:20No.
13:21No.
13:28No.
13:34No.
13:35I have a question.
13:38I'm sorry.
13:39Why don't we?
13:40Because it's a bad mess.
13:42Why did you give him a number of people?
13:45Without nationality at the level.
13:49Have a nice day.
13:53If Martin had known for what we were in the fountain in Frogner Park,
13:55where he was in the right direction,
13:57because he wasn't on any of the pictures.
13:59I've watched several hundred.
14:01Is there not a face that looks like?
14:03No, he's not on any of the pictures.
14:08Do you know?
14:09Yes, wait.
14:09Here, here.
14:14It's Saturday, 17.02.
14:16Okay, I'll go back to your house.
14:18Guess who we're looking at.
14:20Is there anything in her?
14:23A bag or something?
14:26I can't really see it.
14:27He has a pocket.
14:30The other hand is a shield.
14:32Then he has a window.
14:33In any case.
14:35If no one gets killed on Saturday,
14:37I'm sorry to Arleby for something.
14:39No, but it means that it's something he says.
14:47Great.
14:49I need help here, Arleby.
14:51I need help here, Arleby.
14:51What I've talked about now,
14:52how are you going to help us?
14:54I need someone to show you that this is worth it.
14:56What's up, Arleby?
14:58What's up, Arleby?
15:01What's up, Arleby?
15:03I can't give you.
15:04I can't give you the only thing I have.
15:06If I play now,
15:07can you finish the rescue session of Aminoff?
15:10I can't stop it.
15:12They don't find any picture of it.
15:14The only one of the mountain
15:14the day Barbara Sensen was killed.
15:16And it's a bit strange, you think?
15:19The tourists have been bombed
15:21in the mountain there all summer.
15:24It's a bad news for you and the history of your story.
15:27Is there a picture of WĆ„rder and you?
15:31I'm a daughter of Prague.
15:34Fine.
15:35You can call your neighbor,
15:36and you can mail it to Beate Lund
15:38on Krim Teknisk.
15:40I will see a picture of you and Tom WĆ„rder.
15:43She's 45 minutes from now.
15:45If you're not,
15:46I'll sit here,
15:48and tell you where you are.
16:08But she's twostep.
16:11They're here.
16:21To see it,
16:21See it,
16:22Good-bye.
16:24Martin? Is that you, Martin?
16:30Yeah. Why, it's me.
16:34I need your help.
16:35I need your help.
16:40I need your help.
16:49I need your help.
16:50Krim teknisk, we hold to lĆøn.
16:52Hey, Harry.
16:54You?
16:55Ring meg pƄ mobilen.
17:04VarsƄ?
17:07VƄrt varningsprogram och tackning visar att all kommunikation till och frƄn Krim teknisk just nu blir checkad av nƄgon tredje
17:13part.
17:15Alla vƄrder Ƥr ingen annars.
17:16Ja, jag vet. SƄ nu vet de att du har ringt mig, vilket innebƤr att jag inte kan hjƤlpa dig
17:21mer, Harry. Sorry.
17:23Sambaren till Aminov, vi mejlarar ett bilde.
17:26Och det visar Aminov och vƄrder sammen pƄ ett mƶte i Braha.
17:29Jag vill att du ska se pƄ det och se om det Ƥr vilket du vƤder.
17:33Jag tror du ser om jag fƄr nƄgot jƤvla mejl frƄn Prag just nu.
17:37Vad?
17:38Och sƄ mƄste jag fƄ nƄgon jƤvla fƶrklaring till varfƶr du har ringt mig ocksƄ nu, sƄ vad ska jag
17:42sƤga?
17:44Du trenger inte sƤga nƄgot som helst, fƶr jag har inte ringt dig.
17:48Vad? Du har ringt mig tre gƄnger redan.
17:50Ja, men det vet inte de. Jag brukar en vƤldigt gammal mobiltelefon som jag har bytt med en kompis.
17:58Ja, sƄ du visste att det hƤr skulle komma alltsƄ?
18:00Det Ƥr inte att jag skulle vƄkna andra, men jag tƤnkte att jag skulle spola telefonen min, ja.
18:05Okej, det hƤr vill jag veta minst mƶjligt om Harry, okej? Skicka inte nƄgonting hit.
18:10Okej.
18:13Jag fƄr gƄ upp de faste signalerna var halvtime, men de Ƥr ju spredt ut ƶver hela byen.
18:17Ja, jag ser det.
18:19Men det Ƥr ju hit och dit, och nƄgon gƄng tillbake, likvidt dƤr han allerede har varit, alltsƄ det Ƥr
18:23ju ingen plan.
18:23Ja, men det Ƥr ju en hel del.
18:28HƤr Ƥr jag pƄ Lyd. Har du en PC-kanal?
18:52Okay.
19:01after Barbara Svendsen went out to park her barn here.
19:04So you drive easily from the front of the park for a half time.
19:07Is it a cycle?
19:08Maybe.
19:09Do you see it there?
19:11What?
19:11It looks like a plaster.
19:14Do you think we should look after people with a plaster?
19:17Or a R for a fleck, a tatuering or a medal.
19:21Yes, but first and foremost, we need to find out if this can be a murder.
19:25Yes.
19:26Yes, how can we do this?
19:31We're looking for the end of the man we know has seen Mƶrdan in a near way.
19:37Klausen.
19:39Are you ready soon?
19:41Let's go.
20:23Klausen.
20:25Klausen.
20:27Klausen.
20:29Klausen.
20:37Klausen.
20:38Klausen.
20:38Klausen.
20:38Klausen.
20:39Klausen.
20:40Klausen.
20:46Klausen.
20:50Klausen.
20:55Klausen.
20:58Klausen.
21:00Klausen.
21:00Klausen.
21:00Maybe.
21:02It's possible, yes.
21:05It's the same clothes, the same helmet, the same solbiler.
21:09Plaster on your knees?
21:11Yes, as I said, I'm not so excited to study men's life.
21:17But if I can enjoy you,
21:20I feel like this is the same man I saw.
21:25It's the same.
21:31What are you doing?
21:33This is Harry Hole.
21:34I want to hear you very well.
21:36I have information about sykebrudmordene,
21:40about a weapon-smuggling,
21:41about a man and a colleague.
21:43You have everything exclusive to the internet
21:45so fast as possible.
21:48Where are you from Ringre Hole?
21:51It's not a matter of where I am.
21:54I have a warning that shows that Martin Aminov
21:57is not a sykebrudmordene,
21:58and that a leading police officer is in
22:00one of the weapons-smuggling ligas
22:02that has operated in Norge for several years.
22:04Well, that's fantastic.
22:06But you understand that you can't write
22:08if it's just based on a telephone conversation?
22:11Well, I have proof.
22:14No serious news can write a warning
22:16about a name given over-bearing
22:17before the police is in a gun
22:19without checking that the cell is trustworthy.
22:22Look, I hear your voice again.
22:24I hear you again.
22:25But how do I know that you're not full or crazy?
22:29I understand how you think,
22:31but if I don't check it properly,
22:33we can be convinced.
22:35Believe me.
22:36I will publish this.
22:39But we must see first.
22:40Great.
22:41You're on the phone at the time.
22:43You're on the phone at the time.
22:44You're on the phone at the time.
22:45And you,
22:47not a word for a cell.
22:49You understand?
23:09Okay.
23:12Okay.
23:13Okay.
23:15Okay.
23:16Okay.
23:19Can you hear a mobile snore and fart around the street all the time?
23:22Okay, I'm fine.
23:24Let's continue.
23:34Did you talk to me?
23:36Hold the left knee after cut, soar, or birthmark.
23:40Wait a minute.
23:43See the left knee.
23:49No, there's nothing there.
23:51Where are they?
23:52Klausten has just identified that the bus is the same man who was on the picture in the park.
23:58What?
24:05Okay.
24:07What's up for them?
24:10He thinks he knows who the murder is.
24:22Bye.
24:26It is Diese.
24:29This is the end.
24:36Maria Dalsmane, thank you.
24:38Where is Maria Dalsmane on?
24:40J Frazer, I'll sit over here.
24:43It's true.
24:43My Maria Dalsmane.
24:44My jugar.
24:44Varshaug I'll sit.
24:45Mordor.
24:49Do you want to write the sound?
24:51No.
24:54No.
24:56I hate the doors.
25:01Really.
25:04I mean the doors, the doors.
25:11Yeah.
25:13Stop.
25:22Can you...
25:25What was that?
25:26Mm.
25:27Good girl.
25:28Sweet.
25:29Yeah.
25:31Hi.
25:33Hey.
25:35Um...
25:35I'll let them know. I'll let them take you.
25:37Mm.
25:37Yeah.
25:55You can swing it on the way up to the left.
26:01You know.
26:03Where can I go from?
26:04Up in the forest.
26:08Up there.
26:21The door is locked in.
26:27You know.
26:28I'm sorry.
26:28I'm sorry.
26:29Yeah, yeah.
26:34I'm sorry.
26:34If you want, I can buy a new car.
26:36And then the car will drive.
26:42Which phone should you have?
26:46Your own, or...
26:50Harry Holas?
26:55I don't know what you're talking about.
26:58But the road here has stopped now.
27:02I don't think so.
27:05Eike Land.
27:15It says in your papers that you're intelligent.
27:18So I'm starting to understand what you're looking for.
27:29What is Harry's mobile?
27:33I mean, a puppy.
27:35In the box I'm missing it.
27:49It is captured in his wagon.
27:53Are you hanged to anymore?
27:58Do you have a man here?
28:01No?
28:01Yeah.
28:03If you turn the alarm button,
28:06I'm going to die there, I understand.
28:09I did it several times.
28:11The only time I saw it around.
28:14Where are you, Ariola?
28:17The last chance, Ekeland. Where are you, little friend?
28:22Where are you?
28:25Okay.
28:37No, no.
28:39Kappa.
28:41Kappa.
28:43Kappa.
28:44Kappa.
28:47That's it.
28:48Kappa is big.
28:50Let him go all the way in.
28:59I'm going to do five.
29:03One.
29:04Two.
29:07Three.
29:09Four.
29:15I'm going to do his phone.
29:17Where are you, Ariola?
29:20Wait.
29:22Wait.
29:24Wait.
29:26He gave me.
29:30We've already been there.
29:32Try again, idiots.
29:33I've only got to go out of town.
29:41I've still got to go.
29:46I've got to go out of town.
29:48I've got to go out of town.
29:49I'm going to ask you for four hours.
29:50We know in the part of the city and it's not in the city.
29:53What means you just lied off me again?
29:55Yes, yes, yes.
29:56Hey!
29:57Hey!
29:58Hey!
29:59Shh!
30:00Puss.
30:05Hello?
30:10What?
30:13It's time to five.
30:16Okay.
30:18Get together as many as you can.
30:23Okay.
30:25Eh...
30:27Till centrum.
30:30Okay.
30:44You're totally sure that the hall has not been here before.
30:47I'll see you.
31:20Hello?
31:22No show.
31:23What should I do?
31:25I'll be the articulat.
31:26I have no number.
31:27You've got to get up.
31:29I'll go on.
31:30I'll go on.
31:30But, Thomas...
31:31As long as you do what we see,
31:32there's no number of your brother.
31:35Nothing that comes out.
31:38No.
31:39No.
31:39No, of course not.
31:41But...
31:42What are you going to do with Harry?
31:44Have a book, Vellick.
31:47I'm sure you are.
31:48Are you sure that...
31:48That was the journalist that was in a cell?
31:50No.
31:51I mean...
31:52I just mentioned...
31:53The man who said...
31:55The man who said...
31:55The man who said...
31:58The man who knew that I was...
32:00The one was just one way.
32:02The one was just one way she could find it.
32:03She had to ask you.
32:04Yeah, or she was just a stab at her and said, but I felt more like she tried to advise
32:08me.
32:09Yeah, and maybe the stories of the conversation, I don't know.
32:12Maybe I have a little bit of it.
32:14Have you had a problem with paranoia?
32:17Yeah, maybe, but it doesn't mean...
32:20Not that they're not out after you, I don't know.
32:24There are probably other journalists.
32:26No, there's no one I'm talking about.
32:29I don't think I'm going to call me with the phone here.
32:33They're coming to a spore also.
32:35Definitivt paranoid.
32:38Why would Wohler send me to that phone?
32:42The meeting with my 2-year-old friend, it was...
32:44He would call me for a call center in Greenland.
32:48More than five and six, if everything was okay.
32:50And now, it's about ten over six.
32:54So it means that I've already known the phone.
32:58And that I'm on board.
32:59Yeah, I think that you do a lot to get out of us here.
33:08Beatelem?
33:08No.
33:09It's from the laboratory.
33:11It's about the Frƶ.
33:19No.
33:24No.
33:37No.
33:40No, no.
33:42This is a theory.
33:50Hey.
33:51Hey, Beate. It's Harry.
33:53Hey, Harry.
33:53Did you find someone out?
33:55I got the answer from the lab.
33:57It's the type of frown you thought.
34:03That's exactly what I thought.
34:05So, that's him?
34:06Yes.
34:09Thank you, Beate.
34:09You'll be right.
34:40What's this for?
34:42I think so.
34:51What do you think you're talking about?
34:54No.
34:58No.
35:01No.
35:01No.
35:03I think you like this.
35:08What do you want?
35:10I want to take a chance.
35:14What do you want?
35:14I want to take a chance.
35:15I want to take a chance to hold your job.
35:16I know.
35:16We know that Hoole necessarily recorded in.
35:20Where are you?
35:22Moving along to where?
35:27Come on.
35:27You're coming in every morning!
35:29Where's the inside?
35:30From your back?
35:35I don't know!
35:36Where are you?
35:37I don't know.
35:38What do you think?
35:38Do you think.
35:38I don't want to talk about you.
35:39I don't want to talk about you.
35:41Yes, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
35:44Fuck!
35:46I'm sorry!
35:47Mu!
35:48Mu!
35:53If you say one word, then I'll fucking die there.
35:57I'm sorry, Mu!
35:58I'm sorry, Mu!
35:59I'm sorry, Mu!
36:06Is it okay?
36:07Yes!
36:12yes!
36:13yes!
36:22oh!
36:23that's all
36:24crazy!
36:28Must a nun?
36:32Oh!
36:37,
36:39no!
36:40let me not, my stars will fly you!
36:41I will fly my stylist.
36:41I Ja Natalie.
36:41No!
36:41No!
37:08So, let's go.
37:17Let's go.
37:50Oh, my God.
38:11Oh, my God.
38:49Oh, my God.
39:11Come here, Pidama.
39:46Come here, Pidama.
39:52Come here, Pidama.
40:42Come here, Pidama.
40:58Come here, Pidama.
41:36Come here, Pidama.
41:46Come here, Pidama.
41:47Come here, Pidama.
42:15.
42:45.
43:15.
43:45.
43:46.
43:46.
43:46.
43:47.
43:48.
43:48.
43:52.
43:53.
43:54.
43:54.
43:55.
43:55.
43:56.
44:00.
44:02.
44:04.
44:04.
44:04.
44:04.
44:04.
44:05.
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44:06.
44:06.
44:06.
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44:06.
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44:06.
44:07.
44:07.
44:08.
44:08.
44:08.
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44:09.
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44:11.
44:12.
44:12.
44:12.
44:12.
44:12.
44:12.
44:12.
44:12.
44:13.
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